History of Art, Architecture, and Archaeology Commons^™

An Interactive Walkthrough Of Richard Kostelanetz’S Library, Martin Glick

Dissertations, Theses, and Capstone Projects

My project utilizes the visual novel game engine Ren’Py to create an embodied virtual walkthrough of Richard Kostelanetz’s personal library. Kostelanetz is a pioneering avante-garde artist, critic, and anthologist whose work spans multiple decades and artistic practices. This interactive experience introduces users to the astounding collection of 25,000 books that Kostelanetz has amassed in Ridgewood, Queens over his decades of publishing avant-garde literature. While scholars might be familiar with his anthologies such as Scenarios: Scripts to Perform (1980) and Texts-Sound Texts (1980), my project allows users to browse through sample pages of his original “Book Art”.

This New Media Object …

Digital Resurrection Of Thonis-Heracleion: Technological Advances In Underwater Archaeology And A Speculative Ai-Driven Reconstruction Methodology, James Hutson, Passent Chahine

Faculty Scholarship

This article synthesizes past archaeological research on the submerged Egyptian city of Thonis-Heracleion, critically reviewing excavations and technological interventions deployed since its rediscovery by Franck Goddio and the IEASM team. Situated approximately 10 meters beneath Aboukir Bay near Alexandria, the city represents a significant nexus of Greek and Egyptian cultural heritage, vividly documented in classical sources such as Herodotus and Strabo. Prior excavations have recovered temple complexes, colossal statues, ritual artifacts, and an extensive array of ancient shipwrecks, mapping only a fraction of the extensive site. These investigations utilized pioneering geophysical methods, including multibeam sonar, side-scan sonar, and photogrammetry, establishing …

Creating Possibilities: The Ethelind Pope Brown Collection: An Overview Of Who May Have Illustrated America's Oldest Naturalist Paintings, Maksym Dedenko

University Honors Theses

This thesis investigates the Ethelind Pope Brown Collection at the University of South Carolina, a rare assembly of hand-illustrated naturalist artworks depicting an assortment of flora and fauna from the eighteenth century. Despite its artistic and educational value, the creator of the collection remains unidentified. Through close textual and visual analysis, archival research, and comparative stylistic study, this project explores several potential authorship theories while providing background to the necessity of evolving science that facilitated its creation.

Objects Against Convention: An Objective Study Of Claude Cahun's Overlooked Works, Zuzu Longstreth

University Honors Theses

The French artist and writer Claude Cahun (1894-1954) is best known for her early self-portraiture. These photographs take place in theatrical spaces and witness the artist donning costumes and masks, playing out different identifiers and gender roles. Beginning with the discovery of Cahun's work in the 1990s, the scholarly conversation has focused entirely on the artists early work based on a perceived kinship with postmodern notions of identity. While this early body of work is fascinating, attention to it has been singular, shaping how the rest of Cahun's work is understood. To trouble this one-dimensional view of Cahun as an …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Buddha, Resituated, Min Sun

Masters Theses

The Asian Arts Room at the Metropolitan Museum of Art presents significant cultural artifacts in a minimalist, neutral environment that disconnects them from their original historical and spatial contexts. By proposing display techniques that emphasize the origin and background of objects, it asks whether audiences from diverse cultural backgrounds can be enabled to connect empathetically with and learn from the heritage represented by these objects displayed out of context.

This thesis explores how exhibition design can reframe decontextualized artifacts to restore cultural meaning. By unpacking the room chronologically and geographically, and drawing from the spatial language of the Yungang Grottoes, …

Unframing Venus: Redefining The Female Nude, Sage Leafsong

Masters Theses

Historically women have been excluded from becoming acclaimed artists due to societal, educational, and institutional barriers. This exclusion has had many repercussions in Western art––in a large part it has made celebrated male artists the norm, while celebrated female artists are the exception.

