Film and Media Studies Commons^™

Hyphenated Globalization: First, Wide Propagation; Then, Gradual Elimination, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

A Date With Cheemis: Bullying In The Virtual Space, Nicholas Roger Nolasco

Liberal Arts and Engineering Studies

A Date With Cheemis is an alternative game mode for the social platform VRChat designed in the Unity real-time 3D development platform. The project is an experience where the player meets many non-playable characters (NPCs) and makes decisions based on different scenarios. The game tells the story of a VRChat user named Cheemis who is bullied for the avatar they use and how they interact with other characters. The player must make choices of how to react to the way the NPCs treat Cheemis, whether that be defending him or being a bystander. This experience is only available through the …

The Evolution Of Participatory Culture Through Interactive Storytelling On Tiktok, Kristina Chapman

Postgraduate

In 2006 Henry Jenkins commented how the media landscape will be reshaped by a bottom-up energy of media created by amateurs (Jenkins, 2006). This prediction can be seen when comparing traditional screen productions with the user-created content on platforms such as TikTok. Social media continues to prove Jenkins’s foresight, stating in 2012 how stories are shaped by teenagers “… wanting the media they want, where they want, how they want it, in the form they want it when they want it,” (Jenkins, 2012). TikTok shows a current platform evolved from the predictions Jenkins saw regarding participatory culture since the mid-2000s. …

Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser

Publications and Research

Maureen Catbagan’s Dark Matter (2020) photography series invites us into sensing brownness. In these images of museum passages and stairwells, silhouettes of museum guards, and evocative shadows, Catbagan presents the landscape of the museum. However, this may not be immediately recognizable because the photographs draw focus to the parts of museums to which we rarely pay attention. In particular, Catbagan’s attention to the presence of guards allows us to perceive dynamics of racialized and gendered labor and laborers who, in an echo of their architectural focus on minor, peripheral spaces and shadows, hover between the underrecognized and oft-neglected, thereby allowing …

The Puppy In The Polka Dot Pajamas: A Multimedia Approach To Children's Literature, Grace Phillips

Honors Projects

In a world that seemingly becomes crueler by the day, some topics are not handled with the tact they require and deserve. Issues of bullying and self-expression can often evoke undesirable emotions when discussed. Although it may be difficult to achieve, every child deserves to grow up in a world free of bullying that promotes authentic self-expression. To do my part – however minor it may be – in fostering a more accepting community, I used this project as an opportunity to create a story that shared anti-bullying messaging in a suitable and enjoyable manner for children.

Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom

CLCWeb: Comparative Literature and Culture

This paper explores “hegemonic national integration” and “Francophonecentric national governance” in The Cameroons (TC) poetic scape. The former refers to La République du Cameroun (LRC)-British Southern Cameroons (BSC) or Southern Cameroons (SC) interconnectedness dominated by Francophones. The latter is governance that promotes a Francophone cultural superiority that refuses to see the Cameroonian world through Southern Cameroonians’ eyes. Cameroonians live in a time of enormous fragmenting “Francophonizing” and “Anglophonizing” processes. To flesh this argument out, this paper borrows critical perspectives from Benhabib’s “democratic iterations” and “deliberative democracy” and Rosenau’s “six-governance typology’ as requisites for good governance. It contends that …

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …

Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler

CLCWeb: Comparative Literature and Culture

Decadence is typically associated with a fall from, or an opposition to, ideals of civilization. Western Civilization traditionally traces its roots to the culture of Ancient Greece. While theorists of periodicity from Vico to Nietzsche and Deleuze, to Hayden White and other contemporary scholars, associate decadence with excess, artificiality and over-indulgence, they also recognize that decadence often incorporates pre-civilized, base or “Other” tendencies. Paradoxically, decadence as a degeneration of an original culture’s values can also rejuvenate that culture’s core values through mutation so that a new version of the original culture arises. In literature, degeneration has also been associated with …

Exploring The Margins Of Kotha Culture : Reconstructing A Courtesan’S Life In Neelum Saran Gour’S Requiem In Raga Janki, Chhandita Das, Priyanka Tripathi

CLCWeb: Comparative Literature and Culture

In their article, “Exploring the Margins of Kotha Culture: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki,” Chhandita Das and Priyanka Tripathi discuss the invisible challenges in life of a famous courtesan Janki Bai Ilahabadi through close analysis of Neelum Saran Gour’s 2018 novel, Requiem in Raga Janki. In this novel, Janki belongs to the infamous kotha but she never fails to seek her subjectivity. This marginal place of Janaki’s belonging will be discussed by appropriating and the theoretical framework of Indian feminist Lata Singh’s (2007) for whom courtesans have been represented as “‘other’ …

Identity Reconfigurations, Memory And Personal History In Norman Manea And Saul Bellow’S ‘Spoken Book’, Simona Antofi, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In their paper, “Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s Spoken Book, ”Simona Antofi and Nicoleta Ifrim analyze the book of interviews Settling My Accounts Before I Go Away: A Words & Images Interview, a two-authored mirror-like writing in which two biographical courses and two scriptural identities engage in dialogue. Their aim is to define a double reading effect embedded into the self-oriented narrative: a collective history of the Jewish exile from the communist totalitarian space (Soviet and Romanian) towards the “promised land,” with literary, cultural and political insertions; then, the legitimation of an …

No Ordinary Time, No Ordinary Summer Program, Janice Clinard

The Montana English Journal

No Ordinary Time, No Ordinary Summer Program describes the first year of a National Endowment for the Humanities program that taught students to produce a film through the study of humanities. The article outlines objectives of the grant and activities undertaken by students and includes several student quotes about the impact of the program. The final product, a thirty-minute film entitled No Ordinary Time, is a documentary that compares the Spanish Flu in Montana with students’ experiences during the COVID-19 pandemic.

Male And Female Interactions: A Multimodal Analysis Of Shonen Manga, Alexandria Perez

The Montana English Journal

A qualitative multimodal content analysis of popular manga examined how female and male character interactions represented gender roles. An analytical tool was developed using multimodal, semiotic, social semiotic, gender, and feminist theories to understand representations of males and females in this popular media. This study showed that traditional gender norms are still present in manga, but there are some that break stereotypes. Also, in using both textual and visual elements to interpret multimodal texts, understanding of character interactions were enhanced because the intermodal interactions created new meaning. Implications suggest positive outlooks for manga being used as an educational tool by …

Descendant, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Descendant (2022), directed by Margaret Brown.

Stagnation Of The American Perception Of Ptsd As Shown In The Portrayals Of Selected Modern, Post-Modern, And Contemporary Fictional And Non-Fictional Veterans, Rebecca Hazelwood, Eirian Waldron

Summer Community of Scholars (RCEU and HCR) Project Proposals

No abstract provided.

Cultural Predicaments: Neorealism In The Netherlands, 1927–1945, Stephanie Huber

Dissertations, Theses, and Capstone Projects

This dissertation takes as its subject Dutch Magic Realism, also known as “Neorealism,” an unsettling style of figurative painting developed by Dutch painters Pyke Koch, Carel Willink, Charley Toorop, Raoul Hynckes, Dick Ket, and Wim Schuhmacher during a moment of rising totalitarian regimes in neighboring countries and the Nazi Occupation of The Netherlands. Like their European counterparts, these Dutch Magic Realists conveyed the experience of modern alienation by perversely appropriating stylistic characteristics and iconographic motifs of revered national schools of painting – in their case, Early Netherlandish and Northern Renaissance traditions.

