V.1 2016-2017 Supplement,
2016
Rhode Island School of Design
V.1 2016-2017 Supplement, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 Supplement issue contains handwritten answers on post-its to the question "What feels urgent to you in your studio? In your life? In the world?" These post-its were written at a grad-student gathering on the day after the 2016 US Presidential election, scanned and printed as a zine the next day, and distributed at open studios the day after that.
The Aesthetic Experience, Flow, And Smart Technology: Viewing Art In A Virtual Environment,
2016
Walden University
The Aesthetic Experience, Flow, And Smart Technology: Viewing Art In A Virtual Environment, Carol Ikard
Walden Dissertations and Doctoral Studies
Smart technology can support art educators and museum professionals in mediating the aesthetic experience. It can also increase museum attendance, enrich the viewer's delight and engagement with artworks and art collections, and provide an avenue for extending art on a global level. The purpose of this study was to determine the extent to which a mobile art app with text-based narrative influences scores on an aesthetic experience questionnaire. This quantitative research measured the difference in pretest and posttest human-computer interaction scores on the Aesthetic Experience Questionnaire Form after participants used two versions of a mobile art app. Csikszentmihalyi's flow was …
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective,
2016
Scripps College
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo
Scripps Senior Theses
This thesis looks to explore the rise of women in television comedy and the accompanying implications of this phenomenon. Using a historical framework, this thesis looks at the progression of representations of women in television comedies beginning in the 1950s up to today. Considering factors such as the rise of social media, as well as online television streaming services such as Hulu and Netflix as more legitimate avenues to distribute content, this thesis traces women’s place within television comedy, and argues that shows such as Parks and Recreation, The Mindy Project, and Broad City serve as examples of the progress …
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss,
2016
Scripps College
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Scripps Senior Theses
This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.
Women Surrealists: Muses Or Seekers?,
2016
Scripps College
Women Surrealists: Muses Or Seekers?, Noor A. Asif
Scripps Senior Theses
Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of wonder, dreams, …
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women,
2016
Scripps College
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Scripps Senior Theses
This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their independence …
Cultural Sovereignty And Cultural Violence: Native American Artists And The Dunn Studio, 1932-1962,
2016
University of Texas at El Paso
Cultural Sovereignty And Cultural Violence: Native American Artists And The Dunn Studio, 1932-1962, Pamela Krch
Open Access Theses & Dissertations
The early twentieth century engendered a period of profound change within the United States as industrialization, post-World War I miasma, and vigorous imperialism transformed the nation. The Southwest's Santa Fe provided a haven for the influx of White scientists, affluent socialites, and artists who sought authenticity through reinvention. Lighting upon the neighboring Indian communities, White elites soon appropriated Native culture, production, and imagery, seeing these as sources for nationalism, commodification, and as outlets for reformist aims. Art educator Dorothy Dunn stands as exemplary of the latter, as she fervently believed that the new genre of Native American easel art answered …
Time, Space, And Devotion: The Madonna Della Clemenza And The Cappella Altemps In Rome,
2016
Loyola Marymount University
Time, Space, And Devotion: The Madonna Della Clemenza And The Cappella Altemps In Rome, Kirstin Noreen
Art History Faculty Works
Placed on the altar of the Cappella Altemps in the church of Santa Maria in Trastevere (Rome) in 1593, the medieval icon of the Virgin and Christ known as the Madonna della Clemenza was the focal point of a newly decorated space. The chapel’s pictorial program underscores that decisions ratified at the Council of Trent were not only situated in the context of biblical history, but were also directly connected to the presence of the cult image of the Madonna della Clemenza. This article will explore the late sixteenth-century architectural and decorative reframing of the icon as a means of …
The Cuyuna Iron Range: Legacy Of A 20th Century Industrial Community,
2016
Michigan Technological University
The Cuyuna Iron Range: Legacy Of A 20th Century Industrial Community, Frederick Sutherland
Dissertations, Master's Theses and Master's Reports
The Cuyuna Range is a former North American iron mining district about 90 miles(145 kilometers) west of Duluth in central Minnesota. The district was the furthest south and west of the three Minnesota iron ranges (Vermilion, Mesabi, and Cuyuna). In 2011, Students and staff from Michigan Technological University's Department of Social Sciences were asked to identify and promote features of the Cuyuna Range's mining heritage. Methods and approaches of mulitsited archaeology were used to unify the diverse places and themes into a more cohesive narrative. Their investigations focused on sites of technological innovation, social conflict, and important people. One collaborative …
Exchanges Of Identity In Prehistoric Anatolian Figurines,
2016
CUNY John Jay College
Exchanges Of Identity In Prehistoric Anatolian Figurines, Ellen H. Belcher, Karina Croucher
Publications and Research
This paper examines exchange imagery and ideology of the human body manifested through figurines from prehistoric (7 th –6 th millennia BC) Anatolian contexts. These figurines document local, regional and inter-regional communication of identity, use of materials, ideologies and skills. Taking a new approach to understanding the assemblages, this paper suggests four key themes of analysis: materials and materiality; fractured bodies; gender spectrum; and ambiguities and relationships.
