History of Art, Architecture, and Archaeology Commons^™

Khallat Abu ḤAlaḥ: The Ceramic Assemblage, Neer Lect Ben Ami

Qadum: Journal of Excavation Reports from Israel

This report details the ceramic assemblage recovered from excavations at Khallat Abu Ḥalaḥ. The pottery spans from the first to the tenth centuries CE, with the majority dating to the Late Roman and Byzantine periods. The assemblage includes various vessel types, mostly from unstratified contexts. The pottery indicates strong commercial ties with other Southern Levantine coastal and inland sites. The variety of finds suggests the site was a domestic structure, possibly a farmstead, within the economic sphere of Byzantine Caesarea.

Khallat Abu ḤAlaḥ: A Byzantine-Period Structure At Ramot Menashe / ח'לת אבו חלאח: מבנה מן התקופה הביזנטית ברמות מנשה, Ron Be'eri

Qadum: Journal of Excavation Reports from Israel

The excavation at Khallat Abu Ḥalaḥ uncovered part of a Byzantine-period structure comprising several rectangular rooms, corresponding to five construction phases. One of these rooms may have functioned as a bathhouse. Remains of another nearby structure decorated with a cross were also revealed, along with the upper fragment of a small chalkstone altar incised with a cross; a road paved with small stones and flanked by two walls that led to the site and continued toward Naḥal Dalia; and several field walls, one of which may have served as an enclosure. The finds from the site—including a fragment of a …

Eshta’Ol: The Lithic Assemblages, Omry Barzilai

Qadum: Journal of Excavation Reports from Israel

This report presents four lithic assemblages recovered from Areas B–F at the site of Eshta’ol. All assemblages primarily utilize locally available flint types, notably brecciated Campanian and semitranslucent Eocene/Senonian flints. The technological organization is dominated by flake and flakelet industries, with evidence of local knapping activities and the reuse of older tools across periods. Diagnostic tools and technologies indicate distinct occupational phases associated with the Pre-Pottery Neolithic B (PPNB), Pottery Neolithic (Yarmukian), Early and Late Chalcolithic (Wadi Rabah, Ghassulian) and Early Bronze Age. Despite prolonged occupation, formal tool frequencies remain low, particularly during the Early Bronze Age, suggesting that Eshta’ol …

Eshta’Ol: Faunal Remains From The Chalcolithic Period And Bronze Age, Edward F. Maher

Qadum: Journal of Excavation Reports from Israel

This article presents a zooarchaeological study of a small faunal assemblage recovered from Areas B, D and E at Eshta’ol, dating to the Late Chalcolithic period (Stratum IV), Early Bronze Age IB (Stratum III) and Intermediate Bronze Age (Stratum II). A total of 250 bone fragments were analyzed, with 86 identifiable specimens representing eight species, primarily from the EB IB stratum. The assemblage is dominated by domestic animals—especially caprines, cattle and pigs. Mortality profiles based on epiphyseal fusion and dental wear indicate a preference for secondary products—such as wool, milk and dung—over meat consumption. Small-scale farming and agricultural activity may …

Eshta’Ol: A Protohistoric And Bronze Age Site In The Judean Shephelah, Amir Golani, Benyamin Storchan

Qadum: Journal of Excavation Reports from Israel

This report presents the results of several excavations at Eshta’ol, which revealed occupation remains from six strata, dating from the Neolithic period to the Intermediate Bronze Age. These excavations were the first to identify occupational horizons dating to the Pre-Pottery Neolithic B and Pottery Neolithic periods (Jericho IX/Lodite cultures), including significant flint and ceramic assemblages. The Early (Wadi Rabah) and Late Chalcolithic remains at Eshta’ol indicate a small settlement with two occupation phases. The large Early Bronze Age settlement at the site comprised at least four occupational phases, all associated with EB IB, reflecting a long-lived, preplanned rural village that …

On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos

Criticism

Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.

How Much Has The Recognition Of Women Artists’ Contributions To Art History Changed In The Past Half Century And Why?, Roger Clark

Sociology Between the Gaps: Forgotten and Neglected Topics

No abstract provided.

