History of Art, Architecture, and Archaeology Commons^™

Phi Alpha Theta Arkansas Regional Conference 2026, Jacob Rooney

Tenor of Our Times

Phi Alpha Theta Regional Conference 2026

History Day At Harding 2026, Julie E Harris

Tenor of Our Times

History Day in Arkansas summary.

Long Live The Good King: A Niebuhrian Analysis Of Arthur’S Ethical Kingship In The Once And Future King, Camille Bewley

Tenor of Our Times

The classic The Once and Future King, written by T.H. White, is a selection of four fantasy novels with one, linear plot: the story of Arthur, the mythological King of England. Reinhold Niebuhr’s book Moral Man and Immoral Society details the Christian realism of a world in need of justice without the ability to achieve perfect application. Through good education, Arthur is well endowed with Niebuhr’s requirements for a functional society: knowledge, honor, wisdom, and compassion. Such king-like qualities make him one of the most influential mythological characters in history, and a grand exemplar for maintaining ethical goals and personal …

Living Letters, Jacob Rooney

Tenor of Our Times

Living Letters

Artifacts As Ambassadors: How Archaeological Artifacts Dictate Modern Diplomatic Relations And Repatriation, Emma Boyd

Honors Papers and Posters

In this thesis, I examine and re-center the roles of archaeological artifacts and conceptions of ownership in global politics, drawing on debates about cultural heritage and diplomacy. This thesis will emphasize debates around ownership and repatriation, articulating their value in international relations and diplomacy between Western countries and postcolonial nations, as well as between federally recognized Native American Indigenous Tribes and the United States government. The thesis review takes the Elgin Marbles, arguably the most debated subject, as a model for my case study analysis. I will explore complications driven by conversations of repatriation. Overall, this thesis will propose theories …

Beyond The Nude: Reimagining Feminist Agency In The Art Of Suzanne Valadon, Sofia Harris

Theses

This thesis examines the work of Suzanne Valadon (1865–1938) through a feminist art historical lens, challenging long-standing interpretations of her female nudes as inherently resistant to the conventions of Western art. Structured as a three-part lecture series, the project situates Valadon within a visual tradition in which women have been overwhelmingly represented by men, arguing that her engagement with the nude remains embedded in the same systems of objectification it is often said to subvert. Lecture One establishes the historical framework by tracing enduring archetypes of femininity, demonstrating how representations of women have functioned as projections of gendered power. Lecture …

Clothing, Comportment, And Court Femininity In Domenico Ghirlandaio's Portraits Of Elite Florentine Women (C. 1475-1490), Emmerson Stephens

Art History Theses and Dissertations

This thesis examines a focused group of Domenico Ghirlandaio’s portraits of women from the Medici–Tornabuoni–Sassetti circle in Florence (c. 1475–1490), arguing that these works construct, rather than simply represent, an ideal of courtly femininity. Situating portraiture within systems of social regulation, it demonstrates how comportment, dress, and visual conventions disciplined the female body. Clothing functioned as a material technology that structured posture, gesture, and movement, shaping how women appeared both socially and pictorially.

Through analysis of panel portraits and fresco cycles, particularly in the Tornabuoni Chapel, the study shows how controlled formats, gestures, and surfaces produced figures that embody modesty, …

No Fue Un Accidente: The Fascist Fantasy Of Self-Victimization In Alfonso Ponce De León’S Autorretrato (1936), Geovany Uranda

Calvert Undergraduate Research Awards

During the eve of the Spanish Civil War (1936 - 1939) Alfonso Ponce de León, a Falange propagandist and artist, created Autorretrato (1936), a self-portrait inspired by an automobile accident he experienced. He exhibited this work several months before his arrest, torture, and execution by Republican forces. This paper analyzes the self-portrait as a fascist work of self-victimization and ideological myth-making in line with fascist propaganda of the time. The painting presents Ponce de León as a dead or dying figure staged through the visual language of Catholic martyrdom. Drawing from Baroque compositional practices and iconographic tropes associated with the …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

Epochs Vol. 1 No. 2025 - Full Issue, Emma Pfannenstiel

Epochs Art History Journal

No abstract provided.

Madeleine Stegman: Elegant Juxtapositions Through The Creative Process, Claire Brown

Epochs Art History Journal

No abstract provided.

Tokio Ueyama: Japanese American Artist, Hannah E. Tinkel

Epochs Art History Journal

No abstract provided.

The Artist As Sorcerer: A Critical Analysis Of David Lomas’ Essay, Antoni Miquel

Epochs Art History Journal

No abstract provided.

The Veiled And The Idealized: Class, Gender, And Realism In Flavian Roman Portraiture, Elli Brandt

Epochs Art History Journal

No abstract provided.

Lessons From The Louvre, Claire Brown

Epochs Art History Journal

No abstract provided.

From Studio To Stage: The Real Dancer Who Inspired Degas And The Lasting Impact Of The Little Dancer Aged Fourteen, Khendal Wimberly

Epochs Art History Journal

No abstract provided.

Don’T Lose Your Head: Judith, Salome, And The Bible’S Femme Fatale Problem, Addison Speier

Epochs Art History Journal

No abstract provided.

Kappa Pi Constitution, Kappa Pi National Fraternity

Documents

The Kappa Pi Constitution (1930)

The Living Archive: Photography, Social Media, And The New Frontier Of Activism, Lundyn C. Herring

LSU Master's Theses

This thesis seeks to analyze the discursive field and technology of photography and its multi-faceted role in the oppression of colonized people under Western imperialism. Among the main collection highlights of many established state-run archival institutions are photographic records consisting of surveillance images, mugshots, and other visual media as representations of the political hegemony that is exerted over governed peoples. From the mid-19th century to 2026, much has shifted in the realm of photography with the introduction of smartphones, accessible technology, and social media platforms during the beginning of the twenty-first century. As states and powerholders apply the technology of …

Acquiring Egypt: Napoleon, Joséphine, And The Formation Of France’S Collections Of Egyptian Antiquities, 1792-1822, Anna E. Dow

LSU Doctoral Dissertations

This dissertation examines the seizure and acquisition of Egyptian antiquities by the French government between 1792 and 1822. During this period, the French government seized antiquities for a variety of reasons, not the least of which was to benefit the French people politically and financially and to support the French ideals of art and civilization. Egyptian antiquities were collected almost accidentally, as French armies confiscated the collections of the wealthy in Paris and the aristocratic collections in Italy. But the presence of the art prompted the curiosity of the French, which led to a greater interest in Egyptian antiquities. However, …