Film and Media Studies Commons^™

Internalizing Data Collection: Personal Analytics As An Investigation Of The Self, Neal R. Swisher

Theses and Dissertations

Personal analytics, aka self-tracking, is the practice of using a digital device to track aspects of behavior, such as exercise habits, heart rate, sleep patterns, location, diet, and a host of other data points. This dissertation is an exploration of “self” in self-tracking, informed by theories of subjectivity, autonomy, power and knowledge. As a technological intervention, self-tracking devices change how we experience our own body and behavior. They also serve as methods to digitize human behavior. This data is combined with other data and processed using computational methods. Self-tracking devices are both personal and bureaucratic. They are devices used for …

Prey Begins With Play, Seren C. Moran

Theses and Dissertations

My work examines the lasting psychological and emotional torment of trauma focusing on sexual violence against women. My thesis consists of five short animated films recounting non-fiction experiences of sexual assault. To contextualize my work within cultural and historical representations of sexual violence, this text reflects my research on the mishandling of rape in Western art history as well as contemporary politics and cinema. In both my work and research, I address the complicated, and often contradictory, internal reality of experiencing and remembering trauma and how this relates to artistic strategies such as collage and maximalism. My personal struggles recovering …

Simultaneous Intersectionality In The Comics Of Catel And Sabrina Jones: Understanding Women’S Life Stories, Jeorg Ellen Hornsby

Theses and Dissertations--Gender and Women's Studies

The project examines how the theories of simultaneity and intersectionality are useful in analyzing the lived experiences of the authors and their subjects. Specifically, this dissertation analyzes how French comic artist Catel and American comics artist Sabrina Jones use the medium of comics to recount their autobiographical stories within and alongside their biographical stories of Benoîte Groult and Margaret Sanger, respectively.

‘Not Shap’D For Sportive Tricks:’ Representations Of Disability In Film And Digital Broadcast Cinema Adaptations Of Early Modern Drama, Grace Mccarthy

Theses and Dissertations (Comprehensive)

In films that feature disability, we see the recursive and discussion-limiting impulse to say “this representation is negative. Therefore, the representation should not be seen,” based on critical theories and methodologies outside the purview of film studies. Unfortunately, the overlay of an English, narratological, sociological, or medical methodology and terminology onto a film representation of disability is ultimately recursive and self-limiting; critical and advocate calls for accuracy to the lived experience of people with disabilities in on-screen representations decline to engage with the visual construction of cinematic representations of disability and the often fascinating cinematographic and thematic patterns that emerge …

Victims, Heroes, And Villains: Imaginary Beings In Contemporary Television Serials, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

This chapter traces melodrama’s historical triumvirate of characters – victims, heroes, and villains – to examine how they are applied in contemporary television serial dramas. Looking in particular at the examples of Breaking Bad and Better Call Saul, the author argues that the characterological trio now often exists within singular protagonists who follow a narrative trajectory from victim through hero to arrive, ultimately, at villainy. Collapsing the characterological triad into single protagonists marks a late modern version of melodrama in which the possibilities for heroism are circumscribed, leaving characters able to opt only for victimization or villainy.

Ensemble Storytelling: Dramatic Television Seriality, The Melodramatic Mode, And Emotions, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

This chapter considers seriality in contemporary television dramas in light of arguments that most popular culture falls within melodrama as modality (to include legal shows, police and detective programs, westerns, and medical series), instead of narrow genres, such as soap operas. The recent success of fully serialized dramas is a noteworthy development, producing highly popular and highly regarded programming. The traditions of melodrama, including its deep commitment to the uses of emotionality, address story worlds and audiences in terms of social relations, in contrast to psychological realism’s more individualized and inward turning tendencies. “Ensemble Storytelling” explores three specific strategies available …

@Karlnarcs: A Comedic Critique On The Digital Age, Evelyn Davis

Scripps Senior Theses

An outline of the pre-production, production, and post-production of a five-minute comedic short on the digital age and its influence on Generation Z using Marxist theory.

