Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 30 of 38

Full-Text Articles in Arts and Humanities

An Annotated Catalogue Of Selected Cuban Piano Works From The 18th-20th Centuries, Nikie Oechsle Jan 2010

An Annotated Catalogue Of Selected Cuban Piano Works From The 18th-20th Centuries, Nikie Oechsle

LSU Doctoral Dissertations

The piano music of Cuba encompasses a large body of valuable music that is yet to be explored fully on the international scene by performers and teachers. The purpose of this volume is to provide a guide that will enable performers and teachers to quickly reference, and more fully investigate the available music of Cuban composers. This is accomplished by providing description and levels of selected Cuban piano works from the eighteenth through twentieth centuries in catalogue format, as well as by providing descriptions of dances and dance forms found in the included literature.


The Dialogism Of Self And Other In Contemporary American Drama, Shih-Yi Huang Jan 2010

The Dialogism Of Self And Other In Contemporary American Drama, Shih-Yi Huang

LSU Doctoral Dissertations

This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. I am introducing the French philosopher Emmanuel Lévinas and his theory of Self and Other to an analysis of contemporary American drama—a mode of approach that is new to the discipline of theatre studies. Lévinas’s insights are particularly relevant to the concerns of the 21st century and how we might rethink relationships and values. My work looks at contemporary American plays in terms of nationalism, gender politics, racial dynamics and ecological issues. I contend that these playwrights are attempting to go beyond conventional …


Invisible Links, Abject Chains: Habit In Nineteenth-Century British Literature, Daniel R. Mangiavellano Jan 2010

Invisible Links, Abject Chains: Habit In Nineteenth-Century British Literature, Daniel R. Mangiavellano

LSU Doctoral Dissertations

“Invisible Links, Abject Chains: Habit in Nineteenth-Century British Literature” argues that habit is a central characteristic of both Romantic and Victorian theories of imagination, originality, literary production, and subjectivity. Certainly, nineteenth-century culture often treats habit with suspicion, invoking language of bondage, slavery, and dangerous unconscious imitation to apply to everything from reading habits to opium use. However, by tracing a discourse of habit from association theory to pragmatism and drawing from philosophical, educational, medical, and psychological texts, I foreground how Romantic and Victorian texts redeploy habit as a paradoxical form of imaginative agency. In nineteenth-century culture, habit makes possible what …


Paths Of Most Resistance: Navigating The Culture Industry In William Faulkner, Richard Wright, Delmore Schwartz, And Eudora Welty, Jason Dupuy Jan 2010

Paths Of Most Resistance: Navigating The Culture Industry In William Faulkner, Richard Wright, Delmore Schwartz, And Eudora Welty, Jason Dupuy

LSU Doctoral Dissertations

This dissertation explores how four modernist writers of the 1930s and 1940s—William Faulkner, Richard Wright, Delmore Schwartz, and Eudora Welty—used their works to present ways to resist and navigate what they present as the frequently reductive worldview offered by the culture industry. Faulkner tends to show the culture industry as selling easy answers that focus on the end result, which allows his characters to approach the culture industry with a sense of fatalism. To resist this, Faulkner stresses a step-by-step, complex dialectical understanding of the culture industry, one that shows the fissures in its seemingly straightforward narratives and allows the …


Other Tomorrows: Postcoloniality, Science Fiction And India, Suparno Banerjee Jan 2010

Other Tomorrows: Postcoloniality, Science Fiction And India, Suparno Banerjee

LSU Doctoral Dissertations

In this dissertation I argue that science fiction as a genre intervenes in the history-oriented discourse of postcolonial Anglophone Indian literature and refocuses attention on the nation’s future—its position in global politics, its shifting religious and social values, its rapid industrialization, the clash between orthodoxy and modernity, and ultimately the dream of a multicultural nation. Anglophone Indian science fiction also indicates India’s movement away from a nation trying to negotiate the stigma of colonialism to a nation emerging as a new world power. Thus, this genre reconstructs the Indian identity not only in the domestic sphere, but also in a …


A Survey And Guide To The Most Frequently Programmed Lieder In The Undergraduate Studios Of Selected Major Music Institutions In The United States, Joseph Christopher Turner Jan 2010

A Survey And Guide To The Most Frequently Programmed Lieder In The Undergraduate Studios Of Selected Major Music Institutions In The United States, Joseph Christopher Turner

LSU Doctoral Dissertations

Among the many challenges faced by the new collegiate voice teacher is the assigning of appropriate music literature. There are numerous published guides to aid in this area, but they vary greatly. Some provide large amounts of literature and very little information, while others give more information but deal with a predetermined set of songs. What if the young teacher knew the core literature being used by veteran voice teachers from around the country? In order to address this problem, information was gathered from eight major music institutions chosen by a survey of voice faculty at Louisiana State University. At …


Writing About The South "In Her Own Way": Gender And Region In The Work Of Southern Women Playwrights, Casey Kayser Jan 2010

Writing About The South "In Her Own Way": Gender And Region In The Work Of Southern Women Playwrights, Casey Kayser

LSU Doctoral Dissertations

This dissertation examines how identity—gender, race, sexuality, regional affiliation—intersects with considerations of the dramatic genre, commercial and critical factors in the American theatre, and understandings about the American South to complicate how contemporary southern women playwrights represent region. In light of the always-already "performative" nature of the South, and geographical, commercial, and ideological factors that set the South in opposition to the North, southern women playwrights face additional difficulties in navigating issues of authenticity and simulacra, the universal versus the specific, ideas about southern "backwardness" versus northern sophistication, and audience participation in fetishizing or distancing the South. Using drama as …


The Alfred Cortot Study Edition Of Chopin's Etudes & How The Alexander Technique Can Facilitate Progress Towards Performance Through His Suggested Exercises, Li-Fang Wu Jan 2010

The Alfred Cortot Study Edition Of Chopin's Etudes & How The Alexander Technique Can Facilitate Progress Towards Performance Through His Suggested Exercises, Li-Fang Wu

LSU Doctoral Dissertations

The purpose of this research paper is to study how the Alexander Technique can be applied to the process of pianistic practicing, and specific technique issues. The sets of exercises I choose to focus on are from the Alfred Cortot study edition of Chopin’s Etudes, op. 10 and op. 25. The Alexander Technique is a method of releasing unnecessary muscular tension when performing every action, including motions in piano playing. Therefore, the preparatory exercises suggested by Alfred Cortot in his study editions can be more effectively executed by applying the Alexander Technique principles. This research paper is divided into four …


Staging Polemics: Charles Palissot, Voltaire, And The "Theatrical Event" In Eighteenth-Century France, Logan James Connors Jan 2010

Staging Polemics: Charles Palissot, Voltaire, And The "Theatrical Event" In Eighteenth-Century France, Logan James Connors

LSU Doctoral Dissertations

This dissertation explores the exciting world of eighteenth-century French dramatic writing, performance and criticism from the point of view of the theatrical spectator. Instead of focusing on one single genre or writer, I assemble the textual creation, performance, and criticism of certain “polemical” plays into what I term a “theatrical event.” This optic provides a holistic vision of theater and an accurate view of how drama underwent noticeable change due to playwrights’ political associations, public reactions to performance, and the emerging power of the periodical press. In sum, this project differs from previous studies by focusing on the increasing rhetorical …


Early American Self-Reflexive Writing: Revising The Tradition, Susie Scifres Kuilan Jan 2010

Early American Self-Reflexive Writing: Revising The Tradition, Susie Scifres Kuilan

LSU Doctoral Dissertations

This study focuses on self- reflexivity in early American texts. This self-reflexivity demonstrates that these early American authors were attempting to define “American fiction” and were participating in a new literary tradition that was developing simultaneously with the development of the new country. After the introduction, Chapter One lays the groundwork for my study by exploring current views of these texts and what led to these views. Chapter Two explores the difficulties facing post-Revolutionary authors and their reactions to these obstacles as reflected in their prefaces and their other writings. I show the way these authors self-consciously respond to the …


Symphony #2 And A Critical Appraisal Of Helmut Lachenmann's Writings And Music, Jeffrey Lipscomb Jan 2010

Symphony #2 And A Critical Appraisal Of Helmut Lachenmann's Writings And Music, Jeffrey Lipscomb

LSU Doctoral Dissertations

The first portion of this dissertation is an original composition: Symphony No. 2. This serial work attempts to use both tempo and texture as compositionally viable parameters, along with pitch and rhythm. The piece is divided into four uninterrupted movements. The first movement establishes a pointillist texture as a reference sound for the entire work, which transforms into a rapid toccata section. The two middle movements, an aria and an intermezzo, both use traditional melody-harmony formats. The toccata texture returns at the beginning of the last movement before transforming and ending pointillistically. The second portion of this dissertation is a …


More Than Words, More Than Wounds: (Re)Writing 'Wounded' Women And Healing Pedagogies, Rachel Nicole Spear Jan 2010

More Than Words, More Than Wounds: (Re)Writing 'Wounded' Women And Healing Pedagogies, Rachel Nicole Spear

LSU Doctoral Dissertations

This project reconceptualizes how women and their personal stories of trauma have been read and represented in literary, feminist, and pedagogical studies, asserting that these authors and their texts should be recognized respectively as wounded healers and healing narratives. By situating my study within links among trauma, women, and writing, I argue that women and their personal stories of trauma exist in marginal, or rather, wounded positions. I problematize scholarship where links among these three commonly emerge (namely psychoanalytic, autobiographical, and feminist fields) to challenge monolithic readings and re-write these women and texts as more than wounded. More than Words, …


Monstrous Bodies: Femininity And Agency In Young Adult Horror Fiction, June Pulliam Jan 2010

Monstrous Bodies: Femininity And Agency In Young Adult Horror Fiction, June Pulliam

LSU Doctoral Dissertations

Young Adult horror fiction with female protagonists presents sympathetically the untenable situation of adolescent girls within society whereby they are increasingly pressured to embody a doll-like feminine ideal that deprives them of voice and agency. In Young Adult horror fiction, the monstrous Other problematizes what is presented to girls as “normal” and “natural” feminine behavior. As a double with a difference, the monstrous Other is an iteration of femininity whose similarity to the original implies the possibility of resisting restrictive gender roles. Because in Young Adult horror fiction the monstrous Other is nearly always a sympathetic character, it is fairly …


Berlin & The Origins Of Detente: Multilateral & Bilateral Negotiations In The Berlin Crisis, 1958-1963, Richard Dean Williamson Jan 2010

Berlin & The Origins Of Detente: Multilateral & Bilateral Negotiations In The Berlin Crisis, 1958-1963, Richard Dean Williamson

LSU Doctoral Dissertations

"Berlin & the Origins of Detente" is a diplomatic history of the Berlin Crisis from 1958-1963. 'Berlin Crisis' usually means the events surrounding construction of the Berlin Wall in August 1961. The Wall, erected just two months after US President John Kennedy and the Soviet Union's Chairman Nikita Khrushchev met at Vienna, physically divided East Berlin from the Western sectors of the US, Britain and France, who kept occupation forces under the 1945 Potsdam accords. This work covers the events leading up to the Wall and after, when the focus shifted from multilateral Allied diplomacy in the Eisenhower-era to bilateral …


Student Perspectives On Study Abroad: The Case Of Louisiana State University's Summer Internships In The French Alps, Terri Lee Schroth Jan 2010

Student Perspectives On Study Abroad: The Case Of Louisiana State University's Summer Internships In The French Alps, Terri Lee Schroth

LSU Doctoral Dissertations

While many studies have been conducted on study abroad programs, few have sought to examine the inner workings of a short-term, non-traditional (non-classroom based) program, particularly from the participants’ point-of-view. This in-depth case study explores a short-term (4-week) cultural and linguistic internship program, “LSU in the French Alps,” as well as the perspectives of four program participants. This research was conducted during four phases of the study abroad experience: the pre-departure orientation (4 days on LSU’s main campus), the in-country stay (4 weeks in the French Alps), re-entry into the United States (first 10 days upon return), and post study …


Reading Out Of Doors: How Nature Becomes Text And Vice-Versa, Richmond Minor Eustis Jan 2010

Reading Out Of Doors: How Nature Becomes Text And Vice-Versa, Richmond Minor Eustis

LSU Doctoral Dissertations

The tensions between city and country, the artificial and the natural, the real and the fake are at the heart of attempts to render nature in writing. In many such texts, nature—especially wilderness—is the realm of the real, authentic, and pure, while the city is the realm of the artificial and corrupt. This placement of value in nature, members of the critical theory camp tend to counter, is misguided. Any effort to render nature in text is by its “nature” artificial—far more about human values embedded in language itself than about some extra-textual world. With an approach derived from theorists …


The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel Jan 2010

The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel

LSU Doctoral Dissertations

The purpose of this study was to determine the effects of directing participant (N = 60) attention to one voice in three-part homophonic and polyphonic instrumental music on music majors’ detection of pitch and rhythm errors. Directed attention participants studied one voice prior to studying the entire score through either visual or aural methods. Visual group participants (n = 20) studied the voice of directed attention (VDA), which was color highlighted, in silence. Aural group participants (n = 20) studied the VDA in a three-phase treatment: sight-singing the VDA, using a piano and their own singing to correct any errors …


Bel Canto Rarities: A Performance Guide To Rarely Performed Tenor Arias From The Works Of Gaetano Donizetti, Zachary Bruton Jan 2010

Bel Canto Rarities: A Performance Guide To Rarely Performed Tenor Arias From The Works Of Gaetano Donizetti, Zachary Bruton

LSU Doctoral Dissertations

The subject of this dissertation is rarely performed tenor arias from operas of Gaetano Donizetti. Each of the arias chosen for this document was selected on the basis of its quality within the canon of Donizetti’s works in contrast with its deficient representation in the repertoire of the majority of student tenors. This document’s purpose is not to represent Donizetti’s development stylistically, dramatically, or in any other respect. Rather it presents a sampling of those arias which I feel are representative of some of the best writing for the tenor voice found in Donizetti’s operas, not only as admirable pieces …


Resurrecting The Martyrs: The Role Of The Cult Of The Saints, A.D. 370-430, Collin Garbarino Jan 2010

Resurrecting The Martyrs: The Role Of The Cult Of The Saints, A.D. 370-430, Collin Garbarino

LSU Doctoral Dissertations

In the late fourth and early fifth centuries Christians actively sought to reimagine the persecutions of the pre-Constantinian era by keeping the memory of the martyrs alive. The cult of martyrs became one tool for navigating present difficulties and establishing a source of legitimacy. As a valuable connection with the past, the cult of martyrs enabled Christian communities to build identity, and bishops could use it to promote the Christianization of the empire. In spite of the cult's widespread popularity, churches imputed widely disparate meanings to the cult. The cult's function in a particular locale was often shaped by that …


The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin Jan 2010

The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin

LSU Doctoral Dissertations

The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial choral concert works published in the twenty-first century. love is the every only god is a song cycle for divisi mixed chorus with piano accompaniment based on six poems by E. E. Cummings. The work is organized into six movements with two interludes and lasts approximately twenty-five minutes. Beyond his regard for the art of poetry and care in choosing a text, Redford sees himself as an illuminator of the text, providing the listener with a …


