The Importance Of True Friendship As Exemplified Within Shakespearean Plays, 2020 Liberty University
The Importance Of True Friendship As Exemplified Within Shakespearean Plays, Gretchen Eckert
Senior Honors Theses
Friendship is a valuable, important relationship, because a friend possesses great influence over a person’s life. For this reason, a good friend with a positive character is indispensable. In the Bible, God defined a true friend as selfless, generous, loyal, and honest. William Shakespeare valued the influence of a loyal friend, and his plays include a broad range of friendships that illustrate the impact of a friend’s characteristics. In Macbeth, Banquo proves to be a true, supportive friend who points Macbeth towards God. In A Midsummer Night’s Dream, Hermia and Helena struggle with the selfishness that injures ...
On Voyeurism: Being Seen On The Modern Stage, 2020 Georgia Southern University
On Voyeurism: Being Seen On The Modern Stage, Megan M. Mobley
Electronic Theses and Dissertations
At the end of the nineteenth century, playwrights grew more interested in exploring the ramifications of the gaze, looking and being looked at. For existentialist Jean-Paul Sartre, the gaze causes a never-ending battle between our subjective selves, how we view ourselves, and our objective selves, or how others view us. The knowledge of the Other’s gaze allows us to self-reflect on our own existence. Sartre and Oscar Wilde each incorporate the gaze into their plays to explore the battle between our subjective and objective selves, gendered perception, differences in perception, and to undercut or demonstrates the dominant structures of ...
Directing Nocturne, 2020 Minnesota State University, Mankato
Directing Nocturne, Trevor Belt
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Directing. It is a detailed account of author Trevor Belt’s artistic process in directing Nocturne as a part of Minnesota State University, Mankato’s studio theatre season in the fall of 2019. The thesis chronicles the director’s artistic process from pre-production through performances in five chapters: a preproduction analysis, an historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.
"O'Me Alone?": Aristotle And The Failure Of Autarky In Shakespeare's Coriolanus, 2020 Vassar College
"O'Me Alone?": Aristotle And The Failure Of Autarky In Shakespeare's Coriolanus, Sarah Marshall
Senior Capstone Projects
This thesis offers an Aristotelian reading of Coriolanus, with the goal of assessing the viability of individual self-sufficiency. As political and moral treatises, Aristotle's Nicomachean Ethics and Politics are valuable intertexts through which Shakespeare’s more imaginative work may be analyzed. I draw on representations of self-sufficiency in both texts in order to consider two larger questions: whether total isolation is practicable, or even possible; and, on the other side, whether social and political expression are ‘merely’ desirable parts of life, or rather necessary for survival. I explore Coriolanus’s dialectic of dependence and self-sufficiency through three recurring themes ...
Der Performative Zauber Der Sirenen? Adornos Negative Dialektik Und Das Deutschsprachige Gegenwartstheater, Andreas Englhart
Convivium. Germanistisches Jahrbuch Polen
Why, in April 1969, did ADORNO, the philosopher of the student revolt, the advocate of the avant-garde from Schoenberg to Beckett, flee when he was faced with the performative actions of protesting students with naked breasts? The article discusses connections between ADORNO’S Dialectics of Enlightenment, Negative Dialectics and Aesthetic Theory and the aesthetics of today’s performative and post-dramatic theatre. For ADORNO, theatre remained a place of art, and the revolution did not come to fruition in the performative denial of meaning, in the cruel reality of “sirens”, and in deconstruction, but in the work of art itself, that ...
Symbolism In The Allegory: A Look At Apollo’S Lyre, 2019 Augustana College, Rock Island Illinois
Symbolism In The Allegory: A Look At Apollo’S Lyre, Keri Meinert, Emily Keiner, Anne Bak
2019 Festscrift: Claudio Monteverdi's Orfeo
This paper analyzes the symbolic meaning within Monteverdi’s operatic version of the fable of Orpheus, a demigod who has a talent for music. When Orpheus’ bride Eurydice died suddenly from a snake bite, he decides to seek her soul in the Underworld and bring her back to the land of the living. This task does not prove to be as easy for Orpheus as he initially thinks, when he finds himself losing her twice during the course of the five acts. To show how his journey unfolds, and the meaning behind each step, we will develop the symbolic meaning ...
Terrence Mcnally’S Universalizing Model: The Role Of Disability In Andre’S Mother; Lips Together, Teeth Apart; And Love! Valour! Compassion!, Alexa Burnstine
English (MA) Theses
In his works such as Andre’s Mother; Lips Together, Teeth Apart; and Love! Valour! Compassion!, playwright Terrence McNally utilizes categorically gay themes such as homophobia and living with HIV and AIDS in a time when little was understood about the illnesses. For these reasons, McNally critics customarily analyze McNally’s plays with a queer theory lens. This work examines those same topics and others, but with a critical disability lens. Inspired by Robert McRuer’s analytical partnership of queer, AIDS, and disabilities studies, this work assesses McNally’s use of various types of languages and finds the figures who ...
Healing Through Creativity And Creation: Drama Therapy As Treatment For Individuals With Eating Disorders, Hayley Werner
Student Scholar Symposium Abstracts and Posters
For those living with eating disorders, intervention and effective treatment can mean the difference between life and death. Conventional treatments, such as Cognitive Behavioral Therapy and Dialectical Behavioral Therapy, forms of talk therapy, and Nutritional Counseling, focus solely on the psychological patterns or nutritional science of eating disorders. Though these treatments are effective for some individuals, there is a gap in treatment options that address both the mind and body as one and appeal to the humanity of patients outside of their disorder(s). Herein lies the power and potential of integrating drama therapy as a widely available treatment. Drama ...
