Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 30 of 37

Full-Text Articles in Arts and Humanities

A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán Jan 2002

A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán

LSU Doctoral Dissertations

This catalogue presents 146 twentieth-century Spanish composers with 219 pieces for cello and piano. Pieces collected in this catalogue are largely original works for cello and piano. However, a few pieces in which the arrangement has been made by the composer or under the composer's supervision have been included. Some foreign composers working in Spain for many years have also been included. The body contains the entries by the composer's last name in alphabetical order. Each entry will include as much information as possible within the following guide: complete name and dates of the composer, complete title of the piece, …


"The Neumeister Collection Of Chorale Preludes Of The Bach Circle": An Examination Of The Chorale Preludes Of J. S. Bach And Their Usage As Service Music And Pedagogical Works, Sara Ann Jones Jan 2002

"The Neumeister Collection Of Chorale Preludes Of The Bach Circle": An Examination Of The Chorale Preludes Of J. S. Bach And Their Usage As Service Music And Pedagogical Works, Sara Ann Jones

LSU Doctoral Dissertations

One of the most significant discoveries of the twentieth century was the finding of an unpublished compendium of German Baroque keyboard music in 1982 in the archives of the John Herrick Music Library, Yale University, by musicologists Christoph Wolff and Hans-Joachim Schultz and Yale University librarian Harold E. Samuel. The collection, which was entitled LM 4708: THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE, contains eighty-two previously unknown chorale preludes by several prominent German Baroque organists including Johann Pachelbel (1653-1706), Johann Michael Bach (1648-1694), Johann Christoph Bach (1642-1703), and Johann Sebastian Bach (1658-1750). Historically, it is an important …


The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez Jan 2002

The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez

LSU Doctoral Dissertations

This dissertation explores how literary criminal narratives reflected public anxieties over the increasing commercialization of England during the early eighteenth century. It accounts for the popularity of the criminal in literature as well as public concerns about commercialization and the individuality it encouraged, revealing how these concerns were expressed in the most popular form of criminal narrative in this era, the criminal biography. Chapters on the criminal narratives of John Bunyan, Daniel Defoe and John Gay reveal how the criminal narrative functioned as a means of critiquing a developing commercial society in England. Bunyan first employs the formula of the …


La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa Jan 2002

La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa

LSU Doctoral Dissertations

This dissertation examines the different ways in which Edouard Glissant, Kateb Yacine and William Faulkner combine landscape, history and identity in their work. The depiction of landscape in literature is not new, but the French Romantics in the 19th century, for instance, tended to describe the beauty of landscape without conceiving any rapport between landscape and humankind, and thus created a gap between the two. For Kateb and Glissant, landscape is also a witness of History. The (hi)story of their respective communities has been confiscated and shattered by the respective colonizers, hence the necessity to recreate it through the poetics …


Prophet Singer: The Voice And Vision Of Woody Guthrie, Mark Allan Jackson Jan 2002

Prophet Singer: The Voice And Vision Of Woody Guthrie, Mark Allan Jackson

LSU Doctoral Dissertations

This project discusses the cultural and political significance of a number of lyrics by songwriter and political activist Woodrow Wilson "Woody" Guthrie. By drawing on both the singer's personal experiences and relevant American history, I lay out how larger political and cultural forces in society impacted Guthrie's songs. Although this work focuses primarily on his lyrics, my dissertation also draws on his interviews, commercial recordings, drawings, and other writing. Since much of the writing discussed in this work comes from archival collections at the Smithsonian Institution, the Library of Congress, and the Woody Guthrie Archives, I have covered a wider …


A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger Jan 2002

A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger

LSU Doctoral Dissertations

This document presents a pilot study for evaluating the serious artistic merit of unaccompanied solo trumpet literature. The model for use in the study was derived from the efforts of two wind band literature researchers, Acton E. Ostling, Jr. and Jay W. Gilbert. Ostling wrote his dissertation in 1978 and Gilbert replicated and updated the research in 1993. The primary element of the Ostling and Gilbert studies was a carefully defined collection of ten criteria used to evaluate the quality of each work. A 5-point Likert scale was the unit of measurement. The outcome of this adaptation was a rank …


Subversive Aspects Of American Musical Theatre, Donald Elgan Whittaker Iii Jan 2002

