The Illusion Audition Form,
2012
Providence College
The Illusion Audition Form, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
The Illusion audition form
Department Of Theatre, Dance & Film 2012-2013 Performance Schedule,
2012
Providence College
Department Of Theatre, Dance & Film 2012-2013 Performance Schedule, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
2012-2013 Performance Schedule
Work Study Behind The Scenes: Patrick Saunders '13 Flyer,
2012
Providence College
Work Study Behind The Scenes: Patrick Saunders '13 Flyer, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Work Study Behind the Scenes: Patrick Saunders '13
Work Study Behind The Scenes: Claire Chambers '15 Flyer,
2012
Providence College
Work Study Behind The Scenes: Claire Chambers '15 Flyer, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Work Study Behind the Scenes: Claire Chambers '15
The Fight Master, Fall 2012, Vol. 34 Issue 2,
2012
Marshall University
The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Gods Come For Play: Visualizing The Divine In Balinese Theatre,
2012
Pepperdine University
The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park
Featured Research
Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …
Romeo And Juliet,
2012
Butler University
Romeo And Juliet, Courtney Mohler
Scholarship and Professional Work – Arts
No abstract provided.
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University,
2012
Western Kentucky University
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean
PCAL Publications
No abstract provided.
The Glory Of Living,
2012
Illinois State University
The Glory Of Living, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
By Rebecca Gillman
Productions took place October 4 - 6 & October 9 -13, 7:30p.m. October 7 & October 13, 2:00 p.m., 2012
Noises Off,
2012
Illinois State University
Noises Off, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
By Michael Frayn
Productions took place November 2 - 3 & November 7 -10, 7:30 p.m. Matinee: November 4, 2:00 p.m., 2012
Sound Studies: Voice And Aurality In The Theatre,
2012
University of South Florida
Sound Studies: Voice And Aurality In The Theatre, Patrick Michael Finelli
Theatre and Dance Faculty Publications
The aural aspect of performance has emerged as a unique topic for theatre research at a time of technological advancement, providing a distinctive entry point for historical analysis while raising important theoretical questions about recording, reproduction, the interplay of live and recorded sound onstage, and the act of listening itself. Until relatively recently, “sound studies” as a research focus has been a minor grace note in the composition of theatre studies. Historically, theatre scholarship has referred to the speaking actor, the literary voice of the playwright, the metaphorical voice of the age, or an unseen psychological voice—all of which have …
Fall Dance Concert, 2012,
2012
Illinois State University
Fall Dance Concert, 2012, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
Productions took place December 6 - 8 at 7:30 pm; December 8 at 2:00 pm, 2012
Anon(Ymous),
2012
Illinois State University
Anon(Ymous), School Of Theatre And Dance
Programs - Theatre, Dance, and Film
By Naomi lizuka
Productions took place September 28-29, October 3-6 at 7 pm; September 30 at 2 pm, 2012
But Not Destroyed: The Story Of Calvin Fairbank,
2012
Taylor University
But Not Destroyed: The Story Of Calvin Fairbank
Taylor Theatre Playbills
The playbill for Taylor University’s Fall 2012 performance of But Not Destroyed: The Story of Calvin Fairbank by William Gebby.
But Not Destroyed tells the story of Calvin Fairbank who was among forty-four persons imprisoned in the Kentucky State Penitentiary for the crime of helping African-Americans escape from slavery.
Performed by the Taylor Touring Company.
Waiting For Godot,
2012
Taylor University
Waiting For Godot
Taylor Theatre Playbills
The playbill for Taylor University’s Fall 2012 performance of Waiting for Godot by Samuel Beckett.
Waiting for Gadot is the story of two men and their conversations as they wait for someone named Gadot, who never arrives.
Reseñas,
2012
Connecticut College
Reseñas
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Cine Mexicano Y Su Representación Periférica: La Representación De Las Luchas Armadas Contemporáneas,
2012
Universidad de Arizona
Cine Mexicano Y Su Representación Periférica: La Representación De Las Luchas Armadas Contemporáneas, Guillermo Martínez Sotelo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El cine mexicano ha sido históricamente ligado al centro cultural del país, la Ciudad de México; y la cinematografía que se produce en la periferia regularmente toma una forma crítica en contra del sistema. El objetivo del análisis de estas dos películas es dar a conocer a más profundidad una vertiente del cine mexicano que hace crítica a dicho sistema establecido, sin necesidad de estar dentro del centro de poder. En este ensayo se analiza la temática y la construcción visual que hacen dos películas mexicanas y que cuya temática se desarrolla enfocada en los conflictos armados que se han …
El Sujeto De La Lengua Sujeto A La Lengua: Reflexiones Sobre La Dramaturgia Performativa Contemporánea,
2012
Universidade do Estado de Santa Catarina - Brasil
El Sujeto De La Lengua Sujeto A La Lengua: Reflexiones Sobre La Dramaturgia Performativa Contemporánea, Stephan Baumgärtel, Miguel Ángel Zamorano, Karen Basaure
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Partiendo de un breve análisis de la performatividad escénica contemporánea, este artículo investiga procedimientos formales de una escritura teatral que muestra rasgos más performativos que representacionales. Para tal fin, analiza aspectos performativos de la dramaturgia de Valére Novarina, Rainald Goetz e Heiner Müller. Enfoca la materialidad de la lengua y el uso desviante de estructuras lingü.sticas habituales como tácticas que predominan en una estética de escritura teatral que presenta a la propia lengua como el personaje principal. A partir del reconocimiento de la ausencia del sujeto-constituyente, muestra por qué la dramaturgia performativa puede calificarse de posmoderna y posdramática y argumenta …
Reflexiones Entorno Al Patrimonio Cinematográfico En España Y Su Protección,
2012
Universidad Carlos III
Reflexiones Entorno Al Patrimonio Cinematográfico En España Y Su Protección, Gloria Camarero Gómez
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El objetivo de este texto es presentar y evaluar las políticas realizadas en el marco normativo nacional e internacional, que han articulado el concepto de patrimonio cinematográfico susceptible de protección y su excepcionalidad. Igualmente, se insiste en las actuaciones concretas llevadas a cabo recientemente en España dentro del rescate, restauración y divulgación del mismo, así como en el futuro de tales intervenciones.
O Silêncio Do Subalterno Em Menino De Engenho E Bangüê,
2012
Indiana University
O Silêncio Do Subalterno Em Menino De Engenho E Bangüê, Olimpia E. Rosenthal
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El presente artículo analiza la forma en que la voz del subalterno es silenciada en las novelas Menino de Engenho y Bangüê, ambas del escritor brasileño José Lins do Rego. Basándome en las teorías de Gayatri Chakravorty Spivak y Michel Foucault, examino las asimetrías entre poder y conocimiento que se evidencian en estos textos. Argumento que el tipo discurso que se construye en ambas novelas ejemplifica un patrón común de la literatura brasileña de comienzos del siglo XX, por medio del cual la representación de judíos, mujeres y afrobrasileños buscaba propagar ideologías de la clase dominante masculina de la …
