History of Art, Architecture, and Archaeology Commons^™

Illicit Origins, Public Displays: How Trafficking And Repatriation Reshaped Ancient Greek Pottery In Modern Museums, Alisha Bhandari

Honors College Theses

This thesis examines how illicit excavation, antiquities trafficking, and repatriation have reshaped the modern circulation and interpretation of ancient Greek pottery in museum collections. While Greek pottery has traditionally been studied through style, iconography, attribution, and artistic value, this project shifts attention to the modern systems that have determined how these objects were excavated, sold, displayed, and contested. Through a literature review and three case studies — the Aineta Aryballos, the Python Bell-Krater, and the Athena Kylix — this thesis argues that ancient Greek pottery should be understood not only as evidence of antiquity, but also as evidence of modern …

Interweaving Cairo's Urban Fabric: The Formal, The Informal And The Contemporary, Hagar Ahmed

Bachelor of Architecture Theses - 5th Year

Architecture is a negotiation between memory and change, preservation and erasure. In Cairo, a city layered with history, rapid development threatens historic areas and informal settlements (AlSayyad, 2011). While monumental heritage preservation is institutionalized, informal urban fabrics are often excluded from heritage discussions and planning. This research explores Mansheyet Nasser, or Garbage City, an informal settlement between Islamic Cairo and the Mokattam plateau. Over the past fifty years, Zabbaleen residents have built a communal waste collection and recycling system that processes up to 80% of materials, outperforming many regulated cities (Fahmi and Sutton, 2010; Didero, 2011). This infrastructure is both …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Clue In The Roman Style House: A Twist On The Classic Board Game Featuring A Fusion Of Ancient And Modern Roman Influences, Madelyn Junk

Honors Projects

Throughout time, games have been used to convey how society functions. They hint at societal structure, behavioral patterns, and roles of community members. Specifically, board games are excellent ways to teach players about attention to detail and how to synthesize information.

This unique and functional honors project finds its strength as a detail-oriented game that stresses the importance of critical thinking and deduction as it further rewards those skills through play and friendly competition. It combines art history, education, and graphic design disciplines to result in a creative output alongside a research paper. Its final product is a playable game …

A Methodological Dismantling: Manet's Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Kafr Kama: The Marble Finds, Anastasia Shapiro

Qadum: Journal of Excavation Reports from Israel

The study of 127 marble fragments from the excavation of the Umayyad building at Kafr Kama revealed that most of the samples are made of Proconnesian marble and originally belonged to panels that likely decorated a church demolished by the earthquake of 749 CE. The collapse of the building caused the breakage of the panels, which then became spolia. They were marked and reshaped into small geometric forms, such as octagons or trapezoids measuring up to 20–30 cm. Given that no completed items were found, the studied assemblage probably represents the workplace of a stonemason active in Umayyad-period Kafr Kama.

Kafr Kama: The Coins, Robert Kool

Qadum: Journal of Excavation Reports from Israel

The excavation at Kafr Kama yielded five coins. One coin, minted in Rome, dates to the reign of Constantius II, while the others are from the Early Islamic period. Among these are a gold dinar and two silver dirhams from the early Abbasid period, including a rare dirham minted in al-Haruniya during the brief reign of the caliph al-Hadi. The coin assemblage attests to activity at the site during the third quarter of the eighth century CE.

Kafr Kama: Building, Oil Press And Glass Industry From The Late Byzantine–Early Umayyad Periods And Remains From The Middle Bronze Age, Roman And Mamluk Periods / כפר כמא: מבנה, בית בד ותעשיית זכוכית מהתקופות הביזנטית המאוחרת–האומיית הקדומה ושרידים מהתקופות הברונזה התיכונה, הרומית והממלוכית, Omar Zidan

Qadum: Journal of Excavation Reports from Israel

A salvage excavation south of Kafr Kama revealed four occupational strata (IV–I). The two lowermost strata yielded meager architectural remains dating to the Middle Bronze Age (Stratum IV) and the Roman period (Stratum III), indicating early settlement at the site. Stratum II, which comprised two distinct occupational phases, yielded a building, an oil press and a glass-production furnace, along with glass-production debris, dating from the transition between the Byzantine and Umayyad periods. The site appears to have been abandoned during the late Umayyad period, with resettlement occurring in the Mamluk period, as indicated by a Mamluk-period refuse pit uncovered in …

Maa': An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

Research of a maa’ textile within the May Weber Ethnographic Study Collection (MWESC) from Central Sulawesi, Indonesia. Report discusses different knowledge systems including technical and physical as well as cosmological and spiritual from the Toraja people. Also analyses affects of colonialism, trade, spirituality, tourism, and funerary practices.

