Film and Media Studies Commons^™

La Diffusion Des Films Tunisiens Postrévolutionnaires, Emna Mrabet

Présence Francophone: Revue internationale de langue et de littérature

After a long period of stagnation, Tunisian cinema is experiencing a new boom today. The postrevolutionary era is thus marked by an artistic proliferation which is reflected through a multiplication of cinematographic achievements. We witness a diversification of styles and aesthetics and the advent of trends that dare to question society on its taboos and the barriers it poses to the development of the individual. These new productions are often awarded prizes in international festivals and are supported by an essential event: The Carthage Film Festival. In light of these considerations, it is necessary in this article to observe in …

Watch Me If You Can! Un Cinéma Algérien En Quête De Diffusion Et De Réception, Salima Tenfiche

Présence Francophone: Revue internationale de langue et de littérature

After a civil war that left more than 200 000 dead in Algeria in the 1990s, the return to peace in 2003 and the rise in the price of oil allowed Algerian cinema to return to the international scene. The state has invested several billion Algerian dinars since 2005 to revive film production and start renovating the country's four hundred movie theaters that had been abandoned since the late 1980s. Today, fifty-three movie theaters are functional throughout Algeria, yet they do not open their doors to the public. These movie theaters are still perceived as shady places, and they struggle …

Ousmane Sembène : Un Paradoxe Postcolonial Du Cinema Africain?, Mbaye Diouf, Edoardo Cagnan

Présence Francophone: Revue internationale de langue et de littérature

How can we quantify the success of an African film in a postcolonial context? This article aims to answer this question by analyzing the case of Mooladé (2004), Ousmane Sembène's last full-length feature. The issues and the conditions of its circulation show the militant intention of the film-director, and we can notice a subtle competitive relation between the artistic value of the film and its pedagogical content, which is seen as politically acceptable in Africa. Budget and circulation issues put the spotlight on the tight situation of Francophone film industry: the imbalance of power relationships often forces the African film-director …

Parties Annexes (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le Cinéma Au Village : Les Beaux Jours Du Cinéma Ambulant Dans Les Années 1950, Odile Goerg

Présence Francophone: Revue internationale de langue et de littérature

Travelling by cart, but more often by train and later by automobile, films reached small towns and large villages alike. Travelling pictures were the first - and often the only - means of access to cinema for much of the African continent. They made it possible to reach the countryside, albeit randomly and sporadically.

To analyse the development of travelling pictures during the late colonial period, this article emphasises commercial, for-profit ventures rather than official, government-sponsored tours playing educational and propaganda films - though the line between the two was often blurred. Whether they functioned autonomously or were tied to …

« Made In Rdc ». Nouvelles Productions Filmiques Et Distributions Locales, Silvia Riva

Présence Francophone: Revue internationale de langue et de littérature

Compared to other African countries and despite the potential size of its audience, until the beginning of the new millennium, Congo DRC seemed to be lagging behind in its local film production. Guido Convents' work on Congolese cinema from the earliest times to the present shows a portrait of cinematography around the Congo, which takes into account cinema "for Congolese, by Congolese or with Congolese actors" for lack of an indigenous productive centrality, if not limited to feature films directed by Mwezé Ngangura and recognized authors of the diaspora (Balufu Bakupa Kanyinda, among others). With the success of the feature …

Abstracts (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

How Apocalypse Now Adapts Heart Of Darkness’S Imperialist Critique To A New Medium And A Different Culture, Samuel Battle

Undergraduate Projects

Francis Ford Coppola’s 1979 film Apocalypse Now affirms the key message of its source material, Joseph Conrad’s 1899 novella Heart of Darkness, to suggest that the imperialist mindset continues to significantly affect international interactions even in modern times. While the original novella reflects and criticizes contemporary British imperialism in Africa, the adaptation shifts the setting to Vietnam in 1968 and primarily satirizes the American army’s actions during the war. While the subject of the story’s critique is different, Coppola preserves the core message of the novella – that all humans are capable of falling into their inner darkness and …

