History of Art, Architecture, and Archaeology Commons^™

Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition, Amy G. Marshman

Theses and Dissertations

This dissertation provides an iconographic interpretation of a group of Ancient Puebloan human effigy vessels and fragments from the American Southwest, dating to the Pueblo II period, c. 900 -1150 CE. Initially, this project focuses on Ancient Puebloan human effigy vessels from three specific collections; a single vessel in the collection of the National Museum of the American Indian in Washington, D.C., a human effigy vessel in the collection of the American Museum of Natural History in New York, and the so-called Putnam Human Effigy Jar from Chaco Canyon at the Peabody Museum of Archaeology and Ethnology at Harvard University. …

Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell

Theses and Dissertations

This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature and their nsibidi scripts within are argued to provide a connotative …

Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter

Theses and Dissertations

Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …

Allegories Of The Modern: The Female Nude In Art Nouveau, Emily Winthrop

Theses and Dissertations

Modernism is a plurality, not a singular concept. This project explores examples of Art Nouveau nudes to describe the particular expressions of the modern through varied and complicated allegorical bodies. The female nude as a nexus for ideals of gender, art, and beauty, is informed by and constructs the understanding of these ideals within society. Art Nouveau thus employed the nude to represent complex manifestations of modernity. Three diverse cases provide the subjects of each chapter. All explore modernism through objects and interiors, in public and private environments, and each connects the decorative arts with accounts of European modernism in …

Catching All Passions In His Craft Of Will: Portraits And Pater In Oscar Wilde’S “The Portrait Of Mr. W. H.”, Rebecca E. Jones

Theses and Dissertations

This thesis examines Oscar Wilde’s “The Portrait of Mr. W. H.” as the product of Wilde’s long interest in critic Walter Pater’s literature and scholarship. From its first iteration published in 1889, through Wilde’s ongoing revision and expansion into the version commonly anthologized today, “The Portrait of Mr. W. H.” is an evolving work that mirrors Wilde’s enduring relationship with the art and ideas of his former teacher. This relationship is explored in three contexts: Pater’s contribution to Wilde’s understanding of the Renaissance period; the steady influence of Pater’s ideas and persona on Wilde’s other major works from the period …

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

Review Of The Portrait Bust And French Cultural Politics In The Eighteenth Century By Ronit Milano, Heather Belnap Jensen

Faculty Publications

“The term ‘portrait bust’ rarely awakens much enthusiasm among contemporary art connoisseurs, most of whom will likely circumvent major museum galleries devoted to this genre of sculpture” (p. 1). Having dispensed with this matter of business in her opening line, author Ronit Milano delves into the task of convincing her readers that such a response is unwarranted. In certain historical periods, the author argues, the art form was tremendously popular, had myriad uses in the public and private sectors, held widespread appeal for the middle and upper classes, and proved economically and critically profitable for sculptors. The last few decades …

Architecture As Nature’S Canvas, Molly Mcclain

History: Faculty Scholarship

This short article explores architect Irving J. Gill's integration of the natural environment into his modern structures.

Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, Victoria L. Fedrigotti

Theses and Dissertations

This thesis traces Gego’s contestation of art historical modernism through examining her relationship to the modernist grid and to her modernist genealogy of Constructivism, Geometric Abstraction, and Kineticism. These two nonlinear developments subvert the teleological conception of progress presumed by Greenbergian modernism, and bring forth Gego’s own aesthetic conception of temporality.

Claudio Perna, Ca. 1970: The Impossibility Of Wholeness, Silvia Benedetti

Theses and Dissertations

This thesis identifies two main themes in Claudio Perna’s (1938–1997) work: his use of technology to explore self-representation and his interrogation of mapping as means of knowledge. This study also situates Perna’s conceptual work in relation to his field of human geography, in the specific Venezuelan context.