Research On The Use And Effects Of Freezing In Controlling Clothes Moth Infestations In A Contemporary Art Collection, Sara Thornburg

Art Conservation Master's Projects

This study investigates the efficacy and implications of low-temperature pest eradication— specifically freezing—as a method for managing clothes moth infestations in museum collections, with a focus on contemporary and composite artworks. Prompted by the evolving needs of the San Francisco Museum of Modern Art (SFMOMA), this research explores current best practices, material vulnerabilities, and institutional approaches to freezing treatments. A literature review was conducted alongside a global survey of 40 museum professionals to assess how freezing protocols are implemented, what materials are considered safe, and what challenges arise in real world applications. Results show that while freezing remains a widely …

Reverse-Chinoiserie: Qing Imperial Porcelain And The Reappropriation Of European Rococo, Yifan (Mia) Ye

Theses and Dissertations

This thesis introduces “reverse-chinoiserie” to describe the Qing court’s reappropriation of European Rococo aesthetics in imperial porcelain. Through case studies of 18th-century ceramic diplomacy and design, it reveals how cultural imitation was reengineered into visual sovereignty. It examines how China responded to, absorbed, and redirected European fantasies of empire.

Cartography, Botany, And Violence In The Codex Rodriguez-MondragóN, Maria Davison

Theses and Dissertations

This thesis examines how Sandy Rodriguez deploys the visual language of the Florentine Codex and other sixteenth-century Mesoamerican sources to examine the persisting effects of colonialism on people and land in Mexico-U.S. borderlands in Codex Rodriguez-Mondragón (2017-present), her ongoing series of maps, botanical illustrations, and landscape paintings.

76 | Maresha Iv: The Subterranean Complexes Of The Hellenistic City, Ian Stern

IAA Reports—Monograph Series of the Israel Antiquities Authority

This volume provides an archaeological study of 152 subterranean complexes at ancient Maresha, including an overview of the site, geological background, typological analysis of chamber types, and documentation of all surveyed installations. Two brief excavation reports offer insights into material culture and daily life during the Hellenistic period. Carved decorative elements—such as niches, altars, reliefs, and betyls—highlight religious diversity and cultural syncretism among Maresha’s residents. Twenty-one inscriptions, mostly Greek with three Semitic, provide rare direct evidence of the activities, identities, and experiences of individuals who used these underground spaces, adding a human dimension to the material findings. Special attention is …

Redefining Community: An Analysis Of Black Presence On Nantucket In The Late 19th And Early 20th Centuries, Laura A. Paisley

Graduate Masters Theses

In the mid-19^th century, the decline in whaling initiated massive change on Nantucket Island’s cultural landscape. The thriving, but segregated, New Guinea community that formed in the late-18^th century was also impacted by this shift. Tourism ultimately became, and still is, Nantucket’s primary source of income and has wreaked havoc on the historical narrative that is perpetuated about the island. This narrative rarely moves past Nantucket’s whaling history and does not discuss the continued Black presence on the island. This thesis uncovers the relationship between race, space, and community formation that existed on Nantucket between 1860 and 1920. …

Challenging The Gaze: A Feminist Interpretation Of The S.M.S. Mail Art Collection, Karissa A. Krievins

All Graduate Reports and Creative Projects, Fall 2023 to Present

In the late 1960s, many people called for radical, immediate change to America’s political, societal, and cultural structures. The artistic practices of the time reflected the social and political realities of the moment and played a crucial role in advocating for change. The title of the 1968 S.M.S. (Shit Must Stop) subscription art portfolios was a bold and urgent call for action, challenging artists and audiences alike to confront the pressing injustices of the era and inspire a collective awakening to the necessity of transformative change across the United States. Despite a fifty-six-year gap, today we are …

Stasiun Kereta Api Bogor, Jawa Barat Abad Ke-19 Hingga Ke-20: Kajian Arkeologi Industri, Rakan Amir Ilham, Isman Pratama Nasution

Multikultura

Bogor railway station is a railway building in the city of Bogor that has played a role in community activities since the 19th century. This research uses an industrial archaeology approach in reconstructing social and economic activities as well as the development of railway technology and operations. This research was conducted through seven stages, namely formulation, implementation, data collection, data processing, data analysis, data interpretation, and publication. This research produced an overview of railway activities such as the development of locomotive types, the division of social classes at the station, as well as the political, tourism, and economic influences of …

The Representation Of Indonesian National Identity In Syuhada Mosque, Kotabaru, Yogyakarta, Muthia Zahri Mardhiyah, Ali Akbar

