Art and Design Commons^™

Ex-Tensions: Material Entanglement And Intensities, Zohreh Galdizadeh Garmeh

College of Graduate Studies: Theses & Dissertations

This thesis is an exploration of the intrinsic capacity of matter and material formations and utilization of art as a mode of inquiry. Ex-tensions: Material Entanglement and Intensities investigates the animism and vibrancy of objects and the hidden interplay between materials and intensities that flow through and around within the spaces that confine us. In this body of work, all forms of material configurations are understood as animated and agential and as different representations of the same substance that are only formally diverse.

Myelination: A Plastic Religion, Cody A. Thomas

College of Graduate Studies: Theses & Dissertations

Plastic products are convenient, abundant and our use of them has become routine. This acceptance of

plastics’ presence has become a dogma that most humans adhere to. The continual consumption of

these single-use plastics in our daily lives has unknowingly shaped our environmental consciousness,

behaviors, and justification for them. This belief in plastics function has been strategically developed by

companies that rely on our behaviors to distribute their products. Humans have become the faithful

consumers of these goods and this belief. The brain and its ability to remain plastic and develop

decision-making skills are known as Myelination. New experiences enhance …

In/Visible, Raymond Thompson Jr

Graduate Theses, Dissertations, and Problem Reports (ETD)

My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.

Ghost Stories, Natalie M. Orga

The Mercury

No abstract provided.

Pasting Our Past: Cultural Memory, Family Photographs, And Ephemeral Street Art, Isaac Wilson Campbell

Dissertations and Theses @ UNI

This thesis examines ephemerally pasted vernacular photograph murals positioned as artifacts of cultural memory. The creative method portion of the thesis, in partnership with the Department of Communication and Media at the University of Northern Iowa, and funded through a Cedar Falls Community Betterment grant and an Iowa Arts Council project grant, includes the Spring 2021 production of a series of nine pasted murals of vernacular photographs sourced from the Fortepan Iowa archive. The creative component of the thesis project is a public art exhibition preserved through a photographic record of the installation process, the completed murals, and a framework …

Calliope, Georgia Southern University

Calliope Magazine

Volume 38

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.

Women In British Window Display During The 1920s And 1930s, Kerry Meakin

Academic Articles

This paper examines the role of women in window display in Britain during the 1920s and 1930s. Window display in 1920s Britain was very much men’s work. Even when women were encouraged by those outside the profession, they were not necessarily encouraged by those within it. In 1923 the daily press and women’s journals devoted space to the debate on window dressing as an ideal and suitable profession for women. However, the editorial of Display, the official organ of the British Association of Display Men, disagreed. Display believed that women were unsuccessful at window dressing, justified by claiming they …

Teong Negeri: Sakralitas Identitas Lokal Masyarakat Negeri Adat Di Maluku Tengah, Revaldo Pravasta Julian Mb Salakory

Paradigma: Jurnal Kajian Budaya

This article discusses the sacredness of Teong Negeri in the life of the indigenous people in Maluku. Teong Negeri is seen as a symbol of the customary state in Central Maluku, among others, Negeri Haya, Hatu, Tehua and Wassu and has a function in maintaining the socio-cultural network. the four states of Pela Gandong Negeri Haya, Hatu, Tehua and Wassu use Teong Negeri as a daily greeting. It can be seen that Teong Negeri is a sacred symbol for the four states of pela gandong because in addition to being a symbol of identity that is able to integrate each …

Revisiting Ethnicity In Southeast Asia, Dewi Hermawati Resminingayu

Paradigma: Jurnal Kajian Budaya

To explain ethnicity, scholars have come to an endless discussion providing a wide spectrum of ethnicity throughout the world. Various perspectives have been suggested to comprehend the notion of ethnicity. To this point, there are three most well-known perspectives to explain this term, namely primordialism, instrumentalism, and constructivism approach. Most scholars commonly apply one approach to dissect a case study related to ethnicity. Few have ombined two approaches, for each approach seems to contradict one another. However, this paper suggests that those three approaches can be simultaneously applied if critically used to discern certain case studies related to ethnicity in …

