Art and Design Commons^™

Precious Pattern: The Dotted-Diamond Motif In Indigenous American Textiles, Explorations In Mesoamerica, The American Southwest, And The Andes, Billie J. A. Follensbee, Lois Martin

Zea E-Books Collection

No abstract provided.

Ethos: A Computational Framework For Material Culture Research, Chelsea L. Grafe

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

Museum catalog records make large collections searchable, but they do not always preserve the reasoning behind the claims they contain. A record may present a quilt's identity as settled while leaving the reasoning behind that claim invisible, making it difficult for later researchers to check, question, or reuse. This project asks whether museum catalog data can be analyzed in a way that keeps each analytical claim connected to the evidence that supports it. To test this question, the project applies a material-first computational framework named Ethos. Ethos formalizes an object-centered inquiry sequence in which material dependencies establish where analysis begins …

Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms

SANE journal: Sequential Art Narrative in Education

Sarnath Banerjee’s All Quiet in Vikaspuri, fictionalizes but at the same time addresses water wars and political ideologies in the city of Delhi. By the means of eco-critical approach in the name of Vi-kas (development) Banerjee discuss the acts of slow violence subverted on nature in the name of progress (vikas). Through text/ images the author depicts chaos and challenges for the readers in more direct and obscene ways. The current paper attempts to look at Banerjee’s illustrations and images as new form of language emerged in modern Indian literature with the possibly that illustrations have more effect on …

Real-Time Adaptable Residential Kitchen: A Plug-In Standard, Rachel Fuelberth

Masters in Architecture Program: Theses

This thesis looks at how a real-time adaptable standard could be put in place within the modern kitchen to allow for equitable use of the space by numerous members of the household and their differing physical characteristics. The residential kitchen is a fundamentally exclusionary architectural construction designed around able-bodied, average-height adults. This excludes children, the elderly, anyone outside of the average height, and people with mobility differences. The kitchen has never been a place of equity. It has been designed to be used by an average-height female, and it does not account for the discomfort of those outside this norm. …

Bright Star: A Scenic Design, Sariah M, Roberts

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis documents the process and paperwork of the scenic design and ends with a reflection on how the process affected the final product.

Director, Bobby Pieranunzi

Stage Manager, Savannah Stermer

Lighting Designer, Dean Bressler

Costume Designer, Jamie Bullins

Technical Directors, Bryce Allen, Hayden Honomichl, and Shelby Hindman

Thesis advisor: JD Madsen

Antecedents And Consequences Of Consumer Behavior In Circular Fashion: Cognitive, Normative, And Behavioral Pathways Shaping Purchase And Participation Intentions, Mahmudul Hasan Sabuj

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

The increasing environmental impact of the fashion industry has intensified the need for a systemic transition from linear to circular production and consumption models. Despite growing interest in circular fashion, there remains a limited understanding of the underlying behavioral dimensions that drive consumer engagement in sustainable practices. Grounded in the Theory of Planned Behavior (TPB) and Norm Activation Theory (NAT), this study examines consumer behavior through an integrated framework capturing cognitive, social, and normative influences.

Using data collected from a structured online survey (N = 575), the study employs Exploratory Factor Analysis (EFA), reliability analysis, and multiple regression techniques to …

Arrival Is Not Access, Emmanuel Asamoah

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.

Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

Beauty Temples, Courtney Obrien

Honors Program: Senior Projects (Public)

This photo story explores the profound intersection of physical touch, professional craft, and emotional sanctuary within the independent beauty spaces of Lincoln, Nebraska. By documenting the work of practicing hairstylists, a tattoo artist, and a nail technician, the project positions the modern studio not merely as a place of aesthetic enhancement, but as a "Beauty Temple".

At the heart of this narrative is the intimacy of the artist-client relationship. In an increasingly digital world, these practitioners remain among the few professionals whose work requires sustained, purposeful physical contact. Through close-up photography and environmental portraiture, this project captures the steady hands …

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

Subterranean Echoes, Daniel E. Garcia

School of Art, Art History, and Design: Theses and Student Creative Work

Subterranean Echoes is an immersive exhibition that explores themes of spirituality, geology, growth, and decay. Depictions of earthly entities, sacred architecture, crystalline portals, reliquary and geological forms are what drive my narratives of ancestral beginnings in-between states of physical and metaphysical realms.