International Review of Humanities Studies

This article examines the concept of national identity as embodied by the Syuhada Mosque, located in Kotabaru, Yogyakarta. Completed in 1952, the mosque was established as a monument to the independence of the Republic of Indonesia. This research addresses whether Syuhada Mosque genuinely represents national identity. The study aims to describe the architectural form of Syuhada Mosque and elucidate the representations of national identity embedded within its structure. The research methodology aligns with the framework proposed by Sharer and Ashmore, encompassing formulation, implementation, data collection, data processing, analysis, interpretation, and publication. Based on its historical background, the foundational ideas and …

“…Stay On It…”/A Theory///“Illumination Happens”//, Lara E. Goldmann

Art & Art History ETDs

“…stay on it…”/a theory///“illumination happens”// is a critical engagement with the work of contemporary Black artists Arthur Jafa and Adam Pendleton, explored through the lens of the Black radical tradition. Bridging aesthetics, politics, and history, the dissertation investigates how their visual, sonic, and conceptual practices articulate Black life, insurgency, and imagination.

Drawing on theorists such as Fred Moten, Sylvia Wynter, Hortense Spillers, Frantz Fanon, and Cedric Robinson, the study constructs a framework that considers Blackness as an ontological, social, and aesthetic force. It examines how Jafa and Pendleton unsettle dominant epistemologies, staging acts of refusal and creation that resonate within …

Secured Through Stone: The Power, Monuments, And Memory Of Thyra Danmarkarbót And The Jelling Dynasty, Jacquelyn Truitt

History ETDs

Sometime in the mid-tenth century on the Jutland peninsula of Denmark, the Viking Age Queen Thyra (d. ca. 958/9) passed away and the epithet Danmarkarbót—Denmark’s Adornment—was skillfully carved onto her memorial runestone. Yet Thyra’s story has been clouded by few and unreliable textual sources, by differing assessments of her familial background that have emerged from those sources, and by misrepresentations of the material culture relating to her. This thesis explores Thyra and her place within the Viking Age Jelling dynasty through textual and material evidence and considers how the construction of both medieval and modern memory work and memorialization …

Rishon Le-ẒIyyon, Winepress Park: Geomorphology And Sedimentology, Joel Roskin, Yotam Asscher

Qadum: Journal of Excavation Reports from Israel

An extensive brown sandy double-unit sediment, draping large parts of the archaeological remains at the Winepress Park in Rishon Le-Ẓiyyon, is suggested to be associated with the previously reported, undated ʻEn Ha-Qore clay. Based on relative age port-OSL profiling, the depositional mechanism of this unit and the overlying sand is suggested to be related to late Holocene, dune-dammed winter ponds. These aeolian-fluvial dune-damming processes may have been partly triggered by intensive Byzantine human activity that may have led to sand mobilization.

Rishon Le-ẒIyyon, Winepress Park: The Coins, Helena Sokolov, Lior Sandberg

Qadum: Journal of Excavation Reports from Israel

The excavation at the Winepress Park in Rishon Le-Ẓiyyon uncovered 26 bronze coins, 22 of which were identified. The coins range in date from the fourth century CE to the Umayyad period. The earliest coin is of Constantius II, dated to 341–346 CE, while the latest coins are Umayyad Post-Reform issues. The coin data is consistent with the archaeological context of the excavation and confirms the excavator’s conclusion that the site can be dated to the period of the sixth–ninth centuries CE.

Rishon Le-ẒIyyon, Winepress Park: Early Islamic Pottery / ראשון לציון, גן הגיתות: ממצא כלי החרס מן התקופה האסלאמית הקדומה, Hagit Torgë

Qadum: Journal of Excavation Reports from Israel

The excavations at the Winepress Park in Rishon Le-Ẓiyyon uncovered a large pottery assemblage dated to the Early Islamic period. The assemblage was discovered in three squares, in clay soil that was exposed after the sand dune covering the site was removed. The repertoire included simple bowls, open cooking pots, jars, jugs, a flask and an oil lamp. Most of the vessels were simple household wares, suggesting that during this period the site was a rural, possibly isolated, farmstead. The absence of glazed or imported vessels may indicate the poor economic status of its inhabitants. While most of the vessels …