Film and Media Studies Commons^™

Traduire Novarina En Arabe. Les Mots Sens Dessus Dessous, Georgine Ayoub

Regards

The theater text is always a text to come, according to Valère Novarina’s expression. Once written, it writes itself over and over again on stage. And translating it is always a delicate undertaking. This task becomes even more difficult when the theatrical text is one where the adventure of thought resides in the very act of passing through language – where “a speech from before the ability to speak” emerges, where words, “set in motion,” surprise with unpredictable, incisive meanings, thanks to a mysterious sonority or a tripping up of grammar.
This is the great difficulty in translating Novarina’s theatre …

عن تمويل فنون الأداء المستقلة في المنطقة العربية: في احتضان الجديد, Abdullah Al Kafri

Regards

Nous nous penchons dans cet article sur le sujet des modèles de production et des sources de financement des arts de la scène indépendants, afin d’analyser les questions qu’il génère. Nous examinons son rôle en tant qu’élément fondamental pour l’existence du champ des arts de la scène indépendants durant les deux dernières décennies. Nous tentons de cerner le financement des arts de la scène indépendants dans la région arabe, en nous focalisant sur l’étude des principaux acteurs qui ont joué un rôle clé dans la constitution et l’existence de ce champ, à savoir les organismes donateurs arabes qui ont émergé …

Coopérer Pour Exister : Les Collaborations Théâtrales Avec L’Europe Ou L’Impérative Stratégie Des Théâtres En Palestine, Astrid Chabrat-Kajdan

Regards

Since the Oslo Accords in 1993, theatrical collaborations between European and Palestinian artists have multiplied. They play a role in the development of theatres in Jerusalem and the Palestinian Territories. In this article, we examine their forms and manifestations. The collaborations range from workshops – which consist predominantly of technical classes – to co-creations involving partly European and partly Palestinian teams.
Through the analysis of European–Palestinian theatrical collaborations, this article questions to what extent different forms of collaboration contribute to the key challenges of professional Palestinian theatre: the sustainability of institutions in Palestine, the visibility of Palestinian artists, and the …

Introduction – Quel Avenir Pour Le Théâtre Dans Le Monde Arabe ? Pratiques, Formes Et Perspectives De La Pérennisation Du Courant Théâtral Dans Le Monde Arabe, Najla Nakhlé-Cerruti

Regards

Quel avenir pour le théâtre arabe ? En posant cette vaste question qui a guidé la réflexion collective présentée dans ce dossier thématique, nous avons souhaité interroger les effets de durabilité et les procédés qui participent à la pérennisation du mouvement théâtral dans le monde arabe. Dans ce contexte, les contraintes, nombreuses et de natures diverses, s’ajoutent à la dimension éphémère du genre théâtral. Il se construit en effet sur sa propre mise en péril puisqu’il n’existe que dans la fugacité du moment de la représentation, lorsque les comédiens sur scène et le public dans la salle sont réunis.

Molière Chez Les Hommes De Théâtre De La Nahda Et Tayeb Saddiki, Mahfoud Kecili

Regards

In this paper, we study the presence of Molière in the theatre of Mārūn al-Naqqāš and of Tayeb Saddiki. We show how al-Naqqāš appropriated Molière’s theatre to introduce a new literary genre in the Arab world: Western-style theatre. He employs the comedy and satire of Molière’s theatre as a tool for reflection. In his play al-Baẖīl, he deals with the theme of avarice and that of generational conflicts, which he exposes with a comic vein and satire. In doing so, he urges his fellow citizens to innovate in the arts, drawing from the classical adab and the glorious past …

Belonging On Stage: Theatre As A Practice Of Belonging For The Syrian Diaspora In Turkey, Asma Hedi Nairi

Regards

This article is a preliminary research focusing on the role of theatre as a belonging practice for the Syrian diaspora in Turkey. Based on a qualitative and narrative research methodology, the work analyzes the experience of the Theatre Scene group and their performance of the play Outside the Flock. Building on the belonging conceptual framework presented by Yuval-Davis (2006), the work offers an overview of how theatre served as both a space and a practice of belonging for the Syrian diaspora. It contributes to the growing scholarship on diasporic arts, highlighting the specificity of the Syrian theatrical experience.

Résumé …

Entretien Avec Roger Assaf. Théâtre Et Espace Public : Entre Immersion Et Divertissement, Roger Assaf, Marianne Noujaim

Regards

In this interview, Roger Assaf perceives the constraints of contemporary Lebanese and Arab theatre through the lens of his reflection on the relationship between History — with its dark periods and revolutions — and theatre’s history. Contingent on its historical context, theatre has always oscillated between entertainment and immersion. Assaf evokes his Al-ḥakawātī theatre experience as well as the earliest Arab theatre festivals, drawing a comparison between their sociopolitical dynamics and production modes, on the one hand, and those of contemporary Lebanese and Arab theatres, on the other. He believes that the memory of such theatrical experiences, albeit lacunary, stands …

La Mort Par Les Yeux, Omar Abi Azar

Regards

Omar Abi Azar témoigne de la naissance et du cheminement de la compagnie de théâtre Zoukak. Il met en relation le parcours de ses membres et de ses créations avec les crises et impasses historiques du Liban, d’une part, et avec les conditions de production imposées par les fonds européens et la réception des pièces en Occident, d’autre part.

