Theatre and Performance Studies Commons^™

Disyuntivas De La Vanguardia Hispanoamericana En Las Revistas De Vicente Huidobro, Antonio Guijarro-Donadíos

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El objetivo principal de este trabajo es ahondar en el proyecto de contribución al proceso y desarrollo internacional del programa de la vanguardia de Vicente Huidobro (1893-1948) proponiendo un modo de estudio centrado en un corpus de obvio interés y, sin embargo, descuidado por la crítica: sus revistas.

El Discurso De La Vanguardias En El Teatro Venezolano (1900-1930), Luis Chesney-Lawrence

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este ensayo se presentan los principales actores de la vanguardia teatral venezolanos entre los años 1900 y 1930, período difícil para la cultura nacional, pero que sin embargo produjo insospechados documentos nuevos sobre la creación teatral. Siguiendo una metodología de A. Berenguer (2007), se examinan el novedoso movimiento del modernismo teatral así como las principales revistas y dramaturgias renovadoras de este período.

Motivos Y Estrategias Del Impresionismo, El Expresionismo Y El Cubismo, José Alberto Conderana Cerrillo

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Estudio de las primeras vanguardias centrado en un motivo común, la inestabilidad de lo real, generador de estrategias artísticas diferenciadas desarrolladas a través del Impresionismo –“visión original”-, el Expresionismo –“lógica de la sensación”- y el Cubismo –“visión simultánea”, “conquista de la ubicuidad”-.

Exploring The Morality Of Arthur Miller And Elia Kazan To Show How It Affected Their Work, Friendship And Society, Dale D. Parry

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this study is to explore the moral convictions, or the lack of same, in the personal character of Arthur Miller and Elia Kazan and to show how those convictions affected not only their work and personal friendship but society as well. They first met in 1946 when Harold Clurman of the Group Theater passed to Kazan a Miller play that he had read entitled All My Sons. With the success of the play, the two became fast friends and collaborators in profession and ideology. Each had in common the Great Depression, problem fathers, marital instability and Communism. …

The Conditions Of Production Surrounding “Crawling With Monsters”: A Way To Create Social Consciousness Through Theatre In South Texas, Jorge Augusto Contreras

Theses and Dissertations - UTB/UTPA

Evaluating theatre's actual contribution to social development is subjective. There is a specific field of study that has been born from the need to incorporate all theatre outside the mainstream that seeks to do more than entertain an audience: “Applied Drama” or “Applied Theatre.” This study argues that through the process of creating the play Crawling with Monsters a group of UTPA students were empowered to make social change and ended up doing a critically acclaimed applied drama project regarding Mexico's drug war. After an introduction to the formation of the group and the situation to which it was responding, …

The Imagineknights: An Experiment In Imagination, Rachel Saldana

Theses and Dissertations - UTB/UTPA

I planned to write an experimental children’s play that would entertain an audience of children and promote the importance of imagination. The final draft starts out immersed in imaginative design elements to grab the audience’s attention from the start. The Witch sets the mood, entering in an elaborate costume, casting a spell that will carry throughout the play. As far as whether my play will entertain, I did not produce this play to get concrete results. Instead, I utilized some techniques that have been consistently successful in other children’s plays. I have done much research and shown my play to …

Developing Actor Expertise : The Presentation And Representation Of Man In Will Eno's The Flu Season., Conrad Harding Newman 1984-

Electronic Theses and Dissertations

This thesis examines my work on the role of Man in the University of Louisville's 2011 production of Will Eno's The Flu Season directed by James Tompkins. It is composed of three primary chapters: rehearsal process, character development, and performance. The rehearsal chapter compares and contrasts my experiences working with Dr. Amy Steiger on Charles Mee's A Perfect Wedding and Professor James Tompkins on The Flu Season, highlighting the value of both collaborative and individual aspects in rehearsal. The styles of the directors are observed and discussed concerning their effect upon my acting process and development. In character development I …

Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll

Scholarly Articles in Law Reviews & Journals

Copyright law grants authors certain rights of creative control over their works. This Article argues that these rights of creative control are too strong when applied to the performing arts because they fail to take account of the mutual dependence between writers and performers to fully realize the work in performance. This failure is particularly problematic in cases in which the author of a source work, such as a play or a choreographic work, imposes content-based restrictions on how a third party may render the work in performance. This Article then explores how Congress might craft a statutory license to …

Teen Theatre: Exploring The Role Of The Young Adult In Art And Life, Jessica J. Vaught

Honors Program Theses

The purpose of this thesis was to summarize my exploration with a group of teenagers of two scripts and our experiences throughout the process. The scripts chosen fit two qualifications: I considered them to be examples of true quality in playwriting and they addressed adolescent self-identification. In rehearsals the teens and I discussed the strengths and weaknesses of each script we read and chose to perform a staged reading of the one we considered better suited for our ensemble. A discussion of my decision to direct a staged reading rather than a full-fledged production can be found in the Creative …

La Educación Cultural A Través De La Danza Folklórica Mexicana, Karla Y. Uvalle-Castro

Theses and Dissertations - UTB/UTPA

El presente proyecto pretende abordar la educación cultural a través de la danza folklórica mexicana, incluyendo otros aspectos fundamentales como la historia, música, vestuarios, costumbres etc. Se muestra una programación curricular alineada a los Conocimientos y Destrezas Esenciales del Estado de Texas (TEKS). Dicho programa ofrece a los estudiantes la posibilidad de aprender y experimentar diversos ritmos, música, bailes, trajes típicos de varios estados de la República Mexicana, a través de danzas sencillas (de pareja o grupo), acercándolos al conocimiento de la cultura, entendiendo la danza, y utilizándola como modo de expresión, motivador y generador de enriquecimiento cultural.

