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"Above The Noise And The Glory": Tiers Of Propaganda In Great War Literature, Margaret L. Clark Jan 2003

"Above The Noise And The Glory": Tiers Of Propaganda In Great War Literature, Margaret L. Clark

LSU Doctoral Dissertations

"Above the Noise and the Glory:" Tiers of Propaganda in Great War Literature illuminates the literary responses of Rupert Brooke, Mary Borden, Alice-Dunbar Nelson and Willa Cather to the manner in which the threat to one's cultural community, as well as personal and physical landscape, transforms a nation's, and even a world's, people from a state of complacency or purposelessness to one of jingoistic fervor. Prompted and inspired by personal, political and cultural forces, these writers mobilized early twentieth-century private citizens' spirits of nationalistic pride and solidarity. Individual chapters place within historical and literary contexts how war propaganda, particularly British …


Narrative Immediacy And First-Person Voice In Contemporary American Novels, Amy Faulds Sandefur Jan 2003

Narrative Immediacy And First-Person Voice In Contemporary American Novels, Amy Faulds Sandefur

LSU Doctoral Dissertations

This study of first-person fictive narration analyzes a selection of contemporary American novels so as to understand and describe more fully a literary effect I call immediacy. I employ the term immediacy to define narrative situations in which little durational gap exists between experience and narration and in which little ideological and emotional distance is communicated between the narrating persona and the subject self. The following chapters provide a close examination of narrative techniques employed by writers in the creation of immediacy and argues that both the tone of the novels and their themes of maturation and self-identity are attributable …


Assia Djebar. Le Corps Invisible: Voir Sans Etre Vue, Anna Rocca Jan 2003

Assia Djebar. Le Corps Invisible: Voir Sans Etre Vue, Anna Rocca

LSU Doctoral Dissertations

This thesis traces the evolution of attitudes towards the body, desire, autobiography, and self-affirmation, in three novels of Assia Djebar: L'amour, la fantasia, Vaste est la prison, and Les nuits de Strasbourg. The three novels share a common trait: the narrators' will to express their body and their desires. This body, which is simultaneously anonymous and concealed, is at the very center of a contradiction; it is often relegated to representation as a ghost without any corporeal reality. It is been our objective to follow the narrators' introspective reflection on the multiple relationships between Algerian women and public space, designated …


The Novelty Of Improvisation: Towards A Genre Of Embodied Spontaneity, David Alfred Charles Jan 2003

The Novelty Of Improvisation: Towards A Genre Of Embodied Spontaneity, David Alfred Charles

LSU Doctoral Dissertations

Improvisation has often been viewed and valued in terms of its service and resemblance to scripted traditions of theatre. Such a stance seriously undermines the significance and impact of this global performance modality, and has resulted in improvisatory modes being largely ignored or downplayed in modern historical accounts of theatre. This dissertation examines improvisation on its own terms, seeking to understand its unique features, functions and potentials, while freeing it from the heavy shadow of its scripted counterpart. To this end, the theories of literary critic, Mikhail Bakhtin, provide important methodological guideposts and allow the silhouette of the improvisational impetus …


Subversive Bodies: Embodiment As Discursive Strategy In Women's Popular Literature Of The Long Eighteenth Century, Phyllis Ann Thompson Jan 2003

Subversive Bodies: Embodiment As Discursive Strategy In Women's Popular Literature Of The Long Eighteenth Century, Phyllis Ann Thompson

LSU Doctoral Dissertations

“Subversive Bodies: Embodiment as Discursive Strategy in Women’s Popular Literature of the Long Eighteenth Century” examines literary representations of the body as strategies of resistance. This study demonstrates that Manley's Secret Memoirs from the New Atalantis, Haywood's Female Spectator, and Burney's Journal and Letters, as well as unpublished receipt books for medicinal and cosmetic preparations, challenge the prevailing masculinist notion of a passive, distinct topography of womanhood and lay the groundwork for a feminist tradition of recognizing the body as an explicit part of experience. Tracing the origins of today's critical perspectives, my study draws on the insights of recent …


Of Fathers And Sons: Generational Conflicts And Literary Lineage--The Case Of Ernest Hemingway And Ernest Gaines, Wolfgang Lepschy Jan 2003

