Film and Media Studies Commons^™

The Narrative Of The Outsider: Marginalization In The Works Of María Luisa Bemberg, Lucrecia Martel, And Lucía Puenzo, Natalie Nagl

Wayne State University Dissertations

Through film and literature, my dissertation explores the representation of race, social class, and gender in the works of three Argentine directors. These social constructs have become so ingrained in interpersonal relations that there is rigidity in how they are considered. Therefore, those individuals who do not think and interact appropriately with the constructs occupy the outside. The possibility of marginalization adds another layer to the constructs by sensitizing them to the point that they affect the individual and their relationships (i.e. psychologically and socially). However, several representations, such as those that make up our corpus, challenge the definitions of …

Indigenous Representation In The Media And The Importance Of Personal Narrative, Rehana E. Asmi

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Despite globalization, indigenous representation in the media continues to be unequal. Without personal narratives and self-representation in their stories, indigenous people continue to be negatively stereotyped in pop culture, film, television and news coverage.

Emotional Memory Forever: The Cinematography Of Paul Ewing, Andrew M. Ewing

Research outputs 2014 to 2021

Over a period of ten years Paul Ewing documented the life of his family on film – initially using Super 8 film and then converting to VHS with the advent of the new technology. Through the lens of home movies, autoethnography and memory I discuss his approach to amateur image making and its lasting legacy.

The Disrupted Screen Production Sector Reveals Patterns Of Consistency, Cathy Henkel, Andrea Michell, Lelia Green

Research outputs 2014 to 2021

This article interrogates the impact of digital technologies, including the internet, as disrupters of traditional screen production industries. The privileging of direct links between creators and audiences, as seen in myriad new content delivery platforms, including YouTube, Netflix, Vimeo and Amazon, underpins the foundation of an emerging communication world where access, voice, diversity and engagement are radically altered from what was once thought of of as screen production. Yet in the ensuing chaos, screen content creators from diverse cultures and experience are finding patterns of consistency in their navigation of this emerging production environment. This article focuses on how screen …

The Power Of A Flying Pig: Carl Stalling, Looney Tunes, And America's Need For Escape., Jordan Virginia Clark

Wayne State University Theses

This thesis examines the creation of Looney Tunes cartoons and how the powerful pairing of music and animation created a convincing reality and escape for audiences. Looney Tunes was created in 1933 by Warner Brothers animation under the stipulation that one song from a Warner Brothers feature film was used in each short. In 1936 the company hired composer Carl Stalling, who worked closely with the animation directors, progressively learning how to better pair music and animation. Stalling often used familiar popular, classical, and folk melodies within his compositions. An analysis of the Looney Tunes short “Speaking of the Weather” …

Relevant Versus Extraneous Music In Multimedia Instruction: A Study Of The Coherence Principle, Jonathan Gunnell

Electronic Theses and Dissertations

The purpose of this study was to examine whether the inclusion of nonessential music in an instructional multimedia presentation affected learners’ ability to recall information in retention, cued-retention, and transfer cognitive measures. This study tested the coherence principle of multimedia learning which holds that the addition of nonessential content that is not relevant to the instruction is detrimental to learning. This study tested this principle by analyzing differences across three groups; a control group which included no additional music, a group including bland music selected at random, and a group including music that has been intentionally designed to align with …

The Visitation, Douglas Stichbury

Artists-in-Residence Programme : Exhibition Catalogues

The works in this catalogue were made to illustrate the uncensored 2012 edition of the novel Roadside Picnic by Boris and Arkady Strugatsky, originally published in 1972.

Works included were shown at Suite Gallery, Lingnan University, and Kunsthalle Brugg.

A Turn To Realism And Humanism From Propaganda: Chinese Photojournalism Practices Between 1976 And 1988, Shi Li

SIUE Faculty Research, Scholarship, and Creative Activity

China’s photojournalistic field undertook great transformations in the 1980s. While the conservatives continued to cling to the propagandistic doctrine, a more progressive trend was emerging. The tension between these two forces had its historical roots and would go on to shape the way Chinese photojournalism developed. Based on archival research and in-depth interviews, this paper revisits the history of Chinese photojournalism practices between 1937 and 1988 and identifies the key features of these three periods: the wartime propaganda of 1937—1949, the intensification of propaganda of 1949 —1976, and the transformation to realism and humanism in 1976—1988.

