Theatre and Performance Studies Commons^™

Be Coming - Transcendence Born From The Concrete, Kathryn Alter

Theses and Dissertations

My interactive virtual world, be coming, is a response to the question, “what happens when art that is made to be performed cannot be shared in a live performance?” In answering this question, I also use as theoretical tools certain works of Benjamin, Deleuze, Guattari and Peter Zumthor.

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.

Fear Of Missing Out: Performance Art Through The Lens Of Participatory Culture, Katherine Nolan

Articles

This research project set out to examine FOMO through the curation of a performance art event. Referring to the ‘fear of missing out’, FOMO is posited as symptomatic of the ways in which embodied subjectivities are performed through participatory cultures. With the insidious co-option of such cultures by powerful multinational companies, come new ways in which the body is commodified in late-capitalist economies. This paper examines modes of prosumption emergent from digital and social media and considers strategies of performance in this context. It could be argued that performance art practices might resist or intervene in such discourses through a …

672 Years Of Plague: Reconquest, The Last Dream Of King Alfonso Xi Of Castile: Hermeneutics Of A Play, Jose Sarzi Amade

Theses and Dissertations

The proposed work here is a literary creation: a play accompanied by a critical study on it. The work (second part) introduces us to characters that thanks to the contest of the dream dimension - the invention of the last dream of the King of Castile, Alfonso XI - make a trip in the future. They flee from the medieval plague of 1348, sail to the unknown and meet, after crossing the Atlantic Ocean, in 2020, in dystopia. Things are deteriorating and navigators end up being expelled from this place. The framework of the play was built around stories of …

Mogu And The Unicorn: Frederick May's Music For The Gate Theatre, Mark Fitzgerald

Books/Book Chapters

This chapter addresses the contributions that Frederick May (1911-85) made to the Gate's productions of Padraic Colum's Mogu of the Desert (1931) and Denis Johnston's A Bride for the Unicorn (1933). As a young gay Irishman, May had to navigate a cultural infrastructure in which opportunities for composers were scarce, but at the Gate he was given the chance to develop his talents in a new field, as well as to experiment with musical forms in a high-profile setting.

College Of The Arts 21/22 Season, Department Of Theatre And Dance, John J. Cali School Of Music

2021-2022

No abstract provided.

The Prevalence Of Musculoskeletal Injuries Within The Center For Wellness In The Arts At Marshall University, Colin John Wakeman

Theses, Dissertations and Capstones

Background: The demands on successful performing artists are two-fold. First, they have to perform at a high skill level for their specific art, such as theater, marching band, dance, and color guard. Second, they need to achieve the aesthetic demands of their discipline. Musculoskeletal (MSK) injuries can impact either or both of these elements and affect their overall performance. If MSK injuries are not addressed early in a performer’s career, they can develop into chronic problems that take performers out of rehearsals, practices, and performances.

Purpose: This epidemiological study aimed to investigate the prevalence of MSK injuries within …

Fatigue-Related Jump Landing Knee Injuries In Dancers, Megan Holton

Theses, Dissertations and Capstones

Non-contact knee injuries are prevalent in dancers and have great financial and social costs. These injuries may be prevented with training that modifies jump landing movement patterns and improves lower body strength and cardiorespiratory fitness. Identifying the movement-based risk factors that are most strongly related to injury mechanisms allows healthcare providers to create effective training interventions. The purpose of this study was to determine the relationship between multivariate risk factors and injurious knee forces as a dancer lands from a jump. Twenty female dance students with at least eight years of experience were recruited. These dancers were injury-free and actively …

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

Edgerton Center 2021/22 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Returning to the Stage ... After a year away from live performing arts.

Re-Drowning Ophelia: The Representation Of Female Disintegration In Recent Films Of Hamlet, Joanne E. Gates

Presentations, Proceedings & Performances

Presented at the Fall 2001 Popular / American Culture Association of the South, Atlantic Beach, Florida, this paper examines several depictions of Ophelia in films of Hamlet starring Kenneth Branagh, Ethan Hawke, Mel Gibson, Kevin Kline, Derek Jacobi, Richard Burton, Campbell Scott. The title hints at Mary Pipher's Re-Claiming Ophelia, in light of then widely circulating Julia Stiles interpretation, where we repeatedly see her contemplating her suicide by drowning. My study elevates the Ophelia of LisaGay Hamilton in the Campbell Scott Hamlet, released the same year. The presentation featured video clips from this Campbell Scott production, originally airing on …

Teaching The Structure Of Hamlet: The "To Be Or Not To Be" Soliloquy Repositioned In Recent Film Adaptations, Joanne E. Gates

Presentations, Proceedings & Performances

At a crucial turning point in online access to quality productions of Shakespeare, the (April 2010) Great Performances airing of Hamlet (with David Tennant and Patrick Stewart), the occasion arose to turn the open access to it into teaching strategies. Along with all else quirky about it, the production accepts what seems to be a trend in recent film adaptations, dating from at least Zeffirelli's with Mel Gibson in 1991; that is, to rearrange the sequence of Hamlet's 2.2 and 3.1 soliloquies. The precedent dates to the 1603 First Quarto, perhaps, but everything else about the first quarto …

Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Kim Solga, Erin Julian

Department of English Publications

What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …

09 The Arma Christi And The Croxton Play Of The Sacrament: A Prolegomenon To Regional Iconographic History, Ann Eljenholm Nichols

Early Drama, Art, and Music

An otherwise unpublished study of the East Anglian Croxton Play of the Sacrament in relation to devotion to the instruments of the Passion.

00 Preface, Clifford Davidson

Early Drama, Art, and Music

A preface to a collection of fourteen essays, most reprinted, with or without revisions, from the EDAM Newsletter or Early Drama, Art, and Music Review plus three newly written for this context.

01 The Investiture Contest And The Rise Of Herod Plays In The Twelfth Century, John Marlin

Early Drama, Art, and Music

A reprint of a study of the figure of Herod in liturgical drama, originally published in Early Drama, Art, and Music Review 23 (Fall 2000).

02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries, Lynette R. Muir

Early Drama, Art, and Music

A reprint of a study of ceremonies and the Easter play at the collegiate church of St-Omer, originally published in the EDAM Newsletter 9, no. 1 (Fall 1986).

03 Il Doge And The Liturgical Drama In Late Medieval Venice, Nils Holger Petersen

Early Drama, Art, and Music

A reprint of a study of the Easter Quem Queritis and the involvement of the Venetian Doge, originally published in Early Drama, Art, and Music Review 18, no. 1 (Fall 1995).

11 Medieval Actors And The Invention Of Printing In Late Medieval France, Graham A. Runnalls

Early Drama, Art, and Music

A reprint of a study of the dissemination of play texts in print and the performance of drama, originally published in Early Drama, Art, and Music Review 22 (Spring 2000).

Emmie And The Enchanted Orchid: Portraying Positive Disability Representation In Children's Media, Adrianna Waters

Mahurin Honors College Capstone Experience/Thesis Projects

Disability representation in media and storytelling is often negative or inaccurate, with disability narratives equating disability to evil or lesser than abled bodies. The harmful representation is especially prevalent and dangerous in children’s media as the depiction of characters with disabilities may be children’s first introduction to disability, and thus the portrayal is likely to stay with them, especially as stories for adults continue to perpetuate the inaccurate representation of disabilities. “Emmie and the Enchanted Orchid”: Portraying Positive Disability Representation in Children’s Media seeks to examine the harmful portrayal of disabilities in children’s media while also recognizing how disability can …