Catacombs In Context: Exploring Roman Architectural Influence In The Catacombs Of Rabat, Malta, Emily S.R Hodson

Classical Mediterranean and Middle East Honors Projects

Previously, scholarship on the Mediterranean catacombs has focused on isolated sites or on the religious significance and iconography of regional groups. By contextualizing the archaeological data through comparison and recentering the discussion on architecture, this research offers a contextualized, non-apologetic picture of ancient Mediterranean catacombs. This architectural comparison between the Roman catacombs and those of St. Paul and Abbatija Tad-Dejr in Malta reveals both significant architectural change and the persistence of archaic features, suggesting a high degree of cultural continuity under Roman provincial governance on Malta (218 BCE - c. 5th - 6th centuries CE). This, paired with the emergence …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

Prompting As A New Medium: Greenbergian Medium Specificity And The Iterative Unpredictability Of Ai Art, Samantha Shapiro, James Hutson

Faculty Scholarship

This article argues that AI prompting should be understood not as a tool, technique, or accessory to image generation, but as a medium in its own right. Drawing on Clement Greenberg’s theory of medium specificity, it contends that a medium becomes legible through the operations peculiar to itself, namely, the constraints, affordances, and formal procedures that distinguish it from neighboring arts. Existing scholarship has asked whether prompting counts as art, whether prompt engineering constitutes a creative skill, and whether the prompt itself can be aesthetic; however, these accounts often stop short of a sustained theory of prompting as medium. This …

The Southwest Black Artists Collective: Afro-Modern Ecology, Kinship, And Collectivity In The Desert Southwest, Bradley L. Petty

Art History Theses and Dissertations

This thesis examines the Southwest Black Artists Collective (SBAC) as a site of

Afro-diasporic kinship, artistic production, and spatial intervention within the Desert

Southwest. Operating within a region where Black populations are comparatively small

and institutional support is diffuse, SBAC emerges as both a response to and a

reconfiguration of the regional artistic landscape. The Collective constructs an affirming

community through shared artistic practice, exhibitions, and the maintenance of The

Projects/Space in Tucson, Arizona, where public engagement and private creative

exchange coexist.

Drawing on theories of human ecology, this study expands existing frameworks

by introducing the concept of Afro-modern ecology, …

Book Review: More Historic Rural Churches Of Georgia, Austina Jordan

Georgia Library Quarterly

No abstract provided.

The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan

Architecture Undergraduate Honors Theses

This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.

Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …

Reclaiming Suppressed Symbols: Yoruba Iconography And Nuyorican Identity In The Art Of Nitza Tufiño, Ariana Williams

Theses

This thesis examines the work of Afro-Puerto Rican artist Nitza Tufiño through Yoruba iconography, diasporic memory, and gendered Nuyorican identity. Grounded within the cultural and political context of the Nuyorican Movement of the 1960s and 1970s and, this study argues that Tufiño’s visual practice reframes suppressed African spiritual symbols through a woman-centered perspective, positioning Black femininity and spiritual labor as sites of resistance to colonial erasure and racial marginalization. Drawing upon Yoruba-derived cosmologies, Santería, and processes of visual syncretism, Tufiño integrates African, Indigenous Taíno, and Caribbean traditions to articulate a gendered visual language rooted in care, ritual, and collective memory. …

Analyzing Comparisons Of Seascapes By Caspar David Friedrich And Fitz Henry Lane Through A Digital Gallery Show, Adrianna Murphy

Theses

This project focuses on a comparative digital exhibition and analysis between Caspar David Friedrich and Fitz Henry Lane’s seascape artwork. Both artists have not been shown together in a gallery; thus this research into common themes in their works reveals a new perspective on early- to mid-19th-century seascape art. This perspective shows how their different geographies and historical contexts converge through the shared visual language of contemplation, morality, and reflecting in the mystery of life through nature. The project aims to create a digital gallery that showcases an ideal layout and a comparison of the artists, with curated works that …

Historic Churches Of Sheboygan, Erin Brehmer

Theses

This project focuses on the histories and architecture of six nineteenth- and early twentieth-century churches in Sheboygan, Wisconsin, and developing a museum program about them. The aim of the project is to add to the art historical knowledge of Midwest architecture by researching the Greek Revival architecture used by First Baptist Church of Sheboygan; the Gothic Revival styles used by Grace Episcopal Church, St. Luke United Methodist Church, Hope Reformed Church, and St. Clement Catholic Church; and the Byzantine ornamentation used by St. Spyridon Greek Orthodox Church. Furthermore, this project uses the historical findings to create a museum public program …

An Introduction To World Art History: Course Curriculum, Skyler M. Bancroft

Theses

Art history as a field has inherent biases that are primarily rooted in Western traditions. A majority of the content which students are exposed to focuses on regions such as Europe and the Americas, with less focus on Africa, Asia, and the Pacific. The purpose of this thesis project is to develop a secondary school curriculum that approaches art history from a world perspective to foster students’ sense of cultural awareness and empathy, as well as the development of skills such as critical thinking and visual literacy. Students will leave this course with a greater understanding of art from various …