History of Art, Architecture, and Archaeology Commons^™

Yotvata A-9447/2022, Tal Sapir

Favissa: Past Archaeological Excavation Reports

In December 2022, a salvage excavation was conducted in Yotvata (Permit No. A-9447/2022; Map ref. 205165-6210/423650-935) prior to laying a water pipeline. The excavation, on behalf of the Israel Antiquities Authority and funded by the Mekorot Water Company, was directed by T. Sapir (field photography), with the assistance of Y. Alamor (administration), E. Aladjem (surveying and field photography), I. Azulay (maps and plans), N. Lect Ben Ami (area supervision and field photography), G. Seriy and Y. Radashkovsky (Southern Negev District), A. Golani (archaeological consultation) and workers from Eilat.

Wadi Abu Shulula A-9310/2022, Anya Kleiner

Favissa: Past Archaeological Excavation Reports

In July 2022, a trial excavation was conducted on the declared antiquities site of Wadi Abu Shulula (Permit No. A-9310/2022; Map ref. 279492-782/755258-5258), following damage caused to the site. The excavation, on behalf of the Israel Antiquities Authority and funded by the Ministry of Defense, was directed by A. Kleiner (photography and photogrammetric documentation), with the assistance of Y. Yaakobi (administration) and workers from the town of Kabul.

Yattir Mountains, East Of Hura A-9459/2022, Alex Fraiberg

Favissa: Past Archaeological Excavation Reports

In December 2022, a trial excavation was conducted in an area designated for the construction of sheep pens east of Hura (Permit No. A-9459/2022; Map ref. 19558-663/5678973-9020). The excavation, on behalf of the Israel Antiquities Authority and funded by The Authority for the Regulation of Bedouin Settlement in the Negev was directed by A. Fraiberg, with the assistance of Y. Alamor (administration), I. Azoulay (plans), A. Golani and D. Eisenberg-Degen (scientific guidance) and a team of Palestinian laborers.

Jerusalem, Qiryat Moshe A-9360/2022, Danit Levi

Favissa: Past Archaeological Excavation Reports

In August 2022, a trial excavation was conducted at no. 1 Pik street in Qiryat Moshe neighborhood in Jerusalem (Permit No. A-9360/2022; Map ref. 218669-747/632417-545), prior to the 'Pinui-Binui' building project. The excavation, on behalf of the Israel Antiquities Authority and funded by the developer group "Rova |One", was directed by D. Levi, with the assistance of N. Nehama and R. Abu Khalaf (administration), S. Halevi (photogrammetry) and A. Rose (plans).

Reclamation, Laura Day Webb

MA Projects

This exhibition will take the form of a group show of African artists who weave
/="/">cultural heritage with the contemporary, to challenge Western perceptions of African art and culture. Artists Wole Langunju (Nigeria), Prudence Chimutuwah (Zimbabwe), Lincoln Mwangi (Kenya), Moira Bushkimani (Kenya), and Angèle Etoundi Essamba (Cameroon) are confirmed to participate. In addition to the contemporary works by these artists on display, two Nigerian Gèlèdé masks have been generously loaned from the private collection of Olusanya Ojikutu, one from the early 20th century and, the other, whose dating is undetermined. In showcasing these works in tandem, the exhibition creates …

Fpi Art Initiative: A Romanian Perspective, Through The Looking Glass, Francesca Popescu

MA Projects

The FPI (Francesca Popescu Ife) Art Initiative is a curatorial business that focuses on creating pop-up exhibitions featuring emerging and mid-career artists from countries that are not as widely represented in New York or other major art markets. The foundation of this company is to form partnerships with real estate, hospitality, and public venues to host curated pop-up exhibitions throughout New York City and the Hamptons with future goals to expand nationally. The objective is to showcase artwork within a home environment where individuals and collectors interested in art and design can view and discover new artists exhibited within a …

Pasado, Presente, Futuro: A Story Of Immigration, Constanza Galindo Acosta

MA Projects

Oftentimes when speaking about immigration the conversation centers
around specific political agendas, economic impact, or labor. However important
these topics may be, they fail to understand the humanity of immigration, leaving
behind the most essential part of the conversation: the voice of the actual
immigrants. How can a more individualistic approach towards the experience of
the immigrant give us a better understanding of the nuances of immigration as a
whole? Pasado, Presente, Futuro takes as inspiration the personal experiences of
nine Latinx artists that currently live in the United States as a way to tell the past,
present, and future …

The Paradox Of Scarcity: A Look At The Old Masters Evening Sales From 2014 To 2022 In London And New York, Erin Haydon

MA Theses

This thesis sets out to disprove the theory of the decline of the Old Masters market using data from 2014 until 2022. The data is collected from the January and December Evening Sales at Sotheby’s auction house in both London and New York. It elicits that through the assistance of calculated estimates the market has been holding steady despite media headlines and assumptions. The market, as the smallest of the fine art sectors, fights against, but simultaneously uses to its advantage, the concept of scarcity. Many masterpieces that come to auction benefit from never having been seen before and thus …

Lucretia Van Horn: The Artist’S Meaningful Impact On The Development Of Modernism In The Bay Area, Annie K. Roddy

MA Theses

Women artists lack recognition for their significant contributions to the development of regional modernism in the United States during the twentieth century. This study seeks to highlight the important impact American artist Lucretia Van Horn had on modernism in the Bay Area from the 1920s through the 1940s. The study addresses how the artist worked in advanced modernist styles, achieving local recognition and success, but was ultimately overshadowed by her male counterparts in the larger dialogue. The results reveal an artist at the forefront of avant-garde trends who deserves much wider recognition.

