Theatre and Performance Studies Commons^™

La « Mimèsis » Dans Le Théâtre Et La Peinture, Joanna Raad

Regards

Le terme mimésis vient du verbe mimisthai qui signifie imiter, ou plus précisément suivre un exemple ou faire une « représentation ». Ainsi, l’imitation, ou mimésis, est un principe académique qui impose un culte de la représentation fondé sur la reconnaissance. Cet article voudrait discuter la manière dont la mimésis et l’illusion au théâtre interagissent avec l’art, et plus particulièrement la peinture.

La Prédominance Des Techniques Audiovisuelles Et Numériques Au Théâtre, Marcel Ghosn

Regards

The evolution of technologies in the audiovisual and theatre fields has succeeded in breaking the separation between actors and digital bodies. What is an actor today? Is he still essential on stage or in film? And what about digital bodies and their ability to produce and convey emotions and performances in the same way as a human actor?

Résumé

L'évolution des technologies dans les domaines du théâtre et de l’audiovisuel a permis d’effacer la frontière entre le corps de l’acteur et les corps numériques. Cela nous amène à poser la question : qu’est-ce qu’un acteur aujourd’hui ? Est-il toujours central …

Entretien Avec Le Producteur Georges Schoucair, Joseph Korkmaz

Regards

Interview with Georges Schoucair, producer of the movie Tramontane (Rabih, 2016).

فسيفولد إيميلوفيتش مايرخولد العبقري المشاغب, Michel Jabre

Regards

Meyerhold, dubbed “the people’s artist” by the Soviet regime, led a tumultuous artistic life and carried out provocative experiments in unconventional theatre settings. After cofounding the Moscow Art Theatre with renowned colleagues such as Stanislavski and Danchenko, he left the company to regain his independence as an actor and stage director. He then developed his theoretical concept of “conditional theatre,” reinterpreting classical plays in innovative ways and reimagining them within a renewed contemporary theatrical context.

Résumé

Meyerhold, surnommé « l’artiste du peuple » par le régime soviétique, a eu une vie artistique tumultueuse et a mené des expérimentations provocantes dans …

Éditorial, Joseph Korkmaz

Regards

Le cinéma libanais s’illustre par son dynamisme manifeste dans le nombre de films tournés. Des comédies légères épinglent quelques caractéristiques et travers de la société et des mœurs libanaises. Des feuilletons télévisés engourdissent une frange importante de la population, avide de romantisme et d’aventures rocambolesques.
De ce lot de productions émergent des œuvres qui méritent considération et encouragement, surtout quand il s’agit de premiers films [...]

مسـرح شـوشـو للأطفال, Rana Azzaz

Regards

Theatre for children is grounded in imaginative creativity and forms an educational, intellectual, and aesthetic tradition that refines a child’s spirit while developing taste, a sense of beauty, and openness. In Lebanon, plays designed for children began appearing in professional theatre venues in the late 1960s. The “Chouchou Children’s Theatre” was among the earliest and most significant initiatives, drawing a strong response from young audiences. In this article, I examine this phenomenon – which emerged spontaneously and without a clear methodology – with particular attention to audience reception.

Résumé

Le théâtre pour enfants est une tradition éducative, intellectuelle et esthétique …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Exhibition draws attention to gender stereotypes
• Graduate exhibition explores the strength of the human mind
• Exhibition shares artist’s connection to history, spirituality and family
• Ceramic exhibition examines the environmental impact of consumerism
• Graduate exhibition focuses on erasing taboo on mental illness, depression

Hamlet Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

William Shakespeare’s HAMLET

January 26-28 & February 8-11, 2018

Directed by John Garrity

Hamlet Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

William Shakespeare’s HAMLET

January 26-28 & February 8-11, 2018

Directed by John Garrity

Scenic & Lighting Design: TREVOR ELLIOTT

Costume Design: MAXINE WHEELOCK

Sound Design: PAUL PERRY

Stage Combat: JIM BEAUREGARD

Associate Sound Designer & Composer: HANNAH Y. GREENE

Voice & Text Coach: MEGAN CHANG

THE CAST

Hamlet - TIMOTHY BROWN, Claudius / Ghost - DANIEL CARROLL, Polonius - JOHNATHAN COPPE, Horatio - TEDDY KIRITSY, Laertes - AJ ROSKAM, Ophelia - JENNIFER DORN, Gertrude - MIREYA LOPEZ, Rosencrantz - EMILY CLARK, Guildenstern - DANIEL JAMESON, Leading Player / …

Webpage: Pcsb In The Theatre: Senior Acting Class Takes Students To New Heights, Providence College

Promotional Materials

Providence College Department of Theatre, Dance & Film

Webpage: PCSB in the Theatre: Senior Acting Class Takes Students to New Heights

January 25, 2018

Providence College Dance Company Open Auditions Poster, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Clark Dance Studio, Smith Center

Providence College Dance Company open auditions

Thursday, January 25, 2018, 7pm

Hamlet Strike Sign Up Sheet, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Hamlet strike sign up sheet

Saturday, January 20 - Sunday, January 28, 2018

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production to Hamlet.

January 17, 2018

Stanislavsky Inspired Acting Lessons For Life And Leadership, Harrison O. Long Prof.

Journal of Global Initiatives: Policy, Pedagogy, Perspective

An artist’s creative work can become the primary lens through which he or she sees the world; it is a fundamental tool for interpreting life. But artistry can also teach a great deal about effective leadership. Based on the principles of Konstantin Stanislavsky, the father of modern acting, this essay reflects on five important lessons for life and leadership: The Power of Purpose, The Power of Context, The Power of Listening, The Power of Partnerships, and The Power of Community. After a year of studying Russian culture, history, and foreign policy, I believe these lessons can be applied on the …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Georgia Southern Theatre & Performance Senior Directs ‘K2’

2018-2019 Peak Journal, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University, Claudia La Rocco

PEAK Journals

No abstract provided.

Contradictionary Lies: A Play Not About Kurt Cobain, Katie R. Wallace

ETD Archive

Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy, part docudrama, this play shows how closely man emulates their heroes, and how in the void of depression, music serves an escape.

Guide To The Theatre Department Records, Columbia College Chicago

Collection Guides / Finding Aids

This guide describes the organization and scope of the Theatre Department records, housed within the College Archives & Special Collections at Columbia College Chicago. The Theatre Department records house posters, production materials, audiovisual materials, publications, and cast photographs.

Edgerton Center 2018/19 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2018/19 season.

"If It's Not Right, You Have To Put It Right": The Play And Work Of Children In Matilda The Musical, Kristin Perkins

AWE (A Woman’s Experience)

Perkins considers issues of subversive theatrical criticism and exploitative child labor as they combine in Matilda the Musical, examining the performances as a holistic, if ambivalent, production. In a play where the lead figure is a little girl, this essay uses the lens of gender and age to provide context for the revolutionary character of Matilda in a female-dominated play that critiques established norms, at the same time that the play is produced in, and by, a system that reproduces troubling power structures.