Of Fathers And Sons: Generational Conflicts And Literary Lineage--The Case Of Ernest Hemingway And Ernest Gaines, Wolfgang Lepschy

LSU Doctoral Dissertations

Focusing on the depiction of the father-son relationship and the generational conflicts in their works, as well as the metaphorical literary father-son relationship between the two authors, this dissertation offers an intertextual reading of the works of Ernest Hemingway and Ernest J. Gaines. Part One examines Hemingway’s Nick Adams stories that feature the young hero’s growing disillusionment with and eventual rejection of his home and family. Parodying conventional stereotypes about Native American ways of life, Hemingway deconstructs prevailing notions of race by aligning Nick’s father with the wilderness and the Indians. Gaines’s earliest short stories focus on a reunion of …


Beyond Boundaries: Political Dictates Found In Minstrelsy, Florence Lyons-Fontenot Jan 2003

Beyond Boundaries: Political Dictates Found In Minstrelsy, Florence Lyons-Fontenot

LSU Doctoral Dissertations

Nineteenth-century white minstrels portrayed white abolitionists, suffragists, and temperance advocates in blackface, in order discriminate against them in the same way that blacks were discriminated against in minstrel performances. When minstrels blackened their faces to portray these white political advocates, the advocates were transformed into black caricatures, which demeaned the advocates as well as the political causes they supported. The separatist discourse, stressed in minstrelsy, typified the ideology of anti-abolitionist mobs and was used to symbolize their violence against white abolitionists and blacks. In 1850 minstrel performers used minstrelsy to protest suffrage. Since minstrels portrayed white suffragists the same way …


The History Of Russian Vaudeville From 1800 To 1850, Alexander V. Tselebrovski Jan 2003

The History Of Russian Vaudeville From 1800 To 1850, Alexander V. Tselebrovski

LSU Doctoral Dissertations

 There is no significant scholarly work on the history of the Russian vaudeville. The author of the dissertation makes an attempt to explore the history of vaudeville in Russia from 1812, when the first original vaudeville was written by A. Shakhovskoi, to the 1850s, when vaudeville as a genre was finalized as a form and brought to its classic completion. Two phases of the history of vaudeville in Russia, aristocratic and democratic-raznochinnyi, are considered in close connection with the political, social, and cultural events of Russian society of the time. The first phase embraces the period from 1812, when …


Local Government And Society In Early Modern England: Hertfordshire And Essex, C. 1590-- 1630, Jeffery R. Hankins Jan 2003

Local Government And Society In Early Modern England: Hertfordshire And Essex, C. 1590-- 1630, Jeffery R. Hankins

LSU Doctoral Dissertations

This administrative and social history of Hertfordshire and Essex tracks the careers, social relationships, and personal tribulations of justices of the peace and other county officials from 1590 through 1630. The study addresses the nature of the relationship between local government and the central government, the social structure of the two counties as reflected in the annual lists of the justices of the peace, and any administrative or social connections between Hertfordshire and Essex. Office holding was not only an administrative duty but also intertwined the lives of real people. Did local officials rise or fall because of central government …


Power And Empowerment In Writing Center Conferences, Kerri Stanley Jordan Jan 2003

Power And Empowerment In Writing Center Conferences, Kerri Stanley Jordan

LSU Doctoral Dissertations

This study explores power and empowerment in writing center peer conferences. Arguing against the notion of “hierarchical” and “collaborative” conference categories, it suggests that because both participants enact power in conference interaction, conferencing power dynamics exist on a continuum. Issues of ownership are also placed on a continuum (and associated with enactments of power); this study argues against idealized notions of tutees “owning” their texts and conferencing goals. It distinguishes between empowerment in a practical sense (associated with improving writing skills) and in a political sense (associated with increasing critical awareness). The research involved ethnographic methods: it followed two peer …


Politicizing The Reader In The American Lyric-Epic: Walt Whitman's Leaves Of Grass And Pablo Neruda's Canto General, William Allegrezza Jan 2003

Politicizing The Reader In The American Lyric-Epic: Walt Whitman's Leaves Of Grass And Pablo Neruda's Canto General, William Allegrezza

