Theatre and Performance Studies Commons^™

Choreographing Conflict: Inspiring Change Through Visual And Physical Representations, Rachel Nayer

Scripps Senior Theses

This thesis examines how art can support and stimulate personal and social change. It addresses the natural and ever-present existence of conflict and analyzes how using the body as a tool for communication can viscerally represent themes of disagreement and resolution. The work of Israeli choreographers Yasmeen Godder and Hillel Kogan are analyzed in a case study to explore different methods of choreographing conflict. Both works successfully, yet contrastingly, demonstrate how the body adds power and emotion to an idea. Parallel to the research component of this thesis is the original choreographed work, Ecotones. The creative method behind Ecotones …

The Racial Other’S Dancing Body In El Milagro De Anaquillé (1927): Avant-Garde Ballet And Ethnography Of Afro-Cuban Performance, Lester Tomé

Dance: Faculty Publications

El milagro de anaquillé (1927), a ballet project with libretto by Alejo Carpentier and music by Amadeo Roldán, originated at the intersection of avant-garde art, afrocubanismo, and ethnography. Inspired by the aesthetic experimentation of Les Ballets Russes and Les Ballets Suédois in Europe, Carpentier and Roldán adopted ballet as a vehicle for introducing avant-garde trends in Cuba. Their work referenced two revolutionary ballets: Rite of Spring and, more importantly, Parade. Seeking to restage an Abakuá ritual, their project illustrated the artistic output of afrocubanismo as well as the movement’s ethnographic approach to the study of black culture. The libretto, which …

[Introduction To] Writing And The Body In Motion: Awakening Voice Through Somatic Practice, Cheryl Pallant

Bookshelf

Based upon the author’s lifetime practices as a dancer, poet and teacher, this innovative approach to developing body awareness focuses on achieving self-discovery and well-being through movement, mindfulness and writing.

Written from a holistic (rather than dualistic) view of the mind-body duality, discussion and exercises draw on dance, psychology, neuroscience and meditation to guide personal exploration and creative expression.

Tracing Writer/Reader Identity In, And In Response To, Queer Latinx Autohistoria-Teorìa, Corrina Wells

Cal Poly Humboldt theses and projects

This project examines how diverse representation changes the discourse around queer latinx identities. This project extends theories of representation that show how a text changes the imaginary of the reader through a two-part methodology. First, through explicating Spit & Passion and A Cup of Water Under My Bed, this project examines how these texts construct a readers’ imaginary. Then, through a corresponding qualitative assessment on readers’ responses to the texts, this project identifies the extent to which the texts change the beliefs and understandings of a small group of students. Articulating an ecology of identity using the texts under examination, …

Full Cast And Crew Of The Musical 9 To 5, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

The full cast and crew of UNF's Musical Theater Club's production of 9 to 5 post for a picture on the stage.

National Dances Of The Nutcracker : A Study Of Racial, Cultural, And National Depictions In A Classical Ballet, Meredith Hunter-Mason

Undergraduate Honors Thesis Collection

Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development, I asked myself, “How does a Chinese girl dance?” When the question is asked about other roles, it is easy to respond; however, when the character is tied to a specific nationality it becomes much more difficult. Generalization and cultural misrepresentation become possible risks. Alastair Macaulay explains in his article Stereotypes in Toeshoes¸ “The ranks of ballet companies contain …

Two Actresses At The Fall Improv Show, University Of North Florida

Fall Improv Show

Two actresses pose for a selfie at the Fall Improv Show

Maureen Mccluskey And Cast Of 9 To 5, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

Adviser Maureen McCluskey with the three leads in UNF's Musical Theater Club's production of 9 to 5

Musical: 9 To 5 Closing Show Bows, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

UNF's Musical Theater Club's production of 9-5 closing show.

Walking Upright: An Actor's Blueprint Of Process And Character Development In Exit, Pursued By A Bear By Lauren Gunderson, Imani R. Berry

Graduate Theses, Dissertations, and Problem Reports (ETD)

There has been an increased emphasis for college instruction to incorporate more active and collaborative involvement of students in the learning process. These views have been asserted by The Association of American Colleges (AAC), the National Science Foundation (NSF), and The National Research Counsel (NRC), which are advocating for the modification of traditional instructional techniques to allow students the opportunity to be more cooperative (Task Group on General Education, 1988). This has guided educators and facilitators into shifting teaching paradigms from a teacher centered to a more student-centered curriculum. The present study investigated achievement outcomes and attitudes of learners in …

Struggling Toward An American National Theatre, Rebecca Ann Soderna

Dissertations, Master's Theses and Master's Reports

The United States is conspicuously lacking in a large-scale government subsidy program for the arts and has never established a National Theatre. This makes us unique among most developed nations in the world as well as among many developing countries that established national theatres early in their burgeoning histories, and it begs the question: why has government support of the cultural life of the nation never been a priority in the U.S.? One notable exception to this can be found in considering the work accomplished by the Federal Arts Projects created under the auspices of the Work Progress Administration (WPA) …

