Film and Media Studies Commons^™

Robotic Rhythm: A Contemporary Look At Ai-Driven Editing Tools’ Efficacy In Understanding And Replicating Creative Rhythm Editing Techniques., Alexander Selby-Lara, Charles Howard

Honors Thesis

It is undeniable that artificial intelligence (AI) has made its way into the film world. From AI-generated imagery and sound design in two 2025 Oscar nominees — The Brutalist and Emilia Pérez (Pulver) — to weekly updates and monthly beta releases of existing and new generative image and video models, AI-driven filmmaking tools are here to stay. But what does this mean for the post-production workflow? Much like camera development, editing technology has come a long way from flatbed film editors to Adobe Premiere Pro v. 25.0. Yet, despite each technological leap from system to system, the delicate task of …

The Corps, Greta Zimmer, Daniel Rogers

Honors Thesis

When a rich, sheltered girl joins a ragtag community service team in Mississippi, she must learn who she is while dealing with her arrogant rival, manipulative boss, and the brutal challenges of serving the unhoused population.

Overlooked: The Nuanced Struggles Of Autistic Women, Autumn L. Payne

Honors Theses

Overlooked is a documentary short film that seeks to shine a light on the nuanced struggles of autistic women in a neurotypical world. This short documentary consists of three interviews with autistic women from different backgrounds. Each diagnosed during a different stage of life, they reflect on their journeys to receiving an Autism Spectrum Disorder (ASD) diagnosis and its impact on their lives. These conversations reveal an overwhelming lack of resources for autistic people, especially for women, people of color, and members of the LGBTQIA+ community. With the diagnosis criteria for ASD being historically based on white males, women and …

Cinephiles, Connor J. Mclaughlin

University of New Orleans Thesis Films

“Cinephiles” is a graduate thesis film from the University of New Orleans that was shot on-location across the state of Louisiana in the towns of Robert, Zachary, and New Orleans. The film was written, directed, co-produced, and edited by Connor McLaughlin. They will presume the first-person singular in the subsequent reflection paper chronicling the development, pre-production, production, and post-production stages of the aforementioned fifteen-minute, mixed media short film.

Ray's Real Dream, Rebecca Garba

University of New Orleans Thesis Films

Ray’s Real Dream is a UNO thesis film that was filmed on location in New Orleans, LA, in October of 2024 and delivered in May of 2025. The film was written, directed, and edited by Rebecca Garba who will presume first-person singular (i.e. “I”, “Me”, “My”) in the following reflection paper charting the development, pre-production, production, and post-production of the aforementioned short film and her time at the University of New Orleans. A detailed account of the specifics of how each production element occurred is provided, along with visuals from the set.

Social Media Addiction Explained Through Film, Matthew Layton

Student Scholar Symposium Abstracts and Posters

“How much is too much?” The central frame of my creative work tackles this question through the lens of queerness, addiction, isolation, and self-identity, giving an unfiltered voice to today’s youth. Social Media’s negative effects go deeper than the usual anecdotes of decline in sleep quality, physical activity, and attention span. The ramifications of a negative mental headspace are often overshadowed by flashy promises and a false sense of belonging. The societal impact is especially influenced due to the malleability of the adolescent brain. In 2022, up to 95% of teenagers ages 13 to 17 claimed to use social media, …

Art In Itself: The Vision Of Three Female Mississippi Artists, Jane E. Thomas

Honors Theses

This thesis is a collection of longform, narrative-style journalistic profiles on artists in Northeast Mississippi. These artists include Carol Roark from Enid and Hannah McCormick and Coulter Fussell from Water Valley. Each profile highlights an individual artist’s work, from her background, inspirations, process and distinctiveness as a creator. These profiles required studio visits and extensive interviews, as well as secondary interviews with clients, gallery owners and art curators. An overarching theme between the three artists is their ability to recognize artistic potential in their immediate surroundings; Roark paints landscapes from her own backyard, McCormick paints scenes from everyday life and …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

The Kinship Of Creatives, Saba Saif Ur Rehman

MFA in Illustration & Visual Culture

This research essay contends that artists and creative individuals must recognize their agency in shaping societal narratives, particularly during times of technological and political upheaval. The essay draws on the insights and contributions of visionaries like Walter Benjamin, Ursula K. Le Guin, and Tomm Moore to emphasize the power of imagination and creativity in addressing real-world issues. It argues that previous technological advances have often reinforced hierarchical and oppressive systems, benefitting a select few while neglecting the masses. As we enter the fourth Industrial Revolution, this essay calls the artists to reclaim their tools from being co-opted for exclusionary and …

Resurrected Criminals, Time-Loops, And Faustian Bargains: The Speculative Edge Of 1940s Film Noir, Tyler P. Bolden

