Arts and Humanities Commons^™

The Rougarou Concerto And Initial Observations Of The Flex Ensemble, Thomas Wilson

LSU Doctoral Dissertations

The purpose of this dissertation is to examine the immediate impact of the coronavirus pandemic through a composer’s lens. It will examine the impact through a variety of means, considerably: interviews of those with first-hand experiences, analyses of prominent adaptable works, and self-analysis of how my own process adapted to meet the moment.

After discovering the Composers Repertoire Initiative and being commissioned to write a concerto by Eduard Teregulov, I wrote a cello concert. The central chapter features the Rougarou Concerto, a cello concerto with accompanying flex ensemble, written for Eduard Teregulov. The work was written over ten months …

Concerto For Violin And Orchestra And "Nevertheless, She Composed: A Contemporary Survey Of Women Composers Of The Twenty-First Century", Elizabeth Anne Knox

LSU Doctoral Dissertations

This dissertation consists of two parts: the first part includes an original composition titled, “Concerto for Violin and Orchestra.” This twenty-minute work is composed for traditional orchestral instrumentation and solo violin. Motivic variation is the primary focus of this piece with a goal to show evidence of a thorough understanding and use of this technique. In music composition, variation is a technique achieved by restating musical material in an altered form. Schoenberg describes a motive as, “a unit which contains one or more features of interval and rhythm [whose] presence is maintained in constant use throughout a piece.” Therefore, motivic …

Concerto For Horn And Orchestra And Sofia Gubaidulina's Serialism, Michael Paul Mitchell

LSU Doctoral Dissertations

This work is in two parts. The first is a composition for horn and orchestra by the author, using a variety of styles that I have learned while at Louisiana State University and inspired by the pieces I have played on the horn. The second part is an analysis of Sofia Gubaidulina’s works that include twelve-tone serial techniques and the devices she uses in them and how her style changed through composing these three pieces, Piano Sonata (1965), Five Etudes for Harp, Double Bass, and Percussion, and Night in Memphis composed in 1968. After these pieces Gubaidulina leaves the …

A Background, Analysis, And Performance Guide For Eugene Goossens's Concerto In One Movement For Oboe And Orchestra, Grace Ellen Woodworth

LSU Doctoral Dissertations

Sir Eugene Goossens (1893-1962) was a leading English composer and conductor of the early twentieth century. Though his music is relatively unknown today, at the height of his popularity as a composer in the 1920s and 30s, Goossens’ music was considered equal to that of British contemporaries Ralph Vaughan Williams, Benjamin Britten, Malcolm Arnold, Arnold Bax, and Gordon Jacob. A public scandal towards the end of his career resulted in his works falling into relative obscurity, with the exception of his oboe concerto. Despite the concerto’s popularity within the oboe community, few in-depth studies of the work exist. This monograph …

The Louisiana Sinfonietta, A New Orchestral Model, And An Original Composition, Concerto For Guitar And Symphony Orchestra, Op. 12, Ronaldo Cadeu De Oliveira

LSU Doctoral Dissertations

This dissertation is divided into two parts. Part one is a historical paper about the chamber orchestra known as The Louisiana Sinfonietta and is divided into seven chapters. In the introduction I explain the methods used to conduct this research. Chapter one is an introduction that discusses the problem of the possible end of the long tradition of the symphony orchestra. Chapter one also investigates how the organizational model used by the Louisiana Sinfonietta may be a sign of a new orchestral model, one that may solve many of the problems that orchestras are facing today. Chapters two, three, and …

An Original Composition, Vestiges Of Kubla And An Analysis Of George Crumb's Quest For Guitar, Soprano Saxophone, Harp, Contrabass, And Percussion, John Manuel Crabtree

LSU Doctoral Dissertations

Vestiges of Kubla is scored for the following instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, timpani, 3 percussionist, guitar, and strings. Structured differently than a traditional concerto form, the overall architecture of the work is a large-scale sonata-allegro form in which the first movement is an exposition, the second movement is a slow development, and the third movement is a recapitulation of musical ideas from in the first, followed by a concluding coda. Although the concerto is unified by thematic, motific, and harmonic content presented in the first movement - …

A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie

LSU Doctoral Dissertations

Ingolf Dahl’s Concerto for Alto Saxophone and Wind Orchestra was written in 1949 for the famous concert saxophonist, Sigurd Rascher and was then revised to its present state in 1953. The concerto, widely known by saxophonists and wind band conductors alike, is considered among the finest of repertoire for band as well as for saxophone. Although Dahl’s concerto is one of the most frequently performed saxophone concerti, there has been surprisingly little written about it. Available published sources deal directly with the concerto, but do not address harmonic implications, the saxophone solo part, or the published wind band score. This …