The Printmaking Boom And Its Effect On The Future For The Market For Prints And Multiples, Helen H. Condo

MA Theses

The purpose of this study is to examine the history of the market for prints and multiples beginning with the print renaissance of the 1960s to discover the underlying drivers of a successful editions market and make predictions for the future. Before the print boom of the 1960s, driven by the departure of printmakers from Europe during World War II, who reinvigorated a passion for the artistic process, printmaking was considered that of a craft. Once it was elevated from its secondary status, due to excitement from Contemporary artists and institutional accreditation, a market structure was solidified. By examining the …

The Private Art Collector’S Foundation In France: Issues And Implications For The Cultural Landscape, Milena Berman

MA Theses

The last two decades have witnessed an explosion in the number of private art spaces worldwide. From Bentonville, Arkansas, to Naoshima, Japan, hundreds of impressive structures built by star architects have been funded by private individuals and corporations to house collections of modern and contemporary art, often in unlikely places. The famously-termed “Bilbao effect” in which a grand museum structure is set up outside of the established art capitals of the world, thus putting the city “on the map” of cultural tourism, has become a widespread trend. The examples vary greatly and range from small private “home museums”
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How Nfts Are Driving The Latest Evolution Of Art From Physical To Digital In A Pandemic Age., Isabel Dominguez De Haro

MA Theses

Prior to 2014, the art industry did not know a lot about NFTs and the benefits of
blockchain technology. That is because when the technology was created in 2008,
it had nothing to do with art. In fact, it was primarily developed as a way to
decentralize a broken financial system.1 And, even when the art industry began
successfully using the technology in 2017, it was the digital art world and not
traditional artists, galleries, auction houses, or dealers who first recognized the
benefit of using digital tokens to represent ownership of a unique asset. So why
now are NFTs …

Selling Transcendence: The Rise Of Experience And The Big Business Of Immersive Art, Emeline Callaway

MA Theses

There has been an explosion of immersive art experiences over the past few years. Even as the pandemic has taken a toll on tourism, immersive art ventures and experimental museums have expanded around the world, drawing significant crowds and offering investors an inside into a new, emerging industry. This thesis ties these new experiential businesses to the history of art through an analysis of immersive artistic exploration over time and connects the current forms of investment to the history of immersive art patronage. Exploring the relationship between major economic shifts and the development of the art market, this thesis explains …

Re-Imagining Design For Affordable Housing In Mexico, Kenza Fernandez Dominguez

Scripps Senior Theses

Since the presidency of Enrique Peña Nieto, affordable housing developments in Mexico have been produced in a massive, unsustainable scale. The speed at which these developments are produced equates to the carelessness that goes into their planning. At large, the developments’ monotonous design is aesthetically dehumanizing and fails to promote a sense of community. These developments lack basic infrastructure, and their residents have abandoned them, which has incentivized increased criminal activity.

In this paper, I will be looking at successful models of affordable housing globally, exploring the histories of communal living, and function of architectural collages. Based on my findings, …

Occult Conceptualism, Olivia Shao

Theses and Dissertations

This thesis explores and defines the term “Occult Conceptualism.” The term questions past models for Conceptual Art, in particular those rooted in Benjamin H. D. Buchloh’s 1990 text, “Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions,” and Joseph Kosuth’s safeguarding of Conceptual Art in part two of his text “Art after Philosophy,” in which a number of artists (John Baldessari, Douglas Huebler, amongst others) are excluded from his canon. Arguing for a new approach to certain strains of conceptualism, this paper refutes the perspective that the conceptual movement was grounded only in theoretical and rationalist …

Review Of 'Painting In Stone: Architecture And The Poetics Of Marble From Antiquity To The Enlightenment', Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Review Of 'The Making Of Medieval Rome: A New Profile Of The City, 400–1420 By Hendrik Dey', Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Schemata: The Language Of The Body In Middle Byzantine Illuminated Manuscripts, Nava Streiter

Bryn Mawr College Dissertations and Theses

Representations of body language add a vital layer of meaning to middle Byzantine figural art, and they deserve systematic scholarly attention. My dissertation offers a method for unpicking the meanings of individual movements, and, more importantly, it explores the underlying cultural concerns that shaped the form of the body in middle Byzantine art. I argue that Byzantine images of body language are intentionally schematic and programmatic. By combining a restricted vocabulary of motion with pared-down renderings of physical forms, Byzantine artists engaged the vital force of embodied expression, while also transfiguring the body into a metaphoric representation of disembodied ideas …

America’S Forgotten Laborers: The World Of Enslaved Craftsmen, Zack Dow

Emerging Writers

This article examines the underrepresented world of enslaved artisans in the American south. In the minds of many, enslaved Americans were confined to unskilled plantation labor. While such labor constituted a large part of the work of the enslaved, master craftspeople go unrecognized, perpetuating an imagine of unskilled, nominal workers that undermines the accomplishments of the millions of black artisans working at the time.

The Subsistence Economy In Urban Mayapán : Sustainability And Resiliency Through Diversity, Caroline Elizabeth Antonelli

Legacy Theses & Dissertations (2009 - 2024)

Agrarian states are often viewed as premodern manifestations of complex urbanism, with environmental constraints limiting growth and their sustainability. Pre-Columbian states in the Northern Maya Lowlands were one context where these conditions were thought to apply. However, despite environmental constraints such as a scrub forest, periodic droughts and hurricanes, and an uneven distribution of resources, civilization flourished. Critical to the success of these states were social and economic institutions that supported highly effective landscape management strategies. The impact of these systems is still apparent today.Multiscalar approaches are critical to understanding the complex structures of subsistence economies in premodern urban places. …