Art and Design Commons^™

Donatello’S David: The Putti Speak, Sally A. Struthers

Art and Art History Faculty Publications

As the first approaching life-sized, freestanding, sensuous, bronze nude since Antiquity, Donatello’s bronze David is a critical monument of the Italian Renaissance. It is also one of the most enigmatic. David is nude, but not completely unclothed, wearing a feminine-looking hat and knee-high boots. David holds a rock and a sword, while standing suggestively, on the head of Goliath. He stands in a relaxed contrapposto stance. His left hand, held to his hip, holds a stone. His right hand is resting on an oversized sword, which points downward to the helmet of Goliath, between the feet of David. As Zuraw …

The Iceland Suite: Monotypes, Joan Hausrath

Bridgewater Review

No abstract provided.

Pitch And Roll, Jake Van Wyk

Pro Rege

No abstract provided.

Angel In Waiting, Jake Van Wyk

Pro Rege

No abstract provided.

Cityscape Table, Susan Van Geest

Pro Rege

No abstract provided.

Altar, Susan Van Geest

Pro Rege

No abstract provided.

Dancing Trees, Jake Van Wyk

Pro Rege

No abstract provided.

Et In Terra Pax Ii, Susan Van Geest

Pro Rege

No abstract provided.

View Of Manhattan From Ellis Island - A Self Portrait, David Versluis

Pro Rege

No abstract provided.

Cascading Visions, Noel Palmenez

Theses and Dissertations - UTB/UTPA

I view my work as a look into dreams, thoughts, ideas. My themes are universal, but their source derives from my specific surroundings, the Rio Grande Valley. They come out from the rows in the fields where we grow our foods, in the skies, and from the sun that warms our blood. Themes come from what I see as well as what I imagine, living and not. I consider myself a farmer, but now I harvest ideas and concepts, and have my paintings and drawings to show for my labor. I believe one must contribute to the land before one …

M.S. Island Venture, Italian Dinner Menu, Thursday, November 2, 1972, Flagship Cruises Inc.

The Brown University Alumnus Travel Menu Collection

Flagship Cruises, M.S. Island Venture. Italian Dinner menu, Thursday, November 2, 1972.

Cypriot Land Mines, Hershel Shanks, Sky Bergman

Art and Design

No abstract provided.

Crisis Response: An Exhibition Of Art Created In Times Of Conflict And Catastrophe From The Assassination Of Jfk To 9/11, Karl Schoonover

Journals

Exhibtion Notes, Fall 2002. A group of works in this exhibition emphasizes the differing investments of individuals and groups in the icons of patriotism. Some artists borrow and transform recognizable icons and symbols to invite a dialogue with their viewers about the role of patriotism in troubled times.

Virtue And Violence: Portrayal Of Lucretia And Achilles By Giuseppe Cades (Toledo: Toledo Museum Of Art), Giancarlo Fiorenza

Art and Design

No abstract provided.

Textile Society Of America Newsletter 14:3 – Fall 2002

Textile Society of America Newsletters

TSA Study Tours
TSA Board, TSA News
TSA Member News, Directory Supplement
Textile Programs at Nova Scotia College of Art and Design
Collections, Publications News
Conference Reviews
Exhibit Reviews
Calendar – Conferences, Symposia
Calendar - Exhibitions
Calendar – Lectures, Workshops, Tours, Opportunities
Calls for Papers, Fellowships

Inscape Fall 2002, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2002 edition of the Inscape: Literary and Art Magazine.

2002, College Of Visual And Performing Arts

Chimes

No abstract provided.

Jed Wells Photo 1

Inscape

No abstract provided.

Risd Views | Fall 2002, 125 Years Of Looking…, Elizabeth O'Neil Publishing Director, Liisa Silander Editor, Fleet Library, Risd Archives

RISD Views

This issue complements other initiatives planned and/or sponsored by RISD’s 125th Anniversary Committee, including a historic timeline outlining the evolution of the college and special events planned throughout the year.

The photograph on the cover of the Fall 2002 issue is the Carr House turret, shot by David O’Connor. Guest designers for the feature section of this issue are Marion Delhees ’92 GD and Achim Wieland MFA ’95 GD of lookinglately, New York/Zürich, a visual communication and design office founded in 1998.

