Film and Media Studies Commons^™

Birth/Rebirth, Christopher R. Deacy

Journal of Religion & Film

This is a film review of birth/rebirth (2023), directed by Laura Moss.

Animalia, John C. Lyden

Journal of Religion & Film

This is a film review of Animalia (2023), directed by Sofia Alaoui.

Simmel, Social Media And The Debatable Virtues Of Not Caring, Edward Brennan

Conference Papers

This paper asks how can bare to talk about the nightmares served up by our media? How can we witness horror, only to forget about it and have It replaced by fresh horror the next day? As Keith Tester wrote, most of us today, can ‘witness horror, and feel next to nothing’ (86). How has this become installed as a modern tradition? And, how might we communicate care while escaping from a cycle of outrage and forgetting.

Sitting Here With You In The Future: Reimagining The Human Through Digital Art, Jared Z. Sloan

Crossings: Swarthmore Undergraduate Feminist Research Journal

This paper presents a novel construction of the Human that arises from digital art. Taking an interdisciplinary approach incorporating perspectives from queer theory, afropessimism, science and technology studies, and more, I analyze the works of three digital artists: Lucas LaRochelle, Arafa Hamadi, and Natalie Paneng. I chart the ways in which these artists negotiate borders between the physical and digital, human and non-human, and real and fantastical to challenge hegemonic Western ideas about humanity and the individual. I claim that by restricting the information available to the user in various ways, the picture of the Human that emerges from each …

The Influence Of The Abraham Accords On The Visual Coverage Of The Israeli-Palestinian Conflict In Arab Media: A Comparative Analysis, Mona Alsaba

Theses and Dissertations

This study examines the influence of the official signing of the Abraham Accords on the Arab media visual coverage of the Israeli-Palestinian conflict. This study operationalized visual frames in terms of the human-interest vs technical frame and peace vs war frame, and explored the use of graphic portrayal as a framing device, in order to compare between the Arab media visual framing of the Israeli-Palestinian conflict before and after the official signing of the Abraham Accords to examine the impact of foreign policy on the coverage among news outlets of different Arab countries. A comparative analysis was conducted relying on …

Metamorphis, Luca Lee Sobarzo Faust

Theses and Dissertations

Web3D interactive experience that explores time, communication, and transformation, from a personal storytelling perspective. Hosted on a web platform, the experience displays three environments: Metamorphis, Cuir AI, and Hain. These spaces propose a fragmented narrative that seeks to interrogate both the characters and the viewer’s perception on the linearity of time

Don’T Look Up: Hyperobjects And Bland Branding, Chloe Preece

Markets, Globalization & Development Review

Popular reviews of Don’t Look Up have been polarised, ranged from admiring to dismissive. This Netflix comedy satirises the difficulty of compelling the uninterested to care and the failure of government to tackle our imminent extinction. As such, we are left with the question as to whether it is still possible, in 2022, to find humour in a film about the end of the world? Ultimately, the film is the product of the discourse it satirises; the star-studded cast and their activist message is lost in a failure to hold to account those most responsible for global warming by focusing …

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

Cashing Out (Documentary), Girard Tecson

Theses and Dissertations

My 30-minute documentary film, Cashing Out, explores my journey into the world of sneaker culture and the major impact it made in my life.

Gallery Film And Contemporary Chinese Art : On Yang Fudong’S Beyond God And Evil-First Chapter And Endless Peaks, Bingxi Wang

Lingnan Theses (MPhil & PhD)

Gallery films are cinematic installations assembled and displayed in an art gallery as a combined exhibition of moving images and contemporary art. As such, a gallery film signifies the evolution of film presentation from a black-box screen to a white-cube space, a characteristic of contemporary art. This research examines Yang Fudong’s (b. 1971) two exhibitions Beyond GOD and Evil-First Chapter (Suzhou Museum, September to December 2019) and Endless Peaks (ShanghART Gallery, November 2020 to January 2021) by employing theories from art history as well as film and media studies, including theories of Chinese landscape painting, discourses on the picturesque and …

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Literatura Y Legitimación En América Latina. Polémicas, Operaciones, Representaciones, Guadalupe Silva, Magdalena Cámpora, Gerardo Pignatiello

Monographs and Open Access Books

Literatura y legitimación en América Latina. Polémicas, operaciones, representaciones es el resultado de un proyecto de investigación colectivo. El libro explora la relación entre la literatura y el concepto de legitimidad en un conjunto de escenas situadas en el ámbito de la modernidad latinoamericana entre fines del siglo XIX y comienzos del XXI. Se pregunta por el rol que jugó el discurso literario en la legitimación de prácticas, ideas, grupos y posiciones, y a la vez analiza los mecanismos a partir de los cuales la propia literatura fue elaborando su legitimidad en tanto institución social del presente. La literatura moderna …

The New Motion Picture: Can Interactivity In Mobile Ar Enhance Storytelling In Modern Filmmaking, Olaoluwa John Alake

Selected Full-Text Master Theses 2021-

The title of the thesis Is - The New Motion Picture: Can Interactivity in AR Enhance Storytelling In Modern Filmmaking?

