Theatre and Performance Studies Commons^™

Inside The Designer: A Costume Designer’S Process, Kennedy Reid Roberts

Theses and Dissertations

Through an analysis of my Costume Design process for The Revolutionists, by Lauren Gunderson (2019), Eurydice by Sarah Ruhl (2020), Of Mice and Men by John Steinbeck (2020), presented at The University of South Carolina, my goal is to explain the knowledge and experience I received as a student and Costume Designer. By observing my journey as a first-year graduate student to a third-year graduate student and bridal designer, I will analyze my work and achievements. This program taught me to be the designer I am today. This included designing 3 shows and creating a business plan for my own …

The Music Festival: A Case Study On The Establishment, Development, And Long-Term Success Of An Instrumental Music Education Event From A Logistical Perspective, Dakota Corbliss

Theses and Dissertations

In this paper, I will combine insight collected from interviews of people involved with events related to the arts, particularly in the field of the music. These discussions include a variety of perspectives including executive directors, logistics personnel, operations managers, faculty, guest artists, as well as festival participants. Through a multi-layered and thoroughly filtered lens, I aim to establish an outline for a guide that will allow individuals in the field of music set their extracurricular educational program up for success.

There are many factors that need to be considered when establishing a music festival, but this paper will mainly …

Five Dollar Ticket, Gabe Reitemeier

Theses and Dissertations

Despite the fact that American culture seems to hold tightly to the notion that happiness is only deserved by those who work for it, experiences which require some work to fully appreciate struggle to survive due to an apparent unwillingness to undertake said work by the vast majority of American consumers. In Five Dollar Ticket, I examine the struggles of such experiences to find purchase in the American market and offer suggestions on how to make the “work” aspect of their appreciation more appealing and worthwhile. Specifically, I use the examples of attending foreign language operas and eating spicy foods …

Poster: Julius Caesar, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's Shakespeare in the Park at MOCA Jacksonville: Julius Caesar

Poster: Julius Caesar, University Of North Florida

UNF Shakespeare - Julius Caesar

UNF's production of Julius Caesar at MOCA Jacksonville

L’Adieu Hors De Tout Lieu. L’Espace Funéraire Réinventé Par J. Amado, Réimaginé Par O. Fazwy, Dahlia El-Séguiny

Regards

In The Double Death of Quincas-Water-Bray by Jorge Amado and its Egyptian cinematographic adaptation, The Paradise of the Fallen Angels by Ossama Fawzy, the funerary preparation leads to an ironic reflection on life and death, and the confrontation between the value systems of the bourgeoisie and the marginalized.
This article studies the question of borders, “real” or virtual, between narrative spaces.
It is based on the concept of heterotopia (Michel Foucault), which offers a reflection on the constitution of a “different space” within the real location, and the notion of intermediality (Silvestra Mariniello), which questions the conceptual space that emerges …

« Bennesbeh La Boukra Chou ? » Et « Film Ameriki Tawil » : De La Restitution Des Vues « Rêvées » ?, May El-Koussa

Regards

Throughout history, the integration of archival images into cinema has taken different forms depending on contexts and styles. Whether in fiction, documentary or experimental filmmaking, archival footage has been used for different purposes and for different reasons. Over time, this practice turns into an aesthetic and is referred to as found footage. This article asks the question of the link between cinema constructed from found footage and the philosophical concept of “heterotopias” developed by Michel Foucault, by studying the films representing the plays of Ziad Rahbani Bennesbe la boukra chou? and Film ameriki tawil, released in 2016, whose …

« 1982 », De Oualid Mouannes, Pamela Nassour

Regards

War is the main element in the Lebanese collective consciousness and memory. Throughout the years, Lebanese citizens fight its residue, which still traumatizes them and defines their existence. For artists, the reaction appeared through their work, and in this article, the Lebanese film 1982 by director Oualid Mouaness will be tackled. This film is analyzed through its aesthetics and plot. Mouaness had a story to tell, like any other Lebanese witnessing that era. Thus, his film 1982 is to be added to the long list of Lebanese war films. Yet, what makes it different? In this article, we study Mouaness’s …

Introduction – L’Adaptation Au Cinéma Égyptien : Enjeux Théoriques Et Historiques, Walid El Khachab, Salma Mobarak

Regards

Alors que la tradition du récit arabe dont l’Égypte a hérité remonte à la fin du VIIe siècle, la naissance du roman moderne se situe au tournant des XIXe et XXe siècles.
C’est à cette même époque (1896) qu’eut lieu la première projection du cinématographe à Alexandrie...

