What We Look Like (2019),
2019
Oberlin
What We Look Like (2019), B.J. Tindal
Season 2018-2019
Dramaturgy by Maansi Sahay Seth
Winter Dance Concert (February 7-9,2019),
2019
Lindenwood University
Winter Dance Concert (February 7-9,2019), Lindenwood University
Student Dance Programs & Brochures
Program for the Winter Dance Concert (February 7-9,2019), Lindenwood University.
Come Blow Your Horn,
2019
Parkland College
Come Blow Your Horn, Parkland College
Parkland Theatre
Parkland College Department of Fine and Applied Arts proudly presents Come Blow Your Horn by Neil Simon
Director: Melissa Goldman
Scenic Designer: Melissa Goldman
Costume Designer: Remy Saymiknha
Lighting Designer: Jared Charleston
Sound Designer: Nick Harris
Properties: Haylie Denzer
Stage Manager: Maya Hammond
Faculty Advisor: Michael O'Brien
Presented in Parkland Theatre's Second Stage
February 7, 8, 9, 15, 16 at 7:30pm
February 17 at 3pm
Spring 2019
Come Blow Your Horn is presented by special arrangement with SAMUEL FRENCH, INC.
Crew
Set Dresser: Parker Evans
Costume Assistant: Kylie Moubry
Master Electrician: Wyatt Simmons
Light Board Operator: Dominique Allen
Sound Board …
Rapture, Blister, Burn (2019),
2019
Oberlin
Moon Over Buffalo Rehearsal & Performance Schedule,
2019
Providence College
Moon Over Buffalo Rehearsal & Performance Schedule, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Moon Over Buffalo rehearsal & performance schedule
February - April 2019
Maureen Mccluskey And Alisha Lockley,
2019
University of North Florida
Maureen Mccluskey And Alisha Lockley, University Of North Florida
2019 Poetry Showcase
The directors of Book of Hims
Ken Ludwig's Moon Over Buffalo Media Release,
2019
Providence College
Ken Ludwig's Moon Over Buffalo Media Release, Talia Triangolo
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Ken Ludwig's Moon Over Buffalo media release
February 2019
The Real Inspector Hound,
2019
Lynn University
The Real Inspector Hound, Lynn University
Drama Programs
By: Tom Stoppard
Feuding theater critics, Moon and Birdboot—the first a fusty philanderer and the second a pompous and vindictive second-stringer—are swept into the whodunit they’re reviewing. In this hilarious spoof, an Agatha Christie-like melodrama unfolds in a fast-paced romp to find the real culprit.
In The Real Inspector Hound, Tony and Academy award-winning playwright Tom Stoppard has crafted a witty, surreal, and compelling tale in which identity is as changeable as a moustache, or a pair of boots, and a hack production of a tired whodunnit can be the cover for a masterful revenge plot, trained on the …
Book Of Hims Last Scene,
2019
University of North Florida
Book Of Hims Last Scene, University Of North Florida
2019 Poetry Showcase
Director Alicia Lockley reads last scene of Book of Hims
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance,
2019
CUNY Lehman College
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
Publications and Research
In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …
Scene From Opening Night Of Book Of Hims,
2019
University of North Florida
Scene From Opening Night Of Book Of Hims, University Of North Florida
2019 Poetry Showcase
Audience at opening night and meet and greet with directors of Book of Hims at the Thomas G. Carpenter Library
Playbill: Book Of Hims,
2019
University of North Florida
Playbill: Book Of Hims, University Of North Florida
2019 Poetry Showcase
Book of Hims Playbill. Directors: Alisha Lockley and Maureen McCluskey
Audience At The Book Of Hims,
2019
University of North Florida
Audience At The Book Of Hims, University Of North Florida
2019 Poetry Showcase
Book of Hims Audience at the Thomas G. Carpenter Library
Re-Defining Gender And Sexuality In West African Theatre: Women Artists, Feminist Representations, And Same-Sex Desire In The Twenty-First Century Theatre Of Benin, Burkina Faso, And Togo,
2019
CUNY Graduate Center
Re-Defining Gender And Sexuality In West African Theatre: Women Artists, Feminist Representations, And Same-Sex Desire In The Twenty-First Century Theatre Of Benin, Burkina Faso, And Togo, Heather J. Denyer
Dissertations, Theses, and Capstone Projects
This dissertation examines French-language theatre in the West African countries of Benin, Burkina Faso, and Togo that tackles gender-related themes. Topics often considered taboo, including domestic violence, child brides, and sexual desire, are publically addressed through contemporary theatre. The study focuses on the growing presence of women artists, including playwrights, actresses, and directors. Particularly since 2010, these artists have shifted the aesthetic and thematic substance of the theatre being created. Their presence has also generated new paths for plays written by and directed by men, including gay male characters and bold women. By considering the field of African women's studies …
Performing Desire In Times Square: Sailors, Hustlers And Masculinity,
2019
CUNY Graduate Center
Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski
Dissertations, Theses, and Capstone Projects
From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and …
Learning The Interdisciplinary Aspects Of Stage Management,
2019
University of Rhode Island
Learning The Interdisciplinary Aspects Of Stage Management, Brandon Lovejoy
Senior Honors Projects
TEDxURI is an independently organized event of TED Talks, a series of 5-20 minute long speeches about any topic surrounding a central theme. In 2019, the University of Rhode Island presented its second annual TEDx event, focused around the theme “Change It Up.” I was asked to perform the role of stage manager and coordinator for the event.
Stage management at the University level is taught for the theatrical stage. Often, students learn the basics of tracking actor movement, creating and organizing schedules, establishing a record of all paperwork, and throughout the process, displaying strong communication skills on a collaborative …
Poster: Book Of Hims,
2019
University of North Florida
Poster: Book Of Hims, University Of North Florida
2019 Poetry Showcase
The Book of Hims: A poetry Showcase. Original Poems by Alisha Lockley at the Thomas G. Carpenter Library
Lord Of The Flies Poster,
2019
Providence College
Lord Of The Flies Poster, Providence College
Playbill and Promotion
LORD OF THE FLIES
by William Golding, Adapted for the stage by Nigel Williams
JANUARY 25-27 & FEBRUARY 8-10
Providence College Dept. of Theatre, Dance & Film
Angell Blackfriars Theatre
Giau Minh Truong Interview,
2019
DePaul University
Giau Minh Truong Interview, Gin To
Asian American Art Oral History Project
Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s …
Year Of Cuba 2019-2020,
2019
Kennesaw State University
Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost
Research Guides & Subject Bibliographies
No abstract provided.
