History of Art, Architecture, and Archaeology Commons^™

Highway 3: Faunal Remains From Byzantine, Byzantine–Early Islamic And Ottoman Contexts, Lee Perry-Gal

Qadum: Journal of Excavation Reports from Israel

A faunal assemblage of 174 identified animal bones was recovered from excavations along Highway 3, mainly from Byzantine and Byzantine–Early Islamic and Ottoman contexts, with a small contribution from Late Roman strata. The remains originate primarily from refuse pits and from industrial-agricultural installations, including reservoirs, ovens and silos. The assemblage was analyzed using a diagnostic zone recording system, standard osteological identification, age-at-death assessment and detailed taphonomic analysis. The Byzantine and Byzantine–Early Islamic assemblages are dominated by caprines, mainly sheep, followed by pigs, equids and cattle, with minor representation of chicken and camel. Caprine mortality profiles indicate mainly mature individuals, suggesting …

Highway 3: The Coins, Gabriela Bijovsky

Qadum: Journal of Excavation Reports from Israel

This is a modest group of coins that span interruptedly a period from the first century CE to the first half of the sixth century CE. The earliest coin, dated to Antiochus IV, is a residual find, and the latest coin is an Abbasid fals. Most coin types are conventional. The fact that four chi-rho pentanummia imitations were discovered strengthens the suggestion that these poorly-preserved coins were minted in the area of modern Ashqelon.

Highway 3: The Glass Finds, Tamar Winter

Qadum: Journal of Excavation Reports from Israel

The glass finds from the excavation along Highway 3 include a single cast bowl of the late Hellenistic–Early Roman periods and vessels dated to the Late Roman−early Byzantine, Byzantine and late Byzantine–Early Islamic periods. Additionally, the excavation yielded Late Islamic–Ottoman-period glass bracelets, as well as various beads. Especially noteworthy are a Byzantine-period cylindrical beaker, which complements the only other documented example from Israel, and a trough-shaped bar, for which no analogous examples from other excavations have been located so far. Furthermore, the number, variety and quality of the Late Islamic–Ottoman-period bracelets are notable, as not many such finds have been …

Highway 3: The Late Ottoman Ceramics, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

A small, ceramic vessel assemblage dated to the late Ottoman period is presented here. The assemblage consists of household ceramics, including a variety of Black Gaza Ware vessels and handmade cooking pots. A rather large number of probably locally made ceramic smoking pipes are also part of this assemblage.

Highway 3: Late Persian, Hellenistic And Roman Pottery, Ilan Peretz

Qadum: Journal of Excavation Reports from Israel

The pottery in this report was recovered from the salvage excavation along Highway 3, at the former Ottoman villages of es-Sawafir el-Gharbiya and es-Sawafir esh-Sharqiya. The finds presented here date from the late Persian, Hellenistic and Roman period. The Roman pottery is attributed to the late first–second centuries CE and includes fine wares (mainly ESA), cooking vessels and imported amphorae and lamps.

Highway 3: The Iron Age Pottery, Svetlana Talis

Qadum: Journal of Excavation Reports from Israel

The excavations along Highway 3 yielded pottery from the Iron Age. The finds were retrieved from fills without clear stratigraphic context, and no architectural remains from the Iron Age were identified. The vessels are therefore presented chronologically, dating from the Iron Age IIA and IIB (tenth–eighth centuries BCE), based on parallels from sites in Judaea, the Shephelah and the southern coastal plain, such as Tel Lakhish, Tel Batash, Tel es-Safi and Tel Ashdod. The Iron Age IIA pottery comprises Philistine-style kraters and chalices, while the Iron Age IIB artifacts include open, rounded and carinated bowls, cooking pots and holemouth jars. …

Cannibal Ghouls Of Japan: The Representation Of Cannibalism In Contemporary Japanese Manga, Nico Indovina

Research and Creativity Symposium

A noticeable uptick in depictions of cannibalism has appearing in the last few years in Japanese manga. It has appeared across several genres of the medium and has given rise to questions over its inclusion. Previous research connected the inclusion to the Japanese oni, a creature originating in Buddhist art, as early as the 8th century in Japan. This article argues that the connection goes beyond simply the oni and also derives inspiration from real cannibals of the 20th century in Japan and theory on monsters. The visual similarities between the historical representations and those of contemporary Japanese manga …

Highway 3: Architectural Remains From The Late Hellenistic, Late Roman–Early Islamic And Late Ottoman Periods, Davida Eisenberg-Degen

Qadum: Journal of Excavation Reports from Israel

Excavations along Highway 3 revealed intermittent occupation, with remains from the late Hellenistic, Late Roman, Byzantine–Early Islamic and Ottoman periods, as well as earlier unstratified pottery from Iron Age II. The late Hellenistic period is represented by a winepress, likely associated with a rural farmstead. A winepress and a hypocaust, dated to the Late Roman–early Byzantine periods, may reflect the expansion of the settlement exposed in previous excavations to the east of the present excavation. Byzantine–Early Islamic remains include pottery-production facilities comprising potter’s wheels, levigation pools and slags. The latest remains date to the eighteenth–nineteenth centuries (late Ottoman period), reflecting …

An Analysis Of Katsinam Figurines In The University's Gendler Collection, Sam Rekstad

Undergraduate Research Symposium (2026- )

