History of Art, Architecture, and Archaeology Commons^™

Embodied River: Deliberate Unbuilding In Post-Dam Landscapes, Travis Kelley

Masters Theses

This thesis explores the possibilities and challenges that legacy hydro-powered dams and mill complexes offer. Through historical and contemporary analysis of New England’s 14,000 dams and of a particular site in Maynard, Massachusetts, the research delves into the factors that make these interventions so challenging. It begins from an assumption rooted in the ethical and environmental imperative to remove or modify legacy dams, which are those built for a purpose that is no longer being utilized, and rejects the existing binary of “remove” vs “preserve,” which is the dominant narrative in the dam removal conversation as it exists in 2026. …

Synecdoche: Archiving Violence In Schools, Jillian Whitney

Art Theses and Dissertations

K-12 Educators often find themselves thrust into a swamp of politics they never asked to enter. It is in this swamp that educators strive to meet students’ social, emotional, and educational needs. However, issues such as school shootings, racism, and gender inequality all make it difficult for schools to be what they should be: an equalizing, safe place where children can learn. These problems weaken the school system and harm public interest while leading to teacher burnout.

Synecdoche: Archiving Violence in Schools is a body of paintings and experimental artist books that responds to the everyday experiences of the educators …

Symbolists Beyond The Magic: Appropriation In The Art Of Elihu Vedder And Gustave Moreau, Rebecca B. Shalliker

Art & Art History ETDs

This thesis examines the paintings of Elihu Vedder and Gustave Moreau as examples of how the late nineteenth-century Symbolist movement drew on Eastern regions as aesthetic sources for representing the spiritual. Considering the iconographic and conceptual overlap with the Spiritualist movement, it explores how these groups contributed to constructing an image of the “East” as inherently mystical. While existing scholarship analyzes the Symbolist movement’s engagement with psychoanalytical concepts such as the subconscious and dream state, the role of cultural appropriation in shaping the Symbolist aesthetic has been largely overlooked.

The depiction of Eastern iconography as fantastical will be explored through …

Nurtured Meaning: A Hermeneutic Phenomenological Study Of The Tree Of Life In Contemporary Women's Art, Christina A. Defilipp

Educational Studies Dissertations

The Tree of Life has historically flourished across cultures as an archetypal image of interconnection, regeneration, and continuity. In the Anthropocene, however, its symbolic vitality is reframed by the realities of environmental crisis. This study investigates how contemporary women artists across the globe sustain and reinterpret the Tree of Life’s meaning to express themes of ecological, spiritual, and cultural relevance. Employing a qualitative design grounded in hermeneutic phenomenology, the study analyzes publicly available artworks and published reflections, including interviews, catalog essays, and artist statements. A purposive sample of twenty women artists from diverse cultural traditions forms the dataset, each represented …

A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He

Dissertations, 2020-current

This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …

Hammurabi’S Laws: Ancient Traditions Of Violence, Aaron Secrist

The Confluence

The tradition of enforcing private property through violence is truly ancient, and goes back thousands of years to the first civilizations. There exists a prevailing attitude that contemporary culture is more “civilized” than the first organized societies – and while it’s true in some ways, our laws are still remarkably similar to those practiced in antiquity. In the following essay, I analyze the Law Code of Hammurabi and examine its parallels to the way laws function today. First, I will provide context for the technological advances that made the first city-states possible, then give a cultural and economic overview of …

Architecture As Political Symbolism: Power, Authority, & The Built Form, Naomi Minwalla

Senior Honors Projects, 2020-current

This study examines how architecture functions as a medium of political symbolism, exploring the ways in which built environments communicate authority, ideology, and collective identity. Drawing on theoretical perspectives from Émile Durkheim, Max Weber, and Murray Edelman, the research first establishes how political symbols shape social cohesion, legitimize authority, and construct political meaning. The study then applies architectural interpretation frameworks developed by Martin Warnke, Erwin Panofsky, and Alois Riegl to analyze how symbolic meaning is embedded within architectural form, spatial organization, and ornamentation.

Using a qualitative comparative case study design, the research analyzes two major religious structures: the Seville Cathedral …

Temporal Ubiquity, Brittni Mosby

MFA in Visual Art

My thesis examines looking as a sacred and relational practice rooted in familial memory, storytelling, and the photographic archive. Drawing from early experiences of engaging family photographs alongside my mother and great-grandmother, I conceptualize these encounters as the formation of “temporal altars”: living vessels that activate space, memory, and multiplicity. These intimate acts of looking and listening position the home as a critical site where Black subjectivity is held with care and complexity.

