Alceste's Return,
2016
Winthrop University
Alceste's Return, Andrew Vorder Bruegge
College of Visual and Performing Arts Faculty Publications
A sequel to Moliere's drama, "The Misanthrope." As of January 2015, it had been selected as a semi-finalist in the AACT playwriting competition. If selected as a finalist, it will be performed in 2016 and published with Dramatist Play Service.
El Metro En El Teatro Y El Teatro En El Metro: Un Escenario Laberíntico De Múltiples Velocidades,
2016
Chapman University
El Metro En El Teatro Y El Teatro En El Metro: Un Escenario Laberíntico De Múltiples Velocidades, Polly J. Hodge
World Languages and Cultures Faculty Books and Book Chapters
"En esta investigación se explora el metro como un espacio teatral único y laberíntico. El metro se revela como un espacio ambiguo: es un lugar brindado con la capacidad de fomentar relaciones amorosas y transformativas entre los seres humanos; a la vez se concibe como un sitio condenado a destruir lazos personales al fomentar comportamientos de decepción y violencia aplastando cualquier esperanza para el espíritu humano. El metro, como espacio urbano recóndito y específicamente localizado bajo la tierra, con sus connotaciones que giran alrededor de la oscuridad, la clandestinidad, el secreto, el misterio y el crimen, es el escenario laberíntico …
Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale,
2016
Obafemi Awolowo University Ile Ife Nigeria
Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju
The Journal of Traditions & Beliefs
No abstract provided.
Rituals And Performance In Gastronomy,
2016
Chapman University
Rituals And Performance In Gastronomy, Ivan Magrin-Chagnolleau
Presidential Fellows Articles and Research
I would like to explore, in this paper, the performative and ritualistic aspects of gastronomy and sharing meals. Because eating is something we have to do quite often, it is filled with a social function that is very culture dependent. At the same time, in every culture, we find some performative and ritualistic elements associated with eating and sharing a meal.
In this paper, I will interrogate the performative and ritualistic aspects of family meals as well as meals that have a function like a meeting or a reunion. In a second part, I will explore how some chefs articulate …
Presentation Of The Issue On Cuisine & Performance,
2016
Chapman University
Presentation Of The Issue On Cuisine & Performance, Ivan Magrin-Chagnolleau
Presidential Fellows Articles and Research
"Gastronomy is an important part of our culture. The way we eat says a lot about who we are, what culture has shaped us, and the choices we have made concerning our food and the way we eat it. Gastronomy is surrounded by many rituals, and we often perform the way we eat. Besides, since we need to eat every day, we are engaged in rituals and performative acts related to gastronomy every day."
Plotting The “Female Wits” Controversy: Gender, Genre, And Printed Plays, 1670–1699,
2016
Utah State University
Plotting The “Female Wits” Controversy: Gender, Genre, And Printed Plays, 1670–1699, Mattie Burket
English Faculty Publications
No abstract provided.
Playhouse Creatures Media Release,
2016
Providence College
Playhouse Creatures Media Release, Amanda Talbot
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Playhouse Creatures media release
January 2016
Edgerton Center 2016/17 Season,
2016
Sacred Heart University
Edgerton Center 2016/17 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Program brochure for the Edgerton Center for the Performing Arts 2016/17 season.
L’Acteur Et Les Émotions Au Théâtre Et Au Cinéma,
2016
Chapman University
L’Acteur Et Les Émotions Au Théâtre Et Au Cinéma, Ivan Magrin-Chagnolleau
Presidential Fellows Articles and Research
En tant qu’acteur, je m’intéresse aux émotions depuis longtemps. Je considère en effet qu’il s’agit du matériau brut de l’acteur. Je m’y intéresse également en tant que metteur en scène, puisque mon rôle est alors de faciliter l’émergence de l’émotion chez l’acteur que je mets en scène. Je vais donc mener dans cet article une discussion sur ce que sont les émotions pour un acteur et un metteur en scène, et la façon de les aborder. Je discuterai également, dans ce contexte, la question de l’artialisation des émotions, c’est-à-dire l’hypothèse selon laquelle l’art contribue à façonner nos émotions.
Long Suffering: American Endurance Art As Prophetic Witness,
2016
Connecticut College
Long Suffering: American Endurance Art As Prophetic Witness, Karen Gonzalez Rice
Art History Faculty Publications
No abstract provided.
Take A Bow - 01/2016,
2016
Western Michigan University
Moving From Self To Community: An Investigation Of Nonverbal Communication Through Improvisational Dance,
2016
Connecticut College
Moving From Self To Community: An Investigation Of Nonverbal Communication Through Improvisational Dance, Maia Draper-Reich
Dance Department Honors Papers
No abstract provided.
Textual Matrix,
2016
Boise State University
Textual Matrix, Brandon Washington
Crimes of the Heart (2016) - Lighting
Lighting for this show created a nostalgic feeling in the kitchen as well as a false sense of safety and privacy from the swirling world of rumors and gossip outside. A sunset that penetrates through the windows of the house, moonlight that calms and focuses with the revelation of facts, and a sunrise that violates the kitchen in the same way as before were the bigger vocabularies of light used to help tell this story.