Student Scholar Symposium Abstracts and Posters

In the 1940s, as film noir reached the height of its generic consolidation, a more uncanny and supernatural variant emerged in its shadow: speculative noir. While the genre's hard-boiled lineage, Expressionist aesthetics, and the lyrical fatalism of French Poetic Realism define its conventional form, certain films of the period reconfigured noir through Lovecraftian horror, gothic motifs, weird science, and ontological rupture. This neglected strain of noir stretched the genre's murky boundaries beyond fatalistic crime narratives into what science fiction writer Fritz Leiber calls the "dark dangerous forest"—a space of eerie, indeterminate forces. Although critics such as James Naremore and Christopher …

As Above, So Below: The Cognitive Impact Of Found Footage Horror, Josephine Railston

Student Scholar Symposium Abstracts and Posters

What makes a horror movie good? Why do we like horror movies? Using the 2014 movie As Above, So Below my poster presentation explores the cognitive impact of found footage horror on its viewers. Employing the use of a handheld camera and first person perspective, the film is able to immerse its audience in a supernatural version of the Paris Catacombs. I discuss found footage as a narrative tool, particularly focusing on how it amplifies psychological and physical responses like fear and anxiety.

Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona

Student Scholar Symposium Abstracts and Posters

Horror films fulfill a unique psychological need in contemporary society, allowing viewers to confront and release repressed impulses. Tobe Hooper's The Texas Chainsaw Massacre, Part Two (1986) exemplifies how the genre explores deeper themes, particularly through phallic symbolism and the unconscious mind. Using the chainsaw as a phallic symbol, the film delves into power dynamics, sexuality, and societal norms, reflecting Freud’s theory of the return of the repressed. This paper applies Freudian psychoanalysis, drawing on works by Murray Leader and Linda Williams, to explore how repressed desires manifest in the film. The chainsaw represents twisted masculinity, with Leatherface embodying repressed …

The Inescapable Ideology: How Third Cinema And Afrofuturism Can Change The Future, Daniel Silver

James Madison Undergraduate Research Journal (JMURJ)

Ryan Coogler’s Black Panther films brought the genre of Afrofuturism to a mainstream audience. Afrofuturism seeks to reclaim a past that was stolen by Western colonial and imperialist powers; because that past has been erased, it must be imagined in fiction. Afrofuturistic stories are then used to address issues in the present and look towards a better future. This paper examines how those stories are told using the words and symbols of the dominant ideology in society. It uses Althusser’s theory of Ideological State Apparatuses, Gramsci’s concept of cultural hegemony, and Solanas and Getino’s understanding of the Third Cinema movement, …

Performative Biomechanics : Evolving Buildings Into Inhabitable Organisms, Josh Lopez

Bachelor of Architecture Theses - 5th Year

There has always been a connection between biology and architecture. Michael Pawlyn, in Biomimicry in Architecture, coined “biomechanical designs” to describe structural techniques derived from creatures. This study investigates chitin-based creatures. Crustaceans, insects, and microscopic organisms all have exoskeletons in nature. With a focus on crabs, other crustaceans and bugs, this study examines and evaluates the formal characteristics of chitin-based organisms. The architectural creations of OXMAN, NOX, which was founded by Lars Spuybroek; and Lebbeus Woods are among those that are analyzed and studied due to their inspiration from living things. They follow functional effectiveness in nature, which is why …

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

4 In 10 Tiktok Users Find Their ‘For You’ Page Extremely Or Very Interesting, Aashish Gadani

Theses and Dissertations

Using video supercuts, sculptural forms, and digital prints on textiles in my work, I explore how images/videos can be used to reflect on cultural and personal trends. In this paper, I discuss how the structure of software recommendation systems combines with ideas of the post-internet image and creates unintended cultural consequences.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

One Can Only Dream, Sophia V. Yacca

Theses and Dissertations

One Can Only Dream is an interactive installation in which players are invited to navigate a liminal, dream-like game, engage with a branching series of questions, and introspect upon the relationships between unconscious expression, conscious self-perception, and the inherent difficulty of depicting, sharing, and understanding subconscious thought.

Rooted in both my personal experience with a rare neurophysiological condition and in my desire to create, this project examines dreams not only as a medical and cultural phenomenon, but also as a means to form identity, reflect trauma, and inspire creativity. Drawing from modern interactive storytelling and my lived experiences, this work …

A Grieving Heart, Cong Zhao

Theses and Dissertations

“A Grieving Heart” is a 12-minute animated short film about an immigrant woman examining her past in the wake of her American ex-boyfriend’s death. The film features a first-person confessional voiceover, 2D black and white animated imagery, and an original score. The narrator reflects on her Chinese-American upbringing, her past relationship, and her current grief. The film explores how love and loss impact the ways she confronts her immigrant identity, memories, insecurities, and regrets.

