Other Theatre and Performance Studies Commons^™

'Night, Mother: A Thesis Production, Naomi R. Bowers

University Honors Theses

This paper is my reflection on the process of directing and producing the 1981 play 'Night, Mother by Marsha Norman. Overall, the mission of this piece is to catalog the journey from pre-production to the final product. I decided on this script in particular because of my own experiences with Epilepsy and mental illness, and the ways the play raises awareness of these often taboo topics. The cast was composed of two actors of a similar age, and due to time constraints, blocking was reduced to only what was essential. With help from my advisers and team, the end product …

An Embodied Drama Therapy Approach To Restorative School Practices: A Method, Sarah Harmer

Expressive Therapies Capstone Theses

Restorative School Practices offer schools a circle structure to shift the punitive mindset and power dynamics commonly found in America’s schools, to a model that focuses on relationship, connection, and mutual respect. Drama therapy interventions utilize embodied or active work that engage the entire person. The purpose of this thesis was to create a method to explore the addition of embodied drama therapy techniques to deepen the experience of the restorative school circle process. Three community-building and social emotional learning focused circles, in a second, fourth, and sixth grade class, were compared using the traditional scripts and then the same …

Sharing Walks As A Witnessing Practice: Exploring Movement-Based Pedagogies, Catalina Hernandez-Cabal

Feminist Pedagogy

How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement practice as a pedagogical engagement with the concept of faithful witnessing, which refers to attending to modes of power unbalance that might go unnoticed, and to people's creative and resistant possibilities (Lugones, 2003; Figueroa-Vásquez, 2015). This activity is suggested to provoke reflections about how we understand and experience social difference and power unbalances. The work introduces a simple score (a creative prompt) to explore walking-with others, creating instructions to teach others our movement, learning others', and delving into conversations concerning the …

Spinning Plates, Anikó K.L. Sáfrán

Masters Theses, 2020-current

Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …

Reclamation: The Crown Of African American Identity, Lindsey Kellogg

English MA Theses

African American voices have been the main sources of influence on society and culture. For this reason, it is important that African Americans speak up and reclaim their voices. Not only are their voices important, but the stories that lie behind the voices are what need to be amplified. With the application of postcolonial theory, this thesis takes modern stories located in North America depicting racist behavior towards African Americans from the year 1970 to present-day New York City in order to fully amplify the process of social struggle. As these narratives are passed down through generations serving as a …

Reflections: Battling Body Image As A Dancer, Erika Shaffer

Undergraduate Honors Theses

Reflections is a dance I choreographed and performed on February 25, 2022 in studio 205 Campus Center Building at East Tennessee State University. The dance explores the relationship between a dancer’s mind and body and uses mirrors and repetition to express the dancers’ perception of their flaws and insecurities. The following thesis, Reflections: Battling Body Image as a Dancer, analyzes the artistic elements of the choreographic process, my experiences as a dance student at ETSU from 2018-2022, as well as my training in my youth. My research for this thesis involves exploring the history and craft of choreography including the …

Methods In Costume And Projection Design For Theatre, Jessica Wallace

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A report detailing multiple practices for theatre design in costumes and projection. It is focused on playscript analysis, the design process, and the final build of the design for production.

The Shape Of Things: A Theatrical Examination Of The Progression Of Emotional Manipulation, Kylee Lorio

Honors Projects

In Neil LaBute's work, The Shape of Things, graduate art student Evelyn Thompson meets security guard and future muse, Adam Sorenson, in an art museum during his late-night shift. Their meeting poses the question of just how far humans are willing to go for love. In less than two hours, LaBute’s insight regarding manipulation between intimate partners calls the integrity of our own interpersonal relationships into question. This project encapsulates the materials of Bridgewater College student Kylee Lorio while directing this production during the Covid-19 pandemic.

Selected Projects In Scenic Design, Sera Shearer

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A selection of scenic design projects completed in fulfillment of the Master of Fine Arts degree in scenic design at Utah State University.

Once In A Lifetime: Designing Hair And Makeup For The Era Of Sound, Olga Goupalova

Honors Theses

This thesis describes the design process of an undergraduate theatre student creating hair and makeup looks for a production of George S. Kaufman and Moss Hart’s Once in a Lifetime, presented by the University of Southern Mississippi in the Fall of 2021. This thesis involved a detailed analysis of characters, the collection of primary research from the Roaring Twenties period, and constant communication with both the production team and the performers in order to achieve the most functional yet aesthetically pleasing hair and makeup designs possible.