Front Matter And Table Of Contents (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Les Festivals Des Minorités En Europe, Une Passerelle Vers Le Mena, Émilie Wacogne

Présence Francophone: Revue internationale de langue et de littérature

We observe a proliferation of film festivals dedicated to Maghrebian and African cinemas in Europe. Several festivals include movies by directors from the Maghreb, the Near and Middle East, and Africa, as well as films by European filmmakers, descendants of immigrant parents. This phenomenon reflects the need for a visibility that continues to be lacking in European societies. It also shows the long process by which these guest workers settle in some European countries. We will mention the FameckArab Film Festival, the Arab Film Festival in Brussels and the Aflam Festival in Marseille. The link between the presence of festivals, …

La Réception Du Film De Mamady Sidibé, Lnspecteur Sori - Le Mamba, De L'Enquête Au Cliché, Franck Mbadinga

Présence Francophone: Revue internationale de langue et de littérature

This reflection shall use Mamady Sidibe's film lnspecteur Sori- Le mamba to question the characteristics of critical reception theories. It takes into account the orientation that the audience may assign to a broadcast film depending on how receptive it is to the film. By distinguishing two types of spectators (model and not), it also connects itself with Umberto Eco's reflections on the reader/spectator. From these reflections, it turns out that the horizons of expectations arising from a visual piece are consubstantial with hermeneutics that question the origins of the piece, not the piece itself. In other words, the film puts …

Index (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Look At The Lights, Chandra Gangavarapu '21

Music Technology Center

No abstract provided.

When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz

Publications and Research

“Digital nomad” Shu Lea Cheang and friend and critic Alexandra Juhasz consider the reasons for and implications of the censorship of Cheang’s 2017 film FLUIDØ, particularly as it connects to their shared concerns in AIDS activism, feminism, pornography, and queer media. They consider changing norms, politics, and film practices in relation to technology and the body. They debate how we might know, and what we might need, from feminist-queer pornography given feminist-queer engagements with our bodies and ever more common cyborgian existences. Their informal chat opens a window onto the interconnections and adaptations that live between friends, sex, technology, …

Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

No abstract provided.

“Mortality’S Wilting Flower:” Terror Management Theory And Music In Animated Films, Lauren Bertsch

Senior Honors Projects

There’s something about animated films - so full of light and wonder - that invokes this “warm and fuzzy” feeling when you sit down to watch it. Yet an entire spectrum of human emotion is demanded from us as an audience. Buried in the heart of animated films are these dark themes, problems that lie in the bedrock of humanity. And it leaves us pondering: why? The answer may actually stretch back to when our species developed thought and reason. In 1973, American anthropologist Ernest Becker uncovered the mental foundation that allows us to live, function, and thrive in a …

No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello

Publications and Research

From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).

Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …

Adoption Of Bonded-Cellular Technology, Gregory Edward Phipps

All-Inclusive List of Electronic Theses and Dissertations

This study analyzed four determinant factors attributed to the acceptance of Bonded Cellular (BC) technology and applies the tenants of Diffusion of Innovation and Technology Acceptance Models. BC “bonds” available cellular channels and transmits a multiplexed signal to a broadcaster. This study will advance the understanding of factors that may impact the acceptance of BC at the management level. Research Questions 1. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Ease-Of-Use (PEOU)? 2. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Usefulness …

I Told You That To Tell You This: Metagaming And Metacognition In The Hybrid Classroom, Marc A. Ouellette

English Faculty Publications

This paper theorizes the use of play and gamified methods to foster metacognition, or strategies for learning and learning about learning, in online graduate instruction. In the process, it calls into question the determinism of “serious” games as being the only means of facilitating metacognition. Ultimately, by adopting metagame approaches—that is, approaches based on0 goals and achievements that are external to the game and/or are developed by the players themselves—metacognition can and does occur because students participate in the development of the rewards. Moreover, any metagame feature ultimately becomes a commentary so that an approach based on metagaming offers its …

Empathy And Community In The Age Of Refugees: Petzold’S Radical Translation Of Seghers’ Transit, Margarete Landwehr

