History of Art, Architecture, and Archaeology Commons^™

Moiré And Its Ineffable Liquidity: A Study Of Pictorial Watered Silk In The Works Of Andrea Mantegna, Giovanni Bellini And Raphael, Olivia Birkelund

Theses and Dissertations

This study explores pictorial moiré in Renaissance Italian paintings, arguing that its liquid appearance held spiritual and humanist resonances beyond luxury. Through dissemblant facture, artists Giovanni Bellini, Mantegna and Raphael rendered a moiré with overtones of the Incarnation, sacred fluidity, and fertility, creating meditative sites of theological and cultural meaning.

The Past In The Present: Photography, Vietnam War, And Memory, Yuya Kawata

Theses and Dissertations

This thesis focuses on three contemporary artists—An-My Lê, Dinh Q. Lê, and Harrell Fletcher—who use photography to explore the contentious memory of the war in Vietnam. Addressing different contexts in which the war is remembered, their works invite careful reflection on how to approach the elusive past.

Tears, Blood, And Milk: Frida Kahlo's Depictions Of Maternity, Jenny Mushkin Goldman

Theses and Dissertations

This thesis analyzes Frida Kahlo’s representations of miscarriage, childbirth, and breastfeeding as departures from idealized portrayals of womanhood in post-revolutionary Mexico. Drawing on Catholic and Mesoamerican imagery, Kahlo reframes the maternal body as a site of resistance, engaging mexicanidad (Mexicanness) to counter its patriarchal constructions of national identity and gender.

Apocalypse As Utopia: The Exorcisms And Memorials Of Las Yeguas Del Apocalipsis And Queer Liberation In Chile, 1987-1997, Nicolas Poblete

Theses and Dissertations

This thesis provides a comprehensive history of the queer activist-art collective Las Yeguas del Apocalipsis (1987-1997) and their performance-based resistance to the Chilean dictatorship (1973-1990), cultural homophobia, and the HIV/AIDS crisis. Through art actions blending ritual, protest, and queer poetics, the collective redefined public space and national identity, envisioning a utopian queer apocalypse rooted in memory.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

Black America, Ethiopianism And Ethiopians: Tizita (ትዝታ), And The Longing That Binds, David Brunberg

Theses and Dissertations

This thesis maps the concept of Ethiopia within the development of Black American peoplehood and Pan-Africanist thought, while shedding light on the deep influence of an American-inspired Pan-Africanist ethos on the works of two Ethiopian-American bridge artists, Julie Mehretu and Aïda Muluneh specifically, and on art production more generally as expressed within contemporary Ethiopia. They are “bridge” artists because they straddle an international space between Black American and Ethiopian identities. It explores the following questions: How did an American Ethiopianism morph into or become synonymous with Afrocentrism? What crosscurrents can one see in contemporary art production in Ethiopia, and its …

Intersections: Gastro-Politics Aesthetic And Contemporary Chinese Art, Fan Du

Theses and Dissertations

This thesis examines how contemporary Chinese artists use food as a medium to explore ritual, trade, politics, and cultural identity. Centering on The Note of Food, an exhibition I curated, it draws on Arjun Appadurai’s concept of gastro-politics and Lu Xun’s nalaizhuyi (“grabbing doctrine”) to analyze how artists strategically appropriate cultural resources amid tensions between East and West, and tradition and modernity. Merging curatorial practice with food and visual anthropology, the project uses exhibition-making as both method and object of inquiry. As a native anthropologist working as both curator and researcher, I propose a model of curatorial anthropology that …

Louis-Léopold Boilly’S Toddler In Mamluk Costume, Circa 1803: Feminism And Orientalism In The Napoléonic Era, Jessie Polk

Theses and Dissertations

Privately held until it came into the Met collection, Toddler in Mamluk Costume by Louis-Léopold Boilly was not widely known and hasn’t been extensively studied. This thesis seeks place it in context and argues that it is likely a portrait of a girl, a niece of Napoléon I, Zénaïde Bonaparte.

Piecemeal, Max J. Eisenberg

Theses and Dissertations

Exploring the history of photographic manipulation both inside and outside of the camera from the late 19th century until today. My work plucks out cultural and local signifiers from the state of Florida, and the American South as a whole, and disseminates them using a constructed symbolic vernacular in the form of in-camera collaging on large format film.

The International Art Show For The End Of World Hunger By Artists To End Hunger, Coty Heinz

Theses and Dissertations

This thesis examines the development of The International Art Show for the End of World Hunger, organized in the 1980s by the New York nonprofit Artists to End Hunger and a broad network of volunteers. It also considers the exhibition’s context, lead organizer, and impact within an extensive international tour.

