Performance Studies Commons^™

A United, Not A Divider: Community, Identity, Performance & The Tomato Krewe Parading Group Of East Nashville's Tomato Art Festival, Allison Cate

Masters Theses & Specialist Projects

This thesis is an ethnographic study of the “Tomato Krewe,” a social group that participates in the parade of East Nashville’s annual Tomato Art Festival. Drawing on participant-observation, interviews, and my own experiences as a member of the krewe and resident of East Nashville, I examine krewe members’ narratives about the festival, the material culture that they create for the parade, and the levels of performance that they engage in while parading. Central to my analysis is how krewe members understand the Tomato Art Festival as an expression of East Nashville identity.

One-Person Show: Field Notes On Writing, Producing, And Performing My Own Work, Riley Newsome

Graduate Theses and Dissertations

This thesis is an examination and journal for my process of writing my full-length one-person show Isolation, the organization and steps of producing it from scratch, and the preparation and performance of the show. It will also include the version of the Isolation used in the performance, a statement of artistry, some of my current acting materials such as a link to my website, a headshot, and a resume.

“The Urgent Necessity For More Original Creative Works By Transgender And Gender Expansive Artists" Is Not The Title Of My Thesis., Alicia Fireel

Electronic Theses and Dissertations

This thesis is a mix of personal reflection, academic research, and an examination of The Girl Crazy Queer and Other Fairy Tales, a play I wrote and performed in October of 2023, co-produced by The University of Louisville’s Department of Theatre Arts and Pandora Productions, a Louisville-based theatre company dedicated to Queer theatre. This thesis and the play mirror each other; both contemplate Queer experiences, Queer histories, Queer trauma, and Queer stories. In the thesis I accomplish this through examining four subjects: myself, my play, the connection between modes of storytelling and aspects of transgender Queerness, and the perils that …

Espacio, Edgar Perez Peña, Edgar Perez Peña

Electronic Theses, Projects, and Dissertations

Edgar Perez Peña (He, Him, His) is a Queer, Chicanx contemporary figurative painter, who lives and works in the Los Angeles County. A native of Los Angeles, California, his paintings, and assemblages are a strong combination of process, materials, and content that displays his fascination on how physical/psychological space (from where he resides), reflects on the Queer Brown body and its comfort/discomfort in relation to public and private space.

Peña looks at his artistic practice as an opportunity to explore the human condition from the Queer and Brown perspective as well the beginning of healing through the meditative process of …

Regeneration: Restorative Theatre Practice In Theatre Education., Sarah Elston

Electronic Theses and Dissertations

Regeneration: Restorative Theatre Practice in Theatre Education aims to harness the holistic benefits of theatre as a discipline and create an intentional restorative practice for performers. This thesis serves as a proposal; an attempt to prioritize restorative and self-care practices within the theatre industry, specifically pre-professional training programs. This proposal takes the form of a curriculum that builds upon the current model of theatre training (Voice, Movement, Acting) with the addition of Regeneration. Regeneration provides theatre artists with specific areas of study to offer the psychosocial support a theatre artist may need during their pre-professional training. This thesis will discuss …

Working For Yourself: A Guide For Performers With Learning Difference., Sa'id "Nxttime" Kelly

Electronic Theses and Dissertations

Working For Yourself a Guide For Performers with Learning Differences is a combination of advice and tips that are intended to help performers especially those living with learning differences. The thesis helps performers find ways to work with their true selves on stage as well as in preparation for a role. There is no final result to this process, just multiple ways to be more confident with the choice you’ll make while performing and preparing for a role.

Living As Past In The Present, Grace Taylor

Graduate Theses and Dissertations

In this thesis, I will be discussing how I used my nine roles in A Christmas Carol at TheatreSquared to practice getting out of my head onstage and into the hearts of each character. I will also include the script of my original play, GORILLA, the composition and performance of which were some of the greatest challenges of my artistic career thus far. Additionally, I am including my artistic statement, show posters, program, photos, website link, headshot & resume, and proofs of permission for use of media.

How This Bitch Made This Bitch: A Play On Defiant Women Of Color, Adrienne B. Dawes

Graduate Theses and Dissertations

The workshop production of my full-length, bilingual play “This Bitch: Esta Sangre Quiero” marks the culmination of my course of study at the University of Arkansas. In this thesis, I will discuss the development process of “This Bitch” from its humble Zoom reading beginnings to regional theater development to its workshop production as part of the university’s 2022-2023 Mainstage season. Through the lens of this new play process, I outline my artistic evolution during my four years of graduate school, interrogating and celebrating the ways this bitch has been inspired by “This Bitch.”

Freaky Friday

Theatre Programs

No abstract provided.

Creating A Play Using Noh And The Stanislavski Method, John Alex Nunnery

Merge

No abstract provided.

Playing George Et Al. In Nickel And Dimed, Oscar León

Departmental Honors & Graduate Capstone Projects

This website explores Oscar León's experience playing George and Others in Nickel and Dimed, UMW Theatre's first main stage production after COVID-19. This project documents the analysis made for seven characters. It includes research on their backgrounds based on the script of the play, the book it was based on, and actor decisions. The second half of this project is composed of daily journal entries. These document the work done throughout the rehearsal process, with aims to exhibit character work and growth through the documentation of rehearsal notes and production goals.

Purposefully Feminizing Masculinity: Femininity In Male Rock And Metal Stars 1950s - 1980s, Maria Myer

The Compass

Traditionally in Western culture, men have had the privilege of promoting rebellion while women have had to be submissive and socially desirable. This expectation applied to all women but especially women in the rock ‘n’ roll scene. The overwhelming loudness of rock and the typical message of rebellion was connected to the power that men held within society.¹ The combination of loud and fast paced music with the electronic nature of the instruments is what sets rock ‘n’ roll and metal apart from other genres. The attention that rock ‘n’ roll music demands, both from the challenging nature of …

The Potentiality Of Brown, Ariana Ruíz

Criticism

A Review of The Sense of Brown by José Esteban Muñoz. Durham: Duke University Press, 2020. Pp. 224. $99.95 cloth, $25.95 paper.

The Yellow Boat

Theatre Programs

No abstract provided.

The Abolitionist Spectator: Resistant Readings Of Punishment, Rehabilitation, And Reform At The Louisiana State Penitentiary, Kathryn Marie Morris

LSU Doctoral Dissertations

For the majority of the twenty-first century, Louisiana has been the global leader in rates of incarceration. Despite its prevalence, many people encounter prisons and punishment only through representations in movies, television, and the news, remaining distant from the actual processes of punishment and prisons built in remote areas. The Louisiana State Penitentiary at Angola, however, is unique in the number of opportunities it presents for the public to enter the prison for large-scale events like the famous Angola Prison Rodeo, select drama club performances, or to visit the Angola Prison Museum. These opportunities are often read cynically, as moments …

Local Traditions, Global Influences, National Belonging: Conditional Acceptance Of Cross-Gender Dance In Central Java, Indonesia, Calla Rhodes

Independent Study Project (ISP) Collection

Indonesia has a long and rich history of cross-gender performance in which males embody femininity onstage. Until recently, these diverse, locally-specific traditions were a widely accepted cultural practice. However, modern negative associations with the LGBTQ+ community and, by extension, the West, threaten the survival of traditional Indonesian cross-gender dance. By investigating feminine male gender performance in Java, I will uncover how Indonesians draw from localized cultural traditions, as well as globalized practices like Western-style drag, to destabilize restrictive national constructions of gender. I posit that traditional cross-gender dance serves as a culturally- sanctioned outlet for male expressions of femininity that …

Creating And Teaching Script Analysis Thea 175 For Undergraduate Theatre Arts Majors And Minors At Loyola Marymount University, Candies Mary Frances

LMU Theses and Dissertations

No abstract provided.

The Black Performer's Toolbox: A Critical Authoethnography, Laura D. Oliver

LSU Doctoral Dissertations

Blackness shines bright like the moon and beams outside of identity parameters that are limiting in Western society to determine its communicative function inside and outside systems of power. When Blackness intersects with performance, various ways to construct identity are highlighted to expand our understanding of theory and methods that emphasize difference and culture. This research project aims to reimagine Blackness as a performance methodology to explore the performer’s livelihood onstage and constructions of race that impact identity offstage. Additionally, this project is built from a specific method created from the continuous use of expressive work that reflects societal challenges …

Incarcerated Bodies – Embodied Autoethnography In Prison, Shulamit Kitzis‬‎

The Qualitative Report

Prison is a study field in which everyone – inmates, guards, and prison researchers – experiences powerful sensory stimuli comprised of sounds, sights, and smells in a crowded, closed space. Yet traditional academic research has socialized researchers to “wash away” their physical and emotional feelings for fear they would jeopardize the scientific nature and validity of their studies. Nevertheless, at times in a prison setting, the researchers’ bodies are the only tool that enables them to document what goes on; so much so that ignoring their bodies and emotions leads to a loss of valuable information. Using embodied autoethnography (EA), …

Saved Babies, Dead Doctors: Settler Colonial Anxiety And Strategic Rhetorics Of/In The Anti-Abortion Cultural Narrative, Cassidy Ellis

Communication ETDs

In this dissertation I identify and analyze the rhetoric that creates the anti-abortion cultural narrative and locate its toxic secrets by exposing the logics and ideologies the secrets obscure and sustain, and finally, ascertaining the strategic rhetorics that enable the narrative’s power and centrality. There are two primary arguments proposed in this dissertation. First, I argue that settler colonialism is the primary toxic secret nestled just beneath the surface of the anti-abortion cultural narrative. It is the secret that animates and sustains the narrative in service of maintaining settler colonial social order via control and maintenance of the population. Second, …