News And Notes,
2011
Duquesne University
Christine Jordanoff Celebrates 25 Years,
2011
Duquesne University
Keys Of Distinction,
2011
Duquesne University
“Degenerate” Music Recital,
2011
Duquesne University
Quadratomic Reprise,
2011
Duquesne University
Not Fiddling Around,
2011
Duquesne University
All For A Song,
2011
Duquesne University
Live Lobby Music,
2011
Duquesne University
Pappert Center Dedication,
2011
Duquesne University
Tempo Interviews Dean Edward Kocher,
2011
Duquesne University
One To Watch — Anthony Rankin,
2011
Duquesne University
Table Of Contents,
2011
Duquesne University
Tempo Magazine Winter 2011 (Spreads),
2011
Duquesne University
Robert Cameron’S Quarter Century,
2011
Duquesne University
May We Strive To Be Saints,
2011
University of Dayton
May We Strive To Be Saints, Howard Hughes S.M.
Musical Compositions about the Marianist Charism
Prayer of Father Chaminade
Third Totally Huge New Music Festival Conference Program,
2011
Edith Cowan University
Third Totally Huge New Music Festival Conference Program
Sound Scripts
No abstract provided.
Title Page,
2011
Edith Cowan University
Copyright Page,
2011
Edith Cowan University
Contents Page,
2011
Edith Cowan University
Sonic Pleasure, Absence And The History Of The Self: An Alternative Approach To The Criticism Of Sound Art,
2011
University of Otago
Sonic Pleasure, Absence And The History Of The Self: An Alternative Approach To The Criticism Of Sound Art, Jonathan W. Marshall
Sound Scripts
Historical, psychoanalytic and cinema criticism have characterised the history of Western modernity and the individual subject as founded upon an affective lack. Pleasure is solicited by the promise of fullness, but this is never fulfilled, fuelling further desire. Sound art however is more typically theorised as inherently present and immersive, as a form that offers direct experience, which literally touches the subject. I draw upon the work of Jonathan Sterne, Steven Connor, psychoanalysis and film criticism to rearticulate not just modernist media and subjectivity as characterised by lack and absence, but the perception of aestheticised sound. Starting with an analysis …