Geraldo De Barros’S Fotoformas: Towards The Construction Of New Forms Of Legibility, Jay Bravo

Theses and Dissertations

This thesis examines the legibility and reception of Geraldo de Barros’s Fotoformas within Western art institutions, using MoMA’s 2021 Fotoclubismo exhibition as a case study. It argues that the integration of Brazilian modernist photography into canonical narratives often hinges on strategic affinities with Euro-American frameworks. Drawing on institutional critique, postcolonial theory, and the concept of Anthropophagy, the study explores how Fotoformas challenges conventional photographic discourse and reveals broader dynamics of artistic legitimacy and representation.

The Tales Of Maruni, Sikuma Rai

Theses and Dissertations

Sikuma Rai journeys into the fading indigenous genre of Maruni—an eastern Nepali song and dance form—narrating letters to her late grandfather. Accompanied by her father, and a devoted folk musician from an upper-caste background, she traces echoes of memory, identity, and the fragile inheritance of indigenous culture.

Araki Hirohiko: Elevating The Craft Of Manga Through Art Nouveau And Art Deco, Andre Polidoro

Undergraduate Research Symposium Posters

Araki Hirohiko is a mangaka for one of the longest running manga in history, Jojo’s Bizarre Adventure (1987–present). Throughout his several decade career, he has drawn over 20,000 pages for his manga by hand.

The art for his manga was inspired by 20ᵗʰ century fashion illustration. Through his rigorous practice he was able to secure many collaborations with high end fashion brands, and even a temporary exhibition in the Louvre.

Through this practice, he has become a contemporary artist of Art Nouveau and Art Deco which he portrays through the illustrations for his manga.

Reconstructing Art And Evidence: Forensic Architecture In Institutional Settings, Makenzie Smith

University Scholar Projects

Forensic Architecture (FA) is a London-based multidisciplinary research collective and human rights agency that uses digital modeling, architectural and spatial analysis, and open-sourced images to investigate and present visual evidence of human rights violations committed by state governments, militaries, and corporations. The team of architects, software developers, filmmakers, investigative journalists, scientists, and lawyers, collaborates with civil society groups, witnesses, and victims to establish a counternarrative in the service of human rights and social justice, exhibiting their investigations in institutional settings as varied as legal courts and parliamentary tribunals, citizen assemblies, mass media, universities, and art museums. My research focuses on …

Medusa's Metamorphosis: Art, Mythology, And The Changing Perception Of Female Power, Elizabeth Kehr

School of Art, Art History, and Design: Theses and Student Creative Work

The evolution of Medusa’s iconography in ancient Greek art mirrors societal and cultural transformations. As attitudes shifted in relation to gender roles, power relationships, and morality changed, so too did images of the Gorgon. Following the course of development of Medusa’s image allows one to discover details of the thoughts and struggles the ancient Greeks had with concepts of power, womanhood, and monstrosity and otherness. Previous art historical research on Medusa has largely examined her function and evolution of visual depictions from the Archaic monster to Classical ideal. Few, however, have explored how and why these changes may be indicative …

Women In War In The Ancient Middle East, Margaret E. Kimbro, Margaret Kimbro

Undergraduate Honors Theses

Women are often overlooked as contributors in conflict and warfare throughout time, both modern and ancient. Women in positions of authority through politics, religion, or both contributed to the management of conflict and warfare through propaganda, political ritual, and direct involvement in the army. This thesis focuses on five different women from Mesopotamia, Egypt, and Syria beginning in the 2200s BCE to the height of the Roman Empire. It focuses on the utilization of primary sources such as translated writings, statues, art and iconography, and documentation of the works of these women. Women’s contributions continue to be overlooked or erased …

V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2025 issue has the theme "Take It as a Sign" and features pieces on baby fever, spreadsheets and recording information, aura and technology, a trip to Horseshoe Bend, the new Art and Computation department at RISD, home and belonging, Illustration student projects related to sensitive experiences, red brick architecture in Providence, and technology and the English language, along with interviews of students in their studios, poetry, and other creative writing.

The Robert Burns Portraits Revisited, Patrick Scott

Faculty Publications

Illustrated lecture for the 2025 annual meeting of the Robert Burns Association of North America, in Atlanta, Georgia, on the major portraits of the Scottish poet Robert Burns (1759-1796), and on the dissemination of the well-known Nasmyth portrait through engravings, copies, and adaptations, charting the delayed emergence of the other portraits now generally recognized, surveying recurrent efforts to get other 'discoveries' accepted as depicting Burns, and suggesting possible dramatic further news likely to come later in the year.

"Homesick For You:" An Archival Analysis Of Love Letters From World War Ii, Cambria B. Acheson

English (MA) Theses

In this project, I cherish and explore a collection of correspondence exchanged between a married couple during World War II. Applying an embodied research approach that incorporates archival, historical, and cultural studies, I analyze key elements of these letters with special attention for themes of love and family, valuing their insights to touching personal stories that nuance the dominant narratives of history. I contend for the preservation and discussion of these letters and similar artifacts, advocating for their lasting significance within both past and present contexts and their irreplaceable contributions to the cultivation of collective memory and empathy across generations.