Film and Media Studies Commons^™

Le Kabary Et Le Fokonolona Au Grand Écran, Josh E. Coster

French Honors Papers

The cultural elements of kabary and fokonolona have played varying roles in Malagasy society and history. Once appropriated by the forces of colonization, these elements today occupy a liminal space in Malagasy culture but undoubtedly represent parts of the island’s heritage. In this project I argue that film can be seen as a new kind of kabary wherein Malagasy films become the cultural expressions themselves not only through their representations of the essential elements of the kabary, but by their inherent tendencies towards social, political, and environmental activism. The community that these filmmakers create represents a modernization of the traditional …

A Sacramental Model For Digital Ecclesiology: Theological Retrieval For A Mediated Church, Caleb J. Atha

Senior Honors Theses

The widespread proliferation of digital technologies has opened the door to new ecclesiological questions and challenges for the Christian denominations that have integrated these technologies into their community life and liturgical practices. American evangelicalism is proposed to be especially susceptible to the aforementioned challenges due to its ecclesiological emphases and general posture towards digital media. Using Marshall McLuhan’s seminal insights in media theory, this work argues that the role of digital media in the church shows a significant congruence with Christian sacramental theology. The concept of the digital church is analyzed through McLuhan’s tetrad framework and its weaknesses are highlighted. …

“They Wear This Hideous Makeup All Over Their Face”: Dirty Girls And The Grrrl-Hag, Autumn Jacobs

Binghamton University Undergraduate Journal

Filmed at the height of riot grrrl, the documentary Dirty Girls presents a microcosm of the scene at a Santa Monica high school as it follows a group of girls ostracized by the student body due to their opposition to and negation of standard models of early 1990s beauty. This paper aims to situate riot grrrl and the “dirty girls” into larger contexts of the historical oppression of women, that, when viewed beyond the specificities of their given period, illustrate recurring patterns that involve the negative depiction of older women, denoted as “old hags” in the Middle Ages and Early …

A Legal Analysis On The Link Between Pornography Consumption And The Perpetuation Of Abuse, Madelyn Garrett

Advanced Issues in Criminal Law: Sex Offenses

This essay examines the connection between the overconsumption of pornography and the growing demand for violent and extreme types of pornography. This essay also looks at the abuse this demand perpetrates.

A Pedagogy Of Peace & Prose: Helping Students Engage With And Articulate Perspectives On The Plight Of Palestine Through A Tripartite Textual Analysis, Sydney E. Brammer

Feminist Pedagogy

No abstract provided.

Hieronymus Bosch’S Purgatory In In Bruges, Yalet Yanar

The Agora

In this paper I analyze the critically acclaimed film _In Bruges_, directed by Martin McDonagh, arguing that the film transforms the town of Bruges into a narrative embodiment of the Purgatory depicted in Hieronymus Bosch’s medieval paintings. The Boschian transformation is achieved through the use of medieval symbolism, themes of sin, repentance, and the afterlife, as well as visual references to Bosch’s characters, scenes, and his Last Judgement triptych in Bruges.

A Qualitative Constant Comparative Analysis Of The Editing Evolution Through Walter Murch’S Fourth Rule: Eye Trace, Emphasizing Its Utilization In Black Cinema By Renowned Black Directors From The Late 1980s To Present, Hakim Robinson

Doctoral Dissertations and Projects

Research using qualitative methods is growing, notably in media and communication studies. The proposed research will explore Walter Murch's fourth rule, Eye Trace, and its film editing guidelines, focusing on Black filmmakers' utilization of it and the evolution of editing overall. The study will use a Constant Comparative Analysis as the foundation of the research, with planned future use of Green and Bock's Transportation Theory to examine how media material immerses people in narratives; this research method often uses content analysis to identify and analyze text themes, patterns, and messages. The study examines whether content analysis can assess Murch's principles …

We Are Our Brains: Disembodied Brain Films In 1950s Cold War America, David P. Pierson

Faculty, Staff, and Alumni Books

Personified Body Parts in Cinema, Literature, and Visual Culture investigates the power of personifying body parts in cinema, television, visual culture, literature, erotica, folklore, and mystique.

