Ceramic Arts Commons^™

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated painting by an unknown artist.

Ruby Red Vase, Unknown

Morehead State University Art Collection

An undated "Ruby Red Vase" that is a reproduction of a Ching Dynasty Vase (1644-1911)..

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated pen drawing by an unknown artist.

Warren C. Lappin, Walton Jones

Morehead State University Art Collection

An undated portrait of Warren C. Lappin done by artist Walton Jones.

Plate, Unknown

Morehead State University Art Collection

A plate used for dinner parties at Morehead State University.

Hd 40307g, Nasa Jpl

Morehead State University Art Collection

An undated print of planet HD 4307g by the NASA JPL team in a series titled "Visions of the Future."

Henry Watterson, Unknown

Morehead State University Art Collection

An undated piece of Henry Watterson by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated oil painting created by an unknown artist.

Tea Cup, Unknown

Morehead State University Art Collection

A tea cup used for dinner parties at Morehead State University.

White Hall, Unknown

Morehead State University Art Collection

An undated print of a large building titled "White Hall". The artist is unknown.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated lithograph by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated oil painting created by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated collage created by an unknown artist.

Kepler-16b, Nasa Jpl, Dan Goods, David Delgado

Morehead State University Art Collection

An undated print of planet Kepler-16b by the NASA JPL team in a series titled "Visions of the Future."

Fabrications, Molly V. Rivera

Graduate Student Theses, Dissertations, & Professional Papers

The objects that surround us tell a story of our past, and act as physical stand ins for a person, place, or experience no longer present. My work explores the significance of objects and how we use them to preserve our memories and make them tangible. Memory is ephemeral and changes over time, simultaneously growing weaker and stronger. I use clay to accentuate this relationship, visually depicting both preservation and decay.

Inspired by my personal narrative, I recreate specific objects of significance by hand. This results in subtle variations of the original, much like the changes in our memory over …

News - Augusta-Richmond County Public Library System, Wallace Branch Library, Leah E. Holloway

Georgia Library Quarterly

No abstract provided.

Through The Fire, Carolyn Mimbs

Master's Theses or Doctor of Nursing Practice

Through exploration of roots and establishing a deep appreciation for family, heritage, and upbringing, Carolyn Mimbs is on a journey into realms of personal discovery and a reconnection to the earth. Distant memories are unearthed through a vintage aesthetic and sensual, vulnerable figures interacting and struggling within their surroundings. Artist and art have traveled along the same path and rhythm with increasing strides as desires are directed towards personal growth and transformation. Learning to retreat into the process of life and art is expressed through creation and disintegration, seeing the path that our corporeal bodies make as they one day …

Permutation, Ryan K. Caldwell

Graduate Student Theses, Dissertations, & Professional Papers

Caldwell, Ryan, M.F.A, Spring 2020 Ceramics

Abstract:

Chairperson: Trey Hill

Permutation, is an exploitation of utilitarian pottery and domesticity within the gallery setting through the use of handmade tables and cabinetry. The gallery is transformed into a more comfortable environment and exhibits a casual essence. This paper explores the thoughts, interpretations, influences, reflections, and definitions of his most recent work created for his Masters of Fine Arts Thesis Exhibition. Caldwell presents his work as an ongoing continuum of conceptual research and physical exploration of form and surface.

Language, Memory, Place: Building On Disappearance, Alexi Butts

Scripps Senior Theses

Language, Memory, Place is an investigation into clay’s therapeutic and tactile qualities. When combined, these attributes make clay an effective tool for priming spoken communication, increasing connectivity and serving as a tangible means of accessing and physically grounding abstract memories of home.

Conducted in France throughout the summer of 2019, my research set out to engage French speakers in a reflective dialogue on what it means to transform empty spaces into ones filled with feeling and meaning of home. In addition to verbal conversation, I simultaneously directed individuals of different ages, origins and living in seven different cities through an …

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated stone sculpture that stands outside ADUC by an unknown artist.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated piece of a paratrooper jumping from a plane done by an unknown artist

Objects Of Communication, Tyler Stonestreet

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis is a description and analysis of the ceramic work of Tyler Stonestreet. This thesis includes images and a description for the thesis exhibition Objects of Communication as well as a discussion regarding the conceptual, technical, and formal content of the work.

Accumulation, Erin Mccarty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written Thesis is the supporting documentation for Accumulation, a Master of Fine Arts Thesis Exhibition at West Virginia University. This exhibition creates an environment in which a viewer can enter. This installation environment is created based on formal elements combined with fantastical elements from the imagination of the artist. The formal choices in the work provoke a positive otherworldly and whimsical response in the viewer. The environment is designed to provide relief from problems in the everyday world through patterns, forms, colors and surfaces. These elements are harvested from the natural world and recombined in a fantastical way. …

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Monumentalizing Rituals Of The Palestinian Diaspora, Reema Abu Hassan

Theses and Dissertations

Displaced Palestinians have historically sought to preserve their Palestinian memories and identities in order to remain connected to their lost homeland. Despite the importance of memory for them, and their history of suffering and exile, there have not been any significant monuments designed to preserve their collective memory.

This thesis considers the adaptation of a traditional monument by redesigning it to the specificity of the Palestinian diaspora. In doing so it proposes the monumentalizing of four Palestinian rituals to add significance, meaning and permanence to them. The four rituals are making maamoul, applying orange and mashmoom perfume oil to …

Judy Chicago's The Dinner Party: An Influential And Historical Masterpiece, Tejas Fruean

AWE (A Woman’s Experience)

No abstract provided.

Nonautomata, Jeremy Haynes

Electronic Theses and Dissertations

Abstract

The purpose of this paper is a formal examination of the exhibition titled “NonAutomata” by Jeremy Haynes, as partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.

By examining the psychological influences within my artwork, I question the assumption that we are all just organic machines built with the same parts although we are all assembled and wired differently to perform specific tasks in society. I recall my personal experiences and how these influence my reactions to everyday life. While using clay with traditional and non-traditional processes, I have been …

Developing A Local Clay Body: Augusta County, Virginia, Olivia Heeb

Honors Projects

Several samples of raw clay from Augusta County, Virginia were analyzed, and one was chosen to develop into a clay body that could successfully be thrown on the wheel, fired, and made into functional ware. The characteristics of plasticity, strength, absorption, and glaze effects were important when deciding what materials to add to the raw clay samples. Issues included low plasticity when throwing, cracking while drying, warping when firing, and pinholing in the glaze fire. A recipe was developed that worked well for the chosen clay, found in a roadside in Craigsville, Virginia.

Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward

Comparative Literature Faculty and Student Scholarship

A translation of「なぜ作陶を志したか」、北大路魯山人著、1933年

Source, Aozora Bunko (a digital archive of public-domain Japanese-language works):

General website: https://www.aozora.gr.jp

Current text: https://www.aozora.gr.jp/cards/001403/files/55082_54782.html

All rights reserved, Christopher Southward, 2019

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.