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Articles 991 - 1020 of 1022
Full-Text Articles in Fashion Design
Mode-Rundschau., L.S.H.
Ua94/6/2/14 Your Color And Why, Nashua Manufacturing Company
Ua94/6/2/14 Your Color And Why, Nashua Manufacturing Company
Student/Alumni Personal Papers
Booklet regarding Indian Head cloth produced by Nashua Manufacturing Company in Nashua, NH. This booklet is housed with the personal records of student Annie Reis. There is a single sample of the cotton cloth in the front showing Jade No. 143. All 18 colors are represented along with suggestions on which complexions they match best.
School Of Practical Art Course Catalog (1925-1926), School Of Practical Art
School Of Practical Art Course Catalog (1925-1926), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art is maintained for all persons who have an innate love for and interest in art, who desire to confine their study to commercial art; whose amateur efforts in drawing show a talent sufficient to make admission advisable. No examination or previous study is necessary, unless the student wishes to enter upon advanced work. Students are received at any times, providing there are vacancies. The Student will be given every encouragement and constant help. Personal ability will determine progress and the nature of the work pursued.
The Voice Of The Phi Sigma -- 1923 -- The Soprano Voice: Woman's Number, Phi Sigma
The Voice Of The Phi Sigma -- 1923 -- The Soprano Voice: Woman's Number, Phi Sigma
The Voice of the Phi Sigma
This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 07, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 07, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 08, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 08, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 05, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 05, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 06, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 06, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 10, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 10, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 01, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 01, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 04, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 04, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 03, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 03, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 02, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 02, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 09, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1922, No. 09, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 07, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 07, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 05, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 05, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 01, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 01, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 02, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 02, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 09, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 09, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 03, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 03, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 06, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 06, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 10, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 10, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 04, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 04, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 08, Lucien Vogel, Marcel Astruc
Gazette Du Bon Ton: Arts, Modes Et Frivolités | 1921, No. 08, Lucien Vogel, Marcel Astruc
Gazette du bon ton: arts, modes et frivolités
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The …
School Of Practical Art Course Catalog (1918-1919), School Of Practical Art
School Of Practical Art Course Catalog (1918-1919), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art as its name implies is devoted entirely to the teaching of only such branches of drawing as have a commercial value and fills a long felt want among art students with a living to make. By a new and direct method of instruction which is entirely individual, the student may acquire in a remarkable short time the really practical knowledge of modern Commercial Art; its application in all its branches; its rendering in all the various mediums ect., which is absolutely necessary to pursue art as a business with any assurance of success.
Ua94/6/2/14 Domestic Science Notebook, Annie Reis
Ua94/6/2/14 Domestic Science Notebook, Annie Reis
Student/Alumni Personal Papers
Domestic Science notebook kept by student Annie Reis regarding fashion design. The notebook includes her sketches of clothing and costumes as well as information regarding beauty, self-image, body types, accessories, hairstyles and children's clothing.
Earring Thinking, Kate Connell, Special Collections, Fleet Library
Earring Thinking, Kate Connell, Special Collections, Fleet Library
Fashion
4 unnumbered pages (single folded sheet), 16 unnumbered plates (some folded) : color illustrations, samples, 18 cm. Title from portfolio. In portfolio (22 x 14 x 3 cm). Describes the process of designing, making and curating for the intimate, magnetic and highly visible place that earrings occupy."-- page [1]. Mounted inside the booklet is a sealed paper envelope containg ear wires, jump rings, safety pins, and a sample paper cutout. Plates include color illustrations of jewelry pieces that can be cutout and mounted with wires to create an earring. Englehart C. Ostby Fund.
The Conspicuous Condom, Richard Martin, Marvin Hoshino, Special Collections, Fleet Library
The Conspicuous Condom, Richard Martin, Marvin Hoshino, Special Collections, Fleet Library
Fashion
[xviii], 27, [5] pages : illustrations. 15 cm. "Published in conjunction with an exhibition at the Fashion Institute of Technology, September 5-12, 1989." Designer: Marvin Hoshino. Color initial on page [i]. Stapled, yellow paper cover. Gift of Madelyn Shaw.
Robes & Gouaches Simultanés, 1925, Sonia Delaunay, Special Collections, Fleet Library
Robes & Gouaches Simultanés, 1925, Sonia Delaunay, Special Collections, Fleet Library
Fashion
48 pages : chiefly illustrations (black and white), portraits, "L'art et le corps, rythmes-couleurs en mouvement". 22 x 30 cm. A collection of the artist's drawings related to clothing and costume design. Illustrated title page In French. Black and white printing, different color papers, mostly white, but including blue, green, orange-red. French fold paper. Adhesive binding, paper cover. Stains on title page and bottoms of following pages.
The Voice Of The Phi Sigma -- 1891 -- Vol. 13, No. 01, Phi Sigma
The Voice Of The Phi Sigma -- 1891 -- Vol. 13, No. 01, Phi Sigma
The Voice of the Phi Sigma
This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.