By casting these modes of perception into domestic spaces, my thesis not only resists reductive external gazes but interrogates the archive as a colonial apparatus structured by …

Illicit Origins, Public Displays: How Trafficking And Repatriation Reshaped Ancient Greek Pottery In Modern Museums, Alisha Bhandari

Honors College Theses

This thesis examines how illicit excavation, antiquities trafficking, and repatriation have reshaped the modern circulation and interpretation of ancient Greek pottery in museum collections. While Greek pottery has traditionally been studied through style, iconography, attribution, and artistic value, this project shifts attention to the modern systems that have determined how these objects were excavated, sold, displayed, and contested. Through a literature review and three case studies — the Aineta Aryballos, the Python Bell-Krater, and the Athena Kylix — this thesis argues that ancient Greek pottery should be understood not only as evidence of antiquity, but also as evidence of modern …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

Interweaving Cairo's Urban Fabric: The Formal, The Informal And The Contemporary, Hagar Ahmed

Bachelor of Architecture Theses - 5th Year

Architecture is a negotiation between memory and change, preservation and erasure. In Cairo, a city layered with history, rapid development threatens historic areas and informal settlements (AlSayyad, 2011). While monumental heritage preservation is institutionalized, informal urban fabrics are often excluded from heritage discussions and planning. This research explores Mansheyet Nasser, or Garbage City, an informal settlement between Islamic Cairo and the Mokattam plateau. Over the past fifty years, Zabbaleen residents have built a communal waste collection and recycling system that processes up to 80% of materials, outperforming many regulated cities (Fahmi and Sutton, 2010; Didero, 2011). This infrastructure is both …

Clue In The Roman Style House: A Twist On The Classic Board Game Featuring A Fusion Of Ancient And Modern Roman Influences, Madelyn Junk

Honors Projects

Throughout time, games have been used to convey how society functions. They hint at societal structure, behavioral patterns, and roles of community members. Specifically, board games are excellent ways to teach players about attention to detail and how to synthesize information.

This unique and functional honors project finds its strength as a detail-oriented game that stresses the importance of critical thinking and deduction as it further rewards those skills through play and friendly competition. It combines art history, education, and graphic design disciplines to result in a creative output alongside a research paper. Its final product is a playable game …

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

A Methodological Dismantling: Manet's Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Kafr Kama: The Marble Finds, Anastasia Shapiro

Qadum: Journal of Excavation Reports from Israel

The study of 127 marble fragments from the excavation of the Umayyad building at Kafr Kama revealed that most of the samples are made of Proconnesian marble and originally belonged to panels that likely decorated a church demolished by the earthquake of 749 CE. The collapse of the building caused the breakage of the panels, which then became spolia. They were marked and reshaped into small geometric forms, such as octagons or trapezoids measuring up to 20–30 cm. Given that no completed items were found, the studied assemblage probably represents the workplace of a stonemason active in Umayyad-period Kafr Kama.

Kafr Kama: The Coins, Robert Kool

Qadum: Journal of Excavation Reports from Israel

The excavation at Kafr Kama yielded five coins. One coin, minted in Rome, dates to the reign of Constantius II, while the others are from the Early Islamic period. Among these are a gold dinar and two silver dirhams from the early Abbasid period, including a rare dirham minted in al-Haruniya during the brief reign of the caliph al-Hadi. The coin assemblage attests to activity at the site during the third quarter of the eighth century CE.

Kafr Kama: Building, Oil Press And Glass Industry From The Late Byzantine–Early Umayyad Periods And Remains From The Middle Bronze Age, Roman And Mamluk Periods / כפר כמא: מבנה, בית בד ותעשיית זכוכית מהתקופות הביזנטית המאוחרת–האומיית הקדומה ושרידים מהתקופות הברונזה התיכונה, הרומית והממלוכית, Omar Zidan

Qadum: Journal of Excavation Reports from Israel

A salvage excavation south of Kafr Kama revealed four occupational strata (IV–I). The two lowermost strata yielded meager architectural remains dating to the Middle Bronze Age (Stratum IV) and the Roman period (Stratum III), indicating early settlement at the site. Stratum II, which comprised two distinct occupational phases, yielded a building, an oil press and a glass-production furnace, along with glass-production debris, dating from the transition between the Byzantine and Umayyad periods. The site appears to have been abandoned during the late Umayyad period, with resettlement occurring in the Mamluk period, as indicated by a Mamluk-period refuse pit uncovered in …

Maa': An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

Research of a maa’ textile within the May Weber Ethnographic Study Collection (MWESC) from Central Sulawesi, Indonesia. Report discusses different knowledge systems including technical and physical as well as cosmological and spiritual from the Toraja people. Also analyses affects of colonialism, trade, spirituality, tourism, and funerary practices.

Catacombs In Context: Exploring Roman Architectural Influence In The Catacombs Of Rabat, Malta, Emily S.R Hodson

Classical Mediterranean and Middle East Honors Projects

Previously, scholarship on the Mediterranean catacombs has focused on isolated sites or on the religious significance and iconography of regional groups. By contextualizing the archaeological data through comparison and recentering the discussion on architecture, this research offers a contextualized, non-apologetic picture of ancient Mediterranean catacombs. This architectural comparison between the Roman catacombs and those of St. Paul and Abbatija Tad-Dejr in Malta reveals both significant architectural change and the persistence of archaic features, suggesting a high degree of cultural continuity under Roman provincial governance on Malta (218 BCE - c. 5th - 6th centuries CE). This, paired with the emergence …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …