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Articles 1 - 30 of 46
Full-Text Articles in Arts and Humanities
Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen
Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen
LSU Doctoral Dissertations
Jean-Paul Sartre's autobiography Les Mots (1964) is shown to be a departure from the Sartrean oeuvre because it represents an abandonment of littérature engagée. In Les Mots Sartre not only abandons littérature engagée, but also embraces a view of literature which he formerly opposed--l'art pour l'art. Sartre defines his views of literature--littérature engagée--in Qu'est-ce que la littérature? (1948) Robbe-Grillet defines l'art pour l'art in Pour un nouveau roman (1963). In Les Mots Sartre embraces Robbe-Grillet's l'art pour l'art and abandons his own littérature engagée. Since these two views of literature are theoretically opposed, it is interesting to find that Sartre …
Civil War Prisons In American Memory, Benjamin Gregory Cloyd
Civil War Prisons In American Memory, Benjamin Gregory Cloyd
LSU Doctoral Dissertations
The memory of Civil War prisons has always been contested. Since 1861, generations of Americans struggled with the questions raised by the deaths of approximately 56,000 prisoners of war, almost one-tenth of all Civil War fatalities. During the war, throughout Reconstruction, and well into the twentieth century, a sectional debate raged over the responsibility for the prison casualties. Republican politicians invoked the savage cruelty of Confederate prisons as they waved the bloody shirt, while hundreds of former prisoners published narratives that blamed various prison officials and promoted sectional bitterness. The animosity reflected a need to identify individuals responsible for the …
Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin
Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin
LSU Doctoral Dissertations
This dissertation is focused on the contribution of literature in the establishment of democracy in four French-speaking countries of the Golf of Guinea between 1988 and 1998. They are Benin, Cote d’Ivoire, Guinea and Togo. In 1991, a democratization movement that started in Benin occurred in many West African countries. It was propelled by an invented idea of National Conferences that were gathered by the countries elites either with the support or against the will of the ruling government. Thus, it was possible to organize a successful National Conference in some of those countries like Benin, Mali and Niger. But …
Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman
Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman
LSU Doctoral Dissertations
This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and …
Dragos Tanasescu's Treaties Of Pianistic Technique, Lucian B. Zidaru
Dragos Tanasescu's Treaties Of Pianistic Technique, Lucian B. Zidaru
LSU Doctoral Dissertations
This study examines Dragos Tanasescu's fingering system and technical exercises presented in Treatise of Pianistic Technique. The Treatise contains four books, each one dedicated to a segment of technical problems. Tanasescu's main contribution to the piano technique is the applications of math permutation formulas to create all possible arrangements of fingering patterns. His treatise continues previous technical approaches of A. Kullak, F. Liszt, J. Pischna and E. Dohnanyi. Earlier methods organize the technical material by one principle: fingerings. The purpose of this study is to illustrate the characteristics of Tanasescu's fingering system presented in Treatise of Pianistic Technique, and provide …
Conspiracy Culture In America After World War Ii, Valerie Rose Holliday
Conspiracy Culture In America After World War Ii, Valerie Rose Holliday
LSU Doctoral Dissertations
Feminism has all too often been reified as a theoretical category. Specifically, Marxist critical categories fail to account for the integral importance of gender in any sociopolitical critique. This dissertation attempts to dereify gender and demonstrate a theoretical model that seamlessly integrates psychoanalysis, Marxism, and feminism. Conspiracy culture in America since World War II is an ideal aperture through which we may envision such a theoretical approach, and indeed see the critical need for such an approach. This dissertation looks at several post-war American conspiracy narratives, including Oliver Stone’s JFK and Nixon, Don DeLillo’s Libra, Sidney Lumet’s Fail Safe, John …
"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters
"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters
LSU Doctoral Dissertations
This dissertation argues that readings of the Civil War novels published in America since 1955 should be informed by a consciousness of the social forces at work in each author’s time. Part One consists of a study of the popular Civil War novel, 1955’s Andersonville by MacKinlay Kantor; part two, 1974’s The Killer Angels by Michael Shaara. Chapters One through Three explain that Kantor was especially fitted for the ideological work going on in Andersonville, then outlines the way that novel tried to contribute to the transition between World War II and the Cold War. The book attempted to aid …
The Iconography Of Nationalism: Icons, Popular Culture, And American Nationalism, Dallas Hulsey
The Iconography Of Nationalism: Icons, Popular Culture, And American Nationalism, Dallas Hulsey
LSU Doctoral Dissertations
The Iconography of Nationalism: Icons, Popular Culture, and American Nationalism develops a model of cultural icons, defining icons as highly visible, culturally variable, and overdetermined auratic images. Situating icons within the context of mass reproduction technologies and American nationalism, this study seeks to demystify the simple images presented by infantile, national, and scapegoat icons in literature, film, and political rhetoric. This dissertation argues that icons participate in the American nationalist project by channeling citizens’ political and patriotic feelings through seemingly simple images. While acknowledging that icons are necessary to construct what Benedict Anderson calls “the imagined community” of the nation, …
Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng
Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng
LSU Doctoral Dissertations
Contemporary feminist hard-boiled detective fiction has been studied as an adaptation of the traditional masculine hard-boiled detective genre. Writers such as Sara Paretsky, Sue Grafton, and Marcia Muller create compelling feminist protagonists to fill the role of detective. The successes and failures of these feminist detectives have then been measured against the standards created in the classic genre by Raymond Chandler, Dashiell Hammett, and James M. Cain. The classic hard-boiled masculine genre came of age in the 1930s and 1940s at the same time as proletarian literature. The two genres share many characteristics including reliance upon first person narrative, the …
"Let Me Play A While": Storytelling Characters And Voices In The Works Of Mark Twain, William Faulkner, And Lee Smith, Kenneth Mark Broyles
"Let Me Play A While": Storytelling Characters And Voices In The Works Of Mark Twain, William Faulkner, And Lee Smith, Kenneth Mark Broyles
LSU Doctoral Dissertations
This dissertation focuses on the difference between narrators and characters in fiction who tell stories. It also argues that traditional orality persists in American culture and is a significant influence in the fiction of Mark Twain, William Faulkner and Lee Smith. In their work, they try to overcome what some perceive as a structural discrimination inherent in the novel and imbue their characters' speaking voices with authority that is determined by something other than their position in the structural hierarchy. All three authors attempt to give their characters speaking voices which are not necessarily inferior to the narrative or authorial …
Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle
Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle
LSU Doctoral Dissertations
Erik Satie's ballet Parade was a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev. Satie's writing for winds and percussion lends itself to an arrangement for woodwind quintet and percussion; an arrangement that keeps the spirit and essence of the work intact. This study includes a historical summary of the ballet Parade and an arrangement of the music from the ballet for woodwind quintet and percussion.
Alice's Shadow: Childhood And Agency In Lewis Carroll's Photography, Illustrations, And Alice Texts, R. Nichole Rougeau
Alice's Shadow: Childhood And Agency In Lewis Carroll's Photography, Illustrations, And Alice Texts, R. Nichole Rougeau
LSU Doctoral Dissertations
The nineteenth century marks the emergence of a new literary market directed at the entertainment of children. However, a dichotomy exists concerning the image of childhood. Adults tended to idolize childhood in literature to reflect on their own lives ignoring the needs of children to possess an identity of their own. Essentially children are shadows of adults. Examinations of the shadows of childhood—children as shadows of adults, children shadowed by adults, the shadows as identifying children, and the shadows children themselves cast—lead to a discussion of agency over childhood. Lewis Carroll, entering this new literary market with his Alice series, …
The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton
The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton
LSU Doctoral Dissertations
From the perspective of the twenty-first century, it might be easy to dismiss frontier literature as a minor historical anomaly, as a descriptor limited to setting, or as an insignificant variation from a country struggling to reach the heights of British fictional “norms.” However, when American literature began to flourish in the 1820s, it was primarily a literature of the frontier. Examining what this frontier quality means for literary elements beyond setting, such as narrative voice, textual structure, and genre, more clearly explains the importance of the frontier to literary nation-building. After all, the literary frontier ranged across literary genres, …
When I Die, I Won't Stay Dead: The Poetry Of Bob Kaufman, Mona Lisa Saloy
When I Die, I Won't Stay Dead: The Poetry Of Bob Kaufman, Mona Lisa Saloy
LSU Doctoral Dissertations
This dissertation begins with the premise that critical attention to the work of Bob Kaufman is long overdue, and that Bob Kaufman is a significant American poet in the African American and Beat traditions. The purpose of this dissertation begins to rectify this need with a study of Bob Kaufman’s verse. My exploration of Kaufman necessitates some pointed attention to the cultural, social, and psychological influences that gave rise to his work, specifically his upbringing in the south, his travels, and the misrepresented times of his life in current biographical entries and some present scholarship. I will also address the …
Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie
Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie
LSU Doctoral Dissertations
“Solitary Blessings: Solitude in the Fiction of Hawthorne, Melville, and Kate Chopin” examines a construction of solitude in which nature is alien and perilous, the self confronts rejection and death, the subject is subordinated to an unknown, and the revealed truth is experienced as both gift and curse. Arising out of fictional portraits of people under duress, this interpretation counters a more dominant construction in American literature, enunciated by Edwards, Emerson, and Thoreau, that shows solitude as composed and calming, subordinating nature to mind, and revealing an underlying truth in presentable form. Solitude has been equated with privation and exile …
A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva
A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva
LSU Doctoral Dissertations
Choral music is one of the most common musical activities in Brazil. However, the lack of biographical studies, music publication, and theoretical works which discuss stylistic and interpretative aspects of choral performance creates problems for conductors. The primary goal of this study is to consider Amaral Vieira’s Stabat Mater, op. 240 specifically from a conductor’s point of view, focusing on biographical, analytical, stylistic, and interpretative issues. The document is divided into three chapters; chapter one discusses twentieth-century Brazilian choral music, Amaral Vieira’s life and music, history and overview of the Stabat Mater, op. 240, and textual aspects. Chapter two presents …
Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean
Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean
LSU Doctoral Dissertations
This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …
La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark
La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark
LSU Doctoral Dissertations
This dissertation analyzes Guillaume Apollinaire's rewriting of Merlin's mother and the Dame du Lac in L'Enchanteur pourrissant as a commentary on writing. I consider Merlin's state in the tomb as an effect of his desire for the Dame du Lac and relate this to the poet's relationship to writing, which is the result of his desire for a unity of expression -- to express what can be designated in the text, but not directly communicated in its totality through language. There is always something missing from any writing, but the very absence of meaning influences poetic production by encouraging attempts …
An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell
An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell
LSU Doctoral Dissertations
The dissertation is in two parts. The first part is a musical composition in one movement for orchestra, La Cosecha (The Harvest), based on the Maya Zodiac. The second part is a semiotic analysis of selected Puerto Rican folk music that will conclude that a rhythmic structure organizes all these musical forms in a coherent manner. The composition has thirteen sections each representing a figure of the zodiac. Each figure has a main rhythmic pattern and a chord that it is rotated to create unity among the distinctive chords. The first half represents the dry season and the second the …
The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris
The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris
LSU Doctoral Dissertations
Pauline Viardot (1821- 1910) was a famous mezzo-soprano with a career spanning twenty-four years (1839-1863). Her Music Salon is credited for launching the careers of Camille Saint-Säens, Jules Massenet, Gabriel Fauré, and Charles Gounod. After her retirement she turned her attention towards teaching and composition. She has written over 100 Vocal compositions, 15 Instrumental compositions and 5 Salon Operas. Chapter 1 presents an introduction and biography of the composer, with special emphasis on her family, friends, colleagues, performance career and music salon. Chapter 2 is a closer look at her salon opera Cendrillon including an analysis of the work. This …
After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors
After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors
LSU Doctoral Dissertations
In “After Scotland: Irvine Welsh and the Ethic of Emergence,” the author’s objective is to mirror what he argues is the Scottish writer Irvine Welsh’s objective: to chart out a future Scotland guided by a generative life ethic. In order to achieve this objective, the author lays open and reengages Scotland’s past, discovers and commits to neglected or submerged materials and energies in its past, demonstrates how Welsh’s work is faithful to those and newly produced materials and energies, and suggests that Welsh’s use of those materials and energies enables readers to envision a new Scotland that will be integral …
A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira
A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira
LSU Doctoral Dissertations
Heitor Villa-Lobos is one of the most important names in South American music and probably the most important name in Brazilian music. His musical output includes symphonies, symphonic poems, operas, chamber music, concertos, and choral music, among other genres. His choral music output is significant and includes pieces in which the chorus seems to be used for color and rhythm in a primarily instrumental texture, educational music, folk and secular pieces, large scale choral pieces, and sacred music. This document provides a brief survey of his choral music and a conductor's study of his last two choral works, Bendita Sabedoria …
The Foundation Of An Apparel Factory: Culture's Place Becomes A Practiced Space, Kim T. Chavis
The Foundation Of An Apparel Factory: Culture's Place Becomes A Practiced Space, Kim T. Chavis
LSU Doctoral Dissertations
The study provides a reformulation of culture as space. Building on Michel Certeau's theory of space and place, this study incorporates Karla Holloway's theory of historicity, memory, and metaphor - specifically, how these elements are formed and behave - W.E.B. Dubois's theory of double consciousness, Homi Bhabha's theory of the beyond and interstices, John Fiske's culture of everyday life, Bourdieu's idea of the habitus, Brett Williams' theory of texturing, and Edward Said's travel theory. These critical ideas are woven together to construct an operating construct of space, which allows for that culture to be a dynamic, fluid construction, represented in …
Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere
Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere
LSU Doctoral Dissertations
This dissertation addresses Samuel Beckett's bilingualism in an effort to understand how the author's use of language affected his writing style and depiction of gender. Beckett began writing in English, switched to French for the composition of new works for ten years, and then returned unexpectedly to English. His first English works are characterized by stylistic virtuosity, erudition, and misogyny. With Beckett's adoption of French his style became simple, spare, and cerebral. Plot structure based on a journey in early works was abandoned in favor of static situations and dialogue. Women were either ignored or viewed negatively. In 1956, Beckett …
The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung
The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung
LSU Doctoral Dissertations
American composer and pianist Amy Marcy Cheney Beach -- Mrs. H. H. A. Beach (1867-1944) was born in Henniker, New Hampshire. She is recognized as the best American composer of her time. She was the first American woman to compose large-scale art music, and she was also a virtuosic pianist. The "Sonata for Violin and Piano in A Minor, Op. 34" (1896) is Beach’s most representative chamber music work. It contains four movements, with Classical formal design, and expresses a style featured in late Romantic music. The Violin Sonata begins with a large, imposing movement, followed by a folk-like second …
The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King
The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King
LSU Doctoral Dissertations
This study reads the rise, reign, and fall of the English gentleman through the lens of the hobbledehoy novels of Anthony Trollope. It explores Trollope’s use of the hobbledehoy (a term, now almost archaic, for an awkward young man) in eight novels appearing between 1857 and 1879: The Three Clerks (1857), The Small House at Allington (1864), The Last Chronicle of Barset (1867), Phineas Finn (1869), Phineas Redux (1874), John Caldigate (1879), The Way We Live Now (1875), and The Prime Minister (1876). Since the hobbledehoy figure serves as a cultural reference point or touchstone, then by examining the permutations …
The Free World Confronted: The Problem Of Slavery And Progress In American Foreign Relations, 1833-1844, Steven Heath Mitton
The Free World Confronted: The Problem Of Slavery And Progress In American Foreign Relations, 1833-1844, Steven Heath Mitton
LSU Doctoral Dissertations
Enacted in 1833, Great Britain’s abolition of West Indian slavery confronted the United States with the complex interrelationship between slavery and progress. Dubbed the Great Experiment, British abolition held the possibility of demonstrating free labor more profitable than slavery. Besides elating the world’s abolitionists, always hopeful of equating material with moral progress, the experiment’s success would benefit Britain economically. Presented evidence of the greater profits of free labor, slaveholders worldwide would find themselves with compelling reason to abandon slavery. Likewise, London policymakers would proceed with little need—and no economic incentive—to promote abolition in British foreign policy. British hopes foundered on …
Marching Masters: Slavery, Race, And The Confederate Army, 1861-1865, Colin Edward Woodward
Marching Masters: Slavery, Race, And The Confederate Army, 1861-1865, Colin Edward Woodward
LSU Doctoral Dissertations
Many historians have examined the Civil War soldier, but few scholars have explored the racial attitudes and policies of the Confederate army. Although Southern men did not fight for slavery alone, the defense of the peculiar institution, and the racial control they believed it assured, united rebels in their support of the Confederacy and the war effort. Amid the destruction of the Civil War, slavery became more important than ever for men battling Yankee armies. The war, nevertheless, tested Confederate soldiers’ idealized view of human bondage. Federal armies wrecked havoc on masters’ farms and plantations, seized hundreds of thousands of …
A Catalogue Of Twentieth-Century Cello Ensemble Music, Ivan M. Antonov
A Catalogue Of Twentieth-Century Cello Ensemble Music, Ivan M. Antonov
LSU Doctoral Dissertations
This document contains over 700 entries of cello ensemble music written in the twentieth and the beginning of the twenty-first centuries by 530 composers from around the world. Pieces presented in this catalogue are largely original works. A few exceptions have been allowed mostly when the composer arranged his/her own piece. For each entry, as much of the available information as possible is provided in the following general order: composer name, composer dates, title of the piece, approximate duration, and availability. Under a section named "remarks," additional information is provided such as number and titles of the movements, first performance, …
The Compositional Style Of Judith Lang Zaimont As Found In Nattens Monolog (Night Solilquy), Scena For Soprano Voice And Piano With Text By Dag Hammarskjöld, Joo Won Jun
LSU Doctoral Dissertations
American composer, Judith Lang Zaimont (b. 1945), has composed a considerable number of solo vocal works as well as multiple works encompassing a variety of genres. Zaimont's Nattens Monolog (Night Soliloquy), scena for soprano and piano, is one of several lengthy solo vocal works. Although written for solo voice, the music takes on the form of opera without operatic materials such as costume or staging. Commissioned by Arleen Auger, soprano, and Dalton Baldwin, pianist, Nattens Monolog was composed in 1984 and first performed by them at Lincoln Center in March of 1985. The primary focus of this paper will be …