Traumatized Characters In Traumatized Environments: A Look At Repression And Horror, Rebecca L. Goldman

Scripps Senior Theses

Using Sigmund Freud’s theory of ‘return of the repressed’ as a theoretical basis, this paper takes a case study approach using three critically acclaimed horror films. These films include Nicholas Roeg’s Don’t Look Now (1974), Stanley Kubrick’s The Shining (1980), and Ari Aster’s Midsommar (2019). With use of each film, the interaction between the repressed trauma of the protagonists’ and the film environment is explored, utilizing the notion that repressed trauma will always manifest itself as a symptom of the unconscious mind. Supporting theories include Slavoj Zizek’s notion that dreams must be read in terms of their form, stemming from …

Latin American Cinema, Mirna Vohnsen

Articles

Although studies of Argentine, Mexican and Cuban cinema continue to dominate the Latin American film scholarship, in the past two years, there has been increasing interest in examining the minor cinemas of the region. The expanding local film industries, the new technical trends and the increase in cinematic productions across all Latin America have captured the attention of academics and critics who have devoted their research to explore the lesser-known films of, for example, Uruguay, Colombia and Central America

“The Very Essence Of French Cinema”(?): Jacques Feyder’S Return To France, 1944–1948, Barry Nevin

Articles

No abstract provided.

Framing “L’Âme Des Personnages”: Performance And Affect In Jacques Feyder’S Pension Mimosas (1935), Barry Nevin

Articles

Although Jacques Feyder's authorial control over his productions and his direction of actors constituted two of the most widely appreciated aspects of his approach to filmmaking during his own lifetime, the impact of each on his mise en scene has received little critical attention. This article aims to remedy this oversight by linking both aspects in three stages: first, drawing on contemporary periodicals, recollections of Feyder's performers and his own writings, it illustrates Feyder's preoccupation with the creation of in-depth psychological portraits through his actors; second, focusing on Pension Mimosas (1935), it demonstrates that Feyder's technical style, although aligned closely …

(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin

Articles

Cinéma colonial is regarded by certain scholars as a highly conventionalised and commercialised film practice that grants spectators a sense of control over the potentially threatening colonial Other, and Belgian director Jacques Feyder has been subject to particularly harsh criticism in this regard. This article argues that Feyder’s Le Grand Jeu (1934), which depicts a young legionnaire’s relationship with a cabaret singer who bears an uncanny resemblance to a previous lover who jilted him in Paris, challenges dominant tendencies in portrayals of gender and colonialism in French cinema of the 1930s. Drawing on the relationship between Laura Mulvey’s theorisation of …

The Making Of Broken: A Manifesto For A Democratised Cinema, Damian Fasolo

Theses: Doctorates and Masters

The enemy of art is the absence of limitations.

(Orson Welles cited in Hurbis-Cherrier, 2011, p. 16)

While much has been written on low budget independent film movements, there is little research on the correlations that exist between them, and in particular, the filmmaking approaches and techniques which significantly affect their final form. The key argument of this project is that, central to the critical success of any low budget film, is a filmmaker’s ability to transform the limitations imposed on them, and the constraints that they choose, into creative gain. Though it would appear to operate contrary to ordinary …

[Introduction To] Wim Wenders: Making Films That Matter, Olivier Delers, Martin Sulzer-Reichel

Bookshelf

"Wim Wenders: Making Films That Matter is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker …

Minority Representations In Crime Drama: An Examination Of Roles, Identity, And Power, Megan E. Chatelain

University of the Pacific Theses and Dissertations

The storytelling ability of television can be observed in any genre. Crime drama offers a unique perspective because victims and offenders change every episode increasing stereotypes with each new character. In other words, the more victims and criminals observed by the audience, the more likely the show creates the perception of a mean world. Based on previous literature, three questions emerged which this study focused on by asking the extent of Criminal Minds’ ability to portray crime accurately compared to the Federal Bureau of Investigations Uniform Crime Report (UCR) and the Behavioral Analysis Unit’s (BAU-4) report on serial murderers and …

