Film and Media Studies Commons^™

As Above, So Below: The Cognitive Impact Of Found Footage Horror, Josephine Railston

Student Scholar Symposium Abstracts and Posters

What makes a horror movie good? Why do we like horror movies? Using the 2014 movie As Above, So Below my poster presentation explores the cognitive impact of found footage horror on its viewers. Employing the use of a handheld camera and first person perspective, the film is able to immerse its audience in a supernatural version of the Paris Catacombs. I discuss found footage as a narrative tool, particularly focusing on how it amplifies psychological and physical responses like fear and anxiety.

Resurrected Criminals, Time-Loops, And Faustian Bargains: The Speculative Edge Of 1940s Film Noir, Tyler P. Bolden

Student Scholar Symposium Abstracts and Posters

In the 1940s, as film noir reached the height of its generic consolidation, a more uncanny and supernatural variant emerged in its shadow: speculative noir. While the genre's hard-boiled lineage, Expressionist aesthetics, and the lyrical fatalism of French Poetic Realism define its conventional form, certain films of the period reconfigured noir through Lovecraftian horror, gothic motifs, weird science, and ontological rupture. This neglected strain of noir stretched the genre's murky boundaries beyond fatalistic crime narratives into what science fiction writer Fritz Leiber calls the "dark dangerous forest"—a space of eerie, indeterminate forces. Although critics such as James Naremore and Christopher …

The Inescapable Ideology: How Third Cinema And Afrofuturism Can Change The Future, Daniel Silver

James Madison Undergraduate Research Journal (JMURJ)

Ryan Coogler’s Black Panther films brought the genre of Afrofuturism to a mainstream audience. Afrofuturism seeks to reclaim a past that was stolen by Western colonial and imperialist powers; because that past has been erased, it must be imagined in fiction. Afrofuturistic stories are then used to address issues in the present and look towards a better future. This paper examines how those stories are told using the words and symbols of the dominant ideology in society. It uses Althusser’s theory of Ideological State Apparatuses, Gramsci’s concept of cultural hegemony, and Solanas and Getino’s understanding of the Third Cinema movement, …

Performative Biomechanics : Evolving Buildings Into Inhabitable Organisms, Josh Lopez

Bachelor of Architecture Theses - 5th Year

There has always been a connection between biology and architecture. Michael Pawlyn, in Biomimicry in Architecture, coined “biomechanical designs” to describe structural techniques derived from creatures. This study investigates chitin-based creatures. Crustaceans, insects, and microscopic organisms all have exoskeletons in nature. With a focus on crabs, other crustaceans and bugs, this study examines and evaluates the formal characteristics of chitin-based organisms. The architectural creations of OXMAN, NOX, which was founded by Lars Spuybroek; and Lebbeus Woods are among those that are analyzed and studied due to their inspiration from living things. They follow functional effectiveness in nature, which is why …

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

4 In 10 Tiktok Users Find Their ‘For You’ Page Extremely Or Very Interesting, Aashish Gadani

Theses and Dissertations

Using video supercuts, sculptural forms, and digital prints on textiles in my work, I explore how images/videos can be used to reflect on cultural and personal trends. In this paper, I discuss how the structure of software recommendation systems combines with ideas of the post-internet image and creates unintended cultural consequences.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

One Can Only Dream, Sophia V. Yacca

Theses and Dissertations

One Can Only Dream is an interactive installation in which players are invited to navigate a liminal, dream-like game, engage with a branching series of questions, and introspect upon the relationships between unconscious expression, conscious self-perception, and the inherent difficulty of depicting, sharing, and understanding subconscious thought.

Rooted in both my personal experience with a rare neurophysiological condition and in my desire to create, this project examines dreams not only as a medical and cultural phenomenon, but also as a means to form identity, reflect trauma, and inspire creativity. Drawing from modern interactive storytelling and my lived experiences, this work …

A Grieving Heart, Cong Zhao

Theses and Dissertations

“A Grieving Heart” is a 12-minute animated short film about an immigrant woman examining her past in the wake of her American ex-boyfriend’s death. The film features a first-person confessional voiceover, 2D black and white animated imagery, and an original score. The narrator reflects on her Chinese-American upbringing, her past relationship, and her current grief. The film explores how love and loss impact the ways she confronts her immigrant identity, memories, insecurities, and regrets.

As Above So Below, Robin Smith Fedock

Theses and Dissertations

As Above So Below is a short experimental documentary film that reveals an unexpected world of entanglements connecting life, death, and fungi in Brooklyn’s Green-Wood Cemetery. Fungi are nature’s decomposers, turning dead trees into soil so new trees can grow, for example. Mycorrhizal fungi perform acts of collaboration and mutualism, delivering water and nutrients to roots of plants through their underground networks of mycelium. As we struggle to find ways of living in and beyond this time of planetary crisis, rife with loneliness and grief, what can we learn from fungi and their entanglements? How can we move beyond dominant …

Out From Under: Stories Of Endometriosis, Prisca Edwards

Theses and Dissertations

Six individuals. One diagnosis. In Out From Under, people living with endometriosis gather for an art-centered workshop. Through collage and conversation, they transform isolating medical experiences into paths of connection and collective healing.

