History of Art, Architecture, and Archaeology Commons^™

A Comparative Analysis Of Portable X-Ray Fluorescence Spectrometry And Stable Isotopes In Assessing Ancient Coastal Peruvian Diets, Theresa Jane Gilbertson

USF Tampa Graduate Theses and Dissertations

This dissertation explores a cross-cultural analysis of the dietary signatures of four coastal cultures of prehistoric Peru. A combination of elemental analysis based on portable x-ray fluorescence spectrometry (pXRF), testing trace elements presented in 209 individuals’ skulls representing the Nazca (38), Cañete (33), Lima (40), and Moche (98) valleys and/or cultures of the first millennium AD, is weighed in conjunction with isotope ratio mass spectrometry (IRMS) to analyze human bone collagen and bone apatite derived from a portion of the individuals represented in the Nazca, Cañete, and Lima cranial samples.

Evidence from the results of both tests are weighed using …

So You Think You Can Model? A Guide To Building And Evaluating Archaeological Simulation Models Of Dispersals, Iza Romanowska

Human Biology Open Access Pre-Prints

With the current surge of simulation studies in archaeology there is a growing concern for the lack of engagement and feedback between modellers and domain specialists. To facilitate this dialogue I present a compact guide to the simulation modelling process applied to a common research topic and the focus of this special issue of Human Biology—human dispersals. The process of developing a simulation is divided into nine steps grouped in three phases. The conceptual phase consists of identifying research questions (step 1) and finding the most suitable method (step 2), designing the general framework and the resolution of the …

Genre, Justice & Quentin Tarantino, Eric Michael Blake

USF Tampa Graduate Theses and Dissertations

The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter.

The following thesis seeks to use the concept of Auteur Theory—specifically, that Tarantino …

Discover Joyce's Dublin By Reading And Running, Barry Sheehan

Academic Articles

James Joyce told his friend Frank Budgen. “‘I want’ said Joyce, as we were walking down the Universitätstrasse, ‘to give a picture of Dublin so complete that if the city one day suddenly disappeared from the earth it could be reconstructed out of my book.’” (Budgen, 1960, p.67, 68).

This research looks at the relevance of Dublin to Joyce’s writings and to the relevance of Joyce’s writings to Dublin. It is concerned with the virtual Dublin of Joyce’s writings, the physical manifestation of Dublin over time, and the relationships between them.

Numerous scholars read and analyse the writings of Joyce …

Like Blood From A Stone: Teasing Out Social Difference From Lithic Production Debris At Kolomoki (9er1), Martin Menz

USF Tampa Graduate Theses and Dissertations

Early phases of Kolomoki’s occupation have been characterized as relatively egalitarian, with little evidence for status differentiation. However, patterned variability in lithic raw material use and intensity of production in domestic areas suggests heterogeneity in the community at multiple scales. In light of Kolomoki’s emphasis on communal ceremony, internal divisions between groups of households highlight the tension between public and private expressions of status and social solidarity. New radiocarbon dates from the southern margins of the village have allowed us to assess the contemporaneity of this pattern, and by extension, the chronology of village aggregation.

Identifying Humanized Ecosystems: Anthropogenic Impacts, Intentionality, And Resource Acquisition At Crystal River (8ci1) And Roberts Island (8ci41), Charles Trevor Duke

USF Tampa Graduate Theses and Dissertations

The impact of human activity on ecosystems is an issue at the forefront of global concern. Marine ecosystems are a particular concern, given their importance for human sustenance. Through the removal of species that are highly susceptible to the effects of overfishing, global fisheries have been driven to near collapse in recent decades. The long-term effects of such practices has resulted in declines in mean trophic level of aggregate fish catches over time, as well as decreasing diversity of species available for regular harvest (Jackson et al. 2001; Pauly et al. 1998). These supposedly “modern” problems have been recently identified …

When Attitudes Become Toys: Play Orbit And The Cybernetics Of Participation, Tim Stott

Conference Papers

This paper discusses the exhibition Play Orbit, curated by Jasia Reichardt, then Assistant Director of the Institute of Contemporary Arts in London, in collaboration with Peter Jones of the Welsh Arts Council and first shown at the Royal National Eisteddfod of Wales in Flint from 4to 9 August 1969 and then at the ICA itself from 28 November 1969 to 15 February 1970.

The exhibition consisted of ‘toys, games, and playables [produced] by people who are not professionally involved with the design of playthings, but who work in the field of the visual arts’, wrote Reichardt. In its choice …

Pottery Exchange And Interaction At The Crystal River Site (8ci1), Florida, Kassie Christine Kemp

USF Tampa Graduate Theses and Dissertations

The Crystal River site (8CI1) is a Woodland-period mound (ca. 1000 BC to AD 1050) complex located on the west-central Gulf coast of Florida. Links to the Hopewell Interaction Sphere suggest that the people of Crystal River had connections with a broad range of communities, yet little is known concerning the role the site played in local, regional, or long-distance exchange networks. Pottery traditions vary amongst different communities of practice, therefore the level of interaction at Crystal River can be measured by looking at variation in the ceramic assemblage. I combine type/attribute, vessel form and function, gross paste, and chemical …