LSU Doctoral Dissertations

Both Walt Whitman and Pablo Neruda wanted to create epic works that would distinguish American literature from the literary traditions of Europe, works that would grow organically from the native landscapes and peoples of the Americas. Part of their projects included creating works that would act as political sourcebooks for their cultures. Whitman wanted to foster a democratic culture in the United States through writing a grand poetic work, while Neruda wanted to create a communist culture in Latin America through an epic work. Soon into the project Whitman realized that the traditional epic was not a suitable form for …


Imagining Corporate Culture: The Industrial Paternalism Of William Hesketh Lever At Port Sunlight, 1888-1925, Jeremy David Rowan Jan 2003

Imagining Corporate Culture: The Industrial Paternalism Of William Hesketh Lever At Port Sunlight, 1888-1925, Jeremy David Rowan

LSU Doctoral Dissertations

At Lever Brothers soap company in Port Sunlight, U.K., William Lever, between 1888-1925, instituted employee benefits that preceded the welfare state. Yet, in addition to providing tangible benefits for the employees (including free medical care, pensions, an employee profit-sharing scheme), Lever also created a strong corporate identity for his employees by cultivating a strong company and personal image, one constructed in response to national discourses surrounding industrialization, empire, national identity, and economic decline. Lever offered his company as a solution to national concerns and thus posited his workers as participants in patriotic efforts and empire-building. He forged an effective company …


Beyond The Solid South: Southern Members Of Congress And The Vietnam War, Mark David Carson Jan 2003

Beyond The Solid South: Southern Members Of Congress And The Vietnam War, Mark David Carson

LSU Doctoral Dissertations

From the beginning of America's involvement in Vietnam in 1943 to its disastrous end in 1975, southern members of Congress exerted a significant influence on and expressed divergent opinions about Cold War foreign policy. In part because of an enormous increase in military spending in the South fueled by prominent membership on military committees, congressional hawks were more inclined to support military aid for countries fighting communism and accept military over civilian advice in prosecuting the Cold War. Hawkish southerners embraced containment wholeheartedly, exhibited an intense patriotism, and concerned themselves with upholding personal and national honor. Therefore, with some prominent …


Contesting For Power In Public Performance: Hegemonic Struggles In The Louisiana Shrimp And Petroleum Festival, Allen Alford Jan 2003

Contesting For Power In Public Performance: Hegemonic Struggles In The Louisiana Shrimp And Petroleum Festival, Allen Alford

LSU Doctoral Dissertations

This study was undertaken to analyze the influence of hegemony on the creation of cultural identity-specifically the cultural identity of Morgan City, Louisiana-through the annual performance of the Louisiana Shrimp and Petroleum Festival of that city. The information utilized in this study was assembled from a variety of sources: newspaper reporting from 1935 to 1999, chronicling the Festival and related subjects; works of several theorists in the area of ritual and performance studies; works that examine the concept of hegemony, principally from a Marxian perspective; anthropological studies of Gulf Coast commercial fishing cultures; reports by official State of Louisiana agencies, …


Dashiki Project Theatre: Black Identity And Beyond, Stanley R. Coleman Jan 2003

Dashiki Project Theatre: Black Identity And Beyond, Stanley R. Coleman

LSU Doctoral Dissertations

At a cast party following a Dillard University theatre production in 1965, Guy West, a senior in theatre, stated that one of his dreams was to perform in his own theatre. These remarks by West proved to be the inspiration that began New Orleans' Dashiki Project Theatre. Prior to 1965, Free Southern Theater was the only theatre of the black experience in New Orleans. Through Dashiki Project Theatre, the black community found another opportunity to relate to black experience through the medium of theatrical performance. In the mid-sixties Theodore Gilliam, a Dillard University professor, and his associates founded Dashiki Project …


Radical Dialectics In The Experimental Poetry Of Berssenbrugge, Hejinian, Harryman, Weiner, And Scalapino, Camille Martin Jan 2003

Radical Dialectics In The Experimental Poetry Of Berssenbrugge, Hejinian, Harryman, Weiner, And Scalapino, Camille Martin