The Politics And Aesthetics Of American Art During The Cold War: Commissions For Philip Johnson’S New York State Pavilion At The 1964-1965 World’S Fair, Alexandria Valera

Theses and Dissertations

This thesis explores the social and cultural climate surrounding the art commissions for Philip Johnson's New York State Pavilion at the 1964-65 World's Fair. The research presented herein examines how the economic and cultural climate of 1960's America affected the architectural landscape at the World's Fair and how Johnson's Pavilion was integrated into it. Finally, this thesis examines how artworks by John Chamberlain, Ellsworth Kelly, Roy Lichtenstein, Andy Warhol and others responded to the commercial premise of the fair itself. This thesis argues that ultimately the artworks presented used the language of commercial art to critique the Fair and the …

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo

Theses and Dissertations

This inquiry examines portraits of “monsters”—an early modern term describing those whose bodies challenged socially-constructed categories by deviating from the social norm through differences of race, gender and physical or mental capacity, painted for Hapsburg royals across Europe, who collected specimens, including people, representing the scope of their territories.

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws

LSU New Orleans Theses and Dissertations

ABSTRACT

This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results reflect …

The Genesis Of A Lava Cave In The Deccan Volcanic Province (Maharashtra, India), Nikhil R. Pawar, Amod H. Katikar, Sudha Vaddadi, Sumitra H. Shinde, Sharad N. Rajaguru, Sachin V. Joshi, Sanjay P. Eksambekar

International Journal of Speleology

Lava tubes and channels forming lava distributaries have been recognized from different parts of western Deccan Volcanic Province (DVP). Openings of smaller dimension have been documented from the pāhoehoe flows around Pune, in the western DVP. A small lava cave is exposed in Ghoradeshwar hill, near Pune. Detailed field studies of the physical characteristics, structure and morphology of the flows hosting the lava tube has been carried out. This is the first detailed documentation of a lava cave from the DVP. The lava cave occurs in a compound pāhoehoe flow of Karla Formation, characterized by the presence of lobes, toes …

Glycemic Control Among Type 2 Diabetics, Abdi H. Nur

All-Inclusive List of Electronic Theses and Dissertations

The purpose of the present study was to examine the relationship between diabetics’ socioeconomic status, self-efficacy, education levels, gender, and ethnicity and their medication and physical activity (i.e., healthy exercise) adherence regarding to their physicians and health educators’ counsels. Also, the study investigated whether or not the respondents adhered to medication prescription and physical activity routines. The study used a non-probability convenience sampling technique to recruit 102 type 2 diabetics (female, n = 65 and male, n = 37) from Indiana and Illinois Counties surrounding Vigo County, Indiana. The respondents reported their self-care activities throughout the seven days prior to …

Neal Ambrose-Smith: The Artistic Modernity Of Indianness, Erik Parker

Art & Art History ETDs

Neal Ambrose-Smith is an artist of Cree, Metis, and Salish heritage who is at the forefront of contemporary Native American art. A thorough examination of Ambrose-Smiths body of work will reveal that the majority of his art can be viewed as having overwhelming intentions toward a dissolution of boundaries separating the ideas of 'Native,' 'contemporary,' and 'Western art.' It also will show that through the utilization of popular culture and its icons, Ambrose-Smith is able to build a rapport with audiences, while also using images and themes in his art to help break down barriers that contemporary Native artists face …

Narratives Of Violence And Tales Of Power: The Work Of Jorge González Camarena, The History Of The Castillo De Chapultepec, And The Establishment Of The National Museums In The Project Of Mexican Nationalism, Rebekah Carmen Bellum

Art & Art History ETDs

In the project of nationalism in Mexico, the governing bodies acted out a deliberate process of reclamation of the histories and mythologies of Mexico for the purpose of state programming, and for the development of an official narrative of nationality. In my thesis, I trace the effects of nationalism by first looking into a history of power in Mexico as articulated through the adaptive reuse, over centuries, of the Castillo de Chapultepec building. This building has housed the National Museum of History (Museo Nacional de Historia) since the early 1940s, and has played a prominent role in the construction and …

Iconoclastic Fervor : Sally Hazelet Drummond, Abstract Expressionism And Curatorial Practice., Hillary Sullivan

Electronic Theses and Dissertations

Sally Hazelet Drummond is an iconoclastic artist situated within the revolutionary movement of Abstract Expressionism. Drummond is the first female to graduate from the Hite Art Institute, earning a master’s in painting in 1952. During her study at the University of Louisville she explored Abstract Expressionism. In 1953 Drummond joined the Tanager Gallery, one of the Tenth Street artists’ co-ops. In the midst of Willem De Kooning, Ad Reinhardt and Mark Rothko, Drummond refined her work into a simplified, contemplative style that she continued to develop over the course of her life. Drummond described Abstract Expressionism as a kind of …