Film and Media Studies Commons^™

A Geocritical Approach To Coloniality And Aesthetics: Mapping The Spatial Narratives Of The Amazon Basin, Michael Wang

CGU Theses & Dissertations

Coloniality, or the living legacies and practices of the 500 years of European colonization, has produced racial, political, and cultural hierarchies around the colonial difference dividing East from West, center from periphery, civilization from the Global South. This dissertation examines a particular strand of coloniality in the Western narration and aesthetics of the Amazon basin, particularly the consequences of travel writing, science fiction and cinema of Amazon’s tropicality and its enduring effects on spatial cartography. In addressing Western representations of the jungle terrain, this paper focuses on the dichotomous relationship between the metropolitan center and the colonial outer-periphery exemplified by …

Famous Mexican Films, Irving W. Levinson

History Faculty Publications

Since 1896, México’s film industry has produced more than 5,000 films. These works cover a full range of genres.

Nothing Is Unwatchable For All, Alexandra Juhasz

Publications and Research

Discussion of why to watch or not watch contemporary visual phenomena including viral black death, streaming video and fake news.

Ev-Ent-Anglement: A Script To Reflexivey Extend Engagement By Way If Technologies, Alexandra Juhasz

Publications and Research

We discuss an art project that links entaglements and events and thinks about cutting pasting and bleeding.

Ideological Analysis Of Colorblindness In Get Out, Danielle Goldstein

OUR Journal: ODU Undergraduate Research Journal

This ideological analysis of the horror film, Get Out, directed by Jordan Peele investigates three major ideological aspects that are poignant to the film. The main ideology that will be examined is “colorblindness” also known as colorblind racism, which is the belief or attitude that denying the existence of race will cure racism and achieve racial equality. The two other sub-ideologies that will be examined are multicultural racism and post-racism, as they are both facets of colorblindness and work together to reinforce one another in society. Colorblindness is apparent in the film’s dialogue that reveal attitudes regarding interracial dating …

Everyday Transcendence: Contemporary Art Film And The Return To Right Now, Aaron Pellerin

Wayne State University Dissertations

“Everyday transcendence” names a style of filmmaking exemplified in recent works by Terrence Malick (The Tree of Life), Richard Linklater (the Before series and Boyhood), Ari Folman (Waltz With Bashir), and Douglas Gordon and Philippe Parreno (Zidane: A 21st Century Portrait). In each of these films, time operates on two interrelated levels: time as we experience it and understand it in our daily lives, and time as an overarching big picture. This big-picture temporality varies from film to film and is often ambiguous: for Malick, it appears as divine eternity; for Linklater, as a secular concept of an eternal Now; …

Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua

SANE journal: Sequential Art Narrative in Education

Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …

Brown Condor, Anand Fozard-Mccall

LMU Theses and Dissertations

The true story of an African American pilot, John Robinson, who broke through racial barriers to become a pilot and commander of the Ethiopian Air Force in their 1935 fight for freedom against fascist Italy.

Of Martyrs And Minstrels, Trevon J. Coleman

Honors Undergraduate Theses

"Our search for understanding in matters of race automatically incline us toward blackness, although that is not where these answers lie." – Nell Irvin Painter. Over the course of, and in partial fulfillment for, the degree of Bachelor of Fine Arts in Studio Art and the degree of Bachelor of Fine Arts in Film Production, I have produced a multimedia body of work. I made this body of work as a reflection and result of my processes and studies, and as a method to examine perception, and representation in relation to identity. This body of work combines drawing, painting, printmaking, …

Black Feminist Articulations Of Race & Gender Within The Horror Film Genre, Katherine M. Ortiz

Honors Undergraduate Theses

The intent of this paper is to explore a black feminist perspective within the film horror genre. A black feminist perspective investigates how black women are portrayed within cinematic horror. It serves as a method to further articulate the particularities of race & gender within cinema. If we leave the cinematic space without a structural model of intervention, then we are left with film that remains unchallenged for ostracizing black women. The paper argues that black women become articulated through themes of motherhood, death, and sexuality.

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …

Mad Max Fury Road Introduction, Lynne Stahl

2019-2020

Transcript--Introduction to Mad Max: Fury Road

Lynne Stahl, WVU Libraries

9/4/2019

The Big Short, Wvu Humanities Center, Wvu Libraries

2019-2020

Poster for film aired November 6, 2019 as part of the Local to Global 19-20 Film Series.