Subversive Aspects Of American Musical Theatre, Donald Elgan Whittaker Iii

LSU Doctoral Dissertations

Critical discourse regarding musical theatre takes, for the most part, the form of a profound silence, due presumably to a dismissal of the genre as simplistic and insubstantial. Not only have the elements of musical theatre been present in the majority of theatrical history, but many of the greatest theories regarding theatre have included these elements, including Brecht and Wagner. Musicals have also often concerned themselves with the Other, centering and sympathizing him/her in a manner unavailable to non-musical works. The Others that have thus been positioned are often delineated from hegemonic groups which are concretely those in power, but …


American Transcendental Vision: Emerson To Chaplin, Bill R. Scalia Jan 2002

American Transcendental Vision: Emerson To Chaplin, Bill R. Scalia

LSU Doctoral Dissertations

Ralph Waldo Emerson's publication of Nature in 1836 began a process of creating a new condition of American thinking, severed from European cultural and intellectual influences. The subsequent lectures The American Scholar and The Divinity School Address furthered this process, calling for an original American literature. Emerson's writing called consistently for poets with the ability to "see" past the material, apparent world to the world of eternal forms, which shaped nature in accordance with a divine moral imperative. Through this connection, man-as-poet would discover God in himself. In short, Emerson effectively transferred divinity from Unitarian doctrine to the individual, thereby …


The Sound Of Meaning: Theories Of Voice In Twentieth-Century Thought And Performance, Andrew Mccomb Kimbrough Jan 2002

The Sound Of Meaning: Theories Of Voice In Twentieth-Century Thought And Performance, Andrew Mccomb Kimbrough

LSU Doctoral Dissertations

This dissertation addresses the problem of the denigration of the voice in poststructural theory and contemporary performance criticism. The problem has antecedents in twentieth-century language philosophy. Saussure defines language as a compendium of arbitrary words recognized according to the degrees of phonetic difference between them. Since for Saussure the arbitrary words of language also designate arbitrary concepts, he concludes that the sounds of words cannot be thought constituent of their sense. After Saussure, structuralism dislodges the voice from its privileged position in the phonologic discourses of Western thought. Poststructuralism views meaning as a product of socially constructed language systems, and …


An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin Jan 2002

An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin

LSU Doctoral Dissertations

This dissertation presents Margaret Macnamara’s career as a playwright and dramaturg while exploring the cultural and political context of her works. It explores the influences of the Fabian Society on Macnamara’s work and places her among such leading independent theatre artists as George Bernard Shaw, Harley Granville Barker, and Nugent Monck. The political context of her work is examined as her play, Mrs. Hodges (1920 is compared with Shaw’s Widowers’ Houses and the theatrical context of her work is established as productions of The Gates of the Morning (1908) and Our Little Fancies (1911) are analyzed. Her plays are grouped …


Doing Homework: Negotiations Of The Domestic In Twentieth-Century Novels Of Teaching, Margaret M. Watson Jan 2002

Doing Homework: Negotiations Of The Domestic In Twentieth-Century Novels Of Teaching, Margaret M. Watson

LSU Doctoral Dissertations

In this project, I analyze seven twentieth-century novels of teaching in order to investigate how notions of “home” and “school” are constructed, connected, and perpetuated in popular teaching narratives. Images of teachers in much of this century’s fiction often rest on views of the school as home that are derived from stereotypes of gender, race, and nationality—stereotypes that can be both inaccurate and repressive. For this reason, I examine these texts in light of how they negotiate school space with domestic space (“domestic” both as personal or familial, and as public or national). I contend that many of these narratives …


Christio-Conjure In Voodoo Dreams, Baby Of The Family, The Salt Eaters, Sassafrass, Cypress & Indigo, And Mama Day, Laura Sams Haynes Jan 2002

Christio-Conjure In Voodoo Dreams, Baby Of The Family, The Salt Eaters, Sassafrass, Cypress & Indigo, And Mama Day, Laura Sams Haynes

LSU Doctoral Dissertations

This project examines contemporary African American women’s literature and the legacy established by literary foremother, Zora Neale Hurston. The discussion is positioned at the cross-section of three on-going conversations: 1) current discourses on Conjure in African American women’s literature, 2) analyses of Africanisms in black culture, and 3) previous scholarship on recurring topics in African American women’s writing. Here these frames are unified under one thematic: Christio-Conjure—a rubric borne of the trans-Atlantic slave trade that designates the fusing of Christian and West African religious tradition in African American culture. Thus, this project establishes a new literary matrix for analyzing twentieth-century …


