History of Art, Architecture, and Archaeology Commons^™

Qualitative Versus Quantitative Analysis Of Entheses: Using An Ordinal Scale And 3d Scanned Metrics To Understand Entheseal Differences In The Charity Hospital Cemetery (16or108), Gillian Stewart

LSU Master's Theses

Using a sample from New Orleans’ Charity Hospital Cemetery (16OR108), an analysis between ordinal scores and digital quantitative analysis (DQA) measurements of the entheses (muscle attachment sites) was performed. The skeletal elements (n = 235) examined were the humerus, radius, femur, and tibia. The entheses were 3D scanned using an Artec Space Spider scanner and processed with the Artec Studio Professional© v.2018 and Geomagic Wrap® v.2021 software. Entheses were analyzed by: left and right sides, male and female, and distribution of scores across elements. The analyses yielded significant differences between proliferative and erosive score distribution. Scores between elements exhibited variation. …

Two Wrestlers: An Unrealized Herculean Pendant To Michelangelo’S David, Theodore Mayberry

Knowledge and Creativity Expo

Following the completion of Michelangelo’s David 1504, Gonfalonier Piero Soderini presented the emerging Florentine artist with a proposal for a second statue on behalf of Florence’s government: a statue of Hercules to stand alongside the David at the entrance of the Palazzo Vecchio. Michelangelo readily accepted, however the commission never came to be; what remains of Michelangelo’s vision for the Herculean pendant now resides in the Casa Buonarroti Museum of Florence: a rough terracotta model of Hercules and Cacus. Upon review of the scholarship documenting Michelangelo’s unrealized Hercules as well as his David, an intriguing pattern can be observed …

Spirituality In Abstraction: The Female Future In 20th-Century Art, Lauren T. Sargent

Epochs Art History Journal

No abstract provided.

Fire On Water: The Destructive Forces Behind The Sixteenth Century Naval Battle, Felicia M. Else

Art and Art History Faculty Publications

No abstract provided.

Sheikh ḤIlu: The Late Ottoman Ceramic Assemblage, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

A small assemblage of ceramic artifacts, dating to the late Ottoman period, was recovered from excavations at Sheikh Ḥilu. The assemblage is typical of the period, including locally produced vessels made of Black Gaza Ware and other coarse wares, as well as a few items of imported glazed tableware. The ceramic smoking pipes, characteristic of the Ottoman period, span from the seventeenth to the early twentieth century and could have been made locally or imported from one of the many pipe-making workshops in the Ottoman Empire.

Sheikh Ḥilu: The Medieval Pottery Assemblage, Elisabeth Yehuda

Qadum: Journal of Excavation Reports from Israel

This article examines the pottery assemblage unearthed during the excavations at Sheikh Ḥilu. It comprises a variety of local and imported vessels, including unglazed and glazed bowls, frying pans, cooking pots and jugs. These vessels range in date from the twelfth century to the early Mamluk period but converge during the thirteenth century, thus testifying to a settlement at Sheikh Ḥilu during the late Crusader period.

Sheikh Ḥilu: A Crusader Structure And Additional Remains From The Iron Age And Late Ottoman Period, Yoav Arbel, ‘Abed A-Salam Sa‘Id

Qadum: Journal of Excavation Reports from Israel

Excavations at the site of Sheikh Ḥilu in Ḥadera revealed the remains of a possible manor house or farm dating from the Crusader period. The partially exposed two-phase complex is a rare example of a settlement from this period in the Sharon plain. Careful planning and relatively high construction quality attest to its significance; however, apart from its solid architecture, there is no evidence of fortification. The site underwent a non-violent abandonment at the end of the Crusader period, after which it was temporarily settled by squatters. In the late Ottoman period and the early twentieth century, this was the …

Khirbat Shumeila: Buildings From The Persian And Hellenistic Periods And Installations In Their Surroundings / ח'ירבת שומילה: מבנים מהתקופות הפרסית וההלניסטית ומתקנים בסביבתם, Elena Kogan-Zehavi

