Theatre and Performance Studies Commons^™

The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement, Nona Lee Davis

Electronic Theses and Dissertations

The study of stage combat is designed to fabricate the illusion of physical combat without causing harm to the performers. Most research in this field does not take into account the characterization of the actor during the training of a fight scene. An actor primarily learns the stunt choreography of the scene and often times the subtleties of the character is often forgotten. Scenes that involve physical contact are an essential aspect of the dramatic action. My aim is to eventually devise a process that will consistently create fight scenes that maintain the integrity of the fight director‘s work as …

Beyond Performance Portraying A Gay Character Truthfully And Effectively, Trent Fucci

Electronic Theses and Dissertations

Queer culture is finding an ever-increasing voice in the arts. Plays like The Laramie Project, Rent, and Angels in America have contributed to making queer identity a very present voice in popular culture. In this thesis, I investigate the excitement and complexity of a straight actor becoming a gay character on stage. Using my interpretation of "Jack" in Debbie Lamedman’s new play, Triangle Logic, as a case study, I catalogue a three-month journey towards the effective embrace of truthfulness on stage. I expand the idea that actors must not layer on possibly offensive stereotypes to convey sexuality, but, instead, focus …

Walking Backwards Into The Future, Camille Norman

Electronic Theses and Dissertations

Recent artists like Norwegian Recycling and E-603 have created a new genre of art within music: digital recycling. These artists take many different well-known and less-known lyrics, music, and spoken word and combine them together. This meshing of multiple pieces of art has new historical roots. The different images, auditory and visual, that these creations produce and often enhance meaning and connections through popular media. These connections interest me most. Through the lenses of post-colonial, gender, and queer theories, I examine Witi Ihimaera's creative work. I splice in different theorists' words, my own thoughts, and images to enhance and accent …

Technique Arms The Imagination Developing An Acting Theory Best Suited For Motion Capture Performance And The Creation Of A Virtual Character, Brendan Rogers

Electronic Theses and Dissertations

“The untrained body, like the sculptor's marble, can express nothing but its own limitations” (Lust 70). As acting styles have changed through the years, corresponding schools of thought have arisen to prepare performers for their unique challenges. Perhaps the goal of producing a “gripping performance,” one in which the audience is truly invested, has remained the same since the time of Thespis. How one arrives at this desired result, however, has varied greatly through the ages. Techniques, not surprisingly, tend to build on previous theories, beliefs and practices. Étienne Decroux’s corporeal mime technique builds on the teachings of Jacques Copeau, …

Inheriting The Motley Mantle An Actor Approaches Playing The Role Of Feste, Shakespeare's Update Of The Lord Of Misrule, Andrew Clateman

Electronic Theses and Dissertations

Playing role of Feste in William Shakespeare’s Twelfth Night presents a complex challenge to the actor. Feste is at once a character in the world of the play and a clown figure with specific dramatic functions having roots in the Lord of Misrule of the English holiday and the Vice of the morality play. How can the actor playing Feste create a believable psychological portrayal that is aligned with the functions Shakespeare assigns the role? And be entertaining as well? I suggest that actor will benefit greatly from an exploration the traditional function of the clown its development in society …

The Actor's Role In Developing New Plays, Brooke M. Haney

Electronic Theses and Dissertations

The constant development of new plays is vital for theatre to stay relevant. There is a desire, a yearning, a need to see the issues we face in our lives on stage in current contexts, and to watch characters living with them. The ability, as an Actor, to be an asset to the process of creating new works is invaluable. For my thesis, I discuss the role of the Actor in the process of developing new plays for the stage. I say “discuss” because I venture to guess that this role is constantly evolving. There may be as many ways …

Multilingual Theatre: Community Value And Future Education Necessity, Diana Milree Garles

Honors Program Theses

This project is the culmination of my two passions: theatre and language. For me, these two things are priceless pieces of human identity, whether used consciously or not. I imagine there are very few people who have never played a role, or portrayed a certain character to embody a facet of their personality. I believe this research presents a natural, practical option for community and educational development through the use of theatre techniques. Language is a supporting element in theatre, and theatre can use language as an educational tool for exposure and for further understanding of many different cultures and …