LSU Doctoral Dissertations

In this dissertation, I focus on the work of five contemporary experimental poets - Mei-mei Berssenbrugge, Lyn Hejinian, Carla Harryman, Hannah Weiner, and Leslie Scalapino - in order to demonstrate various aspects of a philosophical dynamic at work in their poetry. The critical debates surrounding experimental poetry often tend to be structured as a dualistic opposition with, for example, the forces of coherence, narrative linearity, and transparent referentiality on one side, and the forces of semantic disruption, narrative discontinuity, and linguistic materiality on the other. On each side, critics attempt to bolster the essential value of one term or set …


How To Make A Girl: Female Sexuality In Young Adult Literature, Ann Elizabeth Younger Jan 2003

How To Make A Girl: Female Sexuality In Young Adult Literature, Ann Elizabeth Younger

LSU Doctoral Dissertations

Young Adult literature is an important source of information for young readers, and this genre makes a distinct contribution to the cultural and social construction of femininity and female sexuality in its pages. How to Make a Girl: Female Sexuality in Young Adult Literature analyzes representations of female sexuality in more than fifty texts. By examining these texts in relation to each other and in terms of historical development, this project creates a literary history of female sexuality in Young Adult fictions. By depicting young women in varying stages of adolescence and young adulthood, these fictional texts offer unique representations …


Jazz And The Cultural Transformation Of America In The 1920s, Courtney Patterson Carney Jan 2003

Jazz And The Cultural Transformation Of America In The 1920s, Courtney Patterson Carney

LSU Doctoral Dissertations

In the early twentieth century jazz was a regionally based, racially defined dance music that featured solo and collective improvisation. Originating in New Orleans, jazz soon spread throughout the country as musicians left the South for better opportunities-both economic and social-elsewhere in the country. Jazz greatly increased in popularity during the 1920s. No longer a regional music dominated by African Americans, jazz in the 1920s helped define a generation torn between the Victorian society of nineteenth century America and the culture of modernity that was quickly defining the early twentieth century. Jazz and its eventual popularity represented the cultural tensions …


"Science In Skirts": Representations Of Women In Science In The "B" Science Fiction Films Of The 1950s, Bonnie Noonan Jan 2003

"Science In Skirts": Representations Of Women In Science In The "B" Science Fiction Films Of The 1950s, Bonnie Noonan

LSU Doctoral Dissertations

This project shows how central representations of women in science were to the “B” science fiction films of the 1950s and uses these films as valuable indicators for cultural analysis. I argue that the emergence of the modern American science fiction film in 1950 combined with the situation of post-W.W.II women in science to create a genre explicitly amenable to exploring the tension between a woman’s place in the home and her place in the work force, particularly in the fields of science. Out of a context of 114 “B” science fiction films produced between 1950 and 1966, I offer …


De La Page D'Écriture Et Du Mythe De L'Ancêtre Rebelle: La Problématique De L'Écrite Et De La Parole Dans Le Roman Francophone Ouest Africain, Boubakary Diakite Jan 2003

De La Page D'Écriture Et Du Mythe De L'Ancêtre Rebelle: La Problématique De L'Écrite Et De La Parole Dans Le Roman Francophone Ouest Africain, Boubakary Diakite

LSU Doctoral Dissertations

The aim of this dissertation is to question the concept of orality as the natural expression of ancestors in African novels and press for a reading of West African writers, which values their fictional creation as autonomous from their cultural origins. The main purpose of this study is to examine, through series of close textual readings, how francophone West African novels distance themselves from oral tradition by fully assuming literacy as a characteristic of the post-colonial Africa. The first chapter attempts a redefinition of orality, as only a critical discourse aimed at translating the complexity and the suspected hybridity of …


Reticent Romans: Silence And Writing In La Vie De Saint Alexis, Le Conte Du Graal, And Le Roman De Silence, Evan J. Bibbee Jan 2003

Reticent Romans: Silence And Writing In La Vie De Saint Alexis, Le Conte Du Graal, And Le Roman De Silence, Evan J. Bibbee