Pathos, Winter 2020, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Shah Rukh Khan: Journey From Charisma To Celebrity, Priya Kapoor

International & Global Studies Faculty Publications and Presentations

Chapter 3. This essay studies the particular brand of Shah Rukh Khan (SRK) as he achieves superstardom in the Hindi film industry and as a thought leader, earn ing him the moniker Badshah (king). By transcending ossifying gender roles and ethnic-religious divisions might SRK be the quintessential Indian man who stands for the nation (Cayla in Advertising Soc Rev 9(2), 2008)? Or is he a modern metro sexual whose identity is hybrid? This accounts for the dialectical tension that arises from the ‘celebrity’ of SRK as global businesses boldly recruit cinephile audiences as consumer-patriots of neoliberal India transforming dated identities …

Becoming The Lion's Historian, Khadija-Awa Diop

Graduate Theses, Dissertations, and Problem Reports (ETD)

This professional project examines the ways in which French colonial documentaries were used in conjunction with governmental legislation to enforce dominant narratives and repress marginalized perspectives about the nature of colonialism and the roles of the French and West Africans in its execution. Through the limitations and powers of documentary filmmaking, this project explores the ways in which counter narratives can allow media professionals today to remedy the one sided dominant narratives about marginalized communities that have existed for decades. The culmination of this project is in the creation of a documentary treatment and sizzle reel that will be the …

American God Story: Creating Shared Cultural Context With Popular Television, Timothy Joseph Rosenberger

Doctoral Dissertations and Projects

Believers increasingly encounter a stark divide between their cultural contexts and those of the people they seek to evangelize. This divide is particularly pronounced in popular culture where the television, movies, music, and books that appeal to Christians often are radically different than those that appeal to mainstream Americans. Without a shared cultural language, and a shared network of cultural touch points, it can be challenging to form meaningful connection between, and amongst, church members and unchurched community members. This study pioneers an intervention in which church members, and unchurched community members, come together to view popular television episodes and …

Film Review: Operation Finale, Melanie O'Brien

Genocide Studies and Prevention: An International Journal

In 1960, the Israeli intelligence agency, Mossad, undertook an operation in Argentina to capture the architect of the Final Solution, Adolf Eichmann, and bring him to Israel to stand trial. Operation Finale [Chris Weitz, 2018] tells the story of this intelligence operation: the actions of and challenges for the agents involved, in a way that captures the banality of Eichmann’s personality before it was put on show for the world to see in his televised trial. Operation Finale is available on Netflix, rendering it a Holocaust film with an extraordinarily large reach.

Film Review: Radical Evil, Raya Morag

Genocide Studies and Prevention: An International Journal

No abstract provided.

The Marked, Laura K. Duval

LSU New Orleans Theses and Dissertations

This paper will detail the making of The Marked, exploring from concept to completion, with special focus on creating a dystopian, science fiction, film with an element of fantasy. I will begin by examining my inspirations. Next, I will explore preproduction, examining screenwriting, casting, location scouting, production, and preparation. Part three will look at production, focusing on directing, production design, cinematography, and on-set operations. Part four will examine post production, including, editing, color correction, sound design, and music. Each element of production will be evaluated to determine if they helped successfully create a believable, dystopian, fantasy story for the viewer. …

Darkness, Daniel R. Green, Daniel Read Green

LSU New Orleans Theses and Dissertations

During the long, dark night of a volcanic winter, a young man clashes with his father over the fate of five desperate survivors who have arrived outside the gates of the family compound. Yet he soon discovers true darkness lies within.