As Above So Below, Robin Smith Fedock

Theses and Dissertations

As Above So Below is a short experimental documentary film that reveals an unexpected world of entanglements connecting life, death, and fungi in Brooklyn’s Green-Wood Cemetery. Fungi are nature’s decomposers, turning dead trees into soil so new trees can grow, for example. Mycorrhizal fungi perform acts of collaboration and mutualism, delivering water and nutrients to roots of plants through their underground networks of mycelium. As we struggle to find ways of living in and beyond this time of planetary crisis, rife with loneliness and grief, what can we learn from fungi and their entanglements? How can we move beyond dominant …

Out From Under: Stories Of Endometriosis, Prisca Edwards

Theses and Dissertations

Six individuals. One diagnosis. In Out From Under, people living with endometriosis gather for an art-centered workshop. Through collage and conversation, they transform isolating medical experiences into paths of connection and collective healing.

Endometriosis affects approximately one in ten women of reproductive age, yet diagnosis is often delayed by nearly a decade. During this time, many suffer from debilitating symptoms without adequate care or accessible treatment. Out From Under explores the lived experience of endometriosis through the lens of socially engaged documentary filmmaking. Participants share their medical histories, emotions, and frustrations in a structured yet open environment designed for intimacy, …

Coffee Bindings, M. Ermolenko

Theses and Dissertations

Coffee Bindings is a multi-media interactive installation weaving themes of history, memory, death, and spaces that no longer exist through the lens of coffee readings and a mixture of physical and digital media. By navigating ghost spaces (spaces/places that used to exist but don’t anymore), and looking at survival through three time periods, Coffee Bindings jumps through liminal time and space, navigating the Armenian Genocide of 1915, the ethnic cleansing and displacement of Armenians from Artsakh in 2020-2024, while also tying them to personal family history with the death of my father and the loss of the physical space of …

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

The Tales Of Maruni, Sikuma Rai

Theses and Dissertations

Sikuma Rai journeys into the fading indigenous genre of Maruni—an eastern Nepali song and dance form—narrating letters to her late grandfather. Accompanied by her father, and a devoted folk musician from an upper-caste background, she traces echoes of memory, identity, and the fragile inheritance of indigenous culture.

Body Of Light, Lucy C. Adams

Theses and Dissertations

Body of Light is a two channel video installation, incorporating a combination of archival material and present day footage to explore and speculate upon the traces of Audrey Munson’s life that remain, a ghostly presence creeping into our current world.

Storytelling Or Telling Stories: An Analysis Of Disnarration In Music Videos, Victoria Garrett

Honors Theses

Music videos have grown in popularity in recent years and have begun to augment the stories being told by the lyrics of their songs. This is done by using narrative techniques, such as disnarration, to develop complex narratives that can conflict with the lyrical content. Through analysis of the videos "Willow" (2020 dir. Taylor Swift) by Taylor Swift, "The One That Got Away" (2012 dir. Floria Sigismoni) by Katy Perry, and "One Beer" (2020 dir. Justin Clough) by HARDY, the distinction between the plots of the videos and the lyrics can be brought into focus. This distinction in the stories …

Cartoon Kinship, Kelsey Bell Quinn

Master's Theses

Most people view cartoons as mindless entertainment exclusively for children. They dismiss the genre as if it only contains zany and overzealous characters who deal with simple, predictable challenges, easily resolved by the end of the episode. The negative attitude towards cartoons—or seemingly anything animated—undermines the importance of the lessons and the themes many shows do impart on their viewers, regardless of their age. Shows like Nickelodeon's Avatar: The Last Airbender cover a plethora of complex themes, but due to its status as an animated work, it has been disregarded as a show for children rather than being appreciated as …

Fugitive Colors, Natalie Rose Eddings

Theses and Dissertations

My objects are meditations on intertwining themes of labor, rest, and interiority and their shadow sides—power, subjugation and the gaze. I couple materials that have millenia-long histories such as metals, glass, paper and clay with found objects and plat materials to illustrate narratives and exhume memories. Drawn from nature and technologies of land, plant stewardship and the domestic realm, I imagine my sculptures as life supporting vessels or magical enclosures.

Through sculpture, photography and printmaking, I build structures that are space of quiet to be filled with thought, healing and development. Like incubators and seed pods, my work is protective …

Feral And Free: The Queering Of Motherhood In Rachel Yoder’S Nightbitch, Cassandra Haskell

Master's Theses

This thesis explores motherhood from a perspective that seeks to inform and challenge the patriarchal definitions of motherhood in order to simultaneously confront its restrictions and create new meanings from its institutionalized definition. The main text that this thesis analyzes is the 2021 novel Nightbitch by Rachel Yoder, as well as the 2024 film of the same name, critiquing how it successfully queers motherhood by questioning, challenging, and defying the impractical expectations placed upon mothers by society. Some secondary scholars whose works that I utilize to support my argument are authors such as Audre Lorde, Jessica Calarco, Adrienne Rich and …