Les Transferts De La Littérature Occidentale. Alibis Culturels Ou Réception D’Archétypes ?, Michel Serceau

Regards

During the entire 20th century, dozens of Western literary works and plays were adapted to the Egyptian screen in hundreds of films.
The Western works adapted by Egyptian filmmakers were chosen because of the universal aspect of the archetypes and social issues at the heart of these, and because of their dramatic – even melodramatic – appeal in the eyes of the viewers.
Film directors preferred to adapt novels that were not deeply committed to a social and realist ideology, while still drawing the high esteem enjoyed by literature towards cinema, which, in its infancy, was a practice in search …

Du Roman « Zeth » Au Feuilleton « Bint Ismaha Zeth » Ou Le Traitement De L’Histoire Dans Une Adaptation Télévisuelle Égyptienne, Ramla Ayari Charif

Regards

The issue of adapting literary works for television has only recently begun to arouse researchers’ interest. Egypt, the leading country in television production and the imagining of literary works on television across the Arab world, witnessed a new lease of life from 2011 to 2014.
The TV series Bint ʾismaha Zeth, produced in 2013 by Kamla Abouzekri and Khairy Beshara, is a striking illustration of the phenomenon.
Adapted from the novel Zeth written by Sonallah Ibrahim, the TV fiction retraces, through the story of its heroine, the history of Egypt from 1952 to 2011.

Résumé

La question de l’adaptation …

Contexte, Réception Et Intermédialité Dans L’Adaptation Des Mains Douces De Tawfik El-Hakim, Yasmine Haggag

Regards

From the play by Tawfik el-Hakim (1954) to the film by Mahmoud Zoulficar (1963), Soft Hands involves adapting the stage to the screen and the content to the socio-historical context. After placing the play and then the film in their cultural and socio-historical settings, the study focuses on the adaptation work by closely examining the language, characters, plot, settings, and music, in order to assess the various transformations carried out for better reception by the audience.

Résumé

De la pièce de Tawfik el-Hakim (1954) au film de Mahmoud Zoulficar (1963), Les mains douces mettent en jeu l’adaptation de la scène …

Symbolique Et Oblicité Politique Dans Deux Adaptations Égyptiennes Du Comte De Monte-Crist, Randa Sabry

Regards

After exploring the diversity of the elements borrowed from The Count of Monte Cristo by the two adaptations of Henri Barakat – Amir al-intiqam and Amir al-dahaa – this article analyzes the way they work towards their own coherence through a cultural acclimatization on different levels and by the grafting of a subplot with political implications in line with the social context of 1950s and 1960s Egypt.
Far from accomplishing only his own revenge, the hero is led, in the wake of a political prisoner, to join the sphere of rebellion against the representative of tyranny and to prepare for …

Une Femme D’Égypte Du Papier À L’Écran : Adapter « Les Années De Zeth » Après La Révolution, Thomas Richard

Regards

By adapting Sonallah Ibrahim’s Zaat, the eponymous TV show deeply transforms the original novel, unfolding new meanings for the viewer in the context of post-revolutionary Egypt.
Through a comparative analysis of the novel and the TV show, this study intends to understand how the show offers a portrait of Egyptian society and a portrait of a woman that are inscribed within the renewal of the political gaze Egyptian society develops on herself.
Simultaneously, this gaze questions how gender relations are brought to the screen, and how they are linked to social and national issues.

Résumé

En adaptant le roman …

Our Town Set Design, Zabrina Corrales

Honors College Theses

An important piece of any theatrical production is the scenic design. My thesis project follows my process through the research and design process used to create my own set design for Our Town by Thornton Wilder. I look at the text of the script as well as the background of Thornton Wilder’s ideas for the play. I explore other productions’ choices and what worked or did not work for them. By using my own analysis of the script and research on design elements, I produce an original set design for Our Town including a ground plan and renderings of the …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …

Players' Guild - Bowling Green, Kentucky (Sc 3597), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 3597. Notebook of Mabel Thomas, Bowling Green, Kentucky, containing planning materials and programs for performances by the Players’ Guild, an amateur theater group in Bowling Green, Kentucky.

The Man In The Tree: The Fantastic As A Bridge Between The Ideal And The Real, Weber Griffiths

Undergraduate Honors Theses

This thesis explores the effect of genre on storytelling, specifically the effect of the Fantastic in creating, within narrative, intrinsic meaning. In life and fiction, there exists a gap between what is ideal and what is real, a gap of mortality. Human’s struggle with this gap results in many forms of creation and meaning making. The Fantastic, as defined by literary critic Tzvetan Todorov, seeks to bridge this gap. In this examination, we take Todorov’s literary critique and apply it to four films of modern fantasy, showcasing the language and mechanics of the genre and its effectual way of bridging …

Sound Glove: A Development In Collaboration, Emma E. Arends

LSU Master's Theses

Through design and technical work, the collaboration between the areas of Sound and Costume Design have been minimal. When these areas interact, it is usually for the small notes, like the shoes are too loud, or the jewelry is too much. However, in the following chapters I will propose a way to deepen the collaborative relationship between Sound and Costume through a prototype named the Sound Glove.The Sound Glove has been developed through researching previous products, researching for materials, constructing a budget, developing applications of the Sound glove and then creating a prototype. With these steps, the following chapters will …

Concert Intime, Julianne O'Brien, Jessica Torres, Amanda Kay White

Dance Programs

No abstract provided.