Keywords: Hair, Makeup, Design, Theatre, Once in a Lifetime, Roaring Twenties, George S. …

"To Control A Human Destiny:" Sound Design For Henrik Ibsen's Hedda Gabler, Allison Bucher

Honors Theses

This undergraduate thesis details the sound design process for the University of Southern Mississippi’s Fall 2021 production of Hedda Gabler by Henrik Ibsen. Through analysis of the script style of the play, research of the playwright, and collaboration with the artistic team, this student created and implemented an effective sound design for this production.

Keywords: sound, design, theatre, Hedda Gabler, Ibsen

Dontrell, Who Kissed The Sea: An Expedition Into Technical Direction, Joseph J. Shelly Jr

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The Nebraska Repertory Theatre, in partnership with the Johnny Carson School of Theater, Film, and Emerging Media Arts at the University of Nebraska – Lincoln, chose to produce Dontrell, Who Kissed the Sea in March of 2021. Playwright Nathan Alan Davis completed the play in 2017. He is originally from Rockford, Illinois, and a graduate of Indiana University. Dontrell was his second produced play, premiering in June 2014 at the Source Festival in Washington, DC. Several theatres since 2014 have produced the play, and ours was the third show of the 2021-2022 season. The director was Ron Himes, the Founder …

Dontrell, Who Kissed The Sea: An Exploration Of Scenic Design Process, Emma Laine Hoffbauer

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to provide research, supporting paperwork, production photographs, and other pertinent materials which document the scenic design for the University of Nebraska-Lincoln/Nebraska Repertory Theatre production of Dontrell, Who Kissed the Sea by Nathan Alan Davis. This thesis contains the following: research images collected to develop and communicate ideas regarding location, shape, texture, scale, mood, and historical and architectural reference to the production team; preliminary sketches and digital renderings, and photographs of the 1⁄4” scale model; a full set of drafting plates and painter’s elevations used to communicate finished appearance of each scenic element, a list …

An Analysis Of Charging Practices And Their Impact On Battery Degradation In North American Electric Vehicles Built Between 2010-2020, Douglas William Edward Ferrier

All-Inclusive List of Electronic Theses and Dissertations

Electric vehicles (EVs) are emerging as a component of the global solution to combat climate change. However, in North America, particularly in the United States and Canada, the transition away from internal combustion engines (ICE) has been slow. North America faces unique challenges due to its geographical size and population in comparison to other continents. The good news is that EV adoption is increasing within North America. Along with increased EV adoption, governments and public companies are constructing charging infrastructure to support increased consumer EV purchases. Despite increased adoption, many future and current owners throughout North American society have concerns …

Zanna, Don't! A Musical Fairy Tale

Theatre Programs

No abstract provided.

First Year Showcase: Producing The First Year Showcase As A Capstone To My Last Three Years At Umw Theatre, Cathryn Puglia

Departmental Honors & Graduate Capstone Projects

For the Department of Theatre at UMW, the First Year Showcase is one of the first opportunities to involve new students. It gives them an opportunity to learn more about the department in a friendly and casual environment during the fall semester. In Fall 2021 Cathryn Puglia took on the challenge of producing the show. The documentation is a journal and reflection of the entire process.

Theoretical Lighting Design: Little Shop Of Horrors, Lou Hillman

Departmental Honors & Graduate Capstone Projects

This senior project includes design concepts, storyboard images, a light plot, a magic sheet, three cue lists, and three videos of songs from the show cued in the EOS augmented 3D software.

Ar Fantasia: An Augmented Reality Musical Experience, Joe Geigel, Yunn-Shan Ma, Juilee Decker

Frameless

In 1940, Walt Disney Pictures released their third full length animated feature film, the classic film Fantasia. The concept and challenge behind Fantasia was simple: To merge music and visuals, using the media of animation, to provide an integrated backdrop for, and interpretation of, classical music. The complete film consisted of eight such animated sequences, each providing a visual landscape as a setting for a classical musical piece (Granata 2002).

Been Set Free: A Distributed Virtual Theatre Dance Performance, Joe Geigel

Frameless

For Frameless 2021, we present a fully realized example of virtual theatre. We define virtual theatre as a live theatrical performance, experienced on a stage in virtual reality, with participants in different physical locations (Geigel 2018).

Jet Of Blood Vr: First Playable Demo, Elizabeth Goins, Andy Head, Mason Hayes

Frameless

A VR staging of Anonin Artaud’s 1925 surrealist play, Jet of Blood. The project experiments with virtual reality as a means to reimagine performance and frame the player, the audience, as actor. Ideas from Artaud’s philosophy such as the Theatre of Cruelty are incorporated along with spatial storytelling and game design. The project also seeks to expand accessibility to deaf and hard of hearing audiences through use of particle and text effects to visually express audio and sound.