Constructing Womanhood In Public: Progressive White Women In A New South, Mary Jane Smith Jan 2002

Constructing Womanhood In Public: Progressive White Women In A New South, Mary Jane Smith

LSU Doctoral Dissertations

During the Progressive Era, southern white women were aggressively recruited by the leadership of the Woman's Christian Temperance Union, the General Federation of Women's Clubs and the National American Woman Suffrage Association. Each believed the inclusion of southern white women vital to its success as a national association of American women; consequently, by the beginning of the twentieth century, southern white women had achieved positions of leadership in each organization. This dissertation analyzes, primarily through the public statements of the leaders of these groups, how these women defined themselves as women, as white, and as southern vis a vis their …


The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan Jan 2002

The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan

LSU Doctoral Dissertations

Contemporary feminist theory, especially in its more dialectical manifestations, is read in this study as describing a relationship between present and future. In this reading, the work of feminist theory contains a “present;” that is, an articulation of the specific problem or question that it addresses. The work of feminist theory also contains a “future,” either implicit or explicit, and often both. An explicit “future” in feminist theory states a praxis-model or specific call-to-arms that claims political effectuality; claims that its implementation might help to ameliorate, in some way, the status quo of sexual politics. An implicit “future” in feminist …


Violence And The Scapegoat In American Film: 1967-1999, Paul E. Graham Iii Jan 2002

Violence And The Scapegoat In American Film: 1967-1999, Paul E. Graham Iii

LSU Doctoral Dissertations

This study addresses the proliferation of cinematic violence since the demise of the MPAA’s Production Code in 1966. Bonnie and Clyde and The Wild Bunch were films that projected violence to comment on the civil fervent caused by the Vietnam War. Yet the floodgates these films opened allowed for virtually unlimited and graphic displays of bloodshed to redden big screens for the next three decades. Using the theories of René Girard, namely the scapegoating motif, this study proposes readings of film that, through cinematic ambiguity, contain humanitarian statements against violence by examining the consequences of using force to cause pain. …


Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger Jan 2002

Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger

LSU Doctoral Dissertations

This dissertation examines how Southern literary representations of the natural world were influenced by, and influenced, the historical, social, and ecological changes of the 1930s and 1940s. Specifically, I examine the ways that nature is conceived of and portrayed by four authors of this era: Erskine Caldwell, Marjorie Kinnan Rawlings, Zora Neale Hurston, and William Faulkner; through their works, I investigate the intersections of race, class, and gender with the natural environment. I argue that during this time of profound regional and national upheaval there exists a climate of professed binary oppositions and that these authors’ representations of nature in …


Body And Soul: Food, The Female (In) Corporeal, And The Narrative Effects Of Mind/Body Duality, Andrea Adolph Jan 2002

Body And Soul: Food, The Female (In) Corporeal, And The Narrative Effects Of Mind/Body Duality, Andrea Adolph

LSU Doctoral Dissertations

This study combines philosophical, historical, and cultural modes of inquiry in order to explore what has occurred when selected authors have attempted to "write the body." Augmented by archival and primary cultural research, the dissertation is grounded in the experiential, "everyday" qualities of women's lives. Samples of women's cultural materials such as beauty, cookery, and household management texts, and popular women's magazines serve as informative backdrops for an investigation of middle- and working-class British and Anglo-Irish women's culture during the twentieth century. This study investigates some of the ways in which women have thought about food in relation to more …


Prelude To A Text : The Autobiography Of Abdelkebir Khatibi, Ruth Louise Gaertner Jan 2002

Prelude To A Text : The Autobiography Of Abdelkebir Khatibi, Ruth Louise Gaertner

LSU Doctoral Dissertations

This study of Abdelkebir Khatibi’s autobiography, La Mémoire tatouée, addresses two specific questions with respect to autobiography: What does this autobiography tell us about autobiography in general and about its own status as autobiography? What is the relationship between Khatibi’s autobiography and his other more well-known texts? Chapter One focuses on questions of autobiography and how this text challenges generic classification and definition. The analysis in this chapter focuses on a consideration of form and innovation, the multiplicity of the autobiographical subject, and questions of completeness, accuracy and memory in the creation of autobiography. Chapter Two begins with the idea …