Krakatau On Fire, The Disaster Of 1883 In Dutch Colonial Literature: A Postcolonial Approach, Rick Honings

Paradigma: Jurnal Kajian Budaya

In 1883, the volcano Krakatau erupted and collapsed, causing the deaths of tens of thousands. The eruption was one of the first disasters to take place beyond the Dutch boundaries that received so much attention in the Netherlands. Although the disaster appealed to the imagination, it barely led to the publication of fiction. Only in Dutch Indies youth literature can one find something about the Krakatau. In this article, four Dutch stories and novels are analysed: “Stories of the moon” by Nellie van Kol-Porreij, The hermit of Rakata or Krakatau on fire by Robert Michael Ballantyne, “Nine Months on Krakatau” …

Specimen X1-2020 Behind The Cover, Clayton Ehman

The Transdisciplinary STEAM+ Journal

No abstract provided.

Specimen X1-2020, Clayton Ehman

The Transdisciplinary STEAM+ Journal

This is the artwork that is featured in the cover.

Stretch, Weight, Relaxed, Proud, Twisted, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

I created “Stretch, Weight, Relaxed, Proud, Twisted for the show “Perceive Me”. For this show, 48 artists collaborated to create representations with and of the artist Kristine Schomaker. In her artwork, Kristine confronts and deals with body image as related to her struggles with an eating disorder she suffers from.

Evolution Of Island, Dominique Kongsli

The Transdisciplinary STEAM+ Journal

Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.

Animal-Human Art, Trace Johansson

The Transdisciplinary STEAM+ Journal

Art work that shows the bond between animal and human

Rift, Repair, And Resolution, Dayna E. Patterson

The Transdisciplinary STEAM+ Journal

"Rift," "Repair," and "Resolution" is an embroidered triptych that reflects socio-political disharmony and manifests a hopeful trajectory for healing and wholeness.

Using A Phone To Create Music With A Digeridoo, Adam Manning, Ray Kelly Jr

The Transdisciplinary STEAM+ Journal

DJ phone apps are not commonly used by percussionists, particularly when performing with an Australian Indigenous Instrument such as a Digeridoo. Therefore, this reflection paper documents one example, titled Sonic Yarns. Sonic Yarns is an improvised duo performance piece performed by University of Newcastle staff members, Ray Kelly Jnr and Adam Manning.

Dimensional Presence: Serdar Arat, T. Michael Martin

Faculty & Staff Research and Creative Activity

This catalog was produced on the occasion of the exhibition "Dimensional Presence: Serdar Arat" presented in The Clara M. Eagle Gallery from November 15, 2018 to February 7, 2019.

Serdar Arat is an artist from Istanbul, Turkey who has been living and working in New York since 1980. He received his M.F.A. in Painting at the State University of New York in Albany in 1984. His first solo exhibition was held in New York in 1986. Since then, he has presented many national and international solo- exhibitions and has participated in numerous group exhibitions in various cities across the US …

Wetland To Wasteland, Plantation To Plant: The Visual Legacy Of Plantations In The South Louisiana Landscape Of Environmental Justice, Ella Mcintire

LSU New Orleans Theses and Dissertations

The Southeast Louisiana landscape sits at the intersection of a number of environmental and humanitarian crises. Violence against man and land endemic to the Plantation Era development of the Lower Mississippi laid the foundation for modern issues of coastal land loss, habitat destruction, pollution, environmental racism, and displacement. Land-use patterns of the Plantation economy made the region optimal for petrochemical processing, turning wetland to wasteland, and plantation to plant. The exhibit Climates of Inequality: Standing Up On River Road uses photography, cinematography, 360-video, and soundscapes to explore the dialogic relationship between fragile natural spaces in southern Louisiana and the historically …

"Revolution", Noelle Lilley

Capstones

When faced with gun violence in 1990s Canarsie, one 17-year-old carried his community on his back. “Revolution” chronicles the rise and fall of the Canarsie arts youth-led movement, Team Revolution, and the man at the center of it all: Divine Bradley.