Le Pire ?, Chrystèle Khodr

Regards

Chrystèle Khodr, actrice, autrice et metteuse en scène, témoigne de sa pratique du théâtre aujourd’hui au Liban, des moyens qu’elle met en place pour pérenniser son travail, et des effets de la production sur la forme et le fond de ses spectacles.

Faire D’Avignon « Une Sorte De Grenade, De Ville Dans Laquelle Toute La Méditerranée S’Est Synthétisée ». Retour Sur La Programmation Arabe Du Festival D’Avignon 2022, Pauline Donizeau

Regards

Arab artists had an important place in the 2022 edition of the Festival d’Avignon in France. This edition was the last one directed by Olivier Py, whose mandate was marked by the regular programming of artists from the Maghreb, the Middle East, and the Near East. This article analyzes the different performances directed by Arab artists on the stages of Avignon in 2022, with a particular focus on issues of representation (especially female figures on stage) and production.

Résumé

L’édition 2022 du Festival d’Avignon a donné une place importante aux artistes arabes. Cette édition fut la dernière dirigée par Olivier …

Repenser Le Théâtre D’Objets : Témoignages, Réflexions Et Retours D’Atelier Au Théâtre Tournesol De Beyrouth, Yassaman Khajehi

Regards

Les manifestations de 2019, dites la Révolution ou thawra, la pandémie liée au Covid, l’explosion du port de Beyrouth, la gravité de la crise économique, les élections législatives de mai 2022, les questions d’immigration et d’émigration trouvent leur place sur la scène contemporaine libanaise.
Cette présence très évidente de ces éléments confirme une fois encore la réciprocité entre théâtre et société : une synergie devenue de moins en moins perceptible sur la scène occidentale. La situation théâtrale et sociétale libanaise ouvre alors aux études théâtrales de nouvelles pistes de réflexion sur l’interaction entre politique, société et création scénique.
Cette …

Rape Jokes, Sexual Violence, And Empire In Revelation And This Is The End, Meredith J.C. Warren

Journal of Religion & Film

The Book of Revelation is one of the most borrowed-from texts of the New Testament when it comes to popular culture. Although there are dozens of other ancient apocalyptic writings, it is John’s apocalyptic visions that directly inform contemporary ideas of apocalypse. The apocalyptic comedy This Is The End (Dir. Seth Rogen and Evan Goldberg, 2013) not only invokes imagery from Revelation but also adapts portions of the text in its portrayal of the end times. However, it also reproduces and expands upon the use of sexual violence as a means of punishment found in Revelation. This paper will examine …

Baraka: A World Without Words: A Guided Meditation, Wanda E. Avila

Journal of Religion & Film

Baraka: A World Beyond Words (1992) is a guided meditation that aims to induce the transcendent experience in the viewer. Through the eyes of a Zen Buddhist monk, the viewer is invited to meditate on the various phenomena that testify to the existence of the transcendent (the first eight chapters), to experience the everyday world where the transcendent is painfully absent (the next eleven chapters), and to finally arrive at stasis (the last two chapters). This paper is a description of and commentary on each of the 21 chapters of the film.

Art Cinema And India’S Forgotten Futures: Film And History In The Postcolony, Vijay Mishra

Journal of Religion & Film

This is a book review of Rochona Majumdar, Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony (Columbia University Press, 2021).

The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, And Film, Matthew Kingcroft

Journal of Religion & Film

This is a book review of Joel Mayward, The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, and Film (Routledge, 2023).

Natalia, Dereck Daschke

Journal of Religion & Film

This is a film review of Natalia (2023), directed by Elizabeth Mirzaei.

Lars Von Trier’S Cinema: Excess, Evil, And The Prophetic Voice, Jeanette Solano

Journal of Religion & Film

This is a book review of Rebecca Ver Straten-McSparran, Lars Von Trier’s Cinema: Excess, Evil, and the Prophetic Voice (Routledge, 2021).

Motherhood In The Multiverse: Melodrama And Asian American Identity In Everything, Everywhere, All At Once, Aditya Sudhakaran

USF Tampa Graduate Theses and Dissertations

In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster’s mobilization of the multiverse …

The Eye Of The King: Screenplay Adaptation As A Craft Tool, Nora Annette Graves

Masters Theses

Adaptation studies typically focus on a screenplay’s fidelity to its original text within the constraints imposed by the new genre. This thesis approaches adaptation as a craft tool: a rich source of fresh authorial insight into characters, settings, and plotlines. Experimentation, not fidelity, is the goal of the self-adapter; adaptations are valued and deemed successful based on the new levels of complexity they uncover or add to an ongoing story. The author’s screenplay adaptation of her original novel, The Eye of the King, served as a case study for testing the value of adaptation as a writer’s craft tool. Re-telling …

Review Of The New York African Film Festival, Lincoln Center, May 12-17, 2022, Steven W. Thomas

The Journal of Social Encounters

No abstract provided.