Qadum: Journal of Excavation Reports from Israel

Salvage excavations at Khirbat Shumeila identified four strata spanning the late Persian, early Hellenistic, Roman and Byzantine periods. The primary remains comprise two structures: Building 25, which features two distinct construction phases dating to the late Persian and early Hellenistic periods, and Building 6, dating to the Hellenistic period. These buildings, along with the installations uncovered within and around them, indicate intensive agricultural activity, suggesting their function as farmsteads. Their proximity to additional adjacent farmsteads implies their integration into a regional agricultural network established during the fourth-century BCE Persian administrative reorganization—a configuration that continued uninterrupted into the early Hellenistic period. …

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

In The Miery Swamp: Metacomet And Memory, Allison Rose, Marianne Holdzkom

The Kennesaw Journal of Undergraduate Research

Abstract for “In the Miery Swamp: Metacomet and Memory”, written by Allison Rose and sponsored by Dr. Marianne Holdzkom

Memorials have become omnipresent ties to our communal past. Plaques and dedications materialize in our town squares. Statues loom over our city parks. Monuments tower over our cemeteries. A large issue facing public historians today is the disconnect between the original intent of public memorials and the collective representation of diverse histories. “In the Miery Swamp: Metacomet and Memory” addresses how interactions with the public alter and transform four public memorials. Through a chronological and historical analysis of four monuments to …

Artemisia Gentileschi's Judith And Her Maidservant Serves As A Message Of Hope, Holly Kyseth

Theses

This thesis argues that through iconography and specific artistic techniques, Artemisia Gentileschi’s Judith and Her Maidservant utilizes the biblical story of Judith and Holofernes to relay a distinctly female-centered narrative, reflective of the ideals of her seventeenth century Italian community. This piece stands apart from other representations of this narrative in that Judith was commonly shown as either dainty yet violent in the act of decapitating Holofernes, or as a saintly victor proudly displaying his head to her people. With Judith and Her Maidservant, Artemisia displays an obvious sororal alliance between Judith and her servant Abra, while cleverly implementing Caravaggesque …

Parallel Concepts Found In The Thousand And One Nights And Sufi Hagiography, Walaa Kamal Emam Kamel

Theses and Dissertations

This thesis argues that The Thousand and One Nights functions as more than mere populist entertainment; rather, it constitutes a literary corpus imbued with Sufi mystical epistemologies that reflect the spiritual quests and Sufi concepts evident in hagiographical traditions. Through discourse and intertextual analysis of two Nights stories, “The City of Brass” and “The Porter and the Three Ladies of Baghdad,” alongside Farīd al-Dīn ʿAṭṭār’s Tadhkirat al-awliyāʾ, this study demonstrates how shared rhetorical strategies—specifically David Pinault’s Leitwörter analysis and L.A. Paul’s Transformative Experience concept—reveal a narrative and rhetorical emphasis on the metamorphosis of the self from worldly attachment toward …

Crafting Power, Piety, And Memory: The Sabil-Maktab Of 'Abd Al-Rahman Katkhuda In Bayn Al-Qasrayn, Cairo (1157 Ah/ 1744 Ce), Nehal Hany Al-Shamy

Theses and Dissertations

Among hundreds of sabil-maktabs in Cairo, the one ʿAbd al-Rahman Katkhuda built in Bayn al-Qasrayn in 1157/1744 stands out as an iconic jewel, rising to be a symbol of the city itself. However, this sabil is more than just a beautiful building, for its beauty was only a means to channel political, commemorative, and spiritual connotations. This thesis is concerned with analyzing the raisons d’être of constructing the sabil through investigating the historical and political circumstances that influenced its patron at the time, and their reflections in the artistic choices he made. I argue that crafting the sabil as a …

Yafo, Ha-Te‘Uda Ha-Aduma Street: The Military Finds / יפו, רחוב התעודה האדומה: ממצא צבאי, Alexander Glick

Qadum: Journal of Excavation Reports from Israel

The excavation on Ha-Te‘uda Ha-Aduma Street in Yafo uncovered fourteen military items, including two cannonballs and twelve small-caliber bullets. A correlation of these finds with historical sources and with modern and eighteenth–nineteenth-century maps suggests that the military items uncovered in the excavation were related to one or more of the historical sieges of Yafo: the siege laid by Muhammad Beq Abu-Dahab in 1775–1776, during which a siege battery was constructed within the area of the present excavation; or Napoleon’s siege in 1799, whose batteries were likewise positioned within the excavation area.