The "Minor" Author And The Major Editor: A Case Study In Determining The Canon, Christopher Andrew Healy Jan 2002

The "Minor" Author And The Major Editor: A Case Study In Determining The Canon, Christopher Andrew Healy

LSU Doctoral Dissertations

This dissertation explores the relationship between a literary work and its printed edition in the production of reputation--the editor as gatekeeper of the reputation of a “minor” poet. That relationship is demonstrated through a case study on the effects of the nineteenth-century edition of the works of the fifteenth-century poet Thomas Hoccleve and an analysis of the lingering effects of the Foucauldian “editor-function.” The number of surviving manuscripts indicates that Hoccleve’s work was well-regarded during the early fifteenth century, but his reputation fell with that of other non-Chaucerian medieval poets as later critics lost linguistic familiarity with Middle English. The …


It Came From Outer Space: The Virus, Cultural Anxiety, And Speculative Fiction, Anne-Marie Thomas Jan 2002

It Came From Outer Space: The Virus, Cultural Anxiety, And Speculative Fiction, Anne-Marie Thomas

LSU Doctoral Dissertations

This study seeks to explore and interrogate the “viral reality” of the 1990s, in which the virus, heavily indebted to representations of AIDS for its metaphorical power, emerged as a prominent agent in science and popular culture. What becomes apparent in both fictional and non-fictional texts of this era, however, is that the designation of “virus” transcends specific and material viral phenomena, making the virus itself a touchstone for modern preoccupations with self and other. As constituted by the human body’s interaction with pathogenic agents, the binary of self and other may be deconstructed by an interrogation of the virus …


Nicholas Rowe's Writing Of Woman As Feminist Hero, Henry Herbert Sennett Jr. Jan 2002

Nicholas Rowe's Writing Of Woman As Feminist Hero, Henry Herbert Sennett Jr.

LSU Doctoral Dissertations

Nicholas Rowe was a playwright of some success during the first quarter of the eighteenth century in London. Rowe's importance to the theatre can be seen in his contribution to the development of strong female roles. He was part of that group of Whig writers who championed individual freedom, some rights for women, and a stronger parliament. It is my contention that Rowe was an "incipient" feminist and an innovator of theatrical practice through his use of the female protagonist. By "feminist" I mean that Rowe wrote about the plight of women in a society that afforded very few rights …


Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou Jan 2002

Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou

LSU Doctoral Dissertations

Spirit Matter(s): Post-Dualism Representations of Spirituality in Fiction by Walker Percy, Toni Morrison and Gloria Naylor, examines the ways in which these authors have presented spirituality in The Moviegoer, Song of Solomon, and Mama Day respectively. In these works, spirituality is a need for connection among humans in this world, rather than a notion that points to dualistic views of the spiritual and the material as two different realms. Through this perspective on spirituality as a reality of the physical world, the political and socio-economic problems of the world are not—nor can they be—set aside in favor of the spiritual …


Audience And The African American Playwright : An Analysis Of The Importance Of Audience Selection And Audience Response On The Dramaturgies Of August Wilson And Ed Bullins, Ladrica C. Menson-Furr Jan 2002

Audience And The African American Playwright : An Analysis Of The Importance Of Audience Selection And Audience Response On The Dramaturgies Of August Wilson And Ed Bullins, Ladrica C. Menson-Furr

LSU Doctoral Dissertations

In this study I discuss the importance of audience selection and response upon the dramaturgies of African American playwrights August Wilson and Ed Bullins. Using the theories and criteria for African American art and theatre as espoused by Alain Locke, W.E.B. Du Bois, and Amiri Baraka, and created by the 1960s and 1970s Black Theatre and Black Aesthetic movements, I discuss the importance of audience selection to Wilson's dramas, especially given his tremendous success on Broadway. I also explore the claimed lack of importance of audience to Bullins's dramaturgy, particularly as demonstrated in those plays written during his brief tenure …


"Getting Above Your Raising" : The Role Of Social Class And Status In The Fiction Of Lee Smith, Sharon Elizabeth Colley Jan 2002

"Getting Above Your Raising" : The Role Of Social Class And Status In The Fiction Of Lee Smith, Sharon Elizabeth Colley