"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov Jan 2010

"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov

LSU Doctoral Dissertations

Dave Brubeck (b. 1920) is best known as a jazz composer, pianist, and bandleader, but he has also composed dozens of works that reach beyond the realm of jazz. His Chromatic Fantasy Sonata represents a milestone in his compositional activity, artfully fusing elements from European art music and the American jazz idiom. The work's subtitle ("inspired by J. S. Bach") makes clear the influence of the Baroque master, but gives no hint of the thoroughgoing jazz influences Brubeck also included in the piece. The Chromatic Fantasy Sonata was originally commissioned in 1988 by the chamber group An die Musik (oboe, …


An Approach To Performing Handel Sonatas On The Saxophone, Amy Griffiths Jan 2010

An Approach To Performing Handel Sonatas On The Saxophone, Amy Griffiths

LSU Doctoral Dissertations

The saxophone has a long history with transcriptions and arrangements, which augment the saxophone’s repertoire and provide an historical context through which saxophonists may experience music that predates the invention of their instrument. Transcriptions, particularly those from the baroque period, provide excellent pedagogical material for inexperienced students whose educational needs would perhaps not be best served by more contemporary music. The various transcriptions of baroque music contributed by Marcel Mule and Sigurd Raschèr continue to be valuable additions to the repertoire, serving students’ pedagogical needs by providing appealing, accessible, and suitably challenging music. However, these transcriptions provide only a minimum …


Stacy Garrop's Settings Of Sonnets By Edna St. Vincent Millay: A Conductor's Analysis, Justin W. Durham Jan 2010

Stacy Garrop's Settings Of Sonnets By Edna St. Vincent Millay: A Conductor's Analysis, Justin W. Durham

LSU Doctoral Dissertations

Stacy Garrop is an emerging composer of choral and orchestral music. The focus of this research is to provide information on her career and compositional style and to provide a conductor’s analysis of six multi-movement a cappella works which set to music sonnets by Edna St. Vincent Millay. Works to be examined: Sonnets of Love and Chaos (2001) Sonnets of Vanity, Loss, and Rapture (2002) Sonnets of War and Mankind (2003) Sonnets of Desire, Longing, and Whimsy (2004) Sonnets of the Fatal Interview (2005) Sonnets of Beauty and Music (2006) The document is divided into nine chapters tracing the musical …


A Survey Of Professional Operatic Entertainment In Little Rock, Arkansas: 1870-1900, Jenna M. Tucker Jan 2010

A Survey Of Professional Operatic Entertainment In Little Rock, Arkansas: 1870-1900, Jenna M. Tucker

LSU Doctoral Dissertations

The late nineteenth century was a time of great political, economic, and social change in the state of Arkansas. The population of Little Rock, the state capital, nearly tripled in the last thirty years of the century. As more people settled in Little Rock, the demand for entertainment grew. Poor transportation was an initial obstacle; but as railroads gradually linked Little Rock to larger cities, traveling professional theatrical troupes began to include Little Rock on their itineraries. The purpose of this project is to document the history of professional operatic entertainment in Little Rock, Arkansas, from 1870—when the first professional …


A Conductor's Analysis Of Theodore Morrison's War And Reconciliation, Alissa Ann Mercurio Rowe Jan 2010

A Conductor's Analysis Of Theodore Morrison's War And Reconciliation, Alissa Ann Mercurio Rowe

LSU Doctoral Dissertations

Theodore Morrison (b. 1938) was involved with music at a very young age as singer, organist, and choirmaster. As his musical career prospered he grew as a teacher, conductor, and composer. His compositional output includes several large works for chorus, soloists and orchestra, and a substantial body of shorter works. The smaller works encompass an overture for wind ensemble, chamber pieces for woodwinds and strings, a sonata and a set of variations for organ, several works for chorus and organ, an a cappella mass, three song cycles, and numerous choral pieces and songs. This document presents a brief biographical introduction …


The Louisiana Sinfonietta, A New Orchestral Model, And An Original Composition, Concerto For Guitar And Symphony Orchestra, Op. 12, Ronaldo Cadeu De Oliveira Jan 2010

