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Louisiana State University

LSU Doctoral Dissertations

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"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer Jan 2002

"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer

LSU Doctoral Dissertations

Although the poems of the troubadours have been extensively studied almost since they were first composed and the troubadours themselves indicate that they tried to create interactions between the melodies and the words, the melodies and the interactions between the poems and melodies in the complete songs have been examined much less intensively. In this dissertation I delve into the songs of the late twelfth-century troubadour Folquet de Marseille whose thirteen songs surviving with their melodies provide a varied collection of a suitable size to permit intensive analysis of poetic and musical compositional practices and the interactions between the two. …


Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon Jan 2002

Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon

LSU Doctoral Dissertations

Part One of this document provides an analytical study of Schoenberg's final opus, Op. 50, three religious choral works written in the serial style: Driemal Tausend Jahre, Op. 50a (1949), De Profundis, Op. 50b (1950), and Modern Psalm, Op. 50c (1951). This study is divided into five chapters: an introduction, a conclusion, and a chapter of analysis for each of the three pieces. Analysis of these pieces reveals three significant conclusions: 1) Schoenberg consistently incorporates areas of relative consonance and pitch emphasis into his serial structures; 2) these areas of pitch emphasis, together with other musical devices are used to …


"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina Jan 2002

"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina

LSU Doctoral Dissertations

In complementary response to socio-historisists who discuss the concept of "freedom" in William Wordsworth's poetry as determined from without — be it by socio-historical conditions, gender, or imposed ideology — I draw from the theory of Nicholas Berdyaev, one of the prominent continental existentialists of the twentieth century, tracing the development of Wordsworth's understanding of freedom towards "genuine liberty" as progressively determined from within. Thus focusing on "existentia" rather than "essentia," I pay particular attention to shaping inner efforts and developing visions of the growing and conscious personality as they are described in The Prelude. Wordsworth hinges his ability to …


Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith Jan 2002

Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith

LSU Doctoral Dissertations

The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …


An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding Jan 2002

An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding

LSU Doctoral Dissertations

American composer Daron Aric Hagen (b. 1961) is emerging as one of America's brightest young composers of the twenty-first century. Ned Rorem, the champion of American art song, believes Hagen to be a composer of great ability and skill. This study deals with the miniature folk opera Dear Youth (1990) which is composed of eight songs for soprano, piano, and flute. The songs are "The Bonnie Blue Flag" (Ketchum), "I Stop Again" (Ropes), "The Picture Graved Into My Heart" (Ropes), "The Trouble Was Tom..." (Anonymous), "The Lord Knows" (Smith), "O, for Such a Dream" (Smith), "Christmas Night" (Ingram), and "...Silently …


The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez Jan 2002

The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez

LSU Doctoral Dissertations

This dissertation explores how literary criminal narratives reflected public anxieties over the increasing commercialization of England during the early eighteenth century. It accounts for the popularity of the criminal in literature as well as public concerns about commercialization and the individuality it encouraged, revealing how these concerns were expressed in the most popular form of criminal narrative in this era, the criminal biography. Chapters on the criminal narratives of John Bunyan, Daniel Defoe and John Gay reveal how the criminal narrative functioned as a means of critiquing a developing commercial society in England. Bunyan first employs the formula of the …


Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou Jan 2002

Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou

LSU Doctoral Dissertations

Spirit Matter(s): Post-Dualism Representations of Spirituality in Fiction by Walker Percy, Toni Morrison and Gloria Naylor, examines the ways in which these authors have presented spirituality in The Moviegoer, Song of Solomon, and Mama Day respectively. In these works, spirituality is a need for connection among humans in this world, rather than a notion that points to dualistic views of the spiritual and the material as two different realms. Through this perspective on spirituality as a reality of the physical world, the political and socio-economic problems of the world are not—nor can they be—set aside in favor of the spiritual …


"The Neumeister Collection Of Chorale Preludes Of The Bach Circle": An Examination Of The Chorale Preludes Of J. S. Bach And Their Usage As Service Music And Pedagogical Works, Sara Ann Jones Jan 2002

"The Neumeister Collection Of Chorale Preludes Of The Bach Circle": An Examination Of The Chorale Preludes Of J. S. Bach And Their Usage As Service Music And Pedagogical Works, Sara Ann Jones

LSU Doctoral Dissertations

One of the most significant discoveries of the twentieth century was the finding of an unpublished compendium of German Baroque keyboard music in 1982 in the archives of the John Herrick Music Library, Yale University, by musicologists Christoph Wolff and Hans-Joachim Schultz and Yale University librarian Harold E. Samuel. The collection, which was entitled LM 4708: THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE, contains eighty-two previously unknown chorale preludes by several prominent German Baroque organists including Johann Pachelbel (1653-1706), Johann Michael Bach (1648-1694), Johann Christoph Bach (1642-1703), and Johann Sebastian Bach (1658-1750). Historically, it is an important …


Neo-Onnagata: Professional Cross-Dressed Actors And Their Roles On The Contemporary Japanese Stage, William Hamilton Armstrong Iv Jan 2002

Neo-Onnagata: Professional Cross-Dressed Actors And Their Roles On The Contemporary Japanese Stage, William Hamilton Armstrong Iv

LSU Doctoral Dissertations

Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In …


Grave Matter: Contestations In Actress Burial, Christine Courtland Mather Jan 2001

Grave Matter: Contestations In Actress Burial, Christine Courtland Mather

LSU Doctoral Dissertations

Death disrupts. The social space accorded to rituals of death and memorialization differs from all other spaces. Actresses disturb. Society contests, determines, and enacts the burial of an actress as her final performance. This study explores the actress burial as a site of meaning. Contestations over the fate of the actress body reveal power structures and the motivations of cultural institutions. This study highlights four actresses—Lecouvreur, Oldfield, Bernhardt, and Duse—whose burials cover a wide range of circumstances. Each chapter gives the relevant biographical information for the actress and the social background for the cultural contestation over the actress body. Traditional …


"Encourager Le Commerce Et Répandre Les LumiʹEre" : The Press, The Provinces And The Origins Of The Revolution In France: 1750-1789, Stephen Auerbach Jan 2001

"Encourager Le Commerce Et Répandre Les LumiʹEre" : The Press, The Provinces And The Origins Of The Revolution In France: 1750-1789, Stephen Auerbach

LSU Doctoral Dissertations

This dissertation examines the political, intellectual, and cultural significance of France's provincial newspaper press, called affiches, published between 1750-1789. Combining the histories of the press, provincial life, and the public sphere, this dissertation explores the ways in which the affiches became an indispensable part of local economic, cultural, and intellectual life while at the same time articulated a world view that was antithetical to the tenets of monarchical absolutism. The first part of the dissertation focuses on the origins, form and contents of the provincial press. Faced with the twin obstacles of laws governing censorship and privilege, provincial newspapers eschewed …