Fashion Design Commons^™

Adaptability From Tv & Film Into Theatre | The Subversion Inspiration In Celia’S Identity Versatility Throughout William Shakespeare’S As You Like It, Emani White

LSU New Orleans Theses and Dissertations

This thesis explores the inspiration of adaptability skills, pivoting from television and film into theatre, and the potential of unconventional pathways as a catalyst for reconciling anti-traditionalism within the mediums. It offers insight into the obstacles, segues, and adversities faced during the journey of a former athlete turned television and film actor, and into a theatre actor. It illuminates agency as a subversive identity (the disguise), the sacrifice of status, and the need for an emotional anchor of resilience—acknowledging the systemic transitional barriers in performance, career, and education. The paper also discusses the understandings gained from my journey as an …

New Clubs: Taking Roots, Diorama, 1981

Documents

Article with photographs describing the 1981 introduction of four new campus organizations: Delta Sigma Theta, Ascending Voices, Fashion Forum, and the University of North Alabama Film Society. The article is derived from the Diorama, the student yearbook.

Fashioning The Body Politic: Explorations Of The Political Semiotics Of Fashion In France And England During The French Revolution, Annika F. Gauthier

Scripps Senior Theses

In the midst of the French Revolution, women’s fashion underwent a complete revolution, moving from the multi-layered elaborate gowns of the ancien regime, to light, form-fitting dresses. These gowns reveal the way clothing reflects the political positions of women and the ways the French and the British used clothing to construct national identity and politics. Following research on the political symbolism and role of clothing across France and Britain, this thesis reviews fashion’s overarching connection to politics, revealing its role in the early French Revolution’s conception of women and patriotism, women’s responses to political exclusions, and rival nations’ adaptations of …

Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan

Occasional Essays

Introduction:

On September 19, 2025, I went to the Metropolitan Museum of Art Museum (MET) with some of the Bronx African American History Project team. The people in attendance were Graduate Assistant, Anthony Rosado, and Undergraduate Assistants, Serena Velasquez and Emma Garr, wonderful people, I tell you. After the tour, we ended up at the American art exhibit and had podcast conversations about history for what felt like both hours and very brief minutes... We went to the MET to see a particular piece that was in the Superfine: Tailoring Black Style exhibit curated by Barnard professor, Monica L. Miller …

English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Moore

The Ozark Historical Review

There is perhaps no other external article which is more closely tied to one’s sense of identity than clothing. With a quick glance, one can readily gauge a person by their dress. So too, in the sixteenth century; clothing was used to construct identity, and in some cases to deconstruct it as well. This paper seeks to explore how identity and clothing are in many ways, inseparable. Concepts of religiosity, gender, nationalism, and “the other” were all intimately tied to dress and fashion. During the sixteenth century, perhaps even more strongly than now, clothing could be read like a book …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Cultural Of Authenticity And Commodification: Analyzing The Aesthetic Waves And Collective Culture In The 2010s And 2020s, Stefanny Leung Yu

Student Theses

The “authentic self” is curated, aestheticized, and most notably, commodified. Digital algorithms, likes, views, and engagement are more than just digital metrics, they are the management of performance. For millions of other users — including the author herself — social media is the locus of personal expression. Most notably, sites like Tumblr, where users in the 2010s posted hazy images or overly filtered graphics along with melancholic song lyrics that match the vibe of the moment, expression was earnest and idealized. Today, social media in the 2020s, new creators like Hannah Neelaman, better known as Ballerina Farm, dress in pastoral …

Hats Off To History: Unveiling The Stories Of Headwear, Asia Grant

Student Research Symposium

Utah State University's Family and Consumer Science department has been home to a collection of hats, clothing, and shoes donated by alumni and community members. These artifacts serve as valuable educational tools, offering hands-on learning experiences in fashion history and textiles. However, while the hats have been carefully stored, no comprehensive catalog or database currently exists.