Resistance, The Church, And A Comparison Of Ceramics From Sixteenth-Century Caluco, El Salvador, Alison Denise Hodges

Theses and Dissertations

This thesis examines ceramics from the church of San Pedro y San Pablo, Caluco, El Salvador, to investigate the pressures of Spanish evangelization during the Colonial Period. It compares the church's ceramic assemblage to two privately-owned houses, also within Caluco. Examining choices in ceramic styles for serving food and drink is one way to examine the colonial policies of reducción, which were to instill a regular, commonplace Christian order in everyday life. The materials in question were a large number of Spanish majolicas, as well as 300 locally-made vessels, and form, decoration, and ware was noted for each. The relative …

The Sober Joy Of Thieving, Jennifer Stob

Criticism

Radical Prototypes: Allan Kaprow and the Invention of Happenings by Judith F. Rodenbeck. Cambridge, MA: MIT Press, 2011. Pp. 312, 47 illustrations. $34.95 cloth, $17.95 paper.

Place Matters: Mount Tamalpais In Marin County, California As Site And Insight, Leslie D. Ross

Collected Faculty Scholarship

No abstract available

Aribo, De Musica And Sententiae, T. J. H. Mccarthy

TEAMS Varia

Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. …

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.

Victor Horta's Illusion Of Space, Courtney Manning

Student Research

An exploration of Victor Horta's architectural illusion of space.

Archeological Investigation At Yanaguana Garden In Hemisfair Park, San Antonio, Bexar County, Texas, Ross C. Fields, Aaron R. Norment, Amy E. Dase

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

This report describes archeological efforts done under six work orders for the development of Yanaguana Garden at HemisFair Park in downtown San Antonio, Texas. All of the projects were done by Prewitt and Associates, Inc. (PAI), for Adams Environmental, Inc. (AEI), and the City of San Antonio, Transportation and Capital Improvements (CoSA-TCI), under Texas Antiquities Permit No. 6846 (issued April 14, 2014). As described below, the Yanaguana Garden project is the first phase of a planned redevelopment of HemisFair Park for mixed-use purposes. Planning for how to deal with cultural resources during this redevelopment began in 2012 when PAI prepared …

What A Relief! Variations On Printmaking, Augustana College, Rock Island Illinois

2015-2016

What (is) a Relief?

Relief printmaking was the first printmaking process invented, and has its origins in seals in China around 255 BCE. At its most basic, one can think of a stamp as a relief print. The artist uses tools to cut away portions of the matrix (a wood block, linoleum sheet, Styrofoam, etc.), leaving behind a raised image area, which is then printed on a substrate (paper, fabric, etc.). To this day, relief printmaking is still the most accessible form of printmaking because a press is not required to make a print – just the matrix, ink, pressure …

Earthly Pleasures: Bounty In Ukiyo-E Prints (2015), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Earthly Pleasures or, broader, nature’s riches and man, is a topic for an exhibition project of the ukiyo-e prints curatorial course taught at RISD in the Fall Semester of 2015. When deciding on this subject matter we were curious to see how the urban art of ukiyo-e with its focus on figurative representation of celebrities dealt with the nature theme, essential for Japanese culture and all-pervading in Japanese classical visual arts and literature. Did ukiyo-e artists include images of nature in their compositions? If yes, then who, when and how? It is with this quest in mind that a …

"Pray For The People Who Feed You": Voices Of Pauper Children In The Industrial Age, Rebecca S. Duffy, Jill Ogline Titus

Schmucker Art Catalogs

Following the Industrial Revolution in the late nineteenth and early twentieth centuries, countries such as the United States and England experienced a widening gap between the rich industrialists and the impoverished working class. As a result, poverty quickly shifted from a localized problem to a national epidemic. Each country was faced with the challenges of addressing and alleviating poverty on a national scale. With a limited amount of resources, questions arose about who should receive relief. What should it look like? How should it be administered? And how would poverty and policy affect political, economic, social and familial structures? [ …

Make Love, Not War?: The Role Of The Chorus In Kokoschka’S “Murderer Hope Of Women”, Susan F. Russell

Theatre Arts Faculty Publications

In the summer of 1909, two one-acts by the twenty-three-year-old painter Oskar Kokoschka premiered in Vienna in an outdoor theatre built in the garden adjacent to the art museum as part of the second Kunstschau exhibit. The two Kunstschauen (of 1908 and 1909) were organized by Gustav Klimt and his friends in order “to expose the Viennese public to the most shocking and revolutionary forces in contemporary art,” and Kokoschka exhibited in both. The showing of Oskar Kokoschka’s art and his plays cemented his reputation as the most prominent enfant terrible of his day. These exhibitions helped ensure that, by …

Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd

Art Faculty Books and Book Chapters

"On February 24, 1684, Giacomo Borzacchi was given small iron pegs and wooden wedges by the members of the Fabbrica (Building Works) of St. Peter's, "which he needs for the armature that he is making for the horse and statue of the King of France."1 Borzacchi was a kind of handyman-a mason and engineer-who was in the regular employ of the Fabbrica for almost 30 years. His project in 1684, the "armature," must have been the wooden support structure needed to safeguard Gian Lorenzo Bernini's equestrian statue of French King Louis XIV on its long trip to Paris. The previously …