LSU Doctoral Dissertations

This dissertation examines the role of social class and status in the fiction of contemporary novelist and short story writer, Lee Smith. As discussed in the Introduction, the study defines social class broadly, not limiting it to production, but also not discarding its economic underpinning. Max Weber's definition of class as "life chances" provides the starting point; any resources that can improve a person's position in the market place positively impact their "life chances." The resources appearing most often in Smith's fiction include economic capital and property, as well as education, family connections and occupational status. The discussion also builds …


The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez Jan 2002

The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez

LSU Doctoral Dissertations

Manuel Quiroga Losada (1892-1961), violinist, composer, and artist, was one of the foremost figures of the first half of the 20th century. This study tries to bring to light his musical legacy, a long overdue task. Until now, all attempts to rediscover the figure of Quiroga have centered mainly on his career as a violinist, his recordings or his paintings, however not on his compositions. This document is an inventory of the forty-four pieces for violin solo, violin and piano, and violin and orchestra written by Quiroga. Manuel Quiroga mainly wrote for the violin in the form of short pieces …


Neo-Onnagata: Professional Cross-Dressed Actors And Their Roles On The Contemporary Japanese Stage, William Hamilton Armstrong Iv Jan 2002

Neo-Onnagata: Professional Cross-Dressed Actors And Their Roles On The Contemporary Japanese Stage, William Hamilton Armstrong Iv

LSU Doctoral Dissertations

Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In …


"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina Jan 2002

"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina

LSU Doctoral Dissertations

In complementary response to socio-historisists who discuss the concept of "freedom" in William Wordsworth's poetry as determined from without — be it by socio-historical conditions, gender, or imposed ideology — I draw from the theory of Nicholas Berdyaev, one of the prominent continental existentialists of the twentieth century, tracing the development of Wordsworth's understanding of freedom towards "genuine liberty" as progressively determined from within. Thus focusing on "existentia" rather than "essentia," I pay particular attention to shaping inner efforts and developing visions of the growing and conscious personality as they are described in The Prelude. Wordsworth hinges his ability to …


Performing Hyphenates: A Study In Contemporary Irish-American Identity And Cultural Performance, Patrick Michael Bynane Jan 2002

Performing Hyphenates: A Study In Contemporary Irish-American Identity And Cultural Performance, Patrick Michael Bynane

LSU Doctoral Dissertations

This study examines the issues and contradictions of identity formation found in contemporary Irish-American cultural performances. Using a theoretical language grounded in post-structuralism and cultural studies, this examination hopes to demonstrate the primacy of performance and theatre in the formation of culture, Irish-American specifically, or otherwise. The performances featured in the study are: Riverdance, St. Patrick's Day parades, pub performances, and improv theatre.


An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding Jan 2002

An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding

LSU Doctoral Dissertations

American composer Daron Aric Hagen (b. 1961) is emerging as one of America's brightest young composers of the twenty-first century. Ned Rorem, the champion of American art song, believes Hagen to be a composer of great ability and skill. This study deals with the miniature folk opera Dear Youth (1990) which is composed of eight songs for soprano, piano, and flute. The songs are "The Bonnie Blue Flag" (Ketchum), "I Stop Again" (Ropes), "The Picture Graved Into My Heart" (Ropes), "The Trouble Was Tom..." (Anonymous), "The Lord Knows" (Smith), "O, for Such a Dream" (Smith), "Christmas Night" (Ingram), and "...Silently …


Rediscovering Frédéric Chopin's "Trois Nouvelles Études", Qiao-Shuang Xian Jan 2002

Rediscovering Frédéric Chopin's "Trois Nouvelles Études", Qiao-Shuang Xian

LSU Doctoral Dissertations

Frédéric Chopin’s Trois Nouvelles Études (Three New Études) were composed in 1839 at the request of François Fétis and Ignaz Moshceles for inclusion in a new and elaborate piano teaching method. While these new studies are less dramatic and brilliant than Chopin’s two previous sets of Études, op. 10 and 25, they are no less concerned with expressive musical qualities and they are of equal artistic merit to any of Chopin’s earlier Études. The monograph’s five chapters deal with specific aspects of these works. Chapter One traces the historical background of the Three Nouvelles Études. Chapter Two is devoted to …