Snowpiercer, Wvu Humanities Center, Wvu Libraries

2019-2020

Poster for film aired October 2, 2019 as part of the Local to Global 19-20 Film Series.

Mad Max Fury Road, Wvu Humanities Center, Wvu Libraries

2019-2020

Poster of film aired September 4, 2019 as part of the Local to Global 19-20 Film Series

Local To Global Film Series 19-20, Wvu Humanities Center, Wvu Libraries

2019-2020

The WVU Libraries and WVU Humanities Center are partnering up to bring a curated lineup of films to the WVU Campus. Spanning multiple genres and regions, each film will be introduced by WVU speakers.

Retail Tales And Tribulations: Transmedia Brands, Consumer Products, And The Significance Of Shop Talk, Avi Santo

Communication & Theatre Arts Faculty Publications

This article challenges media studies scholars to pay closer attention to retail spaces as sites that mediate how entertainment franchises engage consumers. Examining retail through a media industries lens, it argues that retail is a site of struggle among retailers and brand owners over how brand stories are told, if at all. The article explores both the storytelling devices used in telling Frozen and Sesame Street stories at Target and how shop talk among retailers, brand owners, and manufacturers shapes the kinds of stories that entertainment properties can tell at retail, especially as those stories intersect with retail imaginings of …

Waking Up White: The Search For Black Happiness, Jason Gregory

Electronic Theses and Dissertations

Waking Up White (WUW) is a television pilot written, directed and co-produced by Jason D. Gregory serving as part of his thesis requirements for earning a Master of Fine Arts in the Entrepreneurial Digital Cinema program at the University of Central Florida. The project attempts to answer the question "what if" by placing the main characters in a "fish out of water" scenario. In WUW a Black family wakes up White and has 30 days to determine if they'd rather return to their cultural roots or stick with the "new skin" that they are in. Upon awakening to their new …

Clark University Lgbtq+ History, Robert D. Tobin, Toni Armstrong, Arai Long, Griffin Minigiello, Students Of "Sexuality And Textuality", Spring 2018, Students Of "Sexuality And Human Rights", Fall 2018, Students Of "Sexuality And Textuality", Spring 2019

Publications

Robert Deam Tobin, editor in chief
Toni Armstrong and Arai Long, co-editors
Additional research provided by Griffin Minigello

and the students of:
"Sexuality and Textuality", Spring 2018
"Sexuality and Human Rights", Fall 2018
"Sexuality and Textuality", Spring 2019

A collaborative research-based catalog by Robert Tobin and his students. This work reports on and narrativizes Clark University's LGBTQ+ history beginning with the Clark Gay Alliance in the mid 1970s, one of the earliest gay student organizations in the country. The vast majority of research for this work comes from materials in Goddard Library's Archives and Special Collections.

"I'M Controlling And Composing": The Role Of Metacognition In The Incredible Machine, Marc A. Ouellette

English Faculty Publications

The mouse sets the bowling ball in motion, which falls and squeezes the bellows, which sends out a puff of air, which sends the balloon into the gears that are connect by a belt to another mouse’s exercise wheel. The balloon pops. Having learned how this routine functions, I then move my mouse to connect the rest of the on-screen mice so that the pulleys of all of the caged mice spin with their wheels to punish the puzzle in time allowing me to move to the next level. Eventually, I will be able to make my own versions of …

The Winchester Gospel: The 'Supernatural' Fandom As A Religion, Hannah Grobisen

CMC Senior Theses

This thesis explores how fandom can be interpreted as a religious experience, specifically examining the fandom of the television show Supernatural. I focus on how fans are emotionally influenced by and drawn to the source material, fan labor/content creation, LGBTQ content and interpretations by the fandom, and toxicity within the fandom.

El Arte Sinestético En La Obra De Isabel Coixet, Eva NúÑEz-MéNdez

World Languages and Literatures Faculty Publications and Presentations

Entre las directoras españolas más internacionales se destaca Coixet. Sus largometrajes, spots publicitarios, documentales y cortos evidencian un arte cinematográfico que apuesta por destacar la esencia universal del individuo en un marco deconstructivo sin contextos nacionales ni parámetros temporales. Los títulos y textos de sus obras nos hacen reflexionar en el poder de la imagen como vehículo artístico de compromiso social y visual. Ver sus creaciones es una sinestesia: el discurso fílmico conmueve más allá del plano visual-auditivo, haciendo que la imagen despierte sentidos como el gusto, el tacto y el olfato. Esta ponencia se centrará en decodificar su trayectoria …

