History of Art, Architecture, and Archaeology Commons^™

The Resilience Of The Pare Traditional Pottery Industry In Tanzania During The Colonial And Post-Colonial Eras, 1900s–2020, Shakila Halifan Mteti

Journal of Humanities and Social Sciences

This paper examines the resilience of the traditional pottery industry among the Pare women potters in Tanzania. It focuses on how the industry responded to local and global socio-economic and political dynamics from the colonial period in the 1900s through 2020. Specifically, it explores how Pare women potters have attained success, navigated challenges, and adapted to changing economic and social conditions. The study focuses on the Pare people of Usangi in Mwanga District, Kilimanjaro region, Tanzania. It is based on in-depth interviews, non-participant observation, and archival and written sources collected between July and December 2018. The study findings are threefold. …

The Idea Of Ethiopia: Heritage Tourism In The Land Of Origins, Hosaena T. Tilahun

Geography Undergraduate Senior Theses

Hosaena Tilahun's "The Idea of Ethiopia" explores how heritage tourism in Addis Ababa cultivates Ethiopian patriotism and exceptionalism. Through an in-depth, close reading of the National Museum of Ethiopia, Unity Park, and the Oromo Cultural Center, supplemented by observations at the Red Terror Memorial Museum and Dergue Prison, Tilahun examines how heritage sites shape the political memory of national resistance, revolution, and Black internationalist thought. Tilahun discovers omissions of Menelik II's role in the Red Sea Slave network, encountering museum and archival silences about the internal conquest of peoples peripheral to the northern Abyssinian empire. As these heritage site renovations …

Midwestern Landscapes, Immigrant Hands: Swedish Artists And The Regionalist Movement, Grace Finney

Celebration of Learning

The Regionalist movement in American art attempted to define an authentic national identity through depictions of the American landscape, rural life, and working-class values and communities. From the mid-19th to early 20th century, over a million Swedes immigrated to the United States, many of whom settled in the Midwest, a region frequently depicted by Regionalist artists. Swedish immigrant artists captured the beauty of the same landscapes, portrayed similar rural values, and even created public art, all of which are defining elements of the Regionalist movement. Their artistic expressions align with the themes of Regionalism, yet they remain absent from the …

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

The Virgin Of Guadalupe And The Liminality Of Pregnancy, Jason Oosting

Theses

This thesis suggests that the image of the Virgin of Guadalupe, during the Colonial Period, provided the diverse population of colonial New Spain (and, in particular, Mexico City/Tenochtitlán) with an image that functioned to unify even some of the most seemingly disparate belief systems, those of Christian Spaniards and Indigenous Nahuatl traditions. More specifically, this thesis argues that this unification was achieved because the image of the Virgin of Guadalupe in the 16th and 17th centuries was likely understood as representing a divine pregnant woman to many colonial viewers—a state that bound viewers, both Spanish and Indigenous alike, to shared …

75 | Cana Of Galilee: Excavations At Karm Er-Ras 1999–2011, Yardenna Alexandre

IAA Reports—Monograph Series of the Israel Antiquities Authority

This volume describes the results of multiple small-scale salvage excavations that took place at the site of Karm er-Ras in the Lower Galilee between 1999 and 2011. Archaeological remains of ten strata were revealed, dating from Iron Age II to the Byzantine period, including architecture, pottery, glass, coins and special finds. The archaeological data reveals the history of settlement of this site, and its changing ethnic and religious affinities over some 1500 years. Following detailed analysis of the archaeological data and the literary sources, the author argues for the identification of the Roman-period village at Karm er-Ras with ‘Cana of …

Digital Resurrection Of Thonis-Heracleion: Technological Advances In Underwater Archaeology And A Speculative Ai-Driven Reconstruction Methodology, James Hutson, Passent Chahine

Faculty Scholarship

This article synthesizes past archaeological research on the submerged Egyptian city of Thonis-Heracleion, critically reviewing excavations and technological interventions deployed since its rediscovery by Franck Goddio and the IEASM team. Situated approximately 10 meters beneath Aboukir Bay near Alexandria, the city represents a significant nexus of Greek and Egyptian cultural heritage, vividly documented in classical sources such as Herodotus and Strabo. Prior excavations have recovered temple complexes, colossal statues, ritual artifacts, and an extensive array of ancient shipwrecks, mapping only a fraction of the extensive site. These investigations utilized pioneering geophysical methods, including multibeam sonar, side-scan sonar, and photogrammetry, establishing …