LSU Doctoral Dissertations

Apart from discourse and yet somehow part of it, silence is a powerfully ambiguous linguistic phenomenon that blurs the lines between presence and absence. Eluding the material aspects of oral and written language, it is only perceptible as the gaps or spaces between words. Nonetheless, it plays a role in all linguistic productions: although silence itself cannot be directly communicated, it can influence communication. In a literary text, silence may takes on many different guises, including rhythmic hesitations, rhetorical omissions, and poetic oppositions that mimic the audible gaps of spoken language. The visual, aural, and fictional interaction of all these …


Matthaeus Pipelare's "Fors Seulement Chanson (Ii)" And Its Related Motet And Mass Performance Editions And Commentary, George H. Black, Jr. Jan 2003

Matthaeus Pipelare's "Fors Seulement Chanson (Ii)" And Its Related Motet And Mass Performance Editions And Commentary, George H. Black, Jr.

LSU Doctoral Dissertations

Matthaeus Pipelare was a composer from the southern Netherlands who flourished in the late fifteenth and early sixteenth centuries. Except for the little more than two years he spent as choirmaster for the Confraternity associated with the Cathedral of St. John in 's Hertogenbosch, located in Northern Brabant, almost nothing is known of his professional or personal life. Yet writers of the period hailed his skill and placed him in the same company as such well-known composers as Josquin, la Rue, Brumel, and Isaac. A small but excellent body of the composer's works survive in manuscripts and early prints housed …


An Africanist-Orientalist Discourse: The Other In Shakespeare And Hellenistic Tragedy, Haegap Jeoung Jan 2003

An Africanist-Orientalist Discourse: The Other In Shakespeare And Hellenistic Tragedy, Haegap Jeoung

LSU Doctoral Dissertations

The main aim of this dissertation is to show how the discourse of the psychoanalytical other--femininity, death, madness, disorder, and impiety--overlaps with colonial discourse in some plays from Shakespearean and Greek-Roman tragedy, and what difference or similarity there is between the two ages. The hypothesis is that foreigners are allegories of the psychoanalytical other. For this purpose, the research tries to grasp the concept of the other, from the viewpoint of psychoanalysis, and to analyze the core of colonial discourse on the basis of the concept of the psychoanalytical other. The starting point of the dissertation is that the other …


Southern Opposition To Civil Rights In The United States Senate: A Tactical And Ideological Analysis, 1938-1965, Keith M. Finley Jan 2003

Southern Opposition To Civil Rights In The United States Senate: A Tactical And Ideological Analysis, 1938-1965, Keith M. Finley

LSU Doctoral Dissertations

Contrary to many historical accounts that depict white resistance to civil rights legislation in the United States Senate as relying exclusively on filibusters and overt racism, southern senators adopted a more moderate approach in the late 1930s when they realized that civil rights activism would continue until Jim Crow collapsed. Following strategic delay, a tactical model that enabled them to thwart civil rights advances for decades, they granted minor concessions on bills only tangentially related to civil rights and emasculated more substantive measures, rather than always utilizing the filibuster. The level of northern support for a given civil rights proposal …


Frank Ferko's The Hildegard Motets: A Conductor's Preparatory Guide, David Neil Childs Jan 2003

Frank Ferko's The Hildegard Motets: A Conductor's Preparatory Guide, David Neil Childs

LSU Doctoral Dissertations

The music of Hildegard of Bingen has received much attention from Frank Ferko in the past decade, but his interest in the medieval mystic has not stopped there. At the heart of his intense affection for her music are the wonderful visions she expressed through this particular medium, but also through her vivid, and at times, abstruse, poetry. His Hildegard Organ Cycle (1996), a set of ten symphonic meditations on the visions from De operatione Det, and his Missa O Ecclesia: Communion (1999), are both examples of instrumental works that bear direct reference to the twelfth-century abbess' writings. The Hildegard …


A Study And An Approach To Historical Performance Practices In The French Baroque Based On François Couperin's Treiziéme Concert À 2 Instrumens À L'Unisson, James Jeffery Womack Jan 2003

A Study And An Approach To Historical Performance Practices In The French Baroque Based On François Couperin's Treiziéme Concert À 2 Instrumens À L'Unisson, James Jeffery Womack