Regarding Westernization In Central Africa: Hybridity In The Works Of Three Chadian Playwrights, Enoch Reounodji

LSU Doctoral Dissertations

The second half of the nineteenth century played a determining role in the political, economic, social, and cultural spheres of Africa. The Berlin Conference of 1884-1885 witnessed European interests bargaining over the territories of Africa and arbitrarily dividing much of the continent into different countries under European control. This historical moment may be regarded as the height of Western influence over Africa, though it only continued the colonial tradition of viewing Africa as a land without culture, theatre, literature, or history (prior to the advent of the white man). The legacy of this outlook has placed African intellectuals and literary …

Process As Product: The Culture Of Development And The Twenty-First Century American Dramatist, John Patrick Bray

LSU Doctoral Dissertations

Simply stated, my research and my experiences as a playwright have led me to believe that the present condition of the playwright is that of a relic: that is, because of the notion that all plays need a developmental workshop, playwrights have not only lost authority over their art, but have also been driven to write plays meant for staged-readings rather than production. I argue that playwrights who create self-producing companies not only reclaim confidence in their craft, but also learn how to engage with the larger community via the collaborative process theatre. In this dissertation, I employ a theoretical …

(Im)Possibilities Of Theatre And Transgression: The Critical Impact Of Transgressive Theatrical Practices, Christopher J. Krejci

LSU Doctoral Dissertations

While performance practitioners often rely on socially, aesthetically, and politically transgressive practices to critically impact the socio-political climate outside the theater walls, transgression is fraught with contradiction. Historically, acts of transgression have led to both the expansion and suppression of democratic rights. (Im)possibilites of Theatre and Transgression employs a critical lens that takes into account the historical and ideological specificities of individual productions in Austin, TX and Baton Rouge, LA to argue that transgressive theatrical practices both counter and reproduce normalizing discourses and discourses of domination in local and regional culture. This study focuses on the types of aesthetically, socially, …

An Aloha State Of Mind: Performing Hawaiian Cultural Identities, Kirsten E. Ogden

LSU Doctoral Dissertations

There are many Hawaiian identities currently in effect. This dissertation explores several representative and contested Hawaiian identities, and how these identities develop through key performances, plays, and other representational practices by Hawaiians and by Locals. Due to its unique situation as one of only two U.S. states formerly with its own government, and as one of only two U.S. states not connected to the main land-mass of the United States, Hawaiian identity is complicated by multiple factors: sanitized historical constructions, sovereignty, intermingling ethnic identities, tourism, and reclaimed cultural practices. Additionally, Hawaiians as a native people hold a unique place in …

Nietzsche’S “Toys Of Desperation” Or The Birth Of Tragedy As Dramaturgical Alternative, Adam Sheaffer

Master's Theses and Doctoral Dissertations

This thesis provides a close reading of Friedrich Nietzsche’s The Birth of Tragedy, with particular attention paid to his use of the “principle of individuation.” The major question this thesis confronts is whether Nietzsche’s text might provide illuminative insights for the study of contemporary dramatic literature. Another question addressed by the thesis is whether Nietzsche’s text may offer dramaturgical alternatives to the strictures of naturalism. These questions are considered in relation to the play Dead Man’s Cell Phone by Sarah Ruhl. In considering how Ruhl’s play might be reflective of Nietzsche’s own ideological and artistic investments, the author found …

Modern Myth In Performance: Claiming Identity Through A Reading Of Fantasy Withcraft, Jessica Satterwhite Gray

LSU Doctoral Dissertations

In this dissertation, I create a Wiccan dramaturgical lens to analyze three key fantasy sites: The Wizard of Oz film and stage adaptations (especially the Broadway musical Wicked), The Chronicles of Narnia film and theatrical adaptations, and the Harry Potter films and paratheatrical adaptations. These three fantasy stories have significant cultural impact and strong images of folkloric witches. My alternative reading shows how a subgroup can appropriate popular images for their own identity formation. I will analyze how signs, themes, and narrative tropes that otherwise seem ancillary or even anti-witch become highlighted and privileged, creating a different but equally legitimate …

"Baby, Dream Your Dream": Pearl Bailey, Hello, Dolly!, And The Negotiation Of Race In Commerical American Musical Theatre, Charles Eliot Mehler

LSU Doctoral Dissertations

In October of 1967, producer David Merrick closed his successful production of Hello, Dolly! Merrick reopened the show one month later with an all-black cast that featured the talents of performers Pearl Bailey and Cab Calloway. While this Bailey Dolly! was a mammoth commercial success, this production brought attention to various problems concerning the interaction of black and white creative and performing talent in the venue of commercial American musical theatre. One such problem involved the risk of possible loss of genuine black culture and ignorance of recalcitrant intra-black-community difficulties and the extent to which African Americans should have desired …

Mieko Gavia: The Dog Project, Mieko Gavia

Honors Papers

This thesis chronicles my journey with my original theatrical piece, Dog, from inception to the end of its Oberlin College run, and includes a reflection of my experience and ideas for the future of the piece. I will provide both sociological and literary context for several important aspects of the show, as well as personal reflections on the process and discoveries made therein.

Shifting Blackness: How The Arts Revolutionize Black Identity In The Postmodern West, Reginald Eldridge Jr

USF Tampa Graduate Theses and Dissertations

The contemporary experiences of racially marginalized people in the West are affected deeply by the hegemonic capitalist Orthodox cultural codes, or episteme, in which blackness operates as the symbol of Chaos. As it relates to people of African descent, these affects are marked by a denial of the black person's full status as an unproblematic subject, by ontological voids arising from the practice of enslavement over the past centuries, and by problems of representation within the West, where examples and points of reference for black identity are always tied up with conflicting interests.

Utilizing Sylvia Wynter's model of the Ceremony …

The Performance Production Process Of An Outstanding High School Choir, Kathy K. Rolsten

USF Tampa Graduate Theses and Dissertations

Despite the interest in and importance of producing high quality choral performance, the question "How is superior performance produced?" has not been addressed in a holistic and naturalistic way. A synthesis of previous research findings suggests that a combination of actions, interactions, relationships, and conditions produce superior choral performance. Yet a holistic examination of this multi-faceted production process has not been conducted. In order to identify all factors contributing to the production of superior performance and how these factors work together, I comprehensively examined an extreme case of superior performance. This extreme case of superior performance was one high school, …

They Reckon I Need A Dramaturg : Examining The Value Of A Dramaturg To Both The Playwright And The Professional Theatre Company In Australia, Polly Low

Theses: Doctorates and Masters

This thesis examines aspects of dramaturgy delivered by a dramaturg, and the practical contributions of dramaturgs to both the writer and the theatre industry in Australia. It investigates elements of the working relationship between dramaturgs and playwrights, looks at the chameleon-like nature of the theatre dramaturg and examines how Australian writers, directors and dramaturgs perceive the role/s of the dramaturg. The thesis is partly a reflective investigation of personal practice, partly an historical investigation of the emergence of Australian ideas about dramaturgy, and partly an active investigation into what can help to make a constructive playwright/dramaturg relationship. A major aim …

The Country Wife, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

A production adaptation of William Wycherley's "The Country Wife."

The Synergy Of Visual Projections And Contemporary Dance, Hannah Molly Timbrell

Theses : Honours

Projections are becoming an increasingly common part of contemporary dance performance, however, I believe that choreographers do not always integrate the media to form a dependent synergy. My research addresses the principal question: What are the factors that indicate that there is a critical relationship (synergy) between projection, including art work, moving images or light and the dancer in a contemporary dance performance? A brief history explains the background and development of lighting technology, through to film and more recently motion capture technology. Through sources of pre-existing literature and my interpretation of video excerpts of contemporary dance, I explore various …