The Lantern Vol. 70, No. 1, Fall 2002, Alison Shaffer, Katy Diana, Christopher Tereshko, Susannah Fisher, Drew Petersen, Klaus Yoder, John Ramsey, Sarah Kauffman, Rachel Jessica Daniel, Keith Truman, Jen Brink, Kate Chapman, Laura Phillips, Dennis Kearney, Cara Nageli, Sarah Napolitan

The Lantern Literary Magazines, 1933 to Present

• (For Z)
• Little Sister
• Eulogy to Her Son, Dead at 22
• Tuesday
• 7 Couplets for Drawing Genevieve
• Diner Reflection
• We Swam. We Made Sand Castles.
• His Lips Were Figure Fitting
• Public Transportation
• Pop Culture
• Running the Ridge
• Like a Sunflower
• Snooze
• Match
• Behavioral Correctional Facility of Santa Fe...
• The Cellar

Susan Philipsz, Profile, Niamh Ann Kelly

Articles

No abstract provided.

Art Context: In Providence: Wendy Ewald, David Henry

Journals

Exhibition Notes, Number 19, Summer 2002. Beginning in late February and continuing throughout the remainder of the semester, Wendy Ewald visited Michelle Silvia’s classroom of special–education students at the Carl G. Lauro Memorial Elementary School in Providence. The photographs and videos of the children learning to read and the patterns used in classroom lessons are the result of a three-way collaboration— teacher, students, and artist. The following questions were posed to Wendy Ewald and Michelle Silvia by David Henry, Head of Education at The RISD Museum.

The Written Word, Susan Ward, Margot Mcilwain Nishimura

Journals

Exhibition Notes, Number 20, Fall 2002. The Written Word brings together pages from medieval manuscripts and early printed works, giving a sample of the various types of books created between 1100 and 1550. Individual pages were a popular way, especially in the earlier part of the 20th century, for museums and libraries to acquire representative collections, and many of The RISD Museum’s manuscript leaves were acquired as such a group in 1943.

Fall 2002, Valparaiso University

The Lighter, 1958-2019

No abstract provided.

The Power Of The Urban Canvas: Paint, Politics, And Mural Art Policy, Maura E. Greaney

New England Journal of Public Policy

In cities across America, outdoor mural paintings have brought public art to the urban landscape. Paint and politics have been splashed upon city walls for decades, replacing bleak, often graffitied, exteriors with vibrant color. But this transformation runs deeper than the artistry of the murals; the real works of art are the changes these collaborative projects inspire within communities. Mural projects mobilize communities to articulate dreams, express frustrations, and most importantly, consider strategies for change. Thus, they are a worthy consideration for public policymakers. This case study traces the contemporary mural movement in three cities: Boston, Philadelphia, and Los Angeles. …

Rosemarie Beck: Paintings 1965-2001, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features the work of painter Rosemarie Beck, and includes an essay about Beck's work by Martica Sawin. The exhibit was held at the University Art Galleries, Wright State University, from September 18 through October 20, 2002.

Nexus, Fall 2002, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Alger Veazie Currier: Apostle Of The Beaux-Arts In Maine, V. Scott Dimond

Maine History

Alger Veazie Currier began a promising career as an artist in Paris when two of his paintings were accepted to the prestigious Salon of 1888. After this moment of glory, Currier returned to his home in Hallowell, at a time when art in Maine was at its most provincial. He brought with him with fresh approach to teaching art and a mission to bring both painters and patrons up to date. During a brief tenure at Bowdoin College, Currier signaled a break from the old- fashioned landscape painting that dominated the Maine art scene. Although his European, Beaux-Arts ideas were …

Raw Classics: A.G. Rizzoli, Jo Farb Hernandez

Faculty Publications

No abstract provided.

Care Of Quilts-Storage And Display , Shirley Niemeyer, Patricia Cox Crews

Department of Textiles, Merchandising, and Fashion Design: Faculty Publications

Antique textiles, including quilts, are very fragile. Excessive handling and washing can hasten deterioration. Light quickly fades colors and weakens natural fibers. Careful control of handling, storage, and display conditions can prolong the life of quilts.