Documentaries Making A Difference: Communication Effects Of Environmental Film And Television, Lindsey A. Register

Student Theses 2015-Present

This paper addresses the motives of environmental documentaries and their influences on public opinion and action regarding environmental issues and ethics. It suggests that through the communication platform of the environmental documentary, environmental education can further one's understanding of the environment and the human relationship with nature. Chapter 1 uses quantitative data on contemporary documentary filmmaking, as well as on coverage of environmental issues in all communications media. This chapter also includes the data from a survey conducted at Fordham University, showing the influence of environmental documentaries on students’ mindsets and behaviors at this school/institution. Chapter 2 explores the history …

Tomb Of The Unknown Marxist, Anna Ozbek

Theses and Dissertations

Tomb of the Unknown Marxist tracks a journey of uncovering an individual’s past as a leftist revolutionary in late 1970s Turkey. In doing so, the project explores the political movements of that turbulent period and asks what remains of the revolution in the revolutionary once these moments are well in the past.

Shared Resources (Contractual Obligations), Jordan Lord

Theses and Dissertations

Shared Resources (Contractual Obligations) is a feature-length documentary that seeks to understand how various kinds of debt––emotional, historical, moral, social and financial––are entangled in my family. After my dad was fired from his job as a debt collector, my parents declared Chapter 13 bankruptcy––a 5-year debt repayment plan. The film follows my parents over the course of their bankruptcy, joining observational footage of their day-to-day lives with essayistic voiceover narration, my parents’ reactions to an early edit of the film, my family members’ and my own audio descriptions of what is visible in the film, and open captions of the …

How Actresses Jessica Chastain, Octavia Spencer And Reese Witherspoon Are Fighting Pay Disparity One Project At A Time, Abbey M. White

Capstones

While working on Steven Spielberg's 2005 miniseries "Into the West," Indigenous-Latina actress Tonantzin Carmelo achieved pay parity with her white male co-stars thanks to a contract clause called "favored nations. Now 15 years later, and in the height of Hollywood's gender parity movement, Hollywood actresses are strategically using the very same clause to chip away at the pay gap. This 7000-word narrative feature explains the historical use of this clause, identifies how actresses are leveraging its power to achieve pay parity on their projects and answers why it's not a one-size-fits-all fix for Hollywood pay inequity.

http://abbeymwhite.com/capstone/how-actresses-like-jennifer-aniston-jessica-chastain-and-lupita-nyongo-are-fighting-pay-disparity-one-project-at-a-time/

The Barriers Of Reporting Wage Theft, Jose Cardoso

Capstones

Undocumented immigrants are often victims of wage theft. There are many owners who take advantage of this because they know they won't speak up out of the fear of retaliation. However, there have been moments when immigrants have spoken up and received justice. Unfortunately, that's not the case for many as the process to report wage theft can take time and sometimes for nothing. New York City is home to 3.2 million immigrants or 37.1 percent of the population and the undocumented community stands at 5.3 percent.

https://medium.com/@cardoso.jose17/the-barriers-of-reporting-wage-theft-for-undocumented-immigrants-38aafb937215

Maternidad, Denise Cervantes

Capstones

It was a hot summer day in 1985 when my mother, Ada Reyes, left El Salvador and crossed the border into the United States. Behind her, she left her one-year-old son and a war-stricken country. I sat down with her and she told me the story of how she built a life in the United States and raised my brother and me alone as a single mother.

Link: https://denisecervantes.com/capstone

Woodhouse, Bianca M. Rosembert, Mankaprr Conteh, Netsanet Negussie

Capstones

The film WOODHOUSE, in production, profiles Julian Woodhouse, a gay, black, burgeoning fashion designer in New York, before, during and after the chance of a lifetime. In addition to designing, Woodhouse serves in the Army Reserve. His military career is the only aspect of his life that his religious, conservative black parents support. Julian has survived without the approval of his parents, who he says sent him to conversion therapy when he came out. After revealing a dark family secret in the context of this new opportunity in fashion, we’ll see Julian attempt to meaningfully reconnect with his parents for …