Fashion Design Commons^™

Fashioning The Body Politic: Explorations Of The Political Semiotics Of Fashion In France And England During The French Revolution, Annika F. Gauthier

Scripps Senior Theses

In the midst of the French Revolution, women’s fashion underwent a complete revolution, moving from the multi-layered elaborate gowns of the ancien regime, to light, form-fitting dresses. These gowns reveal the way clothing reflects the political positions of women and the ways the French and the British used clothing to construct national identity and politics. Following research on the political symbolism and role of clothing across France and Britain, this thesis reviews fashion’s overarching connection to politics, revealing its role in the early French Revolution’s conception of women and patriotism, women’s responses to political exclusions, and rival nations’ adaptations of …

Costuming The Californian Apocalypse: Sartorial Speculations Of Los Angeles's Future, Isabel Kramer

Scripps Senior Theses

With this project, I use fashion design as a medium to visually speculate a range of futures that exist in relation to different temporal apocalypses and dystopian world endings under the current capitalist structure. Three questions guided my thinking and creation of this project: What will people be wearing in 100 years in Los Angeles if we continue down our current path of late capitalism-induced climate change? How will this look differently for people who exist alongside different axes of oppression and who are affected by environmental racisms that manifest in the built environment of Los Angeles? How do dystopian …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Designing Fractal Line Pied-De-Poules: A Case Study In Algorithmic Design Mediating Between Culture And Fractal Mathematics, Loe M.G. Feijs

Journal of Humanistic Mathematics

Millions of people own and wear pied-de-poule (houndstooth) garments. The pattern has an intriguing basic figure and a typical set of symmetries. The origin of the pattern lies in a specific type of weaving. In this article I apply computational techniques to modernize this ancient decorative pattern. In particular I describe a way to enrich pied-de-poule with a fractal structure.

Although a first fractal line pied-de-poule was shown at Bridges 2015, a number of fundamental questions still remained. The following questions are addressed in this article: Does the original pied-de-poule appear as a limit case when the fractal structure is …

Pyramide: The Changing Power Structure Of Fashion, Ariana Callan

Scripps Senior Theses

This project examines the changing world of fashion in an interactive digital magazine format. In the past few years, fashion has increasingly been democratizing, as new designers and forms of media increasingly gain influence. Ready-to-wear designers are working with lower-end brands through collaborations, redefining what each brand is supposed to do, while blogging is allowing those whose voices are usually unheard to openly critique and influence fashion. Overall, they are creating a more democratized space, challenging what was once normal in the fashion industry.

[Rebelution 17]: Gender Bender, Francesca Louise Inocentes

Scripps Senior Theses

Fashion embodies what is accepted and valued in a given culture or society and empowers individuals by building self-confidence, enabling them to express themselves authentically through their bodies and garments. The gender binary, perpetuated by the mainstream fashion industry, marginalizes individuals who do not conform to it. In Rebelution 17, I utilize clothing design and photography to empower and liberate individuals who do not conform to the standards of beauty in regards to gender identity and acceptability. The finished works are featured in a Lookbook – a digital and physical collection of photographs used to market fashion – designed …

Two Bit Circus, Elise Lemle

The Transdisciplinary STEAM+ Journal

Two Bit Circus collaborated with the Girl Scouts of the Greater Los Angeles Area to explore the exciting world of wearable electronics. Over the course of the program, the students explored concepts of introductory electronics while designing and creating their own illuminated fashion piece. The program was held in Montrose, CA in Fall 2013. The students were approximately 10 girls ages seven to 14. The program was held over seven sessions with each session lasting 80 minutes.