After a cultural shift in the late nineteenth and early twentieth centuries, Euro-American collectors and ethnologists took a significant interest in sacred indigenous objects such as the Hopi Katsinam figurines, which spurred transformations in the ways the figurines tended to be stylized, as well as in how they were circulated. Such figures were initially created solely for ritual and communal purposes, but in modern and contemporary times, they are often created by makers who identify themselves as artists. In this project, I study the history surrounding the creation and distribution of Katsina figurines and also examine selected Katsina figurines in …

Hotels As Placemakers In Downtown Los Angeles, 1890-1950, Chrissie Alea Rensing, Megan Kendrick

Seaver College Research And Scholarly Achievement Symposium

Early twentieth-century Los Angeles is often characterized as a rapidly expanding metropolis shaped by informal segregation along lines of race, class, and gender. Yet within this landscape, hotels and lodging houses sometimes functioned as unexpected sites of inclusion and community for marginalized populations. This project investigates how these spaces of hospitality served women and racial minorities between 1890 and 1950 in Los Angeles. Drawing from recent scholarship from Natalia Molina and others, we set out to examine the role of vernacular hotel architecture and the “placemakers” who operated them.

The project involved examining hundreds of handwritten census pages and original …

The Materiality Of Religious Syncretism And Co-Production In The Catacombs Of Sicily And Malta: Novel Techniques For The Interpretation And Dissemination Of Legacy Data, Madeleine A. Kraft

USF Tampa Graduate Theses and Dissertations

This dissertation addresses the lengthy history of the investigations into the catacombs of Sicily and Malta. These investigations, in some cases, began as early as the 17th century. They have maintained the intrigue of archaeologists beginning in the late 19th century. In doing so, these spaces have amassed truly remarkable amounts of data and of interpretations of that data. This legacy data has proved simultaneously a barrier and an entrance to understanding these complexes. While they are valuable for descriptions of the spaces prior to mutilations and interventions as well as descriptions of evidence no longer extant due to a …

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Digressions Of Vision: Elihu Vedder’S Artistic Evolution, Stella Morris

Art and Art History

This thesis examines the artwork of prolific American artist Elihu Vedder (1836-1924), utilizing his eccentric yet comprehensive autobiography The Digressions of V (1910) as its grounding source. Despite enjoying a successful, sixty-year career, Vedder has posthumously sunk into relative obscurity in American art history. I postulate that Vedder’s artwork has been largely overlooked because of his breadth in style, creating an inability to classify his art within a single movement. Vedder drew upon the creative traditions of Romanticism, Aestheticism, Symbolism, and greatly admired the art and philosophy of the British Pre-Raphaelites. In addition to artistic variety, Vedder also lived most …

From Lino To Luxury: Class, Taste And Identity In The Mid-Twentieth Century Irish Provincial ‘Good Room’, Angela Mehegan

Irish Communication Review

The aim of this paper is to position issues of class and taste within the context of the home and through the lens of the domestic in mid-twentieth century provincial Ireland from the early 1950s to the early 1970s. This was a time of unprecedented economic growth and heralded a period of social and cultural change. Our homes and the artefacts we surround ourselves with are central to our sense of self and how we wish to be seen by others. Issues of class, taste, status, gender, and aesthetic possibilities are unpacked by focusing on the ‘Good Room’ as a …

Clothing, Comportment, And Court Femininity In Domenico Ghirlandaio's Portraits Of Elite Florentine Women (C. 1475-1490), Emmerson Stephens

Art History Theses and Dissertations

This thesis examines a focused group of Domenico Ghirlandaio’s portraits of women from the Medici–Tornabuoni–Sassetti circle in Florence (c. 1475–1490), arguing that these works construct, rather than simply represent, an ideal of courtly femininity. Situating portraiture within systems of social regulation, it demonstrates how comportment, dress, and visual conventions disciplined the female body. Clothing functioned as a material technology that structured posture, gesture, and movement, shaping how women appeared both socially and pictorially.

Through analysis of panel portraits and fresco cycles, particularly in the Tornabuoni Chapel, the study shows how controlled formats, gestures, and surfaces produced figures that embody modesty, …

No Fue Un Accidente: The Fascist Fantasy Of Self-Victimization In Alfonso Ponce De León’S Autorretrato (1936), Geovany Uranda

Calvert Undergraduate Research Awards

During the eve of the Spanish Civil War (1936 - 1939) Alfonso Ponce de León, a Falange propagandist and artist, created Autorretrato (1936), a self-portrait inspired by an automobile accident he experienced. He exhibited this work several months before his arrest, torture, and execution by Republican forces. This paper analyzes the self-portrait as a fascist work of self-victimization and ideological myth-making in line with fascist propaganda of the time. The painting presents Ponce de León as a dead or dying figure staged through the visual language of Catholic martyrdom. Drawing from Baroque compositional practices and iconographic tropes associated with the …

Back Matter

Tenor of Our Times

Back Matter

Faculty Spotlight: Dr. Jr Duke, David T. Richardson

Tenor of Our Times

Faculty Spotlight

For They Shall Inherit The Earth: Humility And The Constructed Etruscan And Carolingian Origins Of The Medici, William M. Deloach

Tenor of Our Times

The Italian Renaissance and the cultural legacy of the Classical World are inextricably linked. The links between the non-classical sources and the Renaissance, however, have frequently been neglected. This article examines the non-classical origin claims made by the Medici family in Renaissance Florence. Specifically, it evaluates the purpose behind the Medici's attempts to link themselves to the Etruscans and to Charlemagne. Ultimately, it concludes that these efforts represent an attempt to conceal the significant authority the Medici had, both at the time that these sources were written and in Florentine history through the fifteenth century.