Losing The Streaming Wars: What Netflix Loses In Television Narrative And Participatory Fan Cultures, Annabelle G. Naudin

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the rise of streaming television and subsequent “binge-watching” and its impact on the narrative structure of a series. By looking at shows such as Stranger Things, which pioneered the rise in this new form of television, one can see the shift in narrative structure in comparison to previous long- form television such as LOST. This shift can be seen in the slow disappearance of “game-changer” cliffhangers within episodes that build to a larger implication in a season arc in favor of one longer mystery that stretches throughout the season. In this thesis, I argue that this …

Kurdish Filmmaking In Turkey: History And Narratives, Omar Sadik

Dissertations and Theses

This research investigates the history and politics of cultural production by examining Kurdish filmmaking in Turkey. Sadik provide an analysis of contemporary films and filmmakers to explore how Kurdish cinema in Turkey is situated in broader, global political-economic structures. By examining this important case through the lens of history and memory, Sadik clarify how production and aesthetics in Kurdish cinema point to important systemic processes. Sadik uses three main research strategies in this study: a historical survey of Kurds in Turkey, an analysis of ten semi-structured interviews with contemporary Kurdish directors and an analysis of films directed by Kurdish filmmakers …

Flm170.1 Storytelling For The Screen: A Few Bitter Brews [Film] Example 1, Sae University College

Exemplars

FLM170 Storytelling for the Screen Project 1. Logline: When a recently heartbroken romance author is stricken with writer's block. She attends a speed dating event to conduct character research but is thrown off by a man who she fears could break her heart.

Flm170.1 Storytelling For The Screen: Inheritance [Film] Example 2, Sae University College

Exemplars

FLM170 Project 1 Distinction

The Call Sheet: A Six-Part Podcast Interview Series On The Film Industry In Nebraska, Tanner Dykstra

Honors Program: Senior Projects (Public)

My University of Nebraska-Lincoln Honors Thesis project is a six-part podcast interview series entitled The Call Sheet. This is classified as an Applied Knowledge project and encapsulates my interests and areas of study in Journalism, Broadcasting, and Film Studies. I sought out interviews with people who currently reside or once resided in the state of Nebraska who work in association with the film industry. This industry is broad, and my interview subjects reflected this. The six episodes comprising my project are as follows: writer/director Aliza Brugger, writer/professor Michael Svoboda, director of the Mary Riepma Ross Media Arts Center Danny Lee …

Utopian Promises, Dystopic Realities: Teaching Bell Hooks “No Love In The Wild”, Naimah H. Ford

Feminist Pedagogy

This original teaching activity discusses bell hooks’ film review of Beasts of The Southern Wild and explains how it can be used to encourage students to recognize how popular culture reproduces and reinforces disturbing paradigms. This original teaching activity, based on hooks’ review “No Love in The Wild,” encourages students to be informed while navigating visual images in popular culture. This activity also explains how hooks’ film review and the film can be used to empower students with strategies to analyze film and other visual images that are seemingly progressive but support the strictures and structures that reinforce patriarchy, racism, …

Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …

An Analysis Of The Episodic Writing Process, Megan Kanger

Honors Program: Senior Projects (Public)

Writing for an episodic series vastly differs from writing for a short film. This essay explores the major differences between writing a short film in contrast to writing an episodic series and how these differences impact the writing process. The essay examines the topic by breaking down my own experience writing an episodic series and the key findings I uncovered throughout that process. I describe my series, Scythe, and the central themes and characters that encompass the series. With a central theme of death, I describe how I worked to establish an emotional tonal balance between drama and humor within …

The Owl House: Queerness And Witchcraft In Modern Media, Gray E. Takahashi

Undergraduate Honors Thesis Projects

The Owl House is a groundbreaking television series on Disney Channel created by Dana Terrace. The show follows Luz, a young human, as she makes a new home for herself in a magical realm called the Boiling Isles. (Vorrasi-Banis 102). Within the series, there are many queer elements, in terms of literal LGBTQ+ representation as well as in a more expansive and critical sense. The Owl House is unique because of its willingness to break and queer a multitude of social conventions. This paper examines the evolution of the witch as both figure and trope of patriarchal resistance as well …

If It Ain't Broke, Don't Fix It: Understanding The Value In Producing Film Adaptations And Movie Franchises, Courtney Mcdonald

University Honors Theses

The business of making movies is not an easy one; in an industry where very few see financial success, risk aversion often takes the wheel. In order to combat the immense amount of uncertainty, existing research has attempted to establish factors of film success, including actor star power and reviews. However, statistical studies evaluating these factors have produced consistently inconclusive results. To approach this idea from another perspective, this paper investigates two specific areas of film—movie adaptations and film franchises—that contain valuable properties not always as explicitly connected to box office results. While many movies are referenced, two film franchises …