The Louisiana Sinfonietta, A New Orchestral Model, And An Original Composition, Concerto For Guitar And Symphony Orchestra, Op. 12, Ronaldo Cadeu De Oliveira

LSU Doctoral Dissertations

This dissertation is divided into two parts. Part one is a historical paper about the chamber orchestra known as The Louisiana Sinfonietta and is divided into seven chapters. In the introduction I explain the methods used to conduct this research. Chapter one is an introduction that discusses the problem of the possible end of the long tradition of the symphony orchestra. Chapter one also investigates how the organizational model used by the Louisiana Sinfonietta may be a sign of a new orchestral model, one that may solve many of the problems that orchestras are facing today. Chapters two, three, and …


Sonata No.1 For Violin And Piano, Op. 80,By Sergei Prokofiev: A Guide To Interpretation, Boris Blagoev Jan 2010

Sonata No.1 For Violin And Piano, Op. 80,By Sergei Prokofiev: A Guide To Interpretation, Boris Blagoev

LSU Doctoral Dissertations

Sergei Prokofiev was an extremely prolific composer whose career brought him success throughout Europe and the U. S. as well as Russia and the Soviet Union. He wrote for nearly every genre, and his most popular works today include operas, ballets, symphonies, and concertos. As a pianist, most of the concertos and sonatas that Prokofiev wrote were for the piano. However, his contributions to the violin repertoire are significant. Prokofiev wrote two concertos and two sonatas for solo violin. Of these, Sonata No. 1 for Violin and Piano, Op. 80 is unique for many reasons. The piece took Prokofiev eight …


Joep Franssens' Harmony Of The Spheres: A Conductor's Analysis, David Andrew Hobson Jan 2010

Joep Franssens' Harmony Of The Spheres: A Conductor's Analysis, David Andrew Hobson

LSU Doctoral Dissertations

Harmony of the Spheres is Dutch composer Joep Franssens’ most extensive choral work to date, exhibiting a substantial possibility to enter the international repertoire as a complete work; however, several of the movements can stand alone effectively. Presented in five symmetrically conceived movements, Franssens scores the piece for SSAATTBB chorus with only the addition of full string orchestra for Movement III. The composition seeks to explore profound connections between science, music, philosophy, religion, and human relationships, intertwining excerpts from Benedict de Spinoza’s magnum opus, Ethica, allusions to the ancient idea of the music of the spheres, and European minimalism. Franssens …


"Teach Us Incessantly": Lessons And Learning In The Antebellum Gulf South, Sarah L. Hyde Jan 2010

"Teach Us Incessantly": Lessons And Learning In The Antebellum Gulf South, Sarah L. Hyde

LSU Doctoral Dissertations

Before 1860 people in the Gulf South valued education and sought to extend schooling to residents across the region. Southerners learned in a variety of different settings – within their own homes taught by a family member or hired tutor, at private or parochial schools as well as in public free schools. Regardless of the venue, the ubiquity of learning in the region reveals the importance of education in Southern culture. In the 1820s and 1830s, legislators in Louisiana, Mississippi, and Alabama sought to increase access to education by offering financial assistance to private schools in order to offset tuition …


The History Of Holy Rosary Institute, Don J. Hernandez Jan 2010

The History Of Holy Rosary Institute, Don J. Hernandez

LSU Doctoral Dissertations

ABSTRACT Holy Rosary Institute began as an industrial school for African American young women in Galveston, Texas, during the last quarter of the nineteenth century. In 1913 it moved to Lafayette, Louisiana, and in 1947 began admitting males as well as women. It closed in 1993. Through much of its history, this secondary school was staffed primarily by the Sisters of the Holy Family, the second oldest order of African American nuns in the United States, and the Divine Word Missionaries, one of the earliest groups of Catholic priests to accept African American candidates for the priesthood. In 1992, Gerard …