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2,136 full-text articles. Page 74 of 76.

Pappert Center Dedication, 2011 Duquesne University

Pappert Center Dedication

TEMPO

No abstract provided.


Tempo Interviews Dean Edward Kocher, 2011 Duquesne University

Tempo Interviews Dean Edward Kocher

TEMPO

No abstract provided.


One To Watch — Anthony Rankin, 2011 Duquesne University

One To Watch — Anthony Rankin

TEMPO

No abstract provided.


Table Of Contents, 2011 Duquesne University

Table Of Contents

TEMPO

No abstract provided.


Tempo Magazine Winter 2011 (Spreads), 2011 Duquesne University

Tempo Magazine Winter 2011 (Spreads)

TEMPO

No abstract provided.


Robert Cameron’S Quarter Century, 2011 Duquesne University

Robert Cameron’S Quarter Century

TEMPO

No abstract provided.


May We Strive To Be Saints, Howard Hughes S.M. 2011 University of Dayton

May We Strive To Be Saints, Howard Hughes S.M.

Musical Compositions about the Marianist Charism

Prayer of Father Chaminade


The Mexican Hydra: How Calderón's Pursuit Of Peace Led To The Bloodiest War In Mexican History? Will The Mexican People Inherit A Failed State In 2012?, Marco A. Pinon-Farah 2011 Claremont McKenna College

The Mexican Hydra: How Calderón's Pursuit Of Peace Led To The Bloodiest War In Mexican History? Will The Mexican People Inherit A Failed State In 2012?, Marco A. Pinon-Farah

CMC Senior Theses

THE MEXICAN HYDRA: HOW CALDERÓN’S PURSUIT OF PEACE LED TO THE BLOODIEST WAR IN MEXICAN HISTORY. WILL THE MEXICAN PEOPLE INHERIT A FAILED STATE IN 2012?

Abstract

 

Marco Antonio Pinon-Farah

The drug-war in Mexico (2006-present) has accelerated at a chilling rate, claiming the lives of 35,000 Mexican people. Since President Felipe Calderón assumed office, Mexico has been battling an internal beast unlike any it has known, the Mexican Hydra. Like the mythical creature, the Mexican cartels have proven capable of not only combating the government forces, but also of regenerating and strengthening themselves in the face of increasing government scrutiny …


Third Totally Huge New Music Festival Conference Program, 2011 Edith Cowan University

Third Totally Huge New Music Festival Conference Program

Sound Scripts

No abstract provided.


Title Page, 2011 Edith Cowan University

Title Page

Sound Scripts

No abstract provided.


Copyright Page, 2011 Edith Cowan University

Copyright Page

Sound Scripts

No abstract provided.


Contents Page, 2011 Edith Cowan University

Contents Page

Sound Scripts

No abstract provided.


Sonic Pleasure, Absence And The History Of The Self: An Alternative Approach To The Criticism Of Sound Art, Jonathan W. Marshall 2011 University of Otago

Sonic Pleasure, Absence And The History Of The Self: An Alternative Approach To The Criticism Of Sound Art, Jonathan W. Marshall

Sound Scripts

Historical, psychoanalytic and cinema criticism have characterised the history of Western modernity and the individual subject as founded upon an affective lack. Pleasure is solicited by the promise of fullness, but this is never fulfilled, fuelling further desire. Sound art however is more typically theorised as inherently present and immersive, as a form that offers direct experience, which literally touches the subject. I draw upon the work of Jonathan Sterne, Steven Connor, psychoanalysis and film criticism to rearticulate not just modernist media and subjectivity as characterised by lack and absence, but the perception of aestheticised sound. Starting with an analysis …


Master And Slave In The Music Of Coil, Drren Jorgensen 2011 University of Western Australia

Master And Slave In The Music Of Coil, Drren Jorgensen

Sound Scripts

For Theodor Adorno, pop music perpetuates thedrudgery and alienation of working class existenceby providing a distraction from it. This paper turns toa similar critique of pop music, in the work of Coil.Born out of the UK industrial scene, Coil distort thepop song format, reproducing and appropriating itssounds with cynical manipulations. This cynicismshines through a mastery over the forms of popmusic and its sounds, that Coil configure withoutveering into pop's more explicit commercialism. Byestranging the familiarity of pop music, Coil point tohow listeners are enslaved by the industrial mode ofmusical alienation, by reproducing this alienation in anew way.


Authors/Presenters, 2011 Edith Cowan University

Authors/Presenters

Sound Scripts

No abstract provided.


Influence Of Rap And Hip-Hop Lyrics On Male Body Image And Attitudes Toward Wwomen, Lorena Munoz 2011 University of Nevada, Las Vegas

Influence Of Rap And Hip-Hop Lyrics On Male Body Image And Attitudes Toward Wwomen, Lorena Munoz

McNair Poster Presentations

Rap and hip-hop music are a widely popular and accessible genre of media. Its popularity and controversial lyrics raise questions as to the effects it may have on its audience. This study proposes to investigate the influence of rap and hip-hop music will be correlated with higher mean levels of thin-ideal appearance internalization (INT-GEN), negative attitudes towards women, and cultural expectations of masculinity compared to published normative data. Participants will complete online measures addressing questions about their body image (e.g. drive for muscularity) and attitudes toward women (e.g. objectification and misogyny). Future research should compare the influence of rap and …


Leading Unconducted Chamber Vocal Ensembles: A Case Study Of The University Of Northern Iowa Varsity Men's Glee Club Camerata, David Hoobler 2011 University of Northern Iowa

Leading Unconducted Chamber Vocal Ensembles: A Case Study Of The University Of Northern Iowa Varsity Men's Glee Club Camerata, David Hoobler

Honors Program Theses

Recently, unconducted chamber vocal ensembles have emerged as one of, if not the most popular forms of vocal performing groups. TV shows such as "The Sing Off' and "Glee" showcase the musical abilities of this type of ensemble. Barbershop quartets enjoy high levels of popularity. Professional groups such as Voces8 and other groups on many college campuses are constantly in demand for performances. In addition, educators find it necessary to learn how to lead these groups especially in the state of Iowa where quartets are used for All-State auditions, and the popularity of Show Choir necessitates an unconducted vocal ensemble …


Differences In Depression Levels Among Tenors, Baritones, And Basses, Rhiannon Jane Talbot 2011 University of Northern Iowa

Differences In Depression Levels Among Tenors, Baritones, And Basses, Rhiannon Jane Talbot

Honors Program Theses

Music and speech are closely related to one another. Both have specific elements, such as average fundamental frequency, pitch variation, and speed, to accurately communicate emotion. Some emotions have characteristic speech patterns; in the case of sadness, a low mean fundamental frequency, slow speed of speech, and minimal pitch variation are common. Both music and speech also utilize physical metaphors (up/down, high/low, etc.) to express positivity and negativity. The study was intended to determine whether male vocal register correlated with levels of depressive symptoms. Specifically, tenors were expected to have lower levels of depression than baritones and basses. Participants (16 …


Buddy Defranco, The Standard Bearer, John M. Cipolla 2010 Western Kentucky University

Buddy Defranco, The Standard Bearer, John M. Cipolla

Music Faculty Publications & Performances

Interview with Buddy DeFranco, master jazz clarinetist.


A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer 2010 University of Nebraska-Lincoln

A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular pieces in the saxophone literature, commonly played by professional saxophonists during their training. It features exciting rhythmic devices like irregular and mixed meter, the notation of which is the main focus of this paper. Although Creston often used irregular and mixed meter in his compositions, he rarely specifically notated them, choosing instead to use accents, beams, slurs, and other phenomenal cues at the musical surface to create the effect of these metric plans. Time signatures often remained constant throughout entire movements. Creston believed this would …


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