Other Music Commons^™

In The Presence Of A Legend: Mary Palchak Remembers Henri Temianka, Mary Palchak, Charlotte Yoder

Chapman University Temianka Music Research Scholar Program

This interview captures flutist and Chapman University instructor Mary Palchak’s memories of working with Henri Temianka in the California Chamber Virtuosi series and his Los Angeles children’s concerts, highlighting his humor, kindness, audience rapport, and deep commitment to music education.

To Speak In Your Voice: An Exploration In Improvisational Technique, Ezekiel E. Meyer

Composition/Recording Projects

Many iconic musicians have their own unique musical voices, which are found and developed in a variety of ways. Many musicians have a goal of developing their own voice, but struggle to understand how this process occurs. This production paper explores several techniques through the process of recording the album To Speak in One's Voice, providing guidance on how a musician's voice can be identified and nurtured. Improvisational techniques such as pentatonic substitution and harmonic superimposition are discussed, as well as compositional and technological techniques, all within the context of developing a musician's voice. Through this paper, a musician can …

The History And Legacy Of The Monterey Jazz Festival, Ana Mendez

Capstone Projects and Master's Theses

The Monterey Jazz Festival holds a strong legacy in the world of jazz. Nestled in the Monterey Bay area, the festival's musical lineups entertain locals and travelers from around the world each year. Topics that are discussed within this paper are the inception of the festival, Monterey before the festival, Monterey Jazz Festival co-founders, Jimmy Lyons and Ralph Gleason, major works of art debuts at the festival including The Real Ambassadors, the international influence at the festival, the educational endeavors of the Monterey Jazz Education Team, and the 2025 rebranding of "Monterey Jazz".

Developing The Ability To Arrange For Jazz Ensembles, Cameron Jordan

Theses/Capstones/Creative Projects

This capstone consists of six jazz arrangement projects of increasing complexity that were done in the spring semester of 2024 by myself. The six arrangements have been attached via pdf in the sequential order they were created throughout the semester. Each attached arrangement includes a word schematic detailing what each section of the song is specifically doing from an arranging perspective, a score that lines up each instrumental part acting as a roadmap for the songs, and individual parts for each instrument so that the songs can be played by ensembles equipped with the proper instrumentation. The first two projects …

The Beat Behind The Bark: Investigating The Effects Of Music Tempo On Canine Physiological And Psychological States, Marley Lanier

Poster Presentations

Music is a universal component of human culture that has been demonstrated influencing emotional, cognitive, and physiological responses, specifically heart rate and hormonal responses (Mehr et al., 2019; Trappe, 2012). Recently, this research has expended to explore how music may affect non-human animals, particularly dogs, due to their roles as therapy animals, service animals, and human companions (Lindig et al., 2020; Gee et al., 2021). Being able to understand how music influences canine stress and relaxation hold important applications in environments such as shelters, veterinary clinics, and at home. One important feature of music is tempo, or beats per minute …

Pro Rege Chr. Brass Band: A Century Of Sound, Jonathan T.J. Henneveld

Dissertations

The Christian Brass Band Pro Rege of Heerenveen, The Netherlands, celebrated its one hundredth birthday in 2024. As one of the most prominent community-based brass bands in the region, Pro Rege is part of a Dutch wind ensemble tradition that goes largely undocumented. While they and other bands like them function as cultural and educational institutions, academic literature remains limited, almost ignoring them completely. This dissertation wishes to address this oversight by providing an historical study of the brass band from its establishment in 1924 to the present day.

Starting out in the Dutch ensemble tradition of the Fanfare band, …

That Song Sounds Familiar: An Analysis Of U.S. Copyright Considerations In Popular Music, Jessica Johnson

Honors Theses

Much of popular music has started to bear resemblance to songs of the past as artists rely on techniques, including sampling and interpolations, to ensure their song is a guaranteed hit. But what are the legal implications behind that, and is the line between inspiration and copying getting blurred? This thesis aims to consider the precedent of copyright law as applied to modern musical works and how the landscape of popular music has evolved over time to raise more copyright concerns. It also looks at two modern case studies of musical inspiration that have resulted in legal claims: the song …

Do Not Dismiss: How Community Is Built Through Kpop And Their Fandoms, Re Steinberg

Senior Seminars and Capstones

Fans of the music genre Kpop have been dismissed as juvenile or unimportant by some scholars and social commentators. Existing scholarship tends to focus on how the kpop fandom creates a space where the fans form groups amongst themselves, ex: dance cover groups, rather than how the fandoms influence individual motivations and benefits of participation. My aim with this study is to consider the effects that Kpop fandoms have on how fans identify and present themselves, feel a sense of belonging, and partake in the creative process. By using methods of oral history and content analysis of online social spaces, …

The History, Development, And Continual Evolution Of The Percussion Theatre Genre, Steven L. Wimberley

LSU Doctoral Dissertations

During the twentieth century, artists in every discipline sought to create new, original art that would both challenge societal norms and expand their respective art to new extremes. This expansion in contemporary music saw the emergence of electronics, chance elements, “found sounds,” speaking, acting, and physical gestures. As we continue through the twentieth century, we also see the onset of the percussionist as an independent musical artist and a desire for original music for percussion. The intersection of these new developments created what is known as percussion theatre.