Culturally, socially, and poetically exposing hidden aspects and subtleties of human existentialism, this book vigorously questions and problematizes numerous artistic, aesthetic, technological, naïve, and macabre manipulations of body parts for various purposes. A diverse team of authors explore how scribing human traits to limbs, eyes, brains, genitalia, hearts, and other inner organs is grotesque and aesthetic, repealing and appealing, intimidating and intimate, rude and enjoyable, material and spiritual, surprising and mundane. Personified organs are …

Beyond The Stars: 2001: A Space Odyssey And The Philosophical Dimensions Of Science Fiction Film, Angela Stalcup

Honors Theses

Science fiction (SF) films are typically some of the most popular movies that are released each year. They tend to be blockbuster phenomena, raking in millions or even billions of dollars. Examples of modern SF hits include Avatar (2009), which grossed $2,923,710,708 worldwide and Avengers: Endgame (2019), which grossed $2,799,439,100 worldwide (“Avatar”; “Avengers: Endgame”). The SF film genre itself has a history that begins as early as the 1890s when film as a medium developed alongside technological advances in image and sound. Throughout the genre’s long history, several tropes have remained prevalent, such as a concern with the future, along …

El Sonido Del Exotismo: Retratos De España En Carmen, Grace Quasebarth

Vernacular: New Connections in Language, Literature, & Culture

Este artículo examinará la “orientalización” de la identidad nacional de España, que resulta de la creación de estereotipos tanto creados en el extranjero como apropiados por la misma España durante el siglo XIX. Específicamente, voy a examinar la influencia de la ópera francesa Carmen de Georges Bizet (1875) en la creación de la imagen nacional española actual en la “Canción del torero” de dicha la producción de Ana Zamora para el Teatro de la Zarzuela de la zarzuela por el mismo nombre (1887) en 2014. Como obra plenamente romántica, hace hincapié en las características de ese movimiento cultura; por ejemplo, …

Social Imagining In “Youth Taking Action:” Documenting Immigrating And Settling Through A Hybrid Youth Participatory Action Research Project, Natacha Monestel Mora, Julia Iriarte, Jennifer A. Vadeboncoeur, Sediqa Temori, Mathias Abraha

Occasional Paper Series

This paper is a memoir of our experiences with Youth Taking Action (YTA), a YPAR program that took place during the COVID-19 pandemic. YTA, a collaborative effort organized by a non-profit based in Vancouver, British Columbia, Canada, provided a space for 6 newcomer youths and 4 immigrant adults to engage in active dialogue. Through these conversations, we explored stories of immigration and settlement, identified barriers that limit opportunities for young newcomers and discussed possible actions to address these issues. The youth also learned documentary filmmaking techniques, which helped them collect data and generate more dialogue. This process revealed that linguistic …

Promising Young Woman And The Structural Failure To Protect Women, Josephine Ebersole

KUCC -- Kutztown University Composition Conference

This paper explores Emerald Fennel's film Promising Young Woman and the relationship between women and male violence and how male violence is protected by misogynistic structures, specifically in the case of sexual assault. The paper argues that institutions and structures that are rooted in patriarchy and misogyny are fundamentally unable to protect women from the actions of violent men, both in the film and in reality.

Contributors, Taz Fruhauf

.RAW Journal of Art and Design

No abstract provided.

'2 Friends In A Laundromat' & 'Bubba', Andrea Aruino, Jacob Crock

.RAW Journal of Art and Design

No abstract provided.

'Fingered' & 'Visual Control', Olivia Pye, Nick Degeorge

.RAW Journal of Art and Design

No abstract provided.

'Percy Jackson Book Cover Redesigns' & 'Quirks Of An Anxious Girl', Elizabeth Ridley, Lorelei Samuel

.RAW Journal of Art and Design

No abstract provided.

'Can't Feel Me', Owen Isachsen

.RAW Journal of Art and Design

No abstract provided.

'Eva' & 'Esencia', Frankie Grosser, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'Lucky Flix' & 'Heart Of The Country', Dan Lee, Jane O'Neil

.RAW Journal of Art and Design

No abstract provided.

'Decapitated Darling' & 'Informal Hand-Drawn Letter To My Hometown', Maneli Mianji, Cezar Gomez

.RAW Journal of Art and Design

No abstract provided.

'Holy' & 'Far Gone', Christianna Gatti, Tyler Deal

.RAW Journal of Art and Design

No abstract provided.

'Picking Up The Pieces' & 'Supernova', Liliana Monge, Zach Kanter

.RAW Journal of Art and Design

No abstract provided.

'Walking On Clouds' & 'Tuned To The Moment', Frank Cooke, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

'Scatter', Victoria Dai

.RAW Journal of Art and Design

No abstract provided.

'Surface Tension (Part 3 Of The Forces Of Nature Series For Fits At Slo)' & 'Koi Pond', Jordan Marozik, Jenni Martinez

.RAW Journal of Art and Design

No abstract provided.

'Fashion At Mdo', Taz Fruhauf

.RAW Journal of Art and Design

No abstract provided.

'Bodies In Nature' & 'Sf Moma', Joie Rahn, Dena Gabriel

.RAW Journal of Art and Design

No abstract provided.

'West', Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

'Is This All You See?' & 'The Deception Of Elegance', Luiza Rufeisen, Maya Benham

.RAW Journal of Art and Design

No abstract provided.

'Pink Party', Kelli Ayon

.RAW Journal of Art and Design

No abstract provided.