Languages & Cultures Faculty Publications

Petzold’s film constitutes a radical translation of Seghers’ novel by transforming her tale of political refugees in Vichy France into an existential allegory depicting the fluidity of identities and relationships in a globalized world. The transitory existence of Petzold’s war refugee serves as an extreme example of the instability of modern life, which allows spectators to identify and empathize with migrants’ unpredictable journeys. Moreover, the director conveys the universality of his protagonist’s story by portraying him as an Everyman bereft of distinctive personality traits, by intermingling the past (Seghers’ plot) with the present (contemporary settings), and by situating his experiences …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

Graduate Theses/Dissertations

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

Visualizing A Post-Apocalypse: Notes On New Ayoreo Cinema, Lucas Bessire, Bernard Belisário

Tipití: Journal of the Society for the Anthropology of Lowland South America

This essay describes one recent Ayoreo film and its production in order to reflect on the wider significance of lowland South American Indigenous cinema and analyses of it today. Informed by the authors’ roles in the collaborative editing of the film Ujirei, the article details how one Ayoreo filmmaker cinematically visualizes a unique aesthetic response to the aftermath of pandemic upheavals and world-ending violence – a response that pointedly exceeds any prescriptive or structuralist approach to lowland Indigenous cinema. In order to better grasp the subjective, conceptual and political implications of this project, the essay aims to craft an analytic …

Justifying Force: Police Procedurals And The Normalization Of Violence, Emily Brenner

Faculty Curated Undergraduate Works

Much like the CSI effect in forensic crime dramas, portrayals of law enforcement in crime media can potentially skew a viewer’s perception of what the profession actually entails. Many studies address the depiction of law enforcement in the media, but few solely examine the use of force by television police officers, and the impact this may have on frequent viewers. In an era of calls for accountability over growing attention towards police brutality and misconduct, the media as an influencer has the potential to play a role in how real-world instances of brutality are perceived, and more importantly, how it …

An Experiential Analysis Of Job Site Safety: Delineating Between Positive Safety Culture And Excessive Safety, Steven Tighe

All-Inclusive List of Electronic Theses and Dissertations

In general industry and in construction many safety requirements are mandated on job sites and in facilities. Many requirements move past simple compliance and enter the realm of cultural safety. This high level of cultural safety is what is typically the level most safety professionals strive for in any company. The balance is tipped to excessive when we move past the cultural safety into redundant or multi layers of requirements that affect production rates and have no actual value to safety but have the appearance of safety. This research looked into a large construction project that had multiple layers of …

The Media Industry In Oregon: Incentive And Impact Analysis 2020 Update, Emma Brophy, Peter Hulseman, Northwest Economic Research Center

Northwest Economic Research Center Publications and Reports

Oregon’s media industries have become increasingly well-known over the last several years, thanks in large part to successful feature length films and television series produced in the state. It is widely known that such productions offer visibility, tourism interest, and a boost to local merchants during their visits. More economically important, but less immediately obvious, are the impacts of a home grown industry of professionals and businesses that thrive in regions able to maintain a reliable stream of production activity. Numerous states now offer incentives to visiting media productions, some focused on big-ticket features and visiting series. In Oregon, the …

Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips

The Corinthian

This paper pushes against the critical tradition that views silence or listening in relation to passivity and powerlessness by exploring the role of noise in Jane Austen’s Persuasion and in Adrian Shergold’s experimental 2007 film adaptation of that novel and how sound relates to Anne Elliot’s emotional legibility. Austen fills the narrative landscape with sounds that are filtered almost exclusively through Anne so that even when she is silent, she is “making noise” through her focalizations and through free indirect narration. Both Austen and Shergold align noise with Anne’s emotions such that Anne’s sensorial responses to shocking, loud, and disruptive …

Late Postmodernism, Nicholas Brown

CLCWeb: Comparative Literature and Culture

No abstract provided.

Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Minimal Politics Of Autonomy, Myka Tucker-Abramson

CLCWeb: Comparative Literature and Culture

No abstract provided.