Percussion theatre can be broadly defined as a genre of musical composition …

‘It’S The Best Person For The Job’: Gendering Logic And The Hiring Practices Of Music Organisations In Ireland, Yvonne Kiely Dr

Irish Communication Review

Despite calls for reform in the allocation of jobs in music industries, little is known about how music organisations operate internally and the day-to-day realities that male and female workers must navigate. Findings of bullying and harassment in the arts sector by the Irish Theatre Institute prompted the Irish government in 2022 to issue a set of recommendations aimed at reforming the working conditions and gender divisions of labour of arts sector organisations under its remit. These recommendations were made in the absence of academic studies of music organisations in Ireland, and in the absence of centralised data about these …

Rock On! Examining The Relationship Between Armed Conflict And Rock Protest Music, Dylan Conner Dunn

Senior Theses

This thesis explores the relationship between rock protest music and wars, armed conflicts, and other related events. The purpose of this research is to explore how such specific events, or war and conflict in general, influence rock songwriters. This paper examines a series of nine rock songs ranging across five decades, from the Vietnam War to the 2010s. A variety of artists wrote and recorded these songs, ranging from hard rock to classic rock, to folk rock and beyond. Some are more audially intense, lyrically visceral, and featuring explicit language, whereas others are much more stripped-back and “family-friendly.” Each of …

Artificial Intelligence And Music Creativity: The Human Element And An Exploration Of Possibilities, Benjamin J. Guerrero, Raffaella Borasi, David Miller, Blaire Koerner, Zenon Borys, Yu Jung Han, Rachel Roberts

Journal of the Association for Technology in Music Instruction

Artificial Intelligence (AI) is widely recognized as a potential game-changer for music-making. However, the direction of these changes and the extent of their impact on the music field will depend on how musicians use AI, which partly hinges on their perceptions of AI and their willingness to engage with it. Debates are ongoing about AI’s impact on creative fields, and we anticipate that musicians’ views on these matters will significantly influence their readiness to incorporate AI into their work. We interviewed 43 participants who use technology in various roles across different music genres to gain insight into their experiences with …

Leonard Bernstein In Context, Edited By Elizabeth A. Wells, James Leve

Music & Musical Performance: An International Journal

No abstract provided.

Contributors To Issue 7

Music & Musical Performance: An International Journal

No abstract provided.

Aesthetics Of Pop Music, By Diedrich Diederichsen. Hoboken: Polity Press, 2023 [Review]., Michael Mario Albrecht

Music & Musical Performance: An International Journal

No abstract provided.

The Lesser-Known Choral Works Of Camille Saint-Saëns, Nicholas Newman

Doctoral Scholarly Projects & Capstones

This conference-style presentation will focus on the repertoire of Camille Saint-Saëns (1835-1921). While his Ave Maria setting and Requiem Mass have continued to be widely performed well after his death, Saint-Saëns left behind an oeuvre of over sixty choral works. This presentation aims to highlight these works, making them applicable for choral ensembles of a variety of size, level, and voicing. Saint-Saëns’s choral output consists of triumphant, nationalistic TTBB settings, several accessible motets, SSA and SATB pieces depicting mythology, nature, and romantic heroes’ journeys, and even chansons featuring the composer’s own poetry. Score packets will be provided in advance, as …

Livestreaming A Doitocracy: Platform-Jumping Participatory Practices In Modular Synthesis Gear Cultures, Eliot Bates

Publications and Research

Earth Modular Society (EMS) is a cross-platform community dedicated to live hardware modular synthesis, with their primary efforts going into a 24/7 modular “radio station” that livestreams on Twitch and YouTube, and a supporting Discord chat server. Although part of the broader modular synthesis gear culture (a large-scale social formation that coalesces around specific classes of fetishized technical objects), EMS represents a new development in gear cultures as it foregrounds live performance and minimizes the accrual of status via conspicuous consumption. The normative governance structures of platform-specific gear culture communities preclude all but one or a handful of users from …

Guitar Amplifier Directivity, Rachel C. Edelman, Brian E. Anderson, Samuel D. Bellows, Timothy W. Leishman

Directivity

No abstract provided.

Interpretable Repertoire Search For Computer Supported Aural Skills Teaching: A Searchable Sia Based Digital Companion, Peter G. Fielding

Bailey School of Music Faculty Publications

Aural skills teaching depends heavily on repertoire selection, yet many large print and heritage song collections remain difficult to search in pedagogically meaningful ways. Teachers may need melodies with limited pitch collections for early solfège, modal examples for comparative listening, or repertory with controlled chromatic complexity, but such features are rarely indexed in printed sources. This paper proposes a computer-supported response to that problem: a searchable, rights-aware digital companion built around tonic-centered successive interval arrays (SIAs). SIAs provide an interpretable representation of pitch space by encoding the cyclic step pattern among the pitch classes present in a melody after tonic …

Digital Docent: An Analysis Of Accessibility In The Digital Music Space, Erin L. Fowler

Theses and Dissertations

The world is constantly changing and growing, most often seen through advances in technology. When it comes to the world of music, the same can be said, and digitization of musical material is moving at a faster rate than ever before. With the influence that music has on society and considering new ways of making music more accessible to the general public through the public-facing museum format, I wanted to examine how digital music museum exhibits and experiences can be made accessible and if it is possible to fully represent what an in-person exhibit can offer. In 2010, Smithsonian created …