The fortunes of Neorealism exemplify the pressures brought to …

Hudson Yards: Hybrid Capital's New Home, Massimo D. Scoditti

Dissertations, Theses, and Capstone Projects

This thesis focuses on the material and metaphysical aspects of the Hudson Yards, the largest private development in US History. With its roots in the administration of Michael Bloomberg, the site is representative of neoliberal ideology. It is also one in which cultural production is central. This is in terms of the rationalization and mythos of the building of the space itself and the dreamworlds created to obscure the mechanisms of extraction and accumulation that make such a complex possible. The Hudson Yards is particularly interesting because, as Cindi Katz might suggest, topography lines connect it to transnational capital. And …

Gender-Informed Features Of Film Reviews: A Statistical Linguistic Analysis, Matthew Kadish

Dissertations, Theses, and Capstone Projects

The project analyzes how language is used differently in movie reviews based on both the gender of the author of the review as well as the gender of the director of the reviewed film. In doing so, it aims to gain a better understanding of what contexts evoke a typically “masculine” use of language vs. a typically “feminine” use of language within the genre of film criticism, and what implications this has for the state of the film criticism with respect to gender. The results of this study seem to indicate that a critic’s language use takes on the characteristics …

Armored Feelings: Romantic Love, Sexual Consent, And Gender-Based Violence In French First World War Narratives (1914–1956), Angélique Ibáñez Aristondo

Dissertations, Theses, and Capstone Projects

Armored Feelings examines how the First World War reconfigured how the French thought and wrote about romantic love, sexual consent, and gender-based violence. It posits this devastating event as a critical juncture during which the misogynistic and racist notion of amour à la Française took its modern shape as a rhetoric buttressing the nation’s brittle sense of cultural superiority while obscuring diverse forms of gendered aggression – especially those perpetrated by its citizens against women. This dissertation also establishes that the notion of women’s sexual consent coalesced during the period under examination as a troubled and troubling response to the …

Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran

Dissertations, Theses, and Capstone Projects

“Third-World” women have long been excluded from center screen space, and positioned as stereotypical characters in liminal, coded spaces—such as harems, brothels, convents, ashrams, zawiyas or in domestic space. Yet, spatial organization is integral to the production of the social, not merely its result, and is fully implicated in both history and politics. Space is thus a crucial category of analysis in any cinema. My thesis examines how spaces, from the domestic to the virtual, socio-religio-cultural are reclaimed, redefined, and reformulated by women in politically engaged films made by Third-World women directors focused on women. Their struggles for space are …

Bi-Phasic Dissonance In Some Pinoy Boys’ Love Series, Gary C. Devilles

Akda: The Asian Journal of Literature, Culture, Performance

The growing fascination with Pinoy Boy’s Love (BL) series, such as Gameboys, Hello Stranger, and Quaranthings can be construed as part of the long struggle of LGBTQI community for more inclusivity as most of its fans were also fans of Thai Boy’s Love series called “lakhon,” according to scholar Thomas Baudinette who studied that Pinoy fan sites actively appropriate or “creatively misread” these series. My paper now would like to follow up on the efficacy of these reparative readings in Pinoy BL series, if the creative misreading in Thai BL series can be carried over to their Pinoy …

Precarity And Motherhood In Philippine Trans Cinema, Mikee Inton-Campbell

Akda: The Asian Journal of Literature, Culture, Performance

In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economic and social precarity tends to pervade the lives of trans women, and how transness itself becomes a form of precarity under the legal system’s lack of accommodation to trans rights. I also examine trans motherhood and make the argument that while it destabilizes biology as the root of motherhood, it …

Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez

Akda: The Asian Journal of Literature, Culture, Performance

Sa sanaysay na ito, pinahahalagahan ang sandali ng pag-usbong ng mga boys’ love webserye sa panahon ng pandemya. Sinusulit nito ang telebiswal na penomeno sa pamamagitan ng pahapyaw na pag-uugat sa mga minumulang tradisyon o impluwensiya; sa pagsasakonteksto ng paglaganap nito; sa pangkabuuang pagbása sa nagkakaisang salaysay ng mga serye; at sa pagtukoy sa mga transgresyong tinutupad nito sa anyo at kagawian ng panonood ng teleserye, at sa pangkalahatan, sa telebisyong patuloy na umaagapay sa mga hámon at pagbabago ng kalakaran. Sa kasaysayan ng teleserye at ng telebisyong Filipino, pinangangatwiranang mahalaga ang sandali ng BL sa gitna ng pandemya dahil …

Visions For Japanese Society: An Examination Of Japanese Postwar Occupation Period Film, Kaitlin Smith, Michael Gibbs

DU Undergraduate Research Journal Archive

By following the films of directors Akira Kurosawa ( 黒澤明), Yasujiro Ozu ( 小津安二郎), Masaki Kobayashi (小林正樹), and Shohei Imamura (今村昌平) around occupation period Japan, unified visions for Japanese society are formed as it transitions from wartime into the postwar era. Each of these films conveys a sense of rapid change in society, external pressures and foreign influence, a daily struggle, and immediate postwar suffering. Not only can these films be seen across a wide variety of styles, but they also each approach these issues with immediacy and show tentative outlooks for how Japan functioned and felt for most people …

"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch

Theses and Dissertations

Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Dia.Ries, Katherine A. Doyle

Theses and Dissertations

dia.ries is a pilot episode of an episodic series that offers insight into the lives of a few of the 500 million people around the world with diabetes—otherwise normal, everyday people who happen to be living each day with an “invisible illness.” Produced through video diaries and other user-generated content, the series tells stories from first-person points of view along thematic lines, using a collaborative approach rooted in Third Cinema.

Approcher La Notion D'Atmosphère À Travers Le Film All These Creatures De Charles Williams, Rémi Adjiman, Rosine Bénard O'Kelly, Marine Brun-Fanzetti, Natacha Cyrulnik, Clément Delarbre, Javier Elipe-Gimeno, Agnés Horellou, Ivan Magrin-Chagnolleau, Jean-Pierre Moreau, Laetitia Petit, Isabelle Singer

Presidential Fellows Articles and Research

Après avoir partagé la projection du film All these creatures de Charles Williams (2018, 13′), les chercheurs participant au programme de recherche structurant AtmosphèreS au sein de l’UMR 7061 PRISM (Perception, Représentations, Image, Son, Musique) ont échangé, à partir d’une approche phénoménologique au sens large, sur les différentes impressions et représentations qui se sont données à eux lors du visionnage du film. L’ensemble des disciplines au sein de ce laboratoire étant ainsi convoqué, chacun a écrit une page sur ses premières impressions et réflexions au sujet de l’atmosphère du film. Au-delà de la diversité des approches, l’ensemble de ces textes …

Ordinary And Extraordinary Images: Making Visible The Operations Of Stock Photography In Posters Against The Repeal Of The 8th Amendment, Ann Curran

Articles

The operations of stock photographs, as utilised by the Irish anti-abortion lobby, have not been examined before. Many of the ‘Vote No’ posters in the 2018 Irish referendum campaign on the 8th amendment maintained a visual and textual focus on foetal personhood: asking the Irish electorate to ‘love both,’ while deploying a range of stock photographs. In this article, I trace specific stock images used on anti-abortion posters against Repeal back to their online image bank sources. I make visible the role of generic or stereotypical photographs in anti-abortion messaging, in the knowledge that stock photographs often function best when …

Dark Shadows: Monster Culture On Daytime Television, Bill Svitavsky

Faculty Publications

The soap opera Dark Shadows (ABC, 1966–71) gradually took on elements from horror movies, including an immensely popular vampire character. This article examines how the mixing of genre elements took place and how it changed the show’s audience and messaging.

The Stars Told Me About You: Reclaiming Filipino Mythology Through Film, Tara Renee Masangya Mercene

Media and Cultural Studies Honors Projects

The Philippines holds a long history of colonization and occupation from Spain, Japan, and the United States of or (the US). Today, the Philippines is heavily influenced by Western culture, holding ideologies paralleling their past colonizers. For this project, I would like to explore the culture of pre-colonial Philippines and how it is reviving itself in the present, which I frame as the postcolonial. Looking specifically at Filipino folklore and mythology I am interested in understanding the scars of colonization and how lore and rituals have sought to heal these pasts through its remembrance of traditional thought. In this moment …