Endometriosis affects approximately one in ten women of reproductive age, yet diagnosis is often delayed by nearly a decade. During this time, many suffer from debilitating symptoms without adequate care or accessible treatment. Out From Under explores the lived experience of endometriosis through the lens of socially engaged documentary filmmaking. Participants share their medical histories, emotions, and frustrations in a structured yet open environment designed for intimacy, …

Coffee Bindings, M. Ermolenko

Theses and Dissertations

Coffee Bindings is a multi-media interactive installation weaving themes of history, memory, death, and spaces that no longer exist through the lens of coffee readings and a mixture of physical and digital media. By navigating ghost spaces (spaces/places that used to exist but don’t anymore), and looking at survival through three time periods, Coffee Bindings jumps through liminal time and space, navigating the Armenian Genocide of 1915, the ethnic cleansing and displacement of Armenians from Artsakh in 2020-2024, while also tying them to personal family history with the death of my father and the loss of the physical space of …

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

The Tales Of Maruni, Sikuma Rai

Theses and Dissertations

Sikuma Rai journeys into the fading indigenous genre of Maruni—an eastern Nepali song and dance form—narrating letters to her late grandfather. Accompanied by her father, and a devoted folk musician from an upper-caste background, she traces echoes of memory, identity, and the fragile inheritance of indigenous culture.

Body Of Light, Lucy C. Adams

Theses and Dissertations

Body of Light is a two channel video installation, incorporating a combination of archival material and present day footage to explore and speculate upon the traces of Audrey Munson’s life that remain, a ghostly presence creeping into our current world.

Storytelling Or Telling Stories: An Analysis Of Disnarration In Music Videos, Victoria Garrett

Honors Theses

Music videos have grown in popularity in recent years and have begun to augment the stories being told by the lyrics of their songs. This is done by using narrative techniques, such as disnarration, to develop complex narratives that can conflict with the lyrical content. Through analysis of the videos "Willow" (2020 dir. Taylor Swift) by Taylor Swift, "The One That Got Away" (2012 dir. Floria Sigismoni) by Katy Perry, and "One Beer" (2020 dir. Justin Clough) by HARDY, the distinction between the plots of the videos and the lyrics can be brought into focus. This distinction in the stories …

Cartoon Kinship, Kelsey Bell Quinn

Master's Theses

Most people view cartoons as mindless entertainment exclusively for children. They dismiss the genre as if it only contains zany and overzealous characters who deal with simple, predictable challenges, easily resolved by the end of the episode. The negative attitude towards cartoons—or seemingly anything animated—undermines the importance of the lessons and the themes many shows do impart on their viewers, regardless of their age. Shows like Nickelodeon's Avatar: The Last Airbender cover a plethora of complex themes, but due to its status as an animated work, it has been disregarded as a show for children rather than being appreciated as …

Fugitive Colors, Natalie Rose Eddings

Theses and Dissertations

My objects are meditations on intertwining themes of labor, rest, and interiority and their shadow sides—power, subjugation and the gaze. I couple materials that have millenia-long histories such as metals, glass, paper and clay with found objects and plat materials to illustrate narratives and exhume memories. Drawn from nature and technologies of land, plant stewardship and the domestic realm, I imagine my sculptures as life supporting vessels or magical enclosures.

Through sculpture, photography and printmaking, I build structures that are space of quiet to be filled with thought, healing and development. Like incubators and seed pods, my work is protective …

Feral And Free: The Queering Of Motherhood In Rachel Yoder’S Nightbitch, Cassandra Haskell

Master's Theses

This thesis explores motherhood from a perspective that seeks to inform and challenge the patriarchal definitions of motherhood in order to simultaneously confront its restrictions and create new meanings from its institutionalized definition. The main text that this thesis analyzes is the 2021 novel Nightbitch by Rachel Yoder, as well as the 2024 film of the same name, critiquing how it successfully queers motherhood by questioning, challenging, and defying the impractical expectations placed upon mothers by society. Some secondary scholars whose works that I utilize to support my argument are authors such as Audre Lorde, Jessica Calarco, Adrienne Rich and …

Student Film Fest 2025 Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Student Film Fest 2025

Thursday, May 1, 2025, 7PM

INTRODUCTORY REMARKS:

Fr. Ken Gumbert

COMPETING FILMS:

Will Drew ‘25, A Day in the Life: Luke Fonts, 3:49

Nariah Scott ’25, No Limit Just Miles Ft. Kimberly May, 4:25

Teddy Lucier ’25, The Growing Game, 5:53

Janet Newman ’27, Marvelous, 5:00

Rodney Lopez ’25, Lost and Found, 7:24

Gavin Sheridan ’25, Born to Die, 9:52

JURY DELIBERATIONS

The 2024 Film Festival winning film will be screened while jury …

Student Film Fest 2025 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Student Film Fest 2025

Thursday, May 1, 2025, 7PM

Toujours Beaucoup: Representations Of Childhood And Education In 20th Century French Literature And Cinema, Delaney Drury

Poster Presentations

This project explores French literature and cinema with significant representations of education for the purpose of examining to what extent educational ideals are upheld or undermined.

The Marginality Of Women In Narratives: Reflections On Iranian Women's Struggles Through Saeed Roustayi's Films, Narges Azami

Theses, Dissertations and Culminating Projects

Using the concept of intersectionality, this thesis explores how women are marginalized in three post-revolutionary Iranian films (made after 1979), directed by Saeed Roustayi. In these three films, Life and a Day (2016), Just 6.5 (2019), and Leila’s Brothers (2022), the intersectional lens helps investigate how different types of oppression, such as gender and class, often come together to affect women’s lives. In the analysis, four main themes emerge, including emotional labor, symbolic erasure, limited visibility, and intersectional oppression. Roustayi’s films point out how systems like patriarchy, poverty, and tradition hold women back. The study also explains how multiple social …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Gendered Film Criticism And “Intolerable Images”: Representation Of Female Trauma In Brady Corbet’S Vox Lux (2018), Alison Kreul

Film and Media Studies (MA) Theses

This thesis explores Brady Corbet's 2018 film Vox Lux, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, …

Phenomenologies Of Women's Illness In Ingmar Bergman's 1970s Films, Sophia Rubino

Film and Media Studies (MA) Theses

It is no surprise that the chronically ill Ingmar Bergman featured recurrent motifs of illness throughout his oeuvre. What is more surprising is that this consequential component of these works remain largely unexplored. Cries and Whispers (Viskningar och rop, 1971), Face to Face (Ansikte mot ansikte,1976), and Autumn Sonata (Höstsonaten, 1978), are pivotal examples of this shift, where illness is not merely an individual experience for these women but a complex, embodied phenomenon that profoundly shapes interpersonal relationships, particularly within family structures. This thesis conceives phenomenologies of illness in three 1970s films by Ingmar Bergman – Cries and Whispers, Face …

He Who Rules "Cinema" Rules Everything: Kalimán As Bridge Between 1960s And 1970s Mexican Cinema, Jose Emilio Reyes Rocher

Film and Media Studies (MA) Theses

Kalimán is a Mexican superhero whose adventures, along with his sidekick Solín, take them around the world and across various media platforms: radio, comics, and cinema. The cinematic tales of Kalimán reflect significant changes in Mexican cinema, society, and culture. The two Kalimán films, El Hombre Increíble and El Siniestro Mundo de Humanón, occupy a unique liminal position in Mexican National Cinema, capturing the transformations that took place during the early 1970s until 1976, a time now known as the Prodigious Decade.1 The Kalimán films also draw inspiration from “churro” films, particularly from the Luchadores genre, films often considered excessive …

"A Miniature Replica Of Life": Reality, Critique, And The Burden Of Representation In Oscar Micheaux's Body And Soul, Maria Lagomarsino

Theses, Dissertations and Culminating Projects

With the release of his controversial silent film Body and Soul (1925), filmmaker Oscar Micheaux elicited strong reactions from censors, critics, and audience members alike. While some praised the work as a triumph of Black filmmaking, others were horrified by Micheaux’s corrupt preacher storyline and supposedly negative characterizations. The creation of this film occurred during a particularly fraught period of history, which saw some Harlem Renaissance figures argue that only positive depictions deserved a place in the public discourse. With Body and Soul, however, Micheaux refused to be limited by this undue burden of representation. In this thesis, I further …

Her Hideous Progeny: Frankenstein'S Legacy, Adaptability, And Contemporary Prominence To Critical Story Telling, Ryan Penske

English (MA) Theses

This thesis situates the narrative of Frankenstein by Mary Shelley with two contemporary adaptations Get Out (2017) by Jordan Peele and Poor Things (2023) by Yorgos Lanthimos. The original 1818 Frankenstein text is composed of different discourses about race, gender, monstrosity, and what it means to be an abject other. As a text full of critical discourse, it has reached great popular culture legacy and has become adapted numerous times over the past two centuries. This thesis explores and acknowledges instances where the text has been adapted and applied to harmful discourses, such as British Prime Minister George Canning’s use …