History of Art, Architecture, and Archaeology Commons^™

Highway 3: The Late Ottoman Ceramics, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

A small, ceramic vessel assemblage dated to the late Ottoman period is presented here. The assemblage consists of household ceramics, including a variety of Black Gaza Ware vessels and handmade cooking pots. A rather large number of probably locally made ceramic smoking pipes are also part of this assemblage.

Highway 3: Late Persian, Hellenistic And Roman Pottery, Ilan Peretz

Qadum: Journal of Excavation Reports from Israel

The pottery in this report was recovered from the salvage excavation along Highway 3, at the former Ottoman villages of es-Sawafir el-Gharbiya and es-Sawafir esh-Sharqiya. The finds presented here date from the late Persian, Hellenistic and Roman period. The Roman pottery is attributed to the late first–second centuries CE and includes fine wares (mainly ESA), cooking vessels and imported amphorae and lamps.

Highway 3: The Iron Age Pottery, Svetlana Talis

Qadum: Journal of Excavation Reports from Israel

The excavations along Highway 3 yielded pottery from the Iron Age. The finds were retrieved from fills without clear stratigraphic context, and no architectural remains from the Iron Age were identified. The vessels are therefore presented chronologically, dating from the Iron Age IIA and IIB (tenth–eighth centuries BCE), based on parallels from sites in Judaea, the Shephelah and the southern coastal plain, such as Tel Lakhish, Tel Batash, Tel es-Safi and Tel Ashdod. The Iron Age IIA pottery comprises Philistine-style kraters and chalices, while the Iron Age IIB artifacts include open, rounded and carinated bowls, cooking pots and holemouth jars. …

Highway 3: Architectural Remains From The Late Hellenistic, Late Roman–Early Islamic And Late Ottoman Periods, Davida Eisenberg-Degen

Qadum: Journal of Excavation Reports from Israel

Excavations along Highway 3 revealed intermittent occupation, with remains from the late Hellenistic, Late Roman, Byzantine–Early Islamic and Ottoman periods, as well as earlier unstratified pottery from Iron Age II. The late Hellenistic period is represented by a winepress, likely associated with a rural farmstead. A winepress and a hypocaust, dated to the Late Roman–early Byzantine periods, may reflect the expansion of the settlement exposed in previous excavations to the east of the present excavation. Byzantine–Early Islamic remains include pottery-production facilities comprising potter’s wheels, levigation pools and slags. The latest remains date to the eighteenth–nineteenth centuries (late Ottoman period), reflecting …

An Analysis Of Katsinam Figurines In The University's Gendler Collection, Sam Rekstad

Undergraduate Research Symposium (2026- )

After a cultural shift in the late nineteenth and early twentieth centuries, Euro-American collectors and ethnologists took a significant interest in sacred indigenous objects such as the Hopi Katsinam figurines, which spurred transformations in the ways the figurines tended to be stylized, as well as in how they were circulated. Such figures were initially created solely for ritual and communal purposes, but in modern and contemporary times, they are often created by makers who identify themselves as artists. In this project, I study the history surrounding the creation and distribution of Katsina figurines and also examine selected Katsina figurines in …

Hotels As Placemakers In Downtown Los Angeles, 1890-1950, Chrissie Alea Rensing, Megan Kendrick

Seaver College Research And Scholarly Achievement Symposium

Early twentieth-century Los Angeles is often characterized as a rapidly expanding metropolis shaped by informal segregation along lines of race, class, and gender. Yet within this landscape, hotels and lodging houses sometimes functioned as unexpected sites of inclusion and community for marginalized populations. This project investigates how these spaces of hospitality served women and racial minorities between 1890 and 1950 in Los Angeles. Drawing from recent scholarship from Natalia Molina and others, we set out to examine the role of vernacular hotel architecture and the “placemakers” who operated them.

The project involved examining hundreds of handwritten census pages and original …

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Digressions Of Vision: Elihu Vedder’S Artistic Evolution, Stella Morris

Art and Art History

This thesis examines the artwork of prolific American artist Elihu Vedder (1836-1924), utilizing his eccentric yet comprehensive autobiography The Digressions of V (1910) as its grounding source. Despite enjoying a successful, sixty-year career, Vedder has posthumously sunk into relative obscurity in American art history. I postulate that Vedder’s artwork has been largely overlooked because of his breadth in style, creating an inability to classify his art within a single movement. Vedder drew upon the creative traditions of Romanticism, Aestheticism, Symbolism, and greatly admired the art and philosophy of the British Pre-Raphaelites. In addition to artistic variety, Vedder also lived most …

From Lino To Luxury: Class, Taste And Identity In The Mid-Twentieth Century Irish Provincial ‘Good Room’, Angela Mehegan

Irish Communication Review

The aim of this paper is to position issues of class and taste within the context of the home and through the lens of the domestic in mid-twentieth century provincial Ireland from the early 1950s to the early 1970s. This was a time of unprecedented economic growth and heralded a period of social and cultural change. Our homes and the artefacts we surround ourselves with are central to our sense of self and how we wish to be seen by others. Issues of class, taste, status, gender, and aesthetic possibilities are unpacked by focusing on the ‘Good Room’ as a …

Back Matter

Tenor of Our Times

Back Matter

Faculty Spotlight: Dr. Jr Duke, David T. Richardson

Tenor of Our Times

Faculty Spotlight

For They Shall Inherit The Earth: Humility And The Constructed Etruscan And Carolingian Origins Of The Medici, William M. Deloach

Tenor of Our Times

The Italian Renaissance and the cultural legacy of the Classical World are inextricably linked. The links between the non-classical sources and the Renaissance, however, have frequently been neglected. This article examines the non-classical origin claims made by the Medici family in Renaissance Florence. Specifically, it evaluates the purpose behind the Medici's attempts to link themselves to the Etruscans and to Charlemagne. Ultimately, it concludes that these efforts represent an attempt to conceal the significant authority the Medici had, both at the time that these sources were written and in Florentine history through the fifteenth century.

Front Matter

Tenor of Our Times

Front Matter

Full Issue

Tenor of Our Times

Full Issue

Spotlight - Mecca Mejor, William Deloach

Tenor of Our Times

Staff Spotlight

One Of These Things Is Not Like The Other: Differences Between The New Deal And Great Society, Brayden T. Gallagher

Tenor of Our Times

This paper examines the differences between the New Deal of Franklin D. Roosevelt and the Great Society of Lyndon B. Johnson, challenging the prevailing interpretation that the latter administration was the logical continuation of the former. Through comparative historical analysis of policy and rhetoric, the research finds that, despite clear similarities such as expanded government involvement and social welfare programs, the two initiatives diverged significantly. The New Deal prioritized economic recovery through short-term job creation while often tolerating or reinforcing racial inequality. In contrast, the Great Society directly confronted systemic racism and struck at the roots of poverty through education, …

Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet

Undergraduate Honors Thesis Projects

This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …

Editor's Note, William Deloach

Tenor of Our Times

Editor's Note

Speculative Spies: The Pinkerton National Detective Agency, Business, And Labor Conflict In The Gilded Age, Luke M. Gibbs

Tenor of Our Times

The Pinkerton Agency molded into an “arm of capital” used by the wealthy against labor during the Gilded Age. However, such a transition seems confusing given the life of the company’s founder. Allan Pinkerton, once a champion of workers’ rights in his home country of Scotland, seemingly used his agency to side with the wealthy elite. In explaining these shifts, historian Sean Paul O’Hara agrees with a “profits and negative image” narrative. The poor financial position of the agency, coupled with a battered reputation resulting from failures in the American West, would be remedied through the lucrative business that was …