For the theory, I will be exploring how AR has developed from the history of its many applications to its current implementation in smartphones and how current filmmakers are working with this technology to produce new content.

For production, I will create one or multiple spatial AR scenes using real-world locations that incorporate elements of a short film story for users to interact with. This may include 3d assets, paths and destinations e.t.c.

The theory paper will introduce readers to …

Rodcon, Program, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--- Welcome
--- Locations
--- Schedule
--- What's That?: Event Descriptions
--- Artist Alley
--- Food Map
--- Sponsors

Dire Le Monde : Le Corps Et Ses Écologies Dans Guelwaar D’Ousmane Sembène, Abdoulaye Sall

Présence Francophone: Revue internationale de langue et de littérature

This article focuses on corporality as a focus of meaning in Guelwaar of Ousmane Sembène and, above all, on its multiple relationships with its different ecologies: textual, social, etc. We study, successively, the metamorphosis that is taking place in African societies through the naked body, emaciated or used in a subversive form and the caricature of the political power that we can see in the representation of elongate body, voluminous or profane.

Ousmane Sembène : Une Esthétique Du Diiso, Mbaye Diouf

Présence Francophone: Revue internationale de langue et de littérature

The representation of public speech continues to determine two major components of African text and film, that is, the dialogical and the narrative. As a site of relational negotiations, reminders of the doxa and ceremonial practices, this public word is formulated and refined in instances of verbal performance such as consultation (diiso), panegyric (tagg), farce (foh) or tirade (xas). For an author such as Ousmane Sembène, the elaboration of the text (Le dernier de l’Empire) and of the film (Guelwaar) constitutes a moment of aestheticization of the diiso …

Pachuquismo E Identidad Nacional Imaginada En Los Estados Unidos Y México En La Década De 1940, Isabel Saavedra-Weis

Hispanic Studies Honors Projects

Pachuquismo was a counterculture born in the barrios of East L.A. in the 1940s. Mexican-American youth created their own social group defined by specific clothing (zoot suits), music fusions (mambo and swing), and linguistic dialects (caló). However, on both sides of the U.S. and Mexican border, pachucos had a poor reputation. In the U.S., mainstream media portrayed pachucos as juvenile delinquents and domestic threats. In Mexico, pachucos were mimicked and heavily criticized for their Americanization. In this essay, I identify how U.S. and Mexican mainstream media reacted to pachucos, and what those portrayals can tell us about the imagined national …

Introduction To Gender Studies (Circa 2002-2008) (Whitman College), Robert D. Tobin

Syllabi

This course was taught by Robert Tobin at Whitman College. Professor Tobin worked at Whitman for 18 years as associate dean of the faculty and chair of the humanities, and was named Cushing Eells Professor of the Humanities. Several of the courses he developed at Whitman would make the transition to Clark, where they continued to evolve.

"'Introduction to Gender Studies' provides students with the intellectual framework to understand and analyze gender. Using a variety of sources from theory, literature, and other media, we will study femininity, masculinity, and some of the steps inbetween."

Ousmane Sembène Et Le Cinéma Soviétique, Gesine Drews-Sylla

Présence Francophone: Revue internationale de langue et de littérature

Taking Ousmane Sembène’s internship with the Soviet filmmaker Mark Donskoy as its point of departure, this article traces the entanglement of Sembène’s early films with Soviet cinema. To this end, I will be focusing on the general context of montage and cinema of the Thaw, while giving special consideration to a short Soviet documentary film celebrating Senegalese independence. In particular, paradigms of Thaw cinema can be discerned in Sembène’s Borom Sarret, where they are coupled with the claim to cinematic dialectic, resulting in an active translation into African contexts. In conclusion I would like to offer an intertextual reading …

Critique De L’État Post-Colonial Africain : Esthétique De L’Engagement Dans Le Dernier De L’Empire D’Ousmane Sembène, Bocar Aly Pam

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes Le dernier de l’Empire (1981) by Ousmane Sembène with the main objectives of examining how the postcolonial societies in Africa are touched by many kind of problems addressed by this author in literature. In fact, the book chosen for this study covers the question of the political aspects of the societies, the dictatorship under the name of democracy, corruption as a norm, and many other points. This study examines Sembène’s novel from the point of view of his interpretation of social and political realities. It depicts the post-independence disillusionment of Senegal.