The Sojourner Experience: An Exploration Of Identity Transformation Through Communication,
2016
Eastern Michigan University
The Sojourner Experience: An Exploration Of Identity Transformation Through Communication, Valerie Biwa
Master's Theses and Doctoral Dissertations
This exploratory research focuses on the relationship between communication and identity transformation in the sojourner experience. It inquires the following: RQ1: How does communication affect the identity transformation process of sojourners? RQ2: How does identity transformation affect the way sojourners communicate? Ten participants from six countries were interviewed in a forty (40) minute interview session. A qualitative methodology with an open-minded exploratory approach using semi-structured questions to guide the interview was employed. A grounded-in-data coding and Owen’s criteria for identifying themes (Owen, 1984) was used to identify emerging themes and overlapping narratives. The study revealed five themes from the “living …
Self-Revelatory Performance: The Intentional Use Of Theatre’S Therapeutic Nature,
2016
Connecticut College
Self-Revelatory Performance: The Intentional Use Of Theatre’S Therapeutic Nature, Leah Shapiro
Theater Honors Papers
Self-Revelatory performance, considered both a form of drama therapy and a unique type of theatre, is defined as a form in which a performer creates an original piece of theatre based on existing life issues in need of therapeutic exploration (Emunah, 2015). The purpose of this Honors Study is to delve into Self-Revelatory performance as a form that explores the intentional use of theatre’s therapeutic nature. Self-Revelatory performance is a hybrid of both therapy and theatre because it is an experience that offers transformation, understanding, transcendence, and often healing, while ultimately creating a captivating and moving performance to be witnessed …
Ua12/2/2 2016 Talisman - Life More Life,
2016
Western Kentucky University
Ua12/2/2 2016 Talisman - Life More Life, Wku Student Affairs
WKU Administration Documents
2016 Talisman yearbook.
- Paris, Rachel. Dawn of Delta Zeta
- Ziege, Nicole. Kick It to the Limit – Soccer
- Paris, Rachel. Immersion: Band
- Houston, Emily. Immersion: Dance
- Paris, Rahcel. Immersion: ROTC
- Ziege, Nicole. Immersion: Theatre
- Holt, Delaney. Major Pride – WKU Majorette Style Dance Team
- Houston, Emily. Hollow Spike – Volleyball
- Moscoe, Carrie. The Intergallactic Tightrope – Elliott Talkington, Theatre & Dance
- Gilliam, Ashely. Tops on Top – Cheerleaders
- Young, Kreable. A Grand Adventure – Grand Canyon, Outdoor Recreation Activity Center
- Voorhees, Jessica. Home Team Advantage – Track & Field
- Homecoming
- Sproles, Katherine. Saddle School – Dylan Davis, Rodeo
- Sims, Bryna. …
One Act Play Festival Featuring Lover's Quarrel And Corps Values (2016),
2016
Eastern Illinois University
One Act Play Festival Featuring Lover's Quarrel And Corps Values (2016), Theatre Arts
Productions 2010-2019
No abstract provided.
Uno Website Cfam Uno Theatre Productions,
2016
University of Nebraska at Omaha
Uno Website Cfam Uno Theatre Productions, Uno College Of Communication, Fine Arts And Media
Student Support
UNO Theatre productions are presented by our talented students and faculty from the UNO Department of Theatre. Each season typically features one musical or Shakespeare production .
Discovering The Virtual Fingerprint: Analyzing Embodiment, Immersion, And Player Personality In Video Games,
2016
Eastern Michigan University
Discovering The Virtual Fingerprint: Analyzing Embodiment, Immersion, And Player Personality In Video Games, Benjamin C. Bower
Master's Theses and Doctoral Dissertations
This thesis set out to explore embodiment, immersion, and personalities in massively multiplayer video games (MMOGs), in particular how players become immersed in a virtual world. Immersion is a focal point in the gaming experience in which players communicate directly with the digital medium. Scholarship has argued that games have specific immersive qualities that draw players into them including storytelling, social and emotional reasoning, among others (Calleja, 2011). Each player has a particular preference as to what immerses them the most in a game. In addition, research has concluded that gamers have unique personalities that they portray while they embody …
Embodied Knowledge And Accessible Community: An Oral History Of ‘Four Rehearsals And A Performance',
2016
College of Saint Benedict/Saint John's University
Embodied Knowledge And Accessible Community: An Oral History Of ‘Four Rehearsals And A Performance', Liam Oliver Lair, Ashley Mog
Gender Studies Faculty Publications
In this article we discuss how an oral history project emerged through our involvement in a collaborative, creative project at the University of Kansas called Four Rehearsals and a Performance (FRAP). FRAP utilized improvisation in dance and music, bringing together community members across ability to explore how knowledge and community are created. Our analysis explores themes of embodiment, community, and how participants experienced the space of FRAP. We first describe how FRAP became a project, and then we discuss how our oral history project emerged as part of FRAP. After providing specific examples of themes and experiences shared by our …