A Marriage Of Realism And Expressionism: Preparing And Performing The Role Of Mrs. Zero In Elmer Rice's The Adding Machine, Rebecca Rivas

Graduate Theses and Dissertations

In Elmer Rice's expressionistic play,The Adding Machine, the character of Mrs. Zero is written to forego authenticity and highlight a husband's absurd perception of his wife. The elements of expressionism in the play paint Mrs. Zero as a caricature rather than a person. In order to effectively portray this caricature, role-preparation must be rooted in realism. It is by connecting organically with Mrs. Zero's underlying truth that the portrayal of this absurd character can be made effective. Here, I attempt to find a balance between realistic role-preparation and expressionistic style of performance. My efforts are documented through journal …

Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman

Graduate Theses and Dissertations

The following thesis explains the process utilized to create and implement the costume design for the production of Othello produced at the University of Arkansas University Theatre in the Spring of 2011. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, production history, research, renderings, and an evaluation of the overall process.

"If I Didn't Ever Have To Come Down, I Wouldn't": My Process In Preparing And Playing Walter Griffin In Bridget Carpenter's Up, Jared Taylor Hanlin

Graduate Theses and Dissertations

This thesis is an examination of my actor's process for creating and performing the lead role of Walter Griffin in Bridget Carpenter's contemporary drama Up. It is composed entirely of journal entries detailing my preparation and observations from the beginning of the audition process (August 22, 2011) through the closing of the show (October 9, 2011) and ending with reflective evaluations after closing. Up was produced by the University of Arkansas Department of Drama at the University Theatre and directed by Amy Herzberg.

A Broken Butterfly: Playing The Role Of Daisy In Elmer Rice's The Adding Machine, Brandi Lynn Hoofnagle

Graduate Theses and Dissertations

This thesis will examine the process of acting the role of Daisy in Elmer Rice's The Adding Machine. Rehearsals for this production began September 21 continued through November 20, 2011. The production was directed by third year M F A candidate Esteban Arevalo Ibanez and produced at the Kernodle Theatre by the University of Arkansas. The body of this thesis is constructed with a text and character analysis integrated into daily rehearsal journals, documenting the process of this production from auditions to the final performance. Through reflection and description of process, I hope to show the creation the actor goes …

Playing Ann In Arthur Miller's All My Sons: One Actress' Approach In Creating A Role, Abbey Jo Molyneux

Graduate Theses and Dissertations

The intent of this thesis, Playing Ann in Arthur Miller's All My Sons: One Actress' Approach in Creating a Role, is to document the research, analysis, and personal journey that informed the rehearsal and production processes in my portrayal as the character in the aforementioned title. This thesis includes the following five chapters: Script Analysis, Character Analysis, Created Materials, Reflections on the Audition, Rehearsal, and Production Processes, and A Summation of the Creative Process. All My Sonsby Arthur Miller was produced by the University of Arkansas in the University Theatre February 1-10, 2008, and directed by Michael Landman.

Starting A Standardized Patient Program Using A Theatre Model, Richard Edward Carter

Theses and Dissertations

The methods used to train actors can be modified to train standardized patients to simulate patient encounters with medical students. With some background in standardized patients and simulation, a member of Theatre Department can start a standardized patient program at their own institution. This is based on the pilot year of the VCU Standardized Patient Program which began in June, 2011.

A Pedagogical Perspective On Storytelling Through Movement And Dance, Penny Maas

Theses and Dissertations

Dance in most musical theatre is an assumed visual element and something that is often taken for granted in production. What is its purpose is the question being pondered in this paper. Since Agnes de Mille first presented her legendary dream ballet in Oklahoma! in 1943, theatrical dance has never been the same. She revolutionized the function of dance in theatre forever. No longer would dance merely be used as interludes or divertissements. Though a seemingly simple theatrical concept, to use movement and choreography to either further the plot or to communicate a character’s journey, it is not only much …

Understanding Experience: Reflections On The Empowering Nature Of Story, Sarah Provencal

Theses and Dissertations

Technological growth has changed our relationships and interactions within society and theatre artists are calling into question the future of our art form. Are we still essential? And if so, how do we renovate our form in order to relate to our changing society? In my experience, I’ve found that all renovations of our art have one thing in common: the empowering nature of story. Story helps us to understand our experiences in life. It is not the self, the cause, or the goal that is behind the wheel, but the story itself. This thesis explores three instances of the …

Spring Dance Concert 2012 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Providence College Dance Company

Spring Dance Concert 2012

Student Choreography Showcase

April 27th & 28th

Director: Wendy Oliver

Lighting Designer: Ted Boyce-Smith

Choreographers: Casey Caliendo, Kaitlin Elliott, Jenna Macone, Jaclyn Longo, Lauren Spagnuolo, Kate Piquette, Erica Tuccero, Kaitlin Elliott, Meaghan Lambert, Taylor Briggs, Alexa Kiffel, Moira Power, Olivia Romano, Callie Kovack

Dancers: Alexandra Bartholomew, Kathryn Jancsy, Alexa Kiffel, Jenna Macone, Moira Power, Kaitlin Elliott, Jaclyn Longo, Amy McCormack, Kaitlyn Order, Olivia Romano, Ellie Wallace, Taylor Briggs, Megan Chisholm, Jillian Gentile, Callie Kovack, Lauren Spagnuolo, Sarah Buller, Kathryn Graf, Kate …

Spring Dance Concert 2012 Poster, Providence College, Claire Chambers

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Providence College Dance Company

Spring Dance Concert 2012

Student Choreography Showcase

April 27th & 28th

Poster Design: Claire Chambers