I rekindle and reimagine what it means to stay connected to the land and ancient people of the past. With ceramic materials, I channel divine energy through a primordial process involving earth, water, air, and fire that allows me to reconnect with the land and our predecessors. I create adaptations of spirituality that reflect my own philosophies, experiences, …

Dressing For The Descent: Costume Designing Eurydice, Hannah Olivia Schoen

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

During the early spring of my second graduate year, I was assigned to be costume designer for the upcoming production of Sarah Ruhl’s Eurydice. Eurydice is a retelling of a narrative that had been mostly given spotlight to the male hero in past iterations. Now we as a design team were going to tell the story from Eurydice’s point of view. After doing an analysis and research into details that would give me ideas on how I wanted to present these characters, I was able to present initial ideas to the director at our first design meeting.The design process …

The Space Between Seams, Rachel M. Clarke

School of Art, Art History, and Design: Theses and Student Creative Work

Through the use of form, softly muted colors, and play with transparent materials, I create ethereal drawings and immersive installation experiences. I work with the softness in fabric and the controlled detail in drawing. In doing so, I am enveloping myself in the drive to create, pushing the viewer to be spatially aware of their bodies existing in space.

This body of work exists as I am processing the state of my own body. We engage and perceive the world through our bodies. The fabric panels I create call to the porosity and permeability of human skin. The skin contains …

Sweet Is The Work, Allie M. Wheeler

School of Art, Art History, and Design: Theses and Student Creative Work

Sweet is the Work is a collection of collagraph prints, collages, and sculptural artworks created through a dialogue between surface textures, colors, and imagery, sourced from personal experiences and the home environment that nurtured them. My artwork functions as a visual journal of my memories of living on a family farm in Delta, Utah, in an engaged religious lifestyle. Daily life at home was filled with responsibilities, from sweeping the floor to tending crops and livestock. Tasks like preserving food were guided less by necessity than by tradition. A history of family record keeping inspires my process of documentation. Each …

Ideas Y Materialidades Que Viajan. Las Cabezas Como Contenedoras De Poder En Las Sociedades Malagana, Nazca Y Huari, Catalina Simmonds Caldas, Sonia Blanco, Marisa Sánchez David

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Un cuenco en cerámica perteneciente a la sociedad Malagana (800 a. C. – 600 d. C.), – Suroccidente de Colombia – y cuya descripción es el de ser un contenedor con cabezas antropomorfas circundantes, adheridas a su contorno, quizá esté vinculado a los aspectos conceptuales e ideológicos que encarna en las sociedades Nazca (s. I - VII d. C.) y Nazca-Huari (500 – 700 d. C.) el culto a las cabezas-trofeo; de ser así, se puede presuponer en estas sociedades distintas, un uso ritual asociado al concepto de la cabeza como materialización de formas de poder. Respecto a esta noción …

Las Representaciones Florales En Los Bordados De La Indumentaria Cuzqueña, Nathalie Santisteban-Delgado

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Los vestidos indígenas cuzqueños contemporáneos se caracterizan por tener decoraciones iconográficas variadas. Es la representación floral decorativa que destaca por el color, el diseño y la forma. El motivo floral aparece adornando tanto los vestidos de las imágenes santas de la pintura cuzqueña (siglos XVII y XVIII) como la ropa de los incas nobles retratados durante la colonia. Este estudio tiene como objetivo mostrar que existe una continuidad estética andina, a partir de la identificación de las especies florales utilizadas en las expresiones artísticas virreinales y de la comparación con las especies florales empleadas en la decoración del vestido tradicional …

Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …

El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Dentro de este ciclo de estudios sobre la imagen del poder se aprovecha la ocasión para focalizar en el estudio de la imagen religiosa de la Virgen de Guadalupe y su papel en la conversión del México precolombino. Partiendo de la base antropológica en que el poder siempre es respaldado por la religión de una cultura, profundizamos a entender como este proceso “político” es mimetizado y acompañado no solo por la creación de una imagen de poder religioso sino por diversas luchas de poder entre el pensamiento nahua y el católico, así como entre las distintas órdenes cristianas que participan …

Aves, Felinos Y Ofidios En Los Templos Montaña Amerindios, Sarai Ramos Muñoz

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El siguiente estudio se centra en la comparación de las representaciones pictóricas de aves, felinos y ofidios de algunos de los principales Templos Montaña, tanto de la zona andina, como de Mesoamérica. Dentro de él se pueden apreciar las similitudes y diferencias arquitectónicas y escultóricas simbólicas de estas imágenes. El análisis comparativo se realiza a través de un estudio iconográfico e iconológico de la arquitectura escultórica de dichos templos y de cada una de las representaciones zoomorfas relacionadas con el concepto del Axis Mundi prehispánico, centrándose en el águila, el jaguar y la serpiente. Al mismo tiempo se analiza la …