Écoutez ! Une Invitation Au Paysage Sonore Des Films D’Ousmane Sembène, Carina Yervasi

Présence Francophone: Revue internationale de langue et de littérature

The role of sound is analyzed in five films by Ousmane Sembène, including his first films Borom Sarret (1963), Niaye (1964) and La Noire de... [Black Girl] (1966). The sounds weave an ensemble or “braid” themselves into the fabric of the film in accordance with a concept theorized by critic Trish FitzSimons. This specific nature of braided sounds reveals narrative elements by way of Sembène’s sound technologies and choices and thus invites spectators to enter into a dialogic community, or even a discursive community, with the filmmaker, his films, and other spectators world-wide.

Tcs 2023: Flyer, Ernesto Silva, Kaelyn Ireland

Transnational Cinema Series

The first Transnational Cinema Series hosted by KSU highlight 10 films: La Mission (2009), Ya no estoy aquí (2019), Rope (1948), Compulsion (1959), Psycho (1960), Talk to Her (2002), Hedwig and the Angry Inch (2001), The Skin I Live In (2011), Night of the Living Dead (1968), and Canoa: A Shameful Memory (1978).

Rescue Politics: Richard Mosse’S Thermal Imaging And The Containment Of Migration, Sarah Bassnett

Visual Arts Publications

This article focuses on a body of work by Mosse that includes the multichannel video installation Incoming, shown as a 52:12 minute three-channel video installation with 7.3 surround sound, and the photographic series Heat Maps (2015–2017) (Fig. 1). While Incoming concentrates on migration routes, Heat Maps portrays the architecture of refugee camps.4 I consider how the artist’s use of thermal imaging and his immersive mode of documentary complicates tropes used to represent migration. I reflect on the way Mosse’s artwork intersects with a long-standing interest by practitioners and theorists of film and photography in the idea of the camera as …

Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates

Presentations, Proceedings & Performances

I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …

Na Our Cinema Be This: The Evolution Of Themes In Nigerian Cinema, Carol C. Merengwa

Honors Undergraduate Theses

This paper examines the themes in Nigerian cinema, popularly referred to as Nollywood, and their evolution over time. This analysis will give indigenous and colonial context to the origins of filmmaking in Nigeria and illustrate how the societal events impacting the country influenced the subject matter being explored. Through research from scholarly journals, review of specific films, and input from filmmakers in the industry, we will gain an understanding of Nollywood cinema and the stories which Nigerian filmmakers decide to share.

In Search Of Pandora Experimentia, Brian Hauser

Faculty Contributions to Books

Wes Craven's first film was a 45-minute color 16mm student film titled Pandora Experimentia, for which Craven served as director of photography when he was a faculty member at Clarkson College of Technology in 1968. This essay tells the story of the making and exhibition of this early Craven film before he left teaching to pursue a successful career in filmmaking.

Ruffled: Examining Feminism & Femininity Through Animation, Savannah Berry

Electronic Theses and Dissertations, 2020-2023

The animated short film Ruffled confronts the subjects of Feminism and Femininity through the after-hour musings of a young seamstress. Sewing to patterns and working from their papered paradigms she discovers her unique voice that is both referential of the past while remaining distinctly modern. The struggle twenty-first century Feminists may encounter when determining their place within a history rich with prejudice, confrontation, and triumph is metaphorically represented in each of the character's attempts at garment creation. Within the film, not only does this clothing harken back to vintage apparel but whimsically transforms her surroundings to reflect three visually distinct …

Painting And Fear: The Creation Of Death's Visage, Mark A. Felbinger

Graduate Thesis and Dissertation 2023-2024

Death's Visage is a feature film that was created from an idea developed due to a personal relationship with an artist, who was a professional illustrator and painter. The film follows a young woman who becomes entrapped in a demonic sphere and time zone where her fear is the demon's gratification. She questions the events that are unfolding, which creates herpsychological turmoil, while taking place in the family home that is in an older established middle-class neighborhood.

Death's Visage was a micro-budgeted film produced for $20,778. The capital needed for this film meets the University of Central Florida Feature Film …

Uno Sguardo Oltre I Bordi Della Fotografia Coloniale, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

Social Media Strategies That Lead To Success In The Film Industry, Elisa O'Keefe-Smith

Walden Dissertations and Doctoral Studies

Social media influence is important to movie industry leaders as it directly affects film revenues. The problem is that independent film managers often fail to increase revenues due to limited resources and a lack of social media marketing strategies. Grounded in the conceptual framework of social media marketing management (SMMM), this multiple case study was an exploration of the social media strategies used by independent film managers to increase film revenues. Participants were 10 U.S.-based independent film managers who successfully leveraged social media strategies in the film industry. Data were collected using semistructured interviews, publicly available documentation, data found on …