The Curious Case Of Japanese Denim, Aaron Francis Ward

Japanese Society and Culture

From its humble beginnings as wholly utilitarian workwear in the 19^th century, to its modern rise to high-fashion, the ubiquity of denim, particularly in the form of jeans, has had a fascinating journey in its little-over-150-year history (Beazley, 2015). Of note has been the recent rise in popularity of Japanese denim. Since the end of the Second World War, Japan seems to have had an insatiable demand for Americana (Marx, 2023). Yet, if considered in the sociohistorical context of Japanese-American relations, this ought to be highly improbable. The current paper examines the sociological nature of Japanese denim from semiotic …

Transatlantic Connections: Reconsidering The Outcomes Of The Arts And Crafts Movement Through The Women's Experience, Britain And The United States, 1860-1920, Tiffany B. Beasley

Graduate Theses and Dissertations (2019 - present)

The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830). Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that …

Naming And Interpretative Meanings Of Selected African Prints And Ankara Fabric Designs, Adeola Abiodun Adeoti

Journal of Art, Design and Music

Ankara fabric has colourful designs, but both the colours and the designs on the fabric have hidden meanings with proverbs and events attached to them. As much as the fact that the paper is art historical, the naming system of Ankara fabric is yet to attract scholarly interest. Therefore, the ephemerality of the fabric and the changing nature of fashion call for immediate and chronological record of the histories of the designs before it fades out of memory. The study adopts qualitative approach of analyzing data with the use of both primary and secondary sources of data collection which were …

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

“An American Versailles:” Cold War Diplomacy And The Branding Of The American National Image Through The Fashion Of First Lady Jacqueline Bouvier Kennedy, Holly Carew

History & Classics Undergraduate Theses

HIS 490 History Honors Thesis

“What Was Before”: Lenore Tawney And Her Circle, 1950–1963, Rebecca Mcnamara

Textile Society of America: Symposium Proceedings

Lenore Tawney (1907–2007) was a pioneer of 20th-century fiber arts, a position solidified by the pivotal 1963 Woven Forms exhibition at New York’s Museum of Contemporary Crafts. But her journey to this moment is less well-known. This presentation explores the preceding years, when Tawney decided, with great intention, to dedicate her life to art, relocated from Chicago to New York, and in her work, shifted (though not seamlessly nor all at once) from weaving functional objects like table mats—as shown at Chicago's first Good Design exhibition, in 1950—to colorful, figurative, dense wall tapestries to the abstract, open-weave sculptural hangings in …

Tactility And Historicity In Contemporary Textile Art: The Greek Example, Markia Liapi

Textile Society of America: Symposium Proceedings

The following presentation focuses on studying contemporary textile art through two concepts, originating from contemporary theory of art, tactility and historicity. While tactility describes aesthetic, and specifically tactile qualites of textiles as pieces of art, historicity focuses on more theoretical concerns that the artistic piece proposes on the viewer. The paper analyses these two tools as a stystem of examining and, also, enjoying contemporary textile art, focusing on a concrete paradigm, the example of three contemporary Greek artists, Voula Massoura, Giwta Andriakaina and Artemis Alcalay. The artistic production of these artists is a valuable example of seeing textile art in …

The Stamina Of Things: Jean Toury's Nightshirt, Janet Pollock

Textile Society of America: Symposium Proceedings

“Stamina. from Latin stamen (Pliny), literally "foundation in weaving, thread of the warp" ......also threads spun by the Fates.”

A seasoned forager of forest and flea markets, I have tempered my eye to both the unassuming and the unexpected. I make and study textiles of every stripe. The subject of my presentation, this nightshirt, traveled 5500 miles and 80 years to reach my neck of the woods. Tailor-made and monogrammed, well-worn and deeply stained, it was suddenly dispatched into the world, to be sold "as is". I asked and was given a name, a place and a date. Jean Toury. …

The Power Of Polish: Exploring The Impact Of Nail Adornments On Perceptions Of Attraction, Sara Demichele

Honors Theses

Understanding the significance of nail adornments in shaping perceptions of attractiveness and mate value provides insights into human behavior and preferences. In the current investigation, participants rated human nail length and color on physical attractiveness and partner desirability measures. Results revealed significant effects of nail length and color across different demographic groups. Medium-length nails consistently received higher ratings for physical attractiveness, cuteness, and partner desirability compared to short and long nails. White-colored nails were generally rated most attractive, while blue and black nails received the lowest ratings. Additionally, participants reported a moderate association between having manicured nails and feelings of …

Lavenz, Valenz, Levenxë, Lavexha, Lavenzka: Woven Felted Blankets From The Korçë Region In Southeastern Albania, Alexis Zoto

Textile Society of America: Symposium Proceedings

This paper will look at and document colors and patterns and motifs of woven and felted blankets from the Korçë region of southeastern Albania. Very little is published on these textiles. This paper will document the disappearing and under appreciated textile, and why are they no longer understood or valued. In Albania and in Albanian diaspora communities this textile has had different names in prewar, prewar Korçare dialect and now.