These same barriers often precluded women from depicting themselves in art. When women did paint, they were encouraged to paint domestic scenes such as flowers or still lifes and were prohibited from studying or depicting the nude form. This gap of representation was filled by male artists who have felt empowered to sexualize women with no consequence. …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Pressing Into Absence, Linda Sok

Masters Theses

Pressing into Absence traces the materials, processes, and works I have engaged with between March 2023 and May 2025, positioning historical and contemporary narratives in dialogue with one another. This book interweaves colonial-era source materials (from 1864- 1928) - writings, etchings, and paintings of Cambodia produced by persons from the United States of America and France - with personal anecdotes from my travels to Cambodia in 2024. These accounts are layered alongside speculative reflections in the form of text, sketches, mind maps, and material explorations. These archival remnants and personal experiences are folded together and positioned as equally reliable sources. …

Archaeological, Pxrf, And Gis Analyses At The Trestle Bridge Site (8ja186), Northwest Florida, Victoria Marie Freitas

USF Tampa Graduate Theses and Dissertations

The Trestle Bridge Site (8JA186), located on an eroding riverbank of the upper Apalachicola River in northwest Florida, represents a significant multi-component precontact site with occupations that date from the Early Woodland (~800 B.C.–A.D. 300) and the Fort Walton periods (A.D. 1000-1500). Previous research has broadly classified the site based on ceramic and lithic assemblages, but a detailed investigation into pottery production and environmental changes over time at the site remains unexplored in the understudied Apalachicola valley region. There also appears to be over a thousand-year gap in occupation at the site, as no Middle or Late Woodland ceramic or …

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

ModiʻIn, Nofim Neighborhood: The Flint Assemblage From A Pre-Pottery Neolithic A Site, Polina Spivak

Qadum: Journal of Excavation Reports from Israel

Remains of a Pre-Pottery Neolithic A site were revealed during a salvage excavation conducted along a range of hills bordering Modiʻin to the west. An area of c. 80 dunams was sampled and probed, yielding a total of 4572 flint items; no architectural remains of this period were found. A comprehensive analysis of a sample of 1170 flint items revealed evidence of intensive local manufacture of bifacial tools, indicating the site functioned as a production center. The collected data augment the recorded assemblages from comparable sites in the area.

Modi‘In, Nofim Neighborhood: Animal Bones, Nimrod Marom

Qadum: Journal of Excavation Reports from Israel

This report describes a very small collection of animal bones from a karstic cave and an unfinished cistern excavated in Nofim Neighborhood in Modi‘in. It appears to comprise domesticated animals in secondary or tertiary deposition. Many of the bones represent donkeys and dogs, and therefore cannot be considered food refuse.

Modi‘In, Nofim Neighborhood: Remains From The Neolithic And Persian–Byzantine Periods / מודיעין, שכונת נופים: שרידים מן התקופות הניאוליתית והפרסית–הביזנטית, Elie Haddad

Qadum: Journal of Excavation Reports from Israel

A vast salvage excavation was conducted in Complex N, an area designated for the construction of the Nofim neighborhood in Modi‘in. The excavation documented 130 find spots, including agricultural terraces, partition and boundary walls, dams, stone heaps, watchtowers, roads, winepresses, fences (pens), rock shelters, lime kilns, cupmarks, caves, shafts, cisterns and modern walls. It also revealed a fortress with adjacent casemate rooms dating to the Persian and Early Hellenistic periods, which could have been used by Persian military forces. Byzantine-period remains consisted of a farmstead, winepresses and terraces, indicating the agricultural character of the region.

Chess As A Visual Language: Women Playing Love In The Medieval Courts Of Spain And France, Zoe Kobs

Undergraduate Theses in Art History

This thesis explores the visual representations of the game of chess in two case studies during the medieval period in the courts of Europe: manuscript illustrations in Spain, and a carved ivory mirror case in France. These case studies reveal how visual objects were used to construct cultural realities. Specifically, they illustrate how depictions of chess combined with the presence of women not only alluded to romantic possibilities, but also dictated the role, conduct, and perception of women in the medieval courts. The imagined woman’s adherence to expected court rules, rules stemming from chess games, and the art of love …

Fired And Fractured: An Analysis Of Broken Ceramics, Evan Mcguire

Honors Projects

How does the construction of a ceramic object affect how it breaks? How does the force applied affect this break? These questions are based on my first-hand observations of the multitude of ceramic fragments found in different states of decay at archaeological sites. To answer these questions, I created samples that imitate ancient ceramics and then broke them in different ways. I then analyzed the fracture surfaces and looked for evidence of weak points in the objects. Pieces that were hit by a blunt force, such as a hammer, had radial fractures that formed along paths that had clusters of …