The Final Girl Grown Up: Representations Of Women In Horror Films From 1978-2016, Lauren Cupp

Scripps Senior Theses

Carol Clover defined a Final Girl as a stereotype of the pure, virginal sole survivor in 1980’s slasher films such as Texas Chainsaw Massacre and Halloween. But does this representation hold up in 2016 films? Because the horror genre is so broad today, it’s almost impossible to nail down a certain stereotype of the genre, if there even is one. Films like the 1996 slasher parody Scream historically subverted the slasher genre, and since then there has been little to no iconic Final Girls. I argue that this trope is one very much set inside the confines of the 1980’s …

"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette

English Faculty Publications

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

Course Syllabus (W17 Online) Coli 211m: "Superhero Film And Contemporary Culture", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

What might the current popularity and ubiquity of superhero film say about contemporary culture? This course will explore three possible implications of this question: (1) that the superhero genre reflects a moment in our species’ history of reconciling the human being-technology relation, which we shall view as a complex system constituted by our productive relations to material and ideological tools and their ensembles, the needs and aspirations that determine how we conceptualize and activate these relations, and the technically rationalized social reality that is their result, (2) that this ongoing process of reconciliation evinces, at once, the …

Reflections On Motion Picture Evidence, Brian L. Frye

Law Faculty Scholarly Articles

Courts have long admitted motion pictures as evidence. But until recently, making motion pictures was expensive and cumbersome. Today, making motion pictures is cheap and easy. And as a result, people make so many of them. As Cocteau predicted, the democratization of motion pictures has enabled people to create new forms of motion picture art. But it has also enabled people to create new forms of motion picture evidence. This article offers a brief history of motion picture evidence in the United States, and reflects on the use of motion picture evidence by the Supreme Court.

Images Of Nostalgia: An Exploration Of The Creation Of Recollection Through Visual Media, Allyson Dickerson

Electronic Theses and Dissertations

I create innovative artistic works in which the experiential consciousness of the viewer drifts between objects, images, and the auditory narrative. The work approaches the visualization of memory and the catharsis of the loss felt from death. The projection of light onto lifeless entomological specimens mimics the projection of memory as a means to return to what has been lost. The digital copy of the specimen flickers across their bodies as a tribute to the movement that once possessed them. A List of Things that Quicken the Heart is a body of multimedia installation and single channel work that has …

Design And Production Of An Episodic Online Animation: Cairns Of Apeiron, Andrew Cadieux

Electronic Theses and Dissertations

This paper describes the development of a feature length script and an independent episodic animation to be distributed online. The goal is to show that appealing animation can be achieved using digital tools, a limited animation workflow, few artists and a strict micro-production budget. I will detail the methods of animation used for the project and describe plans for its distribution to an online audience, including a market analysis and business plan.

Filmmaking As Artistic Inquiry: An Examination Of Ceramic Art Therapy In A Maximum-Security Forensic Psychiatric Facility, Serena Duckrow

Expressive Therapies Dissertations

This Art-Based Research (ABR) illuminates the power of creativity to inspire and heal people living in a maximum-security forensic psychiatric hospital. The study comprises: the individual and group artwork from the Collaborative Ceramic Art Therapy Studio with thirteen participants; a culminating thirteen-minute film found at https://www.youtube.com/watch?v=PytlFZVvlig, Conversations in Clay: Creativity, Collaboration, and Community; an artistic inquiry and examination of the project footage; and a discussion of how the therapeutic filmmaking process helped capture the essential therapeutic elements of clay, filmmaking, and the art therapy studio environment.

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

A Case For Empathy: Immigration In Spanish Contemporary Media, Music, Film, And Novels, Constantin C. Icleanu

Theses and Dissertations--Hispanic Studies

This dissertation analyzes the representations of immigrants from North Africa, Latin America, and Eastern Europe in Spain. As engaged scholarship, it seeks to better the portrayal of immigrants in the mass media through the study of literature, film, and music about immigration spanning from the year 2000 to 2016. Because misconceptions continue to propagate in the media, this dissertation works to counteract anti-immigrant, xenophobic representations as well as balance out overly positive and orientalized portrayal of immigrants with a call to recognize immigrants as human beings who deserve the same respect, dignity, and rights as any other citizen.

Chapter 1 …

The Places That Became Home: A Collection Of Short Stories And Memories, Stephanie Ewing Mace

CMC Senior Theses

This is a collection of short stories and memories from the eight places that I have lived. Through these stories and memories, I reflect on themes of identity and community. I also consider the idea of home: what defines a home, how we make a place feel like a home, and what transforms a city or a town into a home. Each chapter also includes my own original designs and photographs.

The stories about Sharon and Westwood, small towns in Massachusetts, focus on childhood and familial relationships. The narratives about St. Louis, Missouri and Toluca Lake, California, consider the transition …

Polarizing Narratives: Harmful Representations Of Mental Illness And Bipolar In Popular Media, Mary Jane Coppock

Scripps Senior Theses

Representations of mental illness in mainstream media have historically been infantilizing and dangerous. In the last century, dominant media has perpetuated inaccurate and damaging tropes about bipolar disorder in particular, perpetuating misunderstanding and stigma. Despite this fact, art can provide an outlet through which healthy images that promote understanding and sympathy can be dispersed. My project, Polarized, presents a more accurate representation of the disorder and its effects on individuals who struggle with it, as well as their loved ones. Bipolar disorders are a group of mental illnesses that cause dramatic shifts in an individual’s mood, energy, thinking ability, and …

A Choreographic Exploration Of Race And Gender Representation In Film And Dance, Sharon M. Keenan

Scripps Senior Theses

Through extensive research which culminates in a choreographic component, this thesis explores the lack of diverse representation within artistic and entertainment industries in regards to race and gender. In pursuit of a concise argument, most of the focus is on race and the conditioned view of gender as binary. Looking specifically at dance and film, it considers and analyzes why this absence persists, along with ways to ensure progress. The analysis and exploration unfolds in five central chapters: Research, Conception of the Dance, One and the Same, and Try It On Make It Fit. By detailing all that …

Technological Disruption In Entertainment: Navigating The Film Industry's Dynamic Relationship To The Consumer, Samantha Mea Simon

Scripps Senior Theses

The following thesis acts as a critical cultural progression report surrounding the current technological disruption in the entertainment industry and its impact on consumers. This begins with a study of the history starting in 1910 and covers the urbanization of America during the Industrial Revolution, the developing fan experience, a history of consumer demands in relation to oligopolistic principles and the blockbuster method, the invention and influence of the television, and the current effect of technological advancement in the entertainment industry. Following this historical overview, four chapters will study different methods of analysis covering the intricacies of the current technological …

Pink Material: White Womanhood And The Colonial Imaginary In World Cinema Authorship, Patricia White

Film & Media Studies Faculty Works

No abstract provided.

Dying In Full Detail : Mortality And Digital Documentary, Jennifer Malkowski

Film & Media Studies: Faculty Books

In 'Dying in Full Detail' Jennifer Malkowski explores digital media's impact on one of documentary film's greatest taboos: the recording of death. Despite technological advances that allow for the easy creation and distribution of death footage, digital media often fail to live up to their promise to reveal the world in greater fidelity. Malkowski analyzes a wide range of death footage, from feature films about the terminally ill (Dying, Silverlake Life, Sick), to surreptitiously recorded suicides (The Bridge), to #BlackLivesMatter YouTube videos and their precursors. Contextualizing these recordings in the long history of attempts to capture the moment of death …

Charles Dickens In Cinema And The Loss Of His Message, Elliot Staatz

All Master's Theses

The collected works of Charles Dickens have garnered countless critiques, not the least of which involve their social and political meaning, but what about the films based on these works? There are few nineteenth century authors who have been adapted to film more than Dickens. However, these cinematic works are often left under-analyzed; there is much to be said about Dickensian adaptations. Adaptations can be critically compared with the original, possibly showing changing societal values. So, by focusing on Dickens and his adaptations, we can expose societal values which have changed. Specifically, I will focus on the increased societal acceptance …

From Weak Woman To New Woman And Back: The Long Struggle To Legitimize Women Athletes In The U.S., Rashaun Debord

Audre Lorde Prize

This paper details the complicated history of women in sport by looking at the changing popular image of women athletes from the late 19th century to today.

Politics, Feminism, And Popular Television: Madam Secretary As A Politician, Wife, And Mother, Katie Lynn Schwind

Electronic Theses and Dissertations

A recent surge in political dramas on television has produced an opportunity for media scholars interested in gender, politics, and entertainment media. To date, most research involving the study of fictional politics has revolved around male characters, leaving a gap in the study of female political characters. This study looks at the representation of the character of the US Secretary of State, Elizabeth McCord, in the television drama Madam Secretary in order to evaluate whether the show challenges or reproduces the postfeminist notion that "women can have it all." Through a qualitative textual analysis of six episodes of Madam Secretary …

Pathos, Winter 2017, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 2

The Limits Of Transparency: Data Brokers And Commodification, Matthew Crain

Publications and Research

In the United States the prevailing public policy approach to mitigating the harms of internet surveillance is grounded in the liberal democratic value of transparency. While a laudable goal, transparency runs up against insurmountable structural constraints within the political economy of commercial surveillance. A case study of the data broker industry reveals the limits of transparency and shows that commodification of personal information is at the root of the power imbalances that transparency-based strategies of consumer empowerment seek to rectify. Despite significant challenges, privacy policy must be more centrally informed by a critical political economy of commercial surveillance.

Stealing Home: The Akron Baseball Documentary, Daniel Cermak

Williams Honors College, Honors Research Projects

My honors project focused around the elimination of the Akron baseball program in the summer of 2015. I produced, directed and edited this project. The potential audience for this project is anyone in Northeast Ohio with some knowledge on the University of Akron and their sports teams. I did most of the work on this project during the Spring semester of 2016, where I travelled to interview former players and others to comment on the cutting of the team and the future of the players, program and school. During the summer of 2016 I conducted research and reshot interviews and …

Digital Surrealism: Visualizing Walt Disney Animation Studios, Kevin L. Ferguson

Publications and Research

There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. As an alternative, cinema and media studies should pursue a mostly-ignored "digital surrealism" that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-five feature-length films …