A Review Of Annika Mann, Reading Contagion, By Michael Edson, 2019 University of Wyoming
A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Annika Mann, Reading Contagion, by Michael Edson
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, 2019 Texas Christian University
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Novel Ventures: Fiction and Print Culture in England, 1690-1730 by Leah Orr by Susannah Sanford
The Power Of Modern Othello, 2019 Northern Michigan University
The Power Of Modern Othello, Akasha Khalsa
No abstract provided.
Mini-Actors, Mega-Stages: Examining The Use Of Theatre Among Children And Youth In U.S. Evangelical Megachurches, 2019 Louisiana State University and Agricultural and Mechanical College
Mini-Actors, Mega-Stages: Examining The Use Of Theatre Among Children And Youth In U.S. Evangelical Megachurches, Carla Elisha Lahey
LSU Doctoral Dissertations
How do children and youth first encounter the performing arts? While schools may stand out as an obvious answer, a recent study conducted by the U.S. Department of Education shows that the percentage of public schools offering theatre classes dropped at both the primary and secondary level from 2000-2010 (Brenchley). Yet, even as arts offerings experience a decline in some public schools, many students are being introduced to performance through another venue – the evangelical megachurch.
Since the birth of the church growth movement in the 1970s, megachurches (defined as Protestant congregations that average at least 2,000 weekly attendees ...
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., 2019 The University of Western Ontario
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan
Electronic Thesis and Dissertation Repository
Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la ...
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, 2019 Valparaiso University
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr
Undergraduate Honors Papers
Pocahontas is a figure with much cultural capital, even today, and her influence was historically important to Native and European agendas alike. Pocahontas as a person indeed had a life that seemed to influence political relations between Native and European (specifically Powhatan, specifically English). However, the storied construct of Pocahontas has had significantly more cultural sway, influencing (or at least representing changes in) everything from gendered power dynamics to the interplay between the European Colonizer and the Indigenous Other.1 Pocahontas’ image has been re-appropriated over and over throughout time to further political agendas and to represent the female and ...
We’Re Late; But We Made It: A Brief Analysis And Comparison Of Characterization And Storytelling In Pre And Post-World War American Theatre, Jasmine Binford
McNair Scholars Research
As the effects of the World Wars hit the American people, playwrights responded to the grief and passion of the country with a new approach to theatrical storytelling. After World War I and II, American playwrights finally made it to the movement that had been sweeping through Europe for five decades: realism. Theatres began exploring real emotion, action, and characters in their stories. This research will explore the journey of transitioning from American melodrama to American modernism using characterization and storytelling methods. Critiques from contemporaries and the works form each movement will be used as primary sources.
Rewriting Greek Tragedies As Immigrant Stories, 2019 Linfield College
Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner
In this piece originally published in the New York Times, Daniel Pollack-Pelzner writes about Mojada, Luis Alfaro's adaptation of the Greek tragedy, Medea. Mojada is part of a trilogy from Alfaro that attempts to bring his Latino community into modern theater by writing them into classical plays.
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, 2019 University of Massachusetts Amherst
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing on ...
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, 2019 Marie Curie-Sklodowska University
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
La ciencia ficción no es uno de los géneros más practicados en el teatro español del siglo XX. Ello no obsta para que exista algún que otro título merecedor de atención y estudio. El presente artículo se centra en Sodomáquina, del italiano afincado en España Carlo Frabetti (Bolonia, 1945). Publicada en 1970 en las revistas especializadas –en ciencia ficción y en teatro, respectivamente– Nueva Dimensión y Yorick, constituye uno de los más dignos intentos de aclimatar el género en las tablas, con todo su potencial imaginativo y discursivo. En nuestro análisis, valoramos su condición de distopía crítica, así como el ...
Undocumented Crime In Juan Mayorga’S Animales Nocturnos, 2019 Marquette University
Undocumented Crime In Juan Mayorga’S Animales Nocturnos, Jeffrey K. Coleman
Studies in 20th & 21st Century Literature
The link between criminality and immigration is often personified in the undocumented immigrant. As nations have constricted the flow of immigrants, laws have inscribed a criminal culpability attached to the lack of documentation. The lack of papers becomes such a part of their persona that in Spanish the colloquial term for an undocumented immigrant is a sin papeles ‘illegal immigrant.’ Juan Mayorga’s chilling 2003 play Animales nocturnos (Nocturnal) explores the lengths to which laws can be used to criminalize and psychologically abuse undocumented immigrants. This paper will explore how immigration law manifests itself in the play and how said ...
An April Anarchy: Non-Realist Dramaturgical Approaches To Christopher Fry’S The Lady’S Not For Burning, 2019 University of Puget Sound
An April Anarchy: Non-Realist Dramaturgical Approaches To Christopher Fry’S The Lady’S Not For Burning, Molly S. Mclean
Honors Program Theses
The author uncovers historical approaches and contexts of Christopher Fry's The Lady's Not for Burning to justify recommendations for future productions. She argues that this play can be successful through non-realist dramaturgy, as the rise of absurdism and kitchen-sink dramas in England in the years following the play's debut prioritized realism and image over language. Language is the key to The Lady's Not for Burning and only through using image, collective ownership of the text, and unified aesthetics will an audience today be able to enjoy The Lady's Not for Burning. The author posits these ...