LSU Doctoral Dissertations

The purpose of this document is to examine and explain historical performance practices as applicable to the Treiziéme Concert à 2 instrumens à L’unisson of Fran çois Couperin. It provides an in depth look at the written and unwritten traditions of tempo, articulation, phrasing, ornamentation, and the use of in égal. Meant as a guide for players of the modern bassoon, this monograph guides the reader through the aspects of performance practice listed above and their application to that instrument. This document contains an introductory chapter and a biographical chapter. The remaining chapters explain the components of historical performance practice …


The Solo Style Of Jazz Clarinetist Johnny Dodds: 1923 - 1938, Patricia A. Martin Jan 2003

The Solo Style Of Jazz Clarinetist Johnny Dodds: 1923 - 1938, Patricia A. Martin

LSU Doctoral Dissertations

The purpose of this study is to explore the personality, background, influence and playing style of Johnny Dodds (1892-1940), a New Orleans jazz clarinetist. Jazz is an art form that has been passed down aurally for over a hundred years. Although the development of jazz and the performers who played it have been the subject for numerous jazz historians, there are still scant resources available for a musician to learn jazz clarinet style. The ease with which a musician can emulate an early jazz clarinetist depends on the amount of time devoted to listening and emulating whatever recordings are available. …


Deficit Politics And Democratic Unity: The Saga Of Tip O'Neill, Jim Wright, And The Conservative Democrats In The House Of Representatives During The Reagand Era, Karl Gerard Brandt Jan 2003

Deficit Politics And Democratic Unity: The Saga Of Tip O'Neill, Jim Wright, And The Conservative Democrats In The House Of Representatives During The Reagand Era, Karl Gerard Brandt

LSU Doctoral Dissertations

The Reagan Era featured partisan clashes, controversy over fiscal policy, and a time of trial for the Democratic Party and its claim of diversity. This dissertation examines the efforts of the House Democratic Leadership to build party unity and to enhance its operating methods in battles with the Reagan administration over fiscal policy and the future of the United States. The House Democratic Leadership was challenged by the conservative Democrats. In 1980, the conservatives formed the Conservative Democratic Forum (CDF). Acting as a quasi-third party, the CDF was instrumental in passage of Reagan's economic program in 1981. Afterwards, the CDF …


An Old Form Newly Clothed: Exploration And Conductor's Analyses Of Morten Lauridsen's Madrigali: Six "Fire-Songs" On Italian Renaissance Poems, C. Leonard Raybon, Jr. Jan 2003

An Old Form Newly Clothed: Exploration And Conductor's Analyses Of Morten Lauridsen's Madrigali: Six "Fire-Songs" On Italian Renaissance Poems, C. Leonard Raybon, Jr.

LSU Doctoral Dissertations

Madrigali: Six “Fire-Songs” on Italian Renaissance Poems, by Morten Lauridsen, was written for the University of Southern California Chamber Singers and published in 1987. The cycle has enjoyed much success. It has been recorded commercially six times and has been heard at the prestigious American Choral Directors Association Conventions. However, until now, sixteen years after the cycle’s composition, a much-deserved, comprehensive assessment of the cycle has not been attempted. The cycle is a set of six Italian Renaissance poems that involve the image of fire as an element of Romantic love. This metaphor was often used by the highly emotional …


Translating "Hebrew" Into "Greek": The Discursive Hermeneutics Of Emmanuel Levinas's Talmudic Readings, Matthew Wayne Guy Jan 2003

Translating "Hebrew" Into "Greek": The Discursive Hermeneutics Of Emmanuel Levinas's Talmudic Readings, Matthew Wayne Guy

LSU Doctoral Dissertations

This dissertation examines Emmanuel Levinas’s Talmudic readings and the hermeneutics employed to translate the Talmud into modern language. Levinas claims to be translating “Hebrew” into “Greek” by rendering into a universal, philosophical language (“Greek”) the ethical structure of subjectivity (“Hebrew”) within the Talmud. Since they investigate the structure of subjectivity, extensive use of his philosophical works and the influential works of others are used to analyze his Talmudic readings. Chapter One places Levinas’s project against the background of the Talmud, Judaic tradition, and projects like Rudolf Bultmann’s New Testament readings and Thorleif Boman’s comparative study of Greek and Hebrew. A …