V.1 2016-2017,
2016
Rhode Island School of Design
V.1 2016-2017, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 issue contains articles on Kara Walker, Women's March, "Look at Art, Get Paid" program, #pizzagate, the Mutual Encounters exhibition, and smartphones.
The Economic Life Of The Aetas Of Northern
Philippines,
2016
University of Saint Louis
The Economic Life Of The Aetas Of Northern Philippines, Darin Jan Tindowen
Khazar Journal of Humanities and Social Sciences
In today’s world, one of the bases of economic development is the presence of technology. However, not all communities and groups can have an access to the different technologies created by man. And one of these groups is the Aetas of Northern Philippines. This study was conducted to determine the different economic activities, and seasonal activities for survival of the Aetas. The participants of the study were the 25 Aeta families of a rural community in Northern Philippines. In-depth interview, observation, and community immersion were the instruments used by the researcher. Moreover, key informants and the elders were identified to …
Understanding The Problems And Importance Of The Turin-Milan Hours: A Study Of Art Historical Methods,
2016
Trinity University
Understanding The Problems And Importance Of The Turin-Milan Hours: A Study Of Art Historical Methods, Araceli Bremauntz
The Expositor: A Journal of Undergraduate Research in the Humanities
No abstract provided.
Reframing Pictures: Reading The Art Of Appropriation,
2016
University of Wollongong
Reframing Pictures: Reading The Art Of Appropriation, Liz Linden
Faculty Publications
No abstract provided.
The Early Pottery Of San Antonio, Department Of Chinandega, Nicaragua,
2016
Florida Atlantic University
The Early Pottery Of San Antonio, Department Of Chinandega, Nicaragua, Kelsey I. Willis
Electronic Theses and Dissertations
I analyzed the potsherds (n=732) recovered from the 2009 archaeological excavations at the site of San Antonio in Chinandega, Nicaragua. I classified the pottery in accordance with the Type: Variety-Mode system that is used almost exclusively in Mesoamerica and the Greater Nicoya Sub-Region. Identifications of known ceramic wares, groups, types, and varieties were made through comparisons with reference specimens from type collections housed at several institutions. New taxa were defined as needed in accordance with the established protocols of the Type: Variety system (e.g., Smith et al. 1960) and as subsequently amended (e.g., Rice 1976). In the thesis, I describe …
Custom Framing: An Analysis Of Camille Pissarro's "Les Turpitudes Sociales" Within A Base-Superstructure Model,
2016
The College of Wooster
Custom Framing: An Analysis Of Camille Pissarro's "Les Turpitudes Sociales" Within A Base-Superstructure Model, Robin S. Klaus
Senior Independent Study Theses
No abstract provided.
Insurgency In The Late Bronze Age Levant: A World-Systems Analysis Of Three Egyptian Garrison Sites,
2016
College of Wooster
Insurgency In The Late Bronze Age Levant: A World-Systems Analysis Of Three Egyptian Garrison Sites, Eric T. Hubbard
Senior Independent Study Theses
The wide-ranging research focused on the turbulence of the Late Bronze Age in the Mediterranean and the Levant has not yet yielded a unified narrative of how this period was experienced across the region. While some sites exhibit no sign of the infamous collapse or ‘crisis,’ many others exhibit rapid abandonment or destruction layers. The narrative surrounding these destructions tends to be viewed as relating to foreign powers such as the imperial Egyptian invasion, Israel’s rising kingdom, or all manner of so-named ‘Sea Peoples.’ This macro-causal approach leaves fewer considerations of micro-scale incidents of local resistance/agency. Recent evidence from a …
Viewing Victorian Prisoners: Representations In The Illustrated Press, Painting, And Photography,
2016
Virginia Commonwealth University
Viewing Victorian Prisoners: Representations In The Illustrated Press, Painting, And Photography, Lauren Boasso
Theses and Dissertations
Victorian prisoners were increasingly out of sight due to the ending of public displays of punishment. Although punishment was hidden in the prison, prison life was a frequent subject for representation. In this dissertation, I examine the ways Victorian illustrated newspapers, paintings, and photographs mediated an encounter with prisoners during a time when the prison was closed to outsiders. Reports and images became a significant means by which many people learned about, and defined themselves in relation to, prisoners. Previous scholarship has focused on stereotypes of prisoners that defined them as the “criminal type,” but I argue prisoners were also …
Crescendo,
2016
Virginia Commonwealth University
Crescendo, Jeffery A. Pabotoy
Theses and Dissertations
Artist Statement
I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.
In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …
Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition,
2016
Virginia Commonwealth University
Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition, Amy G. Marshman
Theses and Dissertations
This dissertation provides an iconographic interpretation of a group of Ancient Puebloan human effigy vessels and fragments from the American Southwest, dating to the Pueblo II period, c. 900 -1150 CE. Initially, this project focuses on Ancient Puebloan human effigy vessels from three specific collections; a single vessel in the collection of the National Museum of the American Indian in Washington, D.C., a human effigy vessel in the collection of the American Museum of Natural History in New York, and the so-called Putnam Human Effigy Jar from Chaco Canyon at the Peabody Museum of Archaeology and Ethnology at Harvard University. …