Yafo, Ha-TeʻUda Ha-Aduma Street: The Glass Finds, Brigitte Ouahnouna

Qadum: Journal of Excavation Reports from Israel

The excavation at Ha-Te‘uda Ha-Aduma Street in Yafo yielded about fifty glass items dating from the late nineteenth to the mid-twentieth centuries CE. These include imported and locally produced medicine, cosmetic and beverage bottles, as well as bracelet fragments of common types that first appeared in the Mamluk period and remained in use through the Ottoman period and into recent times. The finds reflect a modest repertoire associated with local daily life at the beginning of the twentieth century.

Yafo, Ha-TeʻUda Ha-Aduma Street: Late Ottoman Porcelain And Ceramics, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

The salvage excavations on Ha-Teʻuda Ha-Aduma street in Yafo yielded a small Late Ottoman ceramic and porcelain vessel assemblage. Porcelain and hard-paste vessels were imported from Europe, whereas glazed earthenware vessels were imported from Europe and Turkey. Among the locally made vessels were Black Gaza Ware and other coarse ware vessels. Many roof tiles, complete and fragmentary, as well as bricks, were imported mainly from Marseille, France. Only a few smoking pipes and narghile were found; these were either locally produced or originated in Turkey.

Yafo, Ha-Te‘Uda Ha-Aduma Street: Remains Of The Al-Hureish Neighborhood From The Late Ottoman Period And British Mandate Era / יפו, רחוב התעודה האדומה: שרידי שכונת אל־הורייש משלהי התקופה העות'מאנית וימי המנדט הבריטי, Ayelet Dayan, Yoav Arbel

Qadum: Journal of Excavation Reports from Israel

The excavation at the corner of Yehuda Ha-Yamit and Ha-Te‘uda Ha-Aduma Streets in Yafo uncovered remains dating to the eighteenth–twentieth centuries CE, including those of the late Ottoman and British Mandate neighborhood of al-Hureish. The earliest construction remains at the site, dated to the second half of the nineteenth century CE, suggest agricultural activity in the area or early residential structures with channels installed for drainage. This construction was later disrupted by a wall, possibly part of the eastern wall of the al-Hureish neighborhood, built in a subsequent phase. The main significance of the excavation was the al-Hureish neighborhood, founded …

Fbi National Stolen Art File: Lost Artifacts And Missing Data, Allison N. Arnold

Dissertations, Theses, and Capstone Projects

This data exploration project studies the FBI’s National Stolen Art File (NSAF). The NSAF is a repository for information on stolen artistic and cultural objects. By design, the objects in the NSAF should have distinguishing features and some monetary value, with a present minimum of $5,000 USD. As a public awareness tool, the objects in the NSAF should have a reasonable chance of being identified and potentially restituted in the future.

Using object data taken from the NSAF on August 25, 2024, my data exploration work includes a narrative of the data preparation process and a series of data visualizations. …

Representations Of "Black"-Type Coffins In The New Kingdom, Yunyao Chen

Theses and Dissertations

This thesis examines depictions of twenty-three owners’ “black”-type coffins depicted in tomb wall paintings from eleven Theban tombs and on eight Theban papyri dating from the Eighteenth Dynasty to the early Twenty-first Dynasty. Four research methods are employed: descriptive, analytical, comparative, and contextual. First, a stylistic and iconographic analysis identifies four phases in the evolution of the “black”-type coffins depicted in the funerary art and explores the factors that influenced these representations by comparing them with actual “black”-type coffins and relevant artistic representations. The results indicate that the representations of “black”-type coffins feature a distinct evolution pattern, which is based …

Fungsi Gambar Tifa Pada Dinding Gua Afoem Dan Gua Yadumblu Di Keerom – Papua, Kajian Etnoarkeologi, Klementin Fairyo Miss

Multikultura

This article discusses the function of Tifa drawings on the walls of Afoem cave in Nowai Hamlet and Tifa drawings on the walls of Yadumblu cave in Indangan Hamlet, Yuruf – Amgotro Village, Yaffi District, Keerom Regency - Papua. The Tifa is a traditional musical instrument of the Papuan people; this instrument is an ancestral cultural heritage. The Tifa serves as a cultural artifact and the cultural identity of the Papuan people. The research method is descriptive qualitative, and the topic study uses an ethnoarchaeological approach. The research stages include data collection through literature review, archaeological research reports, books, journals, …