Creative Awareness At Link Dance Company 2017, Lauren Ebony Sherlock

Theses : Honours

LINK Dance Company at the Western Australian Academy of Performing Arts (WAAPA) offers postgraduate students the opportunity to bridge the gap between graduate level studies in dance and professional practice. Students gain company experience whilst being able to further their research interests in dance throughout their pre-professional year. LINK Dance Company also encourages students to contribute to the choreographic process where possible to enhance professional practice. Using the Company in 2017 for an exploratory case study, the aim of this research was to investigate the presence of creative awareness in the choreographic process between choreographers and dancers. The research methodology …

The Interaction Between Postminimalist Music And Contemporary Dance, Azariah Felton

Theses : Honours

This dissertation examines the manner in which postminimalist compositional techniques such as phasing, polymeter, etc., can be used to aid the creation of music for dance. Music presented with dance generally serves at least two crucial roles: providing the dancers with a framework and impetus to aid movement; and reflecting the concept and meaning, where applicable, of the choreography. Many composers writing for dance must find ways to unite these goals in a way that best suits the total work, and find a balance between supporting the concept and assisting the dancers. This dissertation discusses the relationship between choreography and …

Remnants Of Us: Collective Dance-Making As Multi-Art Form Praxis, Lucinda Coleman

Research outputs 2014 to 2021

The Australian dance theatre collective, Remnant Dance, was established with a vision to ‘create, make, connect’ through artistic practice and performances. Remnant Dancers have generated unexpected social networking and community development whilst exploring connectivity through dance in the collective environment. In particular, during 2015/2016, Remnant Dance ventured into ambitious creative territory by inviting 22 artists from the fields of music, contemporary dance, and visual/multi-media arts to collaborate in response to fragments of literary texts, matched with wines. The project, winery psalms–the mixed half-dozen, generated six short, multi-art form pieces which were installed/performed on site at a winery, inviting audiences to …

Splitting Hair: Reviving The American Tribal Love-Rock Musical In The 1970s, Bryan M. Vandevender

Faculty Journal Articles

When Hair premiered on Broadway in 1968, the musical garnered attention

for its reflection the current cultural moment. Critics acknowledged

this congruence of form, content, and zeitgeist as the production’s greatest

asset. This alignment with the Vietnam era proved a liability nine

years later when Hair received its first Broadway revival, particularly

when the musical’s authors replaced many of the libretto’s cultural references

with allusions to the 1970s, further illuminating the musical’s

inherently time-bound qualities.

The Direction Of Why Torture Is Wrong, And The People Who Love Them, Donald Hart

All Graduate Theses, Dissertations, and Other Capstone Projects

Hart, Donald C., M.F.A. Thesis. The Direction of Why Torture is Wrong, and the People Who Love Them. Mankato: Minnesota State University, Mankato, 2018.

This is a thesis submitted in partial fulfillment for the Master of Fine Arts degree in theatre. It is a detailed account of Donald C. Hart's artistic process in directing Why Torture is Wrong, and the People Who Love Them in the fall of 2017 for Minnesota State University, Mankato's department of Theatre and Dance. The paper chronicles the director's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical …

The Costume Design Of Little Women The Musical, Emily Kimball

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment for the Master of Fine Arts degree in theatre. It is an account of the author Emily Kimball's artistic process in creating and executing the design for Minnesota State University, Mankato's production of Little Women the Musical in the fall of 2017. The thesis chronicles the designer's process from early production through construction and performance in a total of five chapters: an early production analysis, a historical and critical perspective, a journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

El Teatro De García Lorca Y La Transfiguración Del Personaje Masculino, Carolina León Vegas

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Los personajes masculinos de las obras de Lorca tienen un papel vital en el fracaso del deseo. Nos encontramos a menudo con personajes masculinos ausentes o prohibidos para sus amantes femeninas. En este artículo queremos relacionar los mecanismos del deseo lorquiano con la visión de Girard del deseo como algo predestinado al fracaso. Con la ayuda de la noción de transfiguración veremos cómo las protagonistas del teatro de Lorca crean figuras masculinas idealizadas y cómo esta idealización tiene una serie de efectos en la obra: desde la debilitación de otros personajes masculinos, hasta la expresión de la intensidad del deseo …

La Superestrategia De Stanislavski: El Descubrimiento Del Superactor, Natalia Braceli

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Josep Lluís Sirera Turó (1954-2015), Bibliografía Completa, María Rosario Ferrer Gimeno

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Recopilación bibliográfica del profesor Josep Lluís Sirera i Turó (1954-2015) sobre su obra académica, creativa y lúdica.