Personifying The Goddess: Contrasting Representation Of The Deified Body In Feminist Art, Kelly Lorraine Phillips

Theses

Goddess imagery, the representation of a female deity or a concept of divine feminine power through various forms, symbols, and narratives, has been used by artists to communicate a multitude of sentiments, from spiritual reverence to political ideology. This study probes the evolution of representations of the deified female body from the 1970s to the current era to reveal contrasts in how these icons of female power have transformed over time. The artwork of second-wave feminist and self-identified “Goddess artist” Mary Beth Edelson is examined as a foundation for second-wave Goddess sentiment. Edelson’s collage work, which incorporates figures from a …

Evidence Of The Complexity Of The Conversion To Christianity In Early Medieval Funerary Stone Carvings Of Pagan Cultures In Scotland And Scandinavia, Cameron Genet

Theses

This thesis focuses on stone monuments created between the late fifth to late twelfth centuries CE, specifically in Scotland and Sweden. The aim of this thesis is to interpret the symbols or images inscribed onto the stone monuments to determine what they reveal about the Christianization of these regions. The Picts in Scotland and the Norse in Sweden left behind several standing stones such as the Craw Stane from the Picts and the Ledberg Stone from the Norse which have various symbols carved into them. These stones were sometimes created in connection with a burial, allowing the interpretations of their …

Objects Against Convention: An Objective Study Of Claude Cahun's Overlooked Works, Zuzu Longstreth

University Honors Theses

The French artist and writer Claude Cahun (1894-1954) is best known for her early self-portraiture. These photographs take place in theatrical spaces and witness the artist donning costumes and masks, playing out different identifiers and gender roles. Beginning with the discovery of Cahun's work in the 1990s, the scholarly conversation has focused entirely on the artists early work based on a perceived kinship with postmodern notions of identity. While this early body of work is fascinating, attention to it has been singular, shaping how the rest of Cahun's work is understood. To trouble this one-dimensional view of Cahun as an …

Creating Possibilities: The Ethelind Pope Brown Collection: An Overview Of Who May Have Illustrated America's Oldest Naturalist Paintings, Maksym Dedenko

University Honors Theses

This thesis investigates the Ethelind Pope Brown Collection at the University of South Carolina, a rare assembly of hand-illustrated naturalist artworks depicting an assortment of flora and fauna from the eighteenth century. Despite its artistic and educational value, the creator of the collection remains unidentified. Through close textual and visual analysis, archival research, and comparative stylistic study, this project explores several potential authorship theories while providing background to the necessity of evolving science that facilitated its creation.

An Interactive Walkthrough Of Richard Kostelanetz’S Library, Martin Glick

Dissertations, Theses, and Capstone Projects

My project utilizes the visual novel game engine Ren’Py to create an embodied virtual walkthrough of Richard Kostelanetz’s personal library. Kostelanetz is a pioneering avante-garde artist, critic, and anthologist whose work spans multiple decades and artistic practices. This interactive experience introduces users to the astounding collection of 25,000 books that Kostelanetz has amassed in Ridgewood, Queens over his decades of publishing avant-garde literature. While scholars might be familiar with his anthologies such as Scenarios: Scripts to Perform (1980) and Texts-Sound Texts (1980), my project allows users to browse through sample pages of his original “Book Art”.

This New Media Object …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Buddha, Resituated, Min Sun

Masters Theses

The Asian Arts Room at the Metropolitan Museum of Art presents significant cultural artifacts in a minimalist, neutral environment that disconnects them from their original historical and spatial contexts. By proposing display techniques that emphasize the origin and background of objects, it asks whether audiences from diverse cultural backgrounds can be enabled to connect empathetically with and learn from the heritage represented by these objects displayed out of context.

This thesis explores how exhibition design can reframe decontextualized artifacts to restore cultural meaning. By unpacking the room chronologically and geographically, and drawing from the spatial language of the Yungang Grottoes, …

Unframing Venus: Redefining The Female Nude, Sage Leafsong

Masters Theses

Historically women have been excluded from becoming acclaimed artists due to societal, educational, and institutional barriers. This exclusion has had many repercussions in Western art––in a large part it has made celebrated male artists the norm, while celebrated female artists are the exception.

These same barriers often precluded women from depicting themselves in art. When women did paint, they were encouraged to paint domestic scenes such as flowers or still lifes and were prohibited from studying or depicting the nude form. This gap of representation was filled by male artists who have felt empowered to sexualize women with no consequence. …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.