A Comparison Of Older Adult Suicide And Adolescent Suicide Through Film Representations, Catherine Longmore-Micham

Honors Projects

Approximately, 47,173 people in the United States died by suicide in 2017, making it the 10th leading cause of death. Although middle-aged adults have the highest rate of suicide, 20.2 per 100,000, older adults (i.e., individuals 60 years and older) closely follow with a rate of 20.1. Adolescent age groups have much lower rates for suicide: a rate of 14.46 per 100,100 in 2017 (American Foundation for Suicide Prevention, 2017). The risk factors that affect adolescents and older adults are similar in some ways, but they differ in one major aspect: impulsivity. The issues that can be said to ‘cause’ …

The Mileage Of The Weary Father: Harrison Ford As Aging Screen Action Icon, Bahnt G. Freiberger

Graduate Research Theses & Dissertations

This thesis explores how fatherhood guides cinematic narratives of aging masculinity through a star study of the late-stage career of Harrison Ford. It bridges fundamental cultural studies of masculinity, such as those by Raewyn Connell and Michael Kimmel, with film studies to provide key insights into cultural narratives of maleness related to vulnerability, heroism, and most significantly, fatherhood. By focusing on Ford’s late-career reprisal of his iconic characters, I explore how the development of his image provides a postmillennial recontextualization of twentieth century masculine iconography. This study covers three cinematic texts: Indiana Jones and the Kingdom of the Crystal Skull …

Funding A Feature: Creating A Film Business Plan, Jordan C. Hunt

Senior Honors Theses

Every film, from the smallest indie to the biggest studio blockbuster, must be funded, and all investors who finance a movie expect that the movie will give them a return on their investment. In order to seek funding, many filmmakers create a business plan to present to potential investors. Beginning with the film industry as a whole, this paper will define a specific target audience and distribution plan for one film in order to create a business plan. The film, titled Intertwined, is an independent low budget family drama that will primarily raise funds through equity investors. This is …

Beyond The Cut: An Exploration Of Editing Techinques And Emotion, Kelly Santos

Whittier Scholars Program

Filmmaking is a production process that has been around for many years. Though our attention primarily focuses on the content shown, so much more occurs behind the scenes. The purpose of this research is to take a look at the art of film editing, specifically in terms of the elements and techniques that contribute to the overall creation of the cinematic experience, and how these aspects work to evoke emotions within an audience. Taking place in the post-production process, editing is essential to the creation of a film. The elements introduced in this paper bring understanding to the foundation of …

Queer Eye For The Hero Guy: Exploring Dick Grayson’S Sexuality, Thea Cheuk

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

The DC Comics character of Dick Grayson (Robin and later Nightwing) has been subtextally coded queer since his first appearance over seventy-five years ago, unintentionally creating an ambiguous sexuality up to today. The initial backlash against reading Robin as queer occurred in the ‘50s, but attempts to assert his heterosexuality have had mixed success, leading to contemporary comics writers acknowledging this established – though officially unstated – queerness by pushing how far they can suggest him to be LGBTQ+. This historical foundation establishes the precedent of queer coding Dick Grayson, and provides context when analyzing the subtext of him as …

Cigar City, Rene T. Rodriguez

LMU Theses and Dissertations

A young woman disconnected from her roots tries to save her family’s cigar factory from a greedy developer planning to gentrify their Latin neighborhood.

Intimate Indigeneities: Aspirational Affective Solidarity In 21St Century Indigenous Mexican Representation, Jacob S. Neely

Theses and Dissertations--Hispanic Studies

This dissertation analyzes six contemporary texts (2008–18) that represent indigenous Mexicans to transnational audiences. Despite being disparate in authorship, genre, and mode of presentation, all address the failings of the Mexican state discourse of mestizaje that exalts indigenous antiquities while obfuscating the racialized socioeconomic hierarchies that marginalize contemporary indigenous peoples. Casting this conflict synecdochally as the national imposing itself on quotidian life, the texts help the reader/viewer come to understand it in personal, affective terms. The audience is encouraged to identify with how it feels to exist in a space where, paradoxically, the interruption of everyday life has become the …

Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández

Theses and Dissertations--Hispanic Studies

In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the years surrounding this economic downturn about the ghettoization of the Spanish Gypsy …