Construcción De Identidades A Través Del Diseño Precolombino, Luz Helena Ballestas Rincón

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

La identidad de los pueblos en gran medida se refleja en su cultura, tanto material como inmaterial, lo que constituye su herencia: es lo que permanece, lo que los representa. En la tradición de los países latinoamericanos, el pasado precolombino es parte del patrimonio cultural. Es evidente en el arte, el diseño y la artesanía. En el presente artículo se destacan los aportes de personas que pertenecen a estos ámbitos, especialmente de diseñadores que resignifican los motivos precolombinos y, que por ser sus productos de carácter popular y reproducible, son de fácil acceso y de esta manera reflejan la esencia …

Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …

Gods' Man, Lynd Ward

Zea E-Books Collection

Lynd Ward (1905–1985) was born in Chicago and studied at Columbia Teachers College in New York City and at the National Academy of Graphic Arts and Bookmaking in Leipzig, Germany. He began working as a book illustrator in 1927, and in 1929 published this first “wordless novel,” Gods’ Man. He eventually published five more such works, as well as illustrations for more than 100 other books, plus drawings, lithographs, watercolors, and children’s stories.

Gods’ Man is credited as the first American wordless novel. It tells a story about a struggling young artist who makes a pact with a mysterious …

Chapter 1: A Brief Introduction: Rhombus Motifs In Textiles, Billie J. A. Follensbee, Lois Martin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Presents a brief introduction to rhombus motifs in textiles.

Chapter 4: The Grid Patterns In The Vestments And Headdresses Of Female Statuary From The Classic Period Cultures Of Central Veracruz, Chantal D. Huckert

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

This chapter focuses on grid designs appearing on female clothing in Late Postclassic Nahua sources, in Maya sources, and on the Late Classic figurines of Central Veracruz. This study examines cross-hatched lattice patterns based on repetitions of rhombus and quincunx motifs associated with the sentient Mesoamerican Earth complex. The attached catalog presents a clear reference to these motifs and their variants, while the rest of the chapter is divided into two sections and addresses the general cross-hatched lattice pattern and the associated motifs. The first section discusses the all-over grid design, dotted or not, on the clothing of Mexican highland …

Chapter 5: The “Dotted-Grid” And “Dotted-Diamond” Motifs On Skirts: Fertility And Power During The Epiclassic And Early Postclassic Periods In Central And Western Mesoamerica (600 To 1200 Ce), Juliette Testard

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses gender, apparel, and attributes with respect to the Epiclassic shift in politics and ideology, the grid, hatched, and rhomboidal patterns in central Mexican imagery during the Epiclassic, and the dotted-grid and dotted-diamond motifs on female figurines during the Epiclassic and Early Postclassic Periods.

Chapter 7: Symmetries Of Cloth And Corn In The Ancient Americas: Pattern Generation, Botany, And The Maize Matrix In Mexico And Peru, Lois Martin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses pattern generation, botany, and the maize matrix in Mexico and Peru.

Chapter 2: Rhombus Textile Motifs And Patterns And Their Significance In Mesoamerica, Billie J. A. Follensbee, Lois Martin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Presents the rhombus textile motifs and patterns in Mesoamerica and their significance.

Chapter 6: Snakeskin And Corn Markings: The Dotted-Diamond-Grid Pattern In The U.S. Southwest, Laurie D. Webster, Kelley A. Hays-Gilpin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses Southwestern tie-dye and its Mesoamerican and Andean connections.

Chapter 3: Diamonds In The Rough: The Development And Occurrences Of The Rhombus Motif, Its Components, And Its Variations In Olmec And Olmec-Related Textiles, Billie J. A. Follensbee

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses the development of textiles in the Mesoamerican Preclassic/Formative period from the Gulf Coast, the rhombus textile patterns and motifs in Olmec and Olmec-related imagery, and includes further reflections on the dotted-diamond motif, its components, and their correlations.

The Graphic Shift: Leveraging Superhero Graphica To Un-Ban Critical Conversations In The Secondary English Language Arts Classroom, Avery Clason

Department of English: Dissertations, Theses, and Student Research

This thesis investigates the challenges that books are receiving during an era of social and political turmoil based on their content. Understanding why these books are polarizing for most readers and the general public is in direct connection with finding different books that can harbor the same conversations about dense topics and cultivating connections between students, the text, the world, and themselves. While there has been a search to find alternate books that are not considered "political flashpoints,” there has been limited research into the use of superhero graphica in the ELA classroom, especially in connection to utilizing this genre …