Message Journal, Issue 4: Design Politics What Are The Politics Of Your Design And What Is The Design Of Your Politics?, Peter Jones, Camilla Afanador-Llach, Anne Berry, Sarah Rutherford, John Calvelli, Kristen Coogan, James Dyer, Cathy Gale, Anne M. Giangiulio, Elizabeth Herrmann, Chae Ho Lee, Gwen Lettis, Pamela Napier, Adam De Eyto, Muireann Mcmahon, Omari Souza, Dave Wood

Message Graphic Communication Design Research

No abstract provided.

High Decoration: Sonia Delaunay, Blaise Cendrars, And The Poem As Fashion Design, Carrie Noland

Journal X

No abstract provided.

Auntie Has The Cancer Illustration Process Book Sketches, Character Mock-Ups, Paintings, References, And Notes Throughout The Illustration Process, Lindsey Holt

Honors Theses

No abstract provided.

What Is Art? Is Art Useful In A Pandemic?, René Javellana Sj

Magisterial Lectures

In this lecture, Fr. Javellana teaches us how to read a painting, Pieter Bruegel's Dull Griet (Mad Meg). He discusses how artistic expression arises from human experience, and how it can help us make sense of the world's madness.

Speaker:

René Javellana, S.J., is a Jesuit priest, writer, liturgical artist and art historian. He is currently an associate professor at Ateneo de Manila University, where he was the director of the Fine Arts Program and creative director of Jesuit Communications. He holds a master’s degree in theology.

His research interests include colonial architecture and art in Asia; renaissance imprints and …

Tomtom Oracle, Grant B. Wells

Theses and Dissertations

TomTom Oracle explores the conceptual and material processes throughout my body of work as an expression of a psychological tethering to a digital visual experience that removes us from the physical world.

Sink Hollow Volume 10

Sink Hollow

This year felt like a thunderstorm. Rain pelting down on us so hard it burns. Lightning strikes so stark we have to close our eyes. Thunder rumbling so ominously we feel it deep in our bones. So many things we hold dear have been lost in this storm.

But something we have found is the human ability to feel a raw and powerful pain. We are intrinsically bound to each other, to nature, and to this world by the pain we feel. A pain so powerful and deep you feel it is sucking you under and drowning you.

The pieces …

Diamond Line - Fall 2020, Autumn Blaylock, Emily Corn, Heather Drouse, Claire Hutchinson, Elise Lusk, Alexis Jamilee Carter, Lauren Dial, Toby James Haymore, Caroline Jennings, Heidi Kirk, Brittaney Mann, Anna Karen Olivo, Hadley West, Tabitha Novotny, Lexie Price

Diamond Line Undergraduate Literary Magazine

In following up the premier issue of The Diamond Line, the fall 2020 editorial staff had big shoes to fill. We took on the challenge of creating something that would uphold the framework of Issue 1 while simultaneously branching out from its margins.

Like the editors before us, we had a vision, but ours took a new form — bright, warm colors. Sunset colors. Moons. Playful lines. Isolation and introspection. A stroll through an art gallery. A coming-of-age story bound between two groovy orange bookends. While Issue 2 does not have an overarching theme, we chose the cover art, “Pandemic …

The Flowering Of Ecology: Maria Sibylla Merian's Caterpillar Book, Kay Etheridge

Gettysburg College Faculty Books

The Flowering of Ecology presents an English translation of Maria Sibylla Merian’s 1679 ‘caterpillar’ book, Der Raupen wunderbare Verwandelung und sonderbare Blumen–Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of …

L, M, N, O, P, Matt Jones

Theses and Dissertations

A meditation on my painting and drawing practice in relation to the work of Philip Guston, Nancy Spero, and Frank Moore, among others, just before and during the start of the Covid-19 pandemic.