I will be drawing from information gathered interviewing parishioners who volunteered to share their heirlooms and information gathered from examining the textile(s). These heirlooms belong to members of multiple generations …

Surfacing: A (Loose) Manual On Unlayering / Stuff-Making And Hypervisibility, Zoë Pulley

Masters Theses

This is a (loose) manual on a method I like to refer to as surfacing.

A method that synthesizes narrative through the use of surfaces such as textiles, paper, web & video to reveal the spectacularly ordinary parts of Black life within a growing design practice.

A method I (currently) practice in three (evolving) steps:

Unlayering and piecing together stuff (rememory)

Acknowledgment of ancestry through stuff-making (kin)

Consciousness of oneself and the place / time / space in which the work is being disseminated (hypervisibility)

This is a manual that profiles a (current) design practice of a Black female maker …

Militure, Bingdong Duan

Masters Theses

The aim of this research is to explore how individual soldier equipment can be systematically integrated into everyday life. War, as the epitome of struggle and conflict, stimulates the fundamental human instinct for survival. To achieve this end, various methods involving a wide range of fields such as technology, culture, economy, and politics are utilized. Under the driving force of survival, explorations are conducted in various areas, with individual soldier equipment being notably prominent. Nations spend a substantial amount each year on developing individual soldier equipment, which optimizes functionality to such an extent that it has formed its unique aesthetics …

African American Fashion Legacies, Yasmeen Orozco

[Archive] Belmont University Research Symposium (BURS)

This was an exploration of how African American Designers, former and current have contributed to fashion legacies. Key points that will be presented will be – brief biographies of seven African American designers, that covers their upbringing, education, and their fashion legacies. The seven fashion designers that will be discussed include - Patrick Kelly, Willie Smith, Anna Lowe, Stephine Burrows, Laquan Smith, Dapper Dan, and Zelda Wynn Valdes.

The study further features fashion trends that originated from the African American community. Notably, African Americans have been a pioneering force with creative styles that have been ignored and rebutted. Finally, the …

Romantic And Victorian Era: Fashion Reimagined, Sara E. Pacheco

[Archive] Belmont University Research Symposium (BURS)

This venture was about reimaginations of the Romantic and Victorian era fashion through the person of Audrey Hepburn, a famous 1960’s Movie star. The Romantic and Victorian eras were chosen because of their similarities and the beauty of those eras in expressing femininity for women. The colors served as a main source of inspiration because they conveyed a feminine vintage feel for the garments. Additionally, inspiration was drawn from the patterns and textures of fabric, especially silk textiles whose satin finish complemented the shiny, smooth, and silky feel of the fabrics. The reimagined fashion images on display illustrate how a …

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

Taylor, Carrie (Burnam), 1855-1917 (Sc 3639), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3639. Postcard advertising the spring opening, 10 February 1915, of the Mrs. A. H. Taylor Company, Bowling Green, Kentucky, inviting patrons to inspect fabrics and designs and offering samples by mail.

The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski

Senior Honors Projects

No abstract provided.

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …

“Any Lady Can Now Learn To Cut Perfect Fitting Dresses”: The Role Of Pattern Drafting Systems In The Production Of Women’S Dress, 1880–1900, Alyssa Smith

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This research conveys findings from my MA thesis research focused on pattern drafting systems for women’s garments developed between 1880 and 1900. The study builds on the seminal work of Claudia Kidwell, who divided these systems into three categories: proportional, hybrid, and direct measure. To date, the study of this textile technology and how it positioned women and sewing in both domestic and professional spheres has received little scholarly attention, but pattern drafting technology transformed the possibilities for pattern creation and proportionate measurements, especially for home sewers. It also aided in the paper pattern and ready-made clothing industries. This research, …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

The Liberatory Potential Of Fashion, David Billie Suoth

Honors Theses and Capstones

Fashion has the potential to be liberatory and this can be seen in the ways fashion has been targeted by systems of oppression. Fashion is the use of clothes as a vessel to create a greater social meaning. According to Edward Sapir, the meaning of fashion “while it is primarily applied to dress and the exhibition of the human body is not essentially concerned with the fact of dress or ornament, but with its symbolism” (Barnard, 2007, p. 65). Fashion with the symbolism behind it is able to show the sentiments and attitudes of civilization at different points in history …