Theatre and Performance Studies Commons^™

Make 'Em Laugh: Examining The Role Of Humor In Dance, Jordan Jones

Mahurin Honors College Capstone Experience/Thesis Projects

As a dancer, choreographer, and naturally sarcastic person, humor has always been a tool that I recognize and appreciate. I was specifically drawn to the role of humor in dance choreography and performance when I was responsible for creating my own dance works, and I realized the complexity behind making even the simplest joke in dance. This thesis explores humor, from its biological and psychological origins in our brains, to an evaluation of what constitutes “humor” (in past and present American society), to a discussion on how to create humor within dance using the traditionally defined elements of choreography. Contained …

How To Tame A Shrew (11 Things I Hate About Her) An Actor's Method To Characterizing Petruchio In The Taming Of The Shrew, Robert J. Facio

LSU New Orleans Theses and Dissertations

The Taming of the Shrew is an early comedy that exposes the oddities we take for granted: curious conventions, wild assumptions, gender roles, relationships, social status, fashion, and everything else we know so defectively. The given circumstances of the script and Petruchio are specific in choice, yet broad in interpretation. Petruchio, the catalyst behind Katherine’s character arc, needed to not only be believable in his ways, but likeable by the audience.

This thesis examines the process required to successfully develop and bring to life the character of Petruchio to our modern audience. It includes historical background information on William Shakespeare …

Paternity Test: Finding A Director’S Voice For Father, Jennifer L. Billot

LSU New Orleans Theses and Dissertations

The following thesis is a brief view of the production process of Theatre UNO’s Spring 2014 production of the Tennessee William’s New Orleans Literary Festival One-Act play competition 2013 winner, Father. This thesis will include analysis, production book, documentation from the production, and an evaluation of the process of putting this production on stage. The play was performed in New Orleans, Louisiana at the University of New Orleans, Performing Arts Center Robert E Nims Lab Theatre on February 11^th- 16^th, 2014.

The Choral Embodiment Of Oedipus: Sacramental Performance In Oedipus At Colonus And Gospel At Colonus, Thomas William Biegler

Arts & Sciences Graduate Student Theses and Dissertations

In researching the original performances of Sophocles’s Oedipus at Colonus, contemporary composer Lee Breuer concluded that Ancient Greek productions were “close to rock concerts” full with “responses from the audience like choral or choir responses in the church.” What Breuer recognized was that Sophoclean performances were lively and engaging to their audiences, inviting them to participate and help tell the story being dramatized on stage. What he also recognized was the sacramental power of performance in Ancient Greek tragedies, when a spirit is gifted from performer to viewer. This spirit is passed through the rhythm and meter of the language, …

School Of Theatre Arts Presents F2m, Danielle Kamp

News and Events (Discontinued Series)

No abstract provided.

Obituary: Warren Lamb - 1923-2014, Eden Davies

Journal of Movement Arts Literacy Archive (2013-2019)

Obituary of Warren Lamb, colleague of Rudlof Laban, developer of Movement Pattern Analysis.

Review Of Bonnie Latimer, Making Gender, Culture, And The Self In The Fiction Of Samuel Richardson: The Novel Individual, Karen Lipsedge

ABO: Interactive Journal for Women in the Arts, 1640–1830

Latimer’s Making Gender, Culture, and the Self in the Fiction of Samuel Richardson answers a need in eighteenth-century Richardsonian studies. It is also a thoughtful and long overdue study, which deserves praise and attention. Latimer provides the reader with a greater understanding of the notion of female individuality in Richardson’s novels, and also of eighteenth-century culture and contemporary literature. Her research is gratifying in its level of detail, and she is deft in showing correspondences between eighteenth-century culture, fiction and Richardson’s novels. Although Sir Charles Grandison lies at the heart of this study, Latimer is equally skilful in devoting attention …

Novels, Philosophies, And Sex, Aleksondra Hultquist

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Enit Karafili Steiner, Jane Austen's Civilized Women: Morality, Gender, And The Civilizing Process, Sarah Raff

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Paula Backscheider, Elizabeth Singer Rowe And The Development Of The English Novel, Sarah H. Prescott

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Carol Stewart (Ed.), The Rash Resolve And Life's Progress, Sarah R. Creel

ABO: Interactive Journal for Women in the Arts, 1640–1830

This review gives an overview of Carol Stewart's edition of Eliza Haywood's The Rash Resolve and Life's Progress. Providing a modern edition of these texts in print for the first time, Stewart's edition brings the two novels to life with careful attention to historical and contextual details.

You’Re An Austen Heroine! Engaging Students With Past And Present, Caroline Breashears

ABO: Interactive Journal for Women in the Arts, 1640–1830

In my senior seminar on Jane Austen, I seek to engage students in multiple ways. On one hand, I want them to connect with Austen’s world and to reflect on what it means to them; on the other hand, I want them to understand the very real differences of that world and how they inform her novels. One strategy for engaging students in these ways is through interactive games. Studies have shown that many modern games have features similar to those stressed by engaged learning, so game design can be adapted for pedagogical purposes. I discuss the purposes, design, and …

Teaching Willmore, James Evans

ABO: Interactive Journal for Women in the Arts, 1640–1830

Teaching Aphra Behn’s The Rover for nearly four decades, I have witnessed a considerable shift in students’ attitudes toward the play, especially toward Willmore. More positive about his character in the 1970s and 1980s, they have had a much more negative assessment since then. The only available video version, the Women’s Theatre Trust production, compounds my pedagogical problem through filming techniques and choice of actor; emphasizing male violence against women, its interpretation parallels feminist criticism of the 1990s. Asking students to examine theater history may lead them to see that Behn does not completely match this ideological paradigm. The original …

The Secret Life Of Archives: Sally Siddons, Sir Thomas Lawrence, And The Material Of Memory, Laura Engel

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay is in two parts, in the first I attempt to map out strategies for considering archival materials through the lens of performance, and in the second I enact or perform some of those strategies through a close reading of a letter from Sally Siddons, daughter of the famous actress Sarah Siddons, to the renown portrait painter and rakish bad boy, Sir Thomas Lawrence. I present a methodology that considers archival researchers as tourists who approach archival objects and images as material for curating a virtual exhibition. I argue that this strategy allows us to recognize and attempt to …

Adrianne Wadewitz, 1977-2014, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Swimming With My Mother, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2013-2014 Raise the Bar

A heartfelt journey for mothers and children of all ages, Swimming with My Mother tells the story of a boy who learns lifelong lessons from his mother, a swimming coach. Life passes in laps, things change and the boy teaches his mother to dance. As their own stories intertwine and swell like a rising tide, the bonds of familial love are revealed to the sultry tones of Nat King Cole. Performed by acclaimed Irish choreographer David Bolger and his 80-year-old mother Madge, this award-winning production is told with affectionate humor, and also includes a screening of Wildfire Films’ Deep End …

On And Off The Stage: An Analysis Of Dance In Theater And Performance, Michael Chiaverini

Dance Undergraduate Theses

No abstract provided.

Horizons, Volume 29, Spring 2014, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of SHU students during the academic year 2013-2014.

Announcing Tdf's First Creative Writers' Festival Poster, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center Green Room

Announcing TDF's first Creative Writers' Festival

Friday, May 2, 2014, 8pm

Friendship And Dance/Movement Therapy With Adults With Developmental Disabilities, Elise Moore

Creative Arts Therapies Theses

The purpose of this research study was to understand the role and impact of dance/movement therapy on friendships between adults with developmental disabilities. The primary question this study answered was: how does dance/movement therapy contribute to the formation and maintenance of friendships between adults with developmental disabilities? This study followed the single instrumental qualitative case study methodology and involved adult participants with developmental disabilities who were part of a day services program. The data were collected in the form of a research journal